2047 Résultats
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Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online(...)
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Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online(...)
Publication:
mars 2022
mars 2022
Titre:
(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbours)) (in neoliberal times)?
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Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online research festival.” Divided into two parts, this compendium chronicles the studio’s politically and socially committed approach through lectures, research, conversations, and project documentation from the online festival and five years of studio work. Both the festival's debate about working conditions and the studio's practice critically examine the imperative of committed designers today to radically reorient their approach, the content of their work, and their relationship with the actors for whom they design.
(How) do we (want to) work (together) (as (socially engaged) designers (students and neighbours)) (in neoliberal times)?
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Résumé:
Since 2011, the Studio Experimentelles Design at the University of Fine Arts in Hamburg has experimented with local design support as a contemporary practice. The student-led program advocates a community-based, cooperative approach to design. In the summer of 2020, the Kunstgewerbemuseum Berlin Design Lab #6 hosted Studio Experimentelles Design's eponymous online research festival.” Divided into two parts, this compendium chronicles the studio’s politically and socially committed approach through lectures, research, conversations, and project documentation from the online festival and five years of studio work. Both the festival's debate about working conditions and the studio's practice critically examine the imperative of committed designers today to radically reorient their approach, the content of their work, and their relationship with the actors for whom they design.
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livres
livres
Publication:
mars 2022
mars 2022
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livres
livres
Titre:
Circular facts
Circular facts
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$28.95
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Circular Facts is a collaborative endeavor between three European contemporary art organizations: Casco – Office for Art, Design and Theory, Utrecht; Objectif Exhibitions, Antwerp; and The Showroom, London, in partnership with Kunst Halle Sankt Gallen and Electric Palm Tree. The project acted as an informal think tank and a mutual support structure for the production and(...)
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Circular Facts is a collaborative endeavor between three European contemporary art organizations: Casco – Office for Art, Design and Theory, Utrecht; Objectif Exhibitions, Antwerp; and The Showroom, London, in partnership with Kunst Halle Sankt Gallen and Electric Palm Tree. The project acted as an informal think tank and a mutual support structure for the production and(...)
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Circular facts
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Circular Facts is a collaborative endeavor between three European contemporary art organizations: Casco – Office for Art, Design and Theory, Utrecht; Objectif Exhibitions, Antwerp; and The Showroom, London, in partnership with Kunst Halle Sankt Gallen and Electric Palm Tree. The project acted as an informal think tank and a mutual support structure for the production and dissemination of artistic projects, and has culminated in an eponymous publication. The publication aims to gather a spectrum of perspectives to explore the roles of specific initiatives within their particular localities. The contributors have produced works that speak to their experiences within arts institutions, collaborative curatorial initiatives, and research networks, expanding on the relationship between institutions and artists, markets, local and international audiences, and current political climates.
Circular facts
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Circular Facts is a collaborative endeavor between three European contemporary art organizations: Casco – Office for Art, Design and Theory, Utrecht; Objectif Exhibitions, Antwerp; and The Showroom, London, in partnership with Kunst Halle Sankt Gallen and Electric Palm Tree. The project acted as an informal think tank and a mutual support structure for the production and dissemination of artistic projects, and has culminated in an eponymous publication. The publication aims to gather a spectrum of perspectives to explore the roles of specific initiatives within their particular localities. The contributors have produced works that speak to their experiences within arts institutions, collaborative curatorial initiatives, and research networks, expanding on the relationship between institutions and artists, markets, local and international audiences, and current political climates.
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livres
livres
Publication:
janvier 2012
janvier 2012
Sujet:
Théorie de l’art
Théorie de l’art
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livres
livres
Titre:
Invention, construction, communication: revues d'avant-garde de la collection Alberto Sartoris
Invention, construction, communication: revues d'avant-garde de la collection Alberto Sartoris
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Parmi les abondantes ressources du fonds Alberto Sartoris conservé aux Archives de la construction moderne, la collection de revues d'art et d'architecture constitue un ensemble capital. Son secteur le plus spectaculaire est celui des "revues d'avant-garde" des années 1920 et 1930. Vitrines de l'identité propre aux différents groupes qui les publient et de la communauté(...)
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Parmi les abondantes ressources du fonds Alberto Sartoris conservé aux Archives de la construction moderne, la collection de revues d'art et d'architecture constitue un ensemble capital. Son secteur le plus spectaculaire est celui des "revues d'avant-garde" des années 1920 et 1930. Vitrines de l'identité propre aux différents groupes qui les publient et de la communauté(...)
