43717 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Personnes et institutions:
Date:
1997
1997
Titre:
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Open Arena – Töölö Football Stadium, international competition entry
Actions:
AP198.S1.1997.PR01
Description:
Project records document OCEAN North’s design for their competition entry for the Töölö Football Stadium in Helsinki in 1997. The project was titled Open Arena by OCEAN North. The site for the football stadium was in the Töölö neighbourhood, between a park area including the Helsinki Olympic Stadium, and a residential area. OCEAN North’s entry was a building that would integrate with its natural surroundings while being able to accommodate a variety of activities and events. The structure for Open Arena has three topological surfaces. The first provides stadium access to the players and the public, and includes services such as restaurant, cafeteria, and bars. Its shape aims to integrate with the natural landscape. The second contains the audience seating areas, including VIP and press areas, and aimed to arrange the audience as if it was loosely dispersed on a hillside. The third topological surface consists of the roof. The Töölö Football Stadium marks the introduction of the Channelling Systems process, defining building’s integration to its surroundings and distributing functions across the structure. Records show different stages of the design process and include two digitized photographs of Plexiglas sections that were used to physically explore the design. Digital files are grouped under categories such as Board images, Board lay-out, Graft, Sections, Siteplans, digital model images, scanned plans and site images. This last directory contains digitized photographs of the grounds surrounding the Helsinki Olympic Stadium. All drawings are vector or raster images of the whole or parts of the structure, with some including the identifications of the structure’s parts. Project records also include preliminary or working plans. Most were drawn to scale on paper and some were printed from CAD drawings. They chiefly reflect the design work to define the surfaces and shapes of the stadium’s structure. Source: Ateljé Sotamaa. “Portfolio: Open Arena”. http://portfolio.sotamaa.net/Open-Arena accessed in February 2018.
Niveau de description archivistique:
Project
Project
Date:
1997
1997
Personnes et institutions:
Classification:
articles
articles
Actions:
Vikramāditya Prakāsh à propos des archives d’Āditya Prakāsh
Titre:
L’écriture de « One Continuous Line »
Vikramāditya Prakāsh à propos des archives d’Āditya Prakāsh
Actions:
L’écriture de « One Continuous Line »
Vikramāditya Prakāsh à propos des archives d’Āditya Prakāsh
Actions:
Classification:
documents textuels, graphique
Quantité:
26 textual record(s)
documents textuels, graphique
Quantité:
26 textual record(s)
Actions:
Numéro de référence:
DR1987:0865:001-023
Description:
- This group of correspondence, clippings and other documents was compiled by the architect, Lloyd Wright, for his own record while he was pursuing the commission for Boeing Airport, Burbank, Los Angeles County, California. He was not successful in obtaining the commission. The correspondence includes letters to and from Lloyd Wright, drafts for and carbon copies of these same letters, and telegrams to Lloyd Wright. Other documents include three newspaper clippings, an estimate and notes. Of the clippings, one reports on the beginning of work on Boeing Airport, the second announces a new meteorological station for pilots in the San Fernando Valley, and includes details of other aviation industry investments in the area, and the third is another account of the initiation of Boeing Airport. The latter clipping is folded up with a sheet noting the address of Lloyd St. John. Although the estimate is not identified by project name, it was probably prepared for Lloyd Wright's Boeing Airport proposal, which included an airport, manufacturing plant and other amenities, all mentioned in the estimate.
DR1987:0865:001-023
Description:
- This group of correspondence, clippings and other documents was compiled by the architect, Lloyd Wright, for his own record while he was pursuing the commission for Boeing Airport, Burbank, Los Angeles County, California. He was not successful in obtaining the commission. The correspondence includes letters to and from Lloyd Wright, drafts for and carbon copies of these same letters, and telegrams to Lloyd Wright. Other documents include three newspaper clippings, an estimate and notes. Of the clippings, one reports on the beginning of work on Boeing Airport, the second announces a new meteorological station for pilots in the San Fernando Valley, and includes details of other aviation industry investments in the area, and the third is another account of the initiation of Boeing Airport. The latter clipping is folded up with a sheet noting the address of Lloyd St. John. Although the estimate is not identified by project name, it was probably prepared for Lloyd Wright's Boeing Airport proposal, which included an airport, manufacturing plant and other amenities, all mentioned in the estimate.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
printed 1929 ?
printed 1929 ?
