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Découvrez tout ce que vous avez toujours voulu savoir sur Global Tools et le « Whole Earth Catalog » sans oser le demander : l'« accès aux outils » d'une globalité altermondialiste avant l'heure ! Car c'est bien à la vie sur notre petite planète que nous invite Simon Sadler. Face à la bible hippie éditée par Stewart Brand entre 1968 et 1972, des représentants de l'arte(...)
Tool globalism : solution pour une petite planète ?
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Découvrez tout ce que vous avez toujours voulu savoir sur Global Tools et le « Whole Earth Catalog » sans oser le demander : l'« accès aux outils » d'une globalité altermondialiste avant l'heure ! Car c'est bien à la vie sur notre petite planète que nous invite Simon Sadler. Face à la bible hippie éditée par Stewart Brand entre 1968 et 1972, des représentants de l'arte poveraturinois, de l'architecture « radicale » florentine et du contre-design milanais vont expérimenter, entre 1973 et 1975, une « contre-école » inspirée du livre d'Ivan Illich, Une société sans école(1971). À travers Superstudio et d'autres participants de l'exposition au MoMA « Italy : New Domestic Landscape » (1972), Nikola Jankovic revient sur les raisons de son échec annoncé.
Théorie de l’architecture
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In The Classical Gardens of Shanghai, Shelly Bryant looks at five of Shanghai’s remaining classical gardens through their origins, changing fortunes, restorations, and links to a wider Chinese aesthetic. Shanghai’s classical gardens are as much text as space; they exist in art, poetry, and literature as much as in stone, rock, and earth. But these gardens have not(...)
The classical gardens of Shanghai
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In The Classical Gardens of Shanghai, Shelly Bryant looks at five of Shanghai’s remaining classical gardens through their origins, changing fortunes, restorations, and links to a wider Chinese aesthetic. Shanghai’s classical gardens are as much text as space; they exist in art, poetry, and literature as much as in stone, rock, and earth. But these gardens have not remained static entities. Rather, they have been remodelled constantly since their inception. This book reflects this process within the constancy of traditional Chinese horticulture and reveals Shanghai’s remaining classical gardens as places representing wealth and social status, social and dynastic shifts, through falling family fortunes and political revolutions to search for a recovery of China’s ancient culture in the modern day.
Jardins
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Since ''The Sacred Balance'' was first published in 1997 global warming has become a major issue, with alarming effects being observed on all continents and in the world's oceans. Scientists have also made significant discoveries in various realms, including the state of world ecosystems, the science behind the mother/baby interaction, and the workings of the brain. In(...)
The Sacred Balance: Rediscovering our place in nature, updated and expanded
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Since ''The Sacred Balance'' was first published in 1997 global warming has become a major issue, with alarming effects being observed on all continents and in the world's oceans. Scientists have also made significant discoveries in various realms, including the state of world ecosystems, the science behind the mother/baby interaction, and the workings of the brain. In this new and extensively revised and amplified edition of his bestselling book, David Suzuki reflects on these changes and examines what they mean for our place in the world. His basic message remains the same: we are creatures of the Earth, utterly dependent on its elements, which are not just external factors, but incorporated into our very essence.
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Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was(...)
Claudia den Boer: To pick up a stone
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Claudia den Boer’s second photobook is about connecting to something that has existed for a long time, to slow down, to be still, to look, and look again. Why do we tend to pick up stones? We toss them in the water, or take them as souvenirs. In doing so, we seem to seek connection to the earth, or maybe even to eternity. It is precisely this connection that Den Boer was searching for when she picked up stones in the Sahara and Tibet, around Montserrat and in the Georgian Caucasus. Through photographic studies, she examines the experience of light, scale, perspective, and spatiality in an eclectic and meditative selection of images depicting mountains, rocks, and stones.
Monographies photo
Callum Innes: Edges
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A previously unpublished work by Scottish painter Callum Innes, ‘Edges’ is presented as a small book with a text by Colm Tóibín. Each of the abstract works has a boundary, where a softly rendered field of colour ceases to exist and empty whiteness begins. The eye is therefore unerringly drawn to this demarcation, raising questions about what lies beyond, the unseen(...)
Callum Innes: Edges
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A previously unpublished work by Scottish painter Callum Innes, ‘Edges’ is presented as a small book with a text by Colm Tóibín. Each of the abstract works has a boundary, where a softly rendered field of colour ceases to exist and empty whiteness begins. The eye is therefore unerringly drawn to this demarcation, raising questions about what lies beyond, the unseen continuity in either direction. In his short piece, Tóibín writes, “Nothing is stable, no colour under this light is stable; the shadows grow darker and the things on the earth merge with each other, just as what all of us did merges into one action, and all our cries and gestures merge into one cry, one gesture.