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Invention, construction, communication: revues d'avant-garde de la collection Alberto Sartoris
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Parmi les abondantes ressources du fonds Alberto Sartoris conservé aux Archives de la construction moderne, la collection de revues d'art et d'architecture constitue un ensemble capital. Son secteur le plus spectaculaire est celui des "revues d'avant-garde" des années 1920 et 1930. Vitrines de l'identité propre aux différents groupes qui les publient et de la communauté qui les lie, elles sont le support d'une expérimentation visuelle foisonnante (typographie, construction de l'image). C'est elle qui justifie d'abord la sélection présentée ici, composée de couvertures emblématiques de quelque soixante titres célèbres ou - le plus souvent - méconnus. Mais ces images témoignent également d'un processus caractéristique, où les programmes utopistes et totalisants de l'avant-garde historique s'abîment dans la Crise pour se subordonner aux réalités d'une "architecture moderne" en voie d'institutionnalisation.
Invention, construction, communication: revues d'avant-garde de la collection Alberto Sartoris
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Parmi les abondantes ressources du fonds Alberto Sartoris conservé aux Archives de la construction moderne, la collection de revues d'art et d'architecture constitue un ensemble capital. Son secteur le plus spectaculaire est celui des "revues d'avant-garde" des années 1920 et 1930. Vitrines de l'identité propre aux différents groupes qui les publient et de la communauté qui les lie, elles sont le support d'une expérimentation visuelle foisonnante (typographie, construction de l'image). C'est elle qui justifie d'abord la sélection présentée ici, composée de couvertures emblématiques de quelque soixante titres célèbres ou - le plus souvent - méconnus. Mais ces images témoignent également d'un processus caractéristique, où les programmes utopistes et totalisants de l'avant-garde historique s'abîment dans la Crise pour se subordonner aux réalités d'une "architecture moderne" en voie d'institutionnalisation.
Classification:
livres
livres
Publication:
février 2012
février 2012
Sujet:
Arts graphiques imprimés
Arts graphiques imprimés
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livres
livres
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$55.00
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In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the(...)
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In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the(...)
Titre:
Christo and Jean-Claude: Remembering the running fence
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In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the process of planning it consumed nearly four years, and the installation required helicopters, barges, lawyers, and more than 300 Bay Area students and workers. Illustrated throughout with graphic representations and photographs, Christo and Jeanne-Claude recounts how two artists who were complete strangers to the area gradually enlisted the support of entire communities in order to make their vision a reality.
Christo and Jean-Claude: Remembering the running fence
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In September 1976, a curtain of shimmering white was unfurled across the hills of rural northern California, running unbroken for 24.5 miles from Sonoma County to the Pacific Ocean. The artistic vision of Christo and Jeanne-Claude's Running Fence was 18 feet high and traversed the private properties of 59 ranchers. Although it remained in place for just two weeks, the process of planning it consumed nearly four years, and the installation required helicopters, barges, lawyers, and more than 300 Bay Area students and workers. Illustrated throughout with graphic representations and photographs, Christo and Jeanne-Claude recounts how two artists who were complete strangers to the area gradually enlisted the support of entire communities in order to make their vision a reality.
Classification:
livres
livres
Publication:
avril 2010
avril 2010
Sujet:
Land Art
Land Art
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livres
livres
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“One comes home tired after having worked all day and finds an uncomfortable chair.” This is the start to Bruno Munari’s considerations on the choice between aesthetics and functionality when designing furniture. To support his thesis, Munari analyses the most obvious case of the armchair. You must have been seated on countless types of chair: very low ones, ones with(...)
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“One comes home tired after having worked all day and finds an uncomfortable chair.” This is the start to Bruno Munari’s considerations on the choice between aesthetics and functionality when designing furniture. To support his thesis, Munari analyses the most obvious case of the armchair. You must have been seated on countless types of chair: very low ones, ones with(...)
Titre:
Seeking comfort in an uncomfortable chair
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“One comes home tired after having worked all day and finds an uncomfortable chair.” This is the start to Bruno Munari’s considerations on the choice between aesthetics and functionality when designing furniture. To support his thesis, Munari analyses the most obvious case of the armchair. You must have been seated on countless types of chair: very low ones, ones with a deep seat, ones with sharp edges, and so on. “But be honest : what is more restful than a tuppenny deckchair.” In Munari’s typically engaging style the great designer reminds us how we could go on inventing furniture each time fashions change when actually all that is needed is to perfect the most comfortable of the existing models, not forgetting the real purpose: comfort and durability.
Seeking comfort in an uncomfortable chair
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“One comes home tired after having worked all day and finds an uncomfortable chair.” This is the start to Bruno Munari’s considerations on the choice between aesthetics and functionality when designing furniture. To support his thesis, Munari analyses the most obvious case of the armchair. You must have been seated on countless types of chair: very low ones, ones with a deep seat, ones with sharp edges, and so on. “But be honest : what is more restful than a tuppenny deckchair.” In Munari’s typically engaging style the great designer reminds us how we could go on inventing furniture each time fashions change when actually all that is needed is to perfect the most comfortable of the existing models, not forgetting the real purpose: comfort and durability.
