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In the 1950s, the figure of the arrow had a strange kind of ubiquity in architectural drawings, publications, and advertisements, symbolizing everything from the circulation of cold and warm air in a kitchen fridge to the flow of traffic in assorted New Towns. Twenty-five years earlier there were barely any arrows within architectural publications, and 15 years later they(...)
On arrows: Essays in British architecture and its environments
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In the 1950s, the figure of the arrow had a strange kind of ubiquity in architectural drawings, publications, and advertisements, symbolizing everything from the circulation of cold and warm air in a kitchen fridge to the flow of traffic in assorted New Towns. Twenty-five years earlier there were barely any arrows within architectural publications, and 15 years later they had all but disappeared. In ''On Arrows'', Laurent Stalder looks back at the near past to trace the idea of performance in architecture by following this pervasive yet relatively unnoticed figure within the history of British architecture. During its short, intense period of use, the arrow pointed beyond any one singular author, typology, or scale, to the operative dimension of architecture and its environments, working both as an appropriate representational technique and a concrete tool for design. Stalder uses the arrow to move through the different dimensions of performance, mapping out the changing set of constellations that made up postwar British architecture and its environments: the constructive aspects, structural properties, infrastructural innovations, spatial challenges as well as their aesthetic and practical consequences. It is the arrow, he writes, that brings together debates from within different disciplines—from building physics, to sociology, structural design, and historiography, inscribed as they are in the materials, spaces, and buildings that are all too often considered in isolation from one another.
Théorie de l’architecture
livres
Boring postcards
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring(...)
Boring postcards
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Martin Parr is a key figure in the world of photography and contemporary art. Some accuse him of cruelty, but many more appreciate the wit and irony with which he tackles such subjects as bad taste, food, the tourist, shopping and the foibles of the British. Parr has been collecting postcards for twenty years, and here is the cream of his collection – his boring postcards. With no introduction or commentary of any kind, Parr’s boring postcards are reproduced straight: they are exactly what they say they are, namely boring picture postcards showing boring photographs of boring places … presumably for boring people to buy to send to their boring friends. All of them are shot in Britain, taking us on a boring tour of its motorways, ring roads, traffic interchanges, bus stations, pedestrian precincts, factories, housing estates, airports, caravan sites, convalescent homes and shopping centres. Some attempt to idealize their subjects, only to fail dismally. Others lack any apparent purpose or interest … but the resultant collection of photographic images is wholly compelling. Boring Postcards is multi-layered: a commentary on British architecture, social life and identity, a record of a folk photography which is today being appropriated by the most fashionable photographers (including Parr), an exercise in sublime minimalism … and, above all, a richly comic photographic entertainment
livres
février 2004, London
Théorie de la photographie
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From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of “America” and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in(...)
novembre 2005, New Haven
Designing modern America : Broadway to Main Street
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From the 1920s through the 1950s, two individuals, Joseph Urban and Norman Bel Geddes, did more, by far, to create the image of “America” and make it synonymous with modernity than any of their contemporaries. Urban and Bel Geddes were leading Broadway stage designers and directors who turned their prodigious talents to other projects, becoming mavericks first in industrial design and then in commercial design, fashion, architecture, and more. The two men gave shape to the most quintessential symbols of the modern American lifestyle, including movies, cars, department stores, and nightclubs, along with private homes, kitchens, stoves, fridges, magazines, and numerous household furnishings.
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The first English anthology of the writings of the British-Italian architect, editor, critic, and educator Ernesto Rogers (1909–1969), ''The Hero of Doubt'' showcases the intellectual power and scope of one of the most influential yet, paradoxically, unrecognized exponents of the modern movement in Europe. These essays, edited by Roberta Marcaccio and newly translated(...)
Théorie de l’architecture
janvier 2025
The hero of doubt: selected writings of Ernesto Nathan Rogers
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The first English anthology of the writings of the British-Italian architect, editor, critic, and educator Ernesto Rogers (1909–1969), ''The Hero of Doubt'' showcases the intellectual power and scope of one of the most influential yet, paradoxically, unrecognized exponents of the modern movement in Europe. These essays, edited by Roberta Marcaccio and newly translated from the Italian, reveal how, more than any other architect of the twentieth century, Rogers positioned himself as a mediator between the heroic generation of the modern masters and the younger intellectuals who went on to shape the contextualist turns of architectural postmodernism in the 1970s.
