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This is a story about the decline and rebirth of a 100 year old garden. Until recently, the Blue Garden, an icon of Gilded Age splendour in Newport, Rhode Island, was known only from hand-tinted slides dating from 1917. Originally designed in collaboration with the garden's original owner by Frederick Law Olmsted, Jr, and the Olmsted firm - founded by his father, the(...)
The Blue Garden: Frederick Law Olmsted
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This is a story about the decline and rebirth of a 100 year old garden. Until recently, the Blue Garden, an icon of Gilded Age splendour in Newport, Rhode Island, was known only from hand-tinted slides dating from 1917. Originally designed in collaboration with the garden's original owner by Frederick Law Olmsted, Jr, and the Olmsted firm - founded by his father, the great landscape architect responsible for Central Park, New York City - it has now been brought back to life. Landscape historian Arleyn A. Levee tells a researched narrative about the garden's origins, development, heyday, decay and ultimate renaissance.
Jardins
Jochen Gerner: Monograph
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This monograph of French illustrator and cartoonist Jochen Gerner follows a research and thought process concerning the connections between text and image, typography and line, and includes numerous examples of his work. In his drawing practice, Gerner creates visual narrative projects, such as illustrated books and experimental comics, as well as drawings for the world(...)
Jochen Gerner: Monograph
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This monograph of French illustrator and cartoonist Jochen Gerner follows a research and thought process concerning the connections between text and image, typography and line, and includes numerous examples of his work. In his drawing practice, Gerner creates visual narrative projects, such as illustrated books and experimental comics, as well as drawings for the world of publishing and print media. Since the early 2000s, he has investigated printed images through graphic means: a hijacking process using ink and paint that allows a method of reframing or erasing. The book includes texts by Christophe Gallois and an interview with Gerner by Tom McCarthy.
Illustration
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'Abitata pietra' (lived-in stone) is a publishing project by Antonio Cammareri, Stefania D’Amato, and Luogo Comune. It is an intense investigation, a graphic and geographical visual narration, a landscape of signs, a collection of illustrations that analyse particular and global elements, fragments and entities, in an attempt to define the rupestrian landscape that(...)
mars 2021
Abitata Pietra: Inhabited topography
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'Abitata pietra' (lived-in stone) is a publishing project by Antonio Cammareri, Stefania D’Amato, and Luogo Comune. It is an intense investigation, a graphic and geographical visual narration, a landscape of signs, a collection of illustrations that analyse particular and global elements, fragments and entities, in an attempt to define the rupestrian landscape that connects the italian territories of Matera, Montescaglioso, and many other towns and 'inhabited topographies' all over the world. The book is the result of site specific research and narrative experimentation carried out collectively by the artists and includes five photographic contributions on rupestrian civilisation.
a+u 606 : Alvar Aalto houses
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As his firm’s most culturally significant buildings have been recently nominated for UNESCO World Heritage status, A+U features the humane, modern architecture of Alvar Aalto. The Finnish architect’s canon would join that of France’s Le Corbusier and the American Frank Lloyd Wright. His distinctive use of spatial vibrancy, the interaction between his works and the(...)
a+u 606 : Alvar Aalto houses
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As his firm’s most culturally significant buildings have been recently nominated for UNESCO World Heritage status, A+U features the humane, modern architecture of Alvar Aalto. The Finnish architect’s canon would join that of France’s Le Corbusier and the American Frank Lloyd Wright. His distinctive use of spatial vibrancy, the interaction between his works and the surrounding landscape, and the balance between materials and details — as the issue title suggests — are presented in photographs and narrative descriptions of 12 villas. This compilation is by Finnish architect and art historian Sirkkaliisa Jetsonen and architectural photographer Jari Jetsonen.
Revues
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‘GRAM’ is a multiple research tool that combines graphic investigations with architectural explorations, where the publication is just a pretence and only the process matters. Its second edition portrays the methods and processes of six different practices – homu, Office U67, GAFPA, Ted’A, Gartnerfuglen, Motoproprio – through a series of emails. Each architecture office(...)
Revues
août 2021
Gram 02; homu, Office U67, Ggafpa, Ted'a, Gartnerfuglen, Motoproprio
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‘GRAM’ is a multiple research tool that combines graphic investigations with architectural explorations, where the publication is just a pretence and only the process matters. Its second edition portrays the methods and processes of six different practices – homu, Office U67, GAFPA, Ted’A, Gartnerfuglen, Motoproprio – through a series of emails. Each architecture office was asked to send a picture and a short description of its background, working process, philosophy, and so on. The narrative that resulted became the material for this publication. Its outcomes are both theoretical and practical, and open the doors to the endless thought processes behind the production of space.
