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How do designers in research-driven practices differentiate themselves from each other and form distinctive platforms for future practice? The research presented in this second edition and carried out in Australia as part of an Australian Research Council Discovery Program is of significance for design practice, review, and our deeper understanding of the design of(...)
Théorie de l’architecture
mars 2020
The practice of spatial thinking
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How do designers in research-driven practices differentiate themselves from each other and form distinctive platforms for future practice? The research presented in this second edition and carried out in Australia as part of an Australian Research Council Discovery Program is of significance for design practice, review, and our deeper understanding of the design of space and spaces. In continuing the exploration of spatial intelligence,” this research further develops our understanding of designers, how they work and what they draw on through their lives that shapes their spatial thinking, and their practice. The research also provides broader insights into a more public understanding and acknowledgement of our collective spatial intelligence. It shows how this could be developed and enhanced to provide more spatial and design literacy in our communities, and how these can engage with their changing environments.
Théorie de l’architecture
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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European(...)
Modern look: photography and the American magazine
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A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue-whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers-emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. With more than 150 revolutionary photographs, layouts, and cover designs, 'Modern Look' considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand.
Théorie de la photographie
On photographs
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke(...)
On photographs
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In ''On photographs,'' curator and writer David Campany presents an exploration of photography in 120 photographs. Proceeding not by chronology or genre or photographer, Campany’s eclectic selection unfolds according to its own logic. We see work by Henri Cartier-Bresson, William Eggleston, Helen Levitt, Garry Winogrand, Yves Louise Lawler, Andreas Gursky, and Rineke Dijkstra. There is fashion photography by William Klein, one of Vivian Maier’s contact sheets, and a carefully staged scene by Gregory Crewdson, as well as images culled from magazines and advertisements. Each of the 120 photographs is accompanied by Campany’s lucid and incisive commentary, considering the history of that image and its creator, interpreting its content and meaning, and connecting and contextualizing it with visual culture. Image by image, we absorb and appreciate Campany’s complex yet playful take on photography and its history.
Théorie de la photographie
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus(...)
Solid, Fluid, Biotic: Changing alpine landscapes. VOGT Landscape Architects
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An exploration of the Alpine region’s dynamic topography, conceived for the 17th Venice Architecture Biennale. For "How Will We Live Together", VOGT Landscape Architects has collaborated with the Chair of Günther Vogt at ETH Zurich, Institute of Landscape and Urban Studies on a publication that excavates the dynamic landscape of the Alpine region, with a particular focus on hydrological, biological and geological aspects of the topography. Characterized by a great diversity in all spatial dimensions and qualities, the Alps are not a stable structure, but a dynamic and sensitive organism, defined at the same time by intensive cultivation by humankind. Here, boundaries are ceaselessly overcome and continuously shifted. This book documents the contributions at the Biennale exploring the nature of alpine topography and complements them with scientific essays, artistic works and comprehensive photographs taken during field trips to the Alps.
The story of architecture
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In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra,(...)
octobre 2022
The story of architecture
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In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra, national icons such as the Lincoln Memorial and the Sydney Opera House, and skyscrapers such as the Seagram Building and Beijing’s CCTV headquarters. Rybczynski’s narrative emphasizes the ways that buildings across time and space are united by the human desire for order, meaning, and beauty.This is the story of architecture’s physical manifestation of the universal aspiration to celebrate, honor, and commemorate, and an exploration of the ways that each building is a unique product of patrons, architects, and builders.
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780 pages : illustrations (some color) ; 24 cm
Fribourg, Switzerland : Fri Art ; London : Koenig Books, [2017], ©2017
The anti-museum : an anthology / by Mathieu Copeland and Balthazar Lovay ; authors & contributors, Guillaume Apollinaire [and many others] ; translation, Thomas Butler [and nine others].
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780 pages : illustrations (some color) ; 24 cm
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Fribourg, Switzerland : Fri Art ; London : Koenig Books, [2017], ©2017
Socrates' ancestor
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Socrates' Ancestor is a rich and poetic exploration of architectural beginnings and the dawn of Western philosophy in preclassical Greece. Architecture precedes philosophy, McEwen argues, and it was here, in the archaic Greek polis, that Western architecture became the cradle of Western thought. McEwen's appreciation of the early Greek understanding of the indissolubility(...)