Théorie de l’architecture
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Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. "The moving image" is the first authoritative account of how we have arrived here, together with the first(...)
The moving image: A user's manual
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Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. "The moving image" is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively. Drawing on decades as an educator, publisher, and producer, MIT's Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters.
livres
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The essence of architectural photography is to catch the soul of a building, its image, material surface, colours and beauty, without anything being said or written. Jussi Tiainen takes photographs in a manner such that the building speaks for its own character, mostly without people or any form of decoration in the picture which could mis-focus or blur the accuracy of(...)
janvier 2004, Helsinki
Helsinki : contemporary urban architecture photographed by Jussi Tiainen
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The essence of architectural photography is to catch the soul of a building, its image, material surface, colours and beauty, without anything being said or written. Jussi Tiainen takes photographs in a manner such that the building speaks for its own character, mostly without people or any form of decoration in the picture which could mis-focus or blur the accuracy of the photogenic architectural timelessness. This book is a photographic statement about the city of Helsinki with its contemporary high-quality architecture built at the turn of the Millennium. All the featured buildings were built and photographed between 1998 and 2001.
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janvier 2004, Helsinki
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In this philosophy classic, which was first published in 1951, E. R. Dodds takes on the traditional view of Greek culture as a triumph of rationalism. Using the analytical tools of modern anthropology and psychology, Dodds asks, "Why should we attribute to the ancient Greeks an immunity from 'primitive' modes of thought which we do not find in any society open to our(...)
Histoire jusqu’à 1900
juin 2004, Berkeley, Los Angeles, London
The Greeks and the irrational
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In this philosophy classic, which was first published in 1951, E. R. Dodds takes on the traditional view of Greek culture as a triumph of rationalism. Using the analytical tools of modern anthropology and psychology, Dodds asks, "Why should we attribute to the ancient Greeks an immunity from 'primitive' modes of thought which we do not find in any society open to our direct observation?" Praised by reviewers as "an event in modern Greek scholarship" and "a book which it would be difficult to over-praise," this book was Volume 25 of the Sather Classical Lectures series.
Histoire jusqu’à 1900
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This book arise from the wish to meet some Italian design authors through the telling of their experience and method. A series of portraits from which comes out the wealth of meanings of the term design, which avoids any definition that claims to be univocal and conclusive. The author's story has been collected in a video-interview that we hereby introduce together with(...)
Design interviews: Richard Sapper
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This book arise from the wish to meet some Italian design authors through the telling of their experience and method. A series of portraits from which comes out the wealth of meanings of the term design, which avoids any definition that claims to be univocal and conclusive. The author's story has been collected in a video-interview that we hereby introduce together with its transcription. The latter has been edited in order to keep the spontaneity and immediacy of the conversation, in which the expression of experiences, reflections and considerations about life and work of planning freely flowed.
Design, monographies
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This book arise from the wish to meet some italian design authors through the telling of their experience and method. A series of portraits from which comes out the wealth of meanings of the term deisgn, which avoids any definition that claims to be univocal and conclusive. The author's story has been collected in a video-interview that we hereby introduce together with(...)
Design interviews Ettore Sottsass
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This book arise from the wish to meet some italian design authors through the telling of their experience and method. A series of portraits from which comes out the wealth of meanings of the term deisgn, which avoids any definition that claims to be univocal and conclusive. The author's story has been collected in a video-interview that we hereby introduce together with its transcription. The latter has been edited in order to keep the spontaneity and immediacy of the conversation, in which the epression of experiences, reflections and considerations about life and work of planning freely flowed.
Design, monographies
$26.95
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This book arise from the wish to meet some Italian design authors through the telling of their experience and method. A series of portraits from which comes out the wealth of meanings of the term design, which avoids any definition that claims to be univocal and conclusive. The author's story has been collected in a video-interview that we hereby introduce together with(...)
Design interviews: Alessandro Mendini
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This book arise from the wish to meet some Italian design authors through the telling of their experience and method. A series of portraits from which comes out the wealth of meanings of the term design, which avoids any definition that claims to be univocal and conclusive. The author's story has been collected in a video-interview that we hereby introduce together with its transcription. The latter has been edited in order to keep the spontaneity and immediacy of the conversation, in which the expression of experiences, reflections and considerations about life and work of planning freely flowed.
Design, monographies