Revues
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From the chaos of the First World War to the ravages of the Second, from the Great Depression to the rise of consumer culture, artists we call "modern" faced the challenge of responding imaginatively to utterly new circumstances of life. Original thought, startling artistic techniques, and new attitudes to experimentation were required to produce exceptional and timely(...)
Make it modern: A history of art in the 20th century
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From the chaos of the First World War to the ravages of the Second, from the Great Depression to the rise of consumer culture, artists we call "modern" faced the challenge of responding imaginatively to utterly new circumstances of life. Original thought, startling artistic techniques, and new attitudes to experimentation were required to produce exceptional and timely work. This volume guides the reader through the art of the modern world. Works of celebrated artists, from Pablo Picasso and Wassily Kandinsky to Frida Kahlo, Jackson Pollock, and Yayoi Kusama, alongside a panoply of undervalued or less-known figures, populate this decade-by-decade narrative.
Théorie de l’art
Unmarked sites
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In Unmarked Sites, Jessica Auer pursues photography like an archeologist, searching for cultural sites in Newfoundland and Labrador in an effort to reconcile its complex history. Looking to the land for signs of the past, she delves into the relationship between landscape and regional identity. The resulting narrative reveals the intricacies that relate exploration,(...)
Unmarked sites
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In Unmarked Sites, Jessica Auer pursues photography like an archeologist, searching for cultural sites in Newfoundland and Labrador in an effort to reconcile its complex history. Looking to the land for signs of the past, she delves into the relationship between landscape and regional identity. The resulting narrative reveals the intricacies that relate exploration, settlement, preservation and modern tourism. Inspired by the travelogue and set within the context of geological time, the artist takes the reader on a journey that travels between reality and the imaginary. These limited edition books are numbered and feature fold-out pages.
Ghada Amer
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With subjects as delicate and personal as pleasure and love, Ghada Amer shows that it is possible to resist a conventional representation of women in art. Referencing pornography and other popular vehicles directed at a heterosexual male audience, Amer's embroidery-based work contrasts traditional female handicraft with mainstream popular culture. Going even further,(...)
Ghada Amer
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With subjects as delicate and personal as pleasure and love, Ghada Amer shows that it is possible to resist a conventional representation of women in art. Referencing pornography and other popular vehicles directed at a heterosexual male audience, Amer's embroidery-based work contrasts traditional female handicraft with mainstream popular culture. Going even further, several pictorial works refer to well-known artists such as Ingres and Picasso. Taking works from the canon as her starting point, the artist observes the idealizing narrative construction of Western art history, indulging in a conventional presentation of an image of women that satisfies a voyeuristic gaze.
Le silence: une fiction
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LE SILENCE Une fiction gathers a corpus of contemporary works by 25 artists, ranging from Arman’s Accumulations to Hiroshi Sugimoto’s photographs, and together they present a world that is both strange and familiar, what curator Simone Menegoi refers to as “the story of a planet that has become uninhabitable for reasons unknown….” Part scientific experiment, part(...)
juin 2012
Le silence: une fiction
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LE SILENCE Une fiction gathers a corpus of contemporary works by 25 artists, ranging from Arman’s Accumulations to Hiroshi Sugimoto’s photographs, and together they present a world that is both strange and familiar, what curator Simone Menegoi refers to as “the story of a planet that has become uninhabitable for reasons unknown….” Part scientific experiment, part fictional narrative, the effect of these traces that our civilisation leaves behind is one of a reversal of history, as if the works between the pages, artifacts of our contemporary era, are being observed through the eyes of an archaeologist or anthropologist from the future.
Ron Jude: Lick creek line
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Ron Jude’s new book, Lick Creek Line , extends and amplifies his ongoing fascination with the vagaries of photographic empiricism, and the gray area between documentation and fiction. In a sequential narrative punctuated by contrasting moments of violence and beauty, Jude follows the rambling journey of a fur trapper, methodically checking his trap line in a remote area(...)
Ron Jude: Lick creek line
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Ron Jude’s new book, Lick Creek Line , extends and amplifies his ongoing fascination with the vagaries of photographic empiricism, and the gray area between documentation and fiction. In a sequential narrative punctuated by contrasting moments of violence and beauty, Jude follows the rambling journey of a fur trapper, methodically checking his trap line in a remote area of Idaho in the Western United States. Through converging pictures of landscapes, architecture, an encroaching resort community, and the solitary, secretive process of trapping pine marten for their pelts, Lick Creek Line underscores the murky and culturally arbitrary nature of moral critique.
Monographies photo