Théorie de l’architecture
octobre 1993, Cambridge London
Socrates' ancestor
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Socrates' Ancestor is a rich and poetic exploration of architectural beginnings and the dawn of Western philosophy in preclassical Greece. Architecture precedes philosophy, McEwen argues, and it was here, in the archaic Greek polis, that Western architecture became the cradle of Western thought. McEwen's appreciation of the early Greek understanding of the indissolubility of craft and community yields new insight into such issues as orthogonal planning and the appearance of the encompassing colonnade - the ptera or "wings" - that made Greek temples Greek. Who was Socrates' ancestor? Socrates claims it was Daedalus, the mythical first architect. Socrates' ancestors were also the first Western philosophers: the pre-Socratic thinkers of archaic Greece where the Greek city-state with its monumental temples first came to light. McEwen brilliantly draws out the connections between Daedalus and the earliest Greek thinkers, between architecture and the advent of speculative thought. She argues that Greek thought and Greek architecture share a common ground in the amazing fabrications of the legendary Daedalus: statues so animated with divine life that they had to be bound in chains, the Labyrinth where Theseus slew the Minotaur, Ariadne's dancing floor in Knossos. Socrates' Ancestor is an exploration as remarkable for its clarity as for its avoidance of reductionism. Drawing as much on the power of myth and metaphor as on philosophical, philological, and historical considerations, McEwen first reaches backward: from Socrates to the earliest written record of Western philosophy in the Anaximander B1 fragment, and its physical expression in Anaximander's built work - a "cosmic model" that consisted of a celestial sphere, a map of the world, and the first Greek sun clock. From daedalean artifacts she draws out the centrality of early Greek craftsmanship and its role in the making of the Greek city-state. The investigation then moves forward to a discussion of the polis and the first great peripteral temples that anchored for the meaning of "city."
Théorie de l’architecture
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"Straw bale details" focuses entirely on the specific design theories and practices that result in well-built, long-lasting bale structures, and extends the range of books like "Straw bale building" through large, easy-to-read architectural drawings rendered for a wide variety of building options, including load-bearing and post-and-beam designs. A range of foundation,(...)
Architecture écologique
avril 2003, Gabriola Island
Straw bale design : a manual for designers and builders
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"Straw bale details" focuses entirely on the specific design theories and practices that result in well-built, long-lasting bale structures, and extends the range of books like "Straw bale building" through large, easy-to-read architectural drawings rendered for a wide variety of building options, including load-bearing and post-and-beam designs. A range of foundation, wall, door and window, and roof-plate scenarios are presented, along with explanatory notes and possible modifications. Also included is testing data from the most recent rounds of bale wall exploration, and interpretations of the data are given to help base designer and builder decisions on sound science. Chapters include: foundations & floors; curb rails; walls; openings; top plates; pre-stressing; roofs; wall mounting, electrical & plumbing systems; as well as sections on key scientific test results; building code provisions; bale basics; plasters & finishes; and a bibliography.
Architecture écologique
livres
Artist-run spaces, around and about : 2012-2015-2017 / ouvrage sous la direction de Rozenn Canevet.
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203 pages : illustrations (chiefly color), facsimiles ; 25 cm
Dijon : Les presses du réel, [2018]
Artist-run spaces, around and about : 2012-2015-2017 / ouvrage sous la direction de Rozenn Canevet.
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203 pages : illustrations (chiefly color), facsimiles ; 25 cm
livres
Dijon : Les presses du réel, [2018]
$84.00
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This book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912–94), known as Gego. In locating the artist’s contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the ''edge of modernity.'' In(...)
Gego: Weaving the space between
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This book is the first extended study of the life and work of German-born Venezuelan artist Gertrude Goldschmidt (1912–94), known as Gego. In locating the artist’s contribution to postwar art and her important place in the global conversations around modernity, Mónica Amor explores her intermedial practice as a model of cultural complexity at the ''edge of modernity.'' In situating Gego’s work alongside other local archives and against her European education and global reception, Amor offers a monographic model that complicates traditional approaches to history. She investigates the full range of Gego’s work, including her furniture workshop, her teaching at schools of architecture and design, her seminal reticuláreas, and her lesser-known prints. Through rigorous archival research, formal analysis, theoretical relevance, and deep exploration of historical context, this essential book unpacks Gego’s radical recasting of the modern sculptural project through her engagement with architecture, craft, and design pedagogy.