Titre:
Boeing Airport, Burbank, California: Correspondence and other documents relating to Lloyd Wright's design
Actions:
DR1987:0865:001-023
Description:
- This group of correspondence, clippings and other documents was compiled by the architect, Lloyd Wright, for his own record while he was pursuing the commission for Boeing Airport, Burbank, Los Angeles County, California. He was not successful in obtaining the commission. The correspondence includes letters to and from Lloyd Wright, drafts for and carbon copies of these same letters, and telegrams to Lloyd Wright. Other documents include three newspaper clippings, an estimate and notes. Of the clippings, one reports on the beginning of work on Boeing Airport, the second announces a new meteorological station for pilots in the San Fernando Valley, and includes details of other aviation industry investments in the area, and the third is another account of the initiation of Boeing Airport. The latter clipping is folded up with a sheet noting the address of Lloyd St. John. Although the estimate is not identified by project name, it was probably prepared for Lloyd Wright's Boeing Airport proposal, which included an airport, manufacturing plant and other amenities, all mentioned in the estimate.
Boeing Airport, Burbank, California: Correspondence and other documents relating to Lloyd Wright's design
Actions:
DR1987:0865:001-023
Description:
- This group of correspondence, clippings and other documents was compiled by the architect, Lloyd Wright, for his own record while he was pursuing the commission for Boeing Airport, Burbank, Los Angeles County, California. He was not successful in obtaining the commission. The correspondence includes letters to and from Lloyd Wright, drafts for and carbon copies of these same letters, and telegrams to Lloyd Wright. Other documents include three newspaper clippings, an estimate and notes. Of the clippings, one reports on the beginning of work on Boeing Airport, the second announces a new meteorological station for pilots in the San Fernando Valley, and includes details of other aviation industry investments in the area, and the third is another account of the initiation of Boeing Airport. The latter clipping is folded up with a sheet noting the address of Lloyd St. John. Although the estimate is not identified by project name, it was probably prepared for Lloyd Wright's Boeing Airport proposal, which included an airport, manufacturing plant and other amenities, all mentioned in the estimate.
Classification:
documents textuels, graphique
Quantité:
26 textual record(s)
documents textuels, graphique
Quantité:
26 textual record(s)
Date:
printed 1929 ?
printed 1929 ?
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
pages web
pages web
Actions:
Résumé:
Avec le programme de stages curatoriaux, le Centre Canadien d’Architecture souhaite partager son expertise avec des étudiants ou des jeunes diplômés dans les domaines de l’architecture, du design, des arts et des sciences humaines intéressés à explorer les aspects éditoriaux et curatoriaux de l’architecture. Les candidats sélectionnés seront invités à se familiariser avec l’approche curatoriale du CCA - en particulier ses activités liées à sa Collection, ses expositions, ses projets éditoriaux et ses programmes de recherche - au cours d’un stage de neuf mois à Montréal.
Titre:
Programme de stages curatoriaux
Actions:
Résumé:
Programme de stages curatoriaux
Actions:
Résumé:
Avec le programme de stages curatoriaux, le Centre Canadien d’Architecture souhaite partager son expertise avec des étudiants ou des jeunes diplômés dans les domaines de l’architecture, du design, des arts et des sciences humaines intéressés à explorer les aspects éditoriaux et curatoriaux de l’architecture. Les candidats sélectionnés seront invités à se familiariser avec l’approche curatoriale du CCA - en particulier ses activités liées à sa Collection, ses expositions, ses projets éditoriaux et ses programmes de recherche - au cours d’un stage de neuf mois à Montréal.