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Set in the remote corner of Northern Nevada lies a magical stretch of land called Fly Ranch. With no access to the electrical grid or other public utilities, the site provides an opportunity to reinvent what human settlement can aspire to be in a world that has awakened to the impacts of anthropogenic climate change and the overconsumption of natural resources. Ths volume(...)
octobre 2021
Land art of the 21st century: Land Art Generator Initiative at Fly Ranch
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Set in the remote corner of Northern Nevada lies a magical stretch of land called Fly Ranch. With no access to the electrical grid or other public utilities, the site provides an opportunity to reinvent what human settlement can aspire to be in a world that has awakened to the impacts of anthropogenic climate change and the overconsumption of natural resources. Ths volume catalogs the responses to an invitation from the Land Art Generator and Burning Man Project to creatively design systems for energy, water, agriculture, shelter, and regeneration—a proof of concept for how to live in beauty and harmony with the earth. The results are a glimpse into the near future of our sustainable landscapes.
Pauline Julier: Meadow
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This publication is part of the Occupy Mars project conducted by Pauline Julier and Clément Postec, which sees Mars as a mirror of Earth at the dawn of the new age of space exploration, extractivism, and colonialism. Through a series of films, publications, and public discussions, it bridges multiple alternative perspectives that question both past and future to bring new(...)
Pauline Julier: Meadow
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This publication is part of the Occupy Mars project conducted by Pauline Julier and Clément Postec, which sees Mars as a mirror of Earth at the dawn of the new age of space exploration, extractivism, and colonialism. Through a series of films, publications, and public discussions, it bridges multiple alternative perspectives that question both past and future to bring new narratives to the fore and give insurgent voices a platform. A first exploration took place in the Atacama Desert in Chile, where the training sites for NASA's rovers are located next to one of the largest lithium mines in the world. Published on the occasion of Julier’s exhibition near the Mauvoisin Dam in Switzerland.
Monographies photo
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Atlas: Geography, Architecture and Change in an Interdependent World helps readers find their way through the practical and ethical challenges presented by globalisation and global environmental change. This publication combines recent thinking on human geography and architecture on global environmental change issues, setting out to develop a reinterpretation of(...)
février 2012
Atlas: geography, architecture and change in an independent world
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Atlas: Geography, Architecture and Change in an Interdependent World helps readers find their way through the practical and ethical challenges presented by globalisation and global environmental change. This publication combines recent thinking on human geography and architecture on global environmental change issues, setting out to develop a reinterpretation of cartography and a reframing of sustainability. The aim is to find a re-drawing of the earth and the making of new maps. With a focus on the growth and remaking of cities it offers an innovative mix of essays and shorter texts, original artworks and distinctive re-mappings. The Atlas arises out of a collaboration between scholars and practitioners from architecture and human geography.
The power of maps
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This volume ventures into terrain where even the most sophisticated map fails to lead--through the mapmaker's bias. Denis Wood shows how maps are not impartial reference objects, but rather instruments of communication, persuasion, and power. Like paintings, they express a point of view. By connecting us to a reality that could not exist in the absence of maps--a world of(...)
The power of maps
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This volume ventures into terrain where even the most sophisticated map fails to lead--through the mapmaker's bias. Denis Wood shows how maps are not impartial reference objects, but rather instruments of communication, persuasion, and power. Like paintings, they express a point of view. By connecting us to a reality that could not exist in the absence of maps--a world of property lines and voting rights, taxation districts and enterprise zones--they embody and project the interests of their creators. Sampling the scope of maps available today, illustrations include Peter Gould's AIDS map, Tom Van Sant's map of the earth, U.S. Geological Survey maps, and a child's drawing of the world.
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"The Planetary Garden" is an environmental manifesto that outlines Clément's interpretation of the laws that govern the natural world and the principles that should guide our stewardship of the global garden of Earth. These are among the tenets of a humanist ecology, which posits that the natural world and humankind cannot be understood as separate from one another. This(...)
"The planetary garden" and other writings
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"The Planetary Garden" is an environmental manifesto that outlines Clément's interpretation of the laws that govern the natural world and the principles that should guide our stewardship of the global garden of Earth. These are among the tenets of a humanist ecology, which posits that the natural world and humankind cannot be understood as separate from one another. This philosophy forms a thread that is woven through the accompanying essays of this volume: "Life, Constantly Inventive: Reflections of a Humanist Ecologist" and "The Wisdom of the Gardener." Brought together and translated into English for the first time, these three texts make a powerful statement about the nature of the world and humanity's place within it.
Théorie du paysage