Classification:
livres
livres
Publication:
janvier 2013
janvier 2013
Sujet:
Théorie du design
Théorie du design
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livres
livres
Prix:
$72.00
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Résumé:
Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power - in that case, the reciprocal support among Arab dictators and Western democracies - can be interrupted, at least for a short moment in history. These new activist movements often use online media to(...)
$72.00
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Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power - in that case, the reciprocal support among Arab dictators and Western democracies - can be interrupted, at least for a short moment in history. These new activist movements often use online media to(...)
Titre:
Global activism: art and conflict in the 21st century
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$72.00
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Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power - in that case, the reciprocal support among Arab dictators and Western democracies - can be interrupted, at least for a short moment in history. These new activist movements often use online media to spread their message. Mass demonstrations from Tahrir Square in Cairo to Taksim Square in Istanbul show the power of networked communication to fuel "performative democracy" - at the center of which stands the global citizen. Art is emerging as a public space in which the individual can claim the promises of constitutional and state democracy. Activism may be the first new art form of the twenty-first century.
Global activism: art and conflict in the 21st century
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$72.00
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Résumé:
Today political protest often takes the form of spontaneous, noninstitutional, mass action. Mass protests during the Arab Spring showed that established systems of power - in that case, the reciprocal support among Arab dictators and Western democracies - can be interrupted, at least for a short moment in history. These new activist movements often use online media to spread their message. Mass demonstrations from Tahrir Square in Cairo to Taksim Square in Istanbul show the power of networked communication to fuel "performative democracy" - at the center of which stands the global citizen. Art is emerging as a public space in which the individual can claim the promises of constitutional and state democracy. Activism may be the first new art form of the twenty-first century.
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livres
livres
Publication:
octobre 2014
octobre 2014
Sujet:
Théorie de l’art
Théorie de l’art
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x, 248 pages : illustrations ; 24 cm
Description:
x, 248 pages : illustrations ; 24 cm
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Berkeley : University of California Press, ©1992.
Berkeley : University of California Press, ©1992.
Titre:
To the rescue of art : twenty-six essays / Rudolf Arnheim.
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Description:
x, 248 pages : illustrations ; 24 cm
To the rescue of art : twenty-six essays / Rudolf Arnheim.
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Description:
x, 248 pages : illustrations ; 24 cm
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livres
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Berkeley : University of California Press, ©1992.
Berkeley : University of California Press, ©1992.
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Description:
293 pages, 3 unnumbered pages : illustrations ; 27 cm.
Description:
293 pages, 3 unnumbered pages : illustrations ; 27 cm.
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Santiago de Chile : Editorial Universitaria, [2012]
Santiago de Chile : Editorial Universitaria, [2012]
Titre:
La arquitectura moderna en Chile, 1907-1942 : revistas de arquitectura y estrategia gremial / Max Aguirre González.
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Description:
293 pages, 3 unnumbered pages : illustrations ; 27 cm.
La arquitectura moderna en Chile, 1907-1942 : revistas de arquitectura y estrategia gremial / Max Aguirre González.
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Description:
293 pages, 3 unnumbered pages : illustrations ; 27 cm.
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livres
livres
Publication:
Santiago de Chile : Editorial Universitaria, [2012]
Santiago de Chile : Editorial Universitaria, [2012]
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England : Lower Block, 2023.
England : Lower Block, 2023.
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livres
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England : Lower Block, 2023.
England : Lower Block, 2023.
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Description:
xxvi, 323 pages : color illustrations, color facsimiles ; 31 cm
Description:
xxvi, 323 pages : color illustrations, color facsimiles ; 31 cm
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Washington : Library of Congress : in association with the Biblioteca apostolica vaticana, Vatican City, 1993.
Washington : Library of Congress : in association with the Biblioteca apostolica vaticana, Vatican City, 1993.
Titre:
Rome reborn : the Vatican Library and Renaissance culture / edited by Anthony Grafton.
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xxvi, 323 pages : color illustrations, color facsimiles ; 31 cm
Rome reborn : the Vatican Library and Renaissance culture / edited by Anthony Grafton.
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xxvi, 323 pages : color illustrations, color facsimiles ; 31 cm
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livres
livres
Publication:
Washington : Library of Congress : in association with the Biblioteca apostolica vaticana, Vatican City, 1993.
Washington : Library of Congress : in association with the Biblioteca apostolica vaticana, Vatican City, 1993.
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