Classification:
pages web
pages web
Niveau de description archivistique:
Projet
Projet
Titre:
Blackpool Project
Blackpool Project
Numéro de référence:
AP144.S2.D81
Description:
File documents the completed project for a restaurant at the Blackpool Zoo Park in Blackpool, England, for client J. Lyons & Co. Ltd. Initially the brief also called for the erection of five pre-fabricated Wimpy kiosks, of which at least one and possibly two kiosks were erected. The restaurant building is a square, clear-span, steel-frame building with its own kitchen and store rooms, and includes a cafeteria, a full service restaurant and bar, and offices. The restaurant dining room can be converted from one large space into two by means of a curtain on a track, removable barrier rails, and mobile cash and cutlery units. The exterior is timber-clad with tinted glazing. Existing conditions drawings show the existing site layout, landscaping plans and plans showing water supply and electrical services. Design development drawings and working drawings include preliminary interior perspectives, site plans, floor plans, reflected ceiling plans, utility plans, sections, elevations, axonometric views of interior, roof trusses, and structural system, construction details, and progress charts. Two sets of drawings that include plans, sections, and elevations, were possibly used for presentation purposes. Construction details are drawn on letter-size paper and show details for curtain tracks, exterior walls, and windows. A project schedule listing the remaining work is dated October 29, 1973. Consultant's drawings for catering, structural, mechanical, and electrical services are also included in the file. Over 300 detail drawings on letter-size paper are included in the textual records. Cedric Price visited the restaurant in 1988. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 81. Some reference drawings are attributed to H. Carpenter, Engineer, County Borough of Blackpool, and to Building Design Partnership. Versa-Serve Ltd Catering Consultants, Briggs Amasco, Crittall-Hope, Archbell Greenwood Ltd Structural Engineers, Hall & Kay Limited, Campbell & Isherwood Ltd Electrical Engineers appear as consultants in this project. Bovis: Fee Construction Limited appears as the general contractor for this project. File contains design development drawings, presentation drawings, reference drawings, technical drawings, working drawings, photographic materials, and textual records.
AP144.S2.D81
Description:
File documents the completed project for a restaurant at the Blackpool Zoo Park in Blackpool, England, for client J. Lyons & Co. Ltd. Initially the brief also called for the erection of five pre-fabricated Wimpy kiosks, of which at least one and possibly two kiosks were erected. The restaurant building is a square, clear-span, steel-frame building with its own kitchen and store rooms, and includes a cafeteria, a full service restaurant and bar, and offices. The restaurant dining room can be converted from one large space into two by means of a curtain on a track, removable barrier rails, and mobile cash and cutlery units. The exterior is timber-clad with tinted glazing. Existing conditions drawings show the existing site layout, landscaping plans and plans showing water supply and electrical services. Design development drawings and working drawings include preliminary interior perspectives, site plans, floor plans, reflected ceiling plans, utility plans, sections, elevations, axonometric views of interior, roof trusses, and structural system, construction details, and progress charts. Two sets of drawings that include plans, sections, and elevations, were possibly used for presentation purposes. Construction details are drawn on letter-size paper and show details for curtain tracks, exterior walls, and windows. A project schedule listing the remaining work is dated October 29, 1973. Consultant's drawings for catering, structural, mechanical, and electrical services are also included in the file. Over 300 detail drawings on letter-size paper are included in the textual records. Cedric Price visited the restaurant in 1988. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 81. Some reference drawings are attributed to H. Carpenter, Engineer, County Borough of Blackpool, and to Building Design Partnership. Versa-Serve Ltd Catering Consultants, Briggs Amasco, Crittall-Hope, Archbell Greenwood Ltd Structural Engineers, Hall & Kay Limited, Campbell & Isherwood Ltd Electrical Engineers appear as consultants in this project. Bovis: Fee Construction Limited appears as the general contractor for this project. File contains design development drawings, presentation drawings, reference drawings, technical drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1963-1988, predominant 1971-1975
1963-1988, predominant 1971-1975
Titre:
Blackpool Project
Actions:
AP144.S2.D81
Description:
File documents the completed project for a restaurant at the Blackpool Zoo Park in Blackpool, England, for client J. Lyons & Co. Ltd. Initially the brief also called for the erection of five pre-fabricated Wimpy kiosks, of which at least one and possibly two kiosks were erected. The restaurant building is a square, clear-span, steel-frame building with its own kitchen and store rooms, and includes a cafeteria, a full service restaurant and bar, and offices. The restaurant dining room can be converted from one large space into two by means of a curtain on a track, removable barrier rails, and mobile cash and cutlery units. The exterior is timber-clad with tinted glazing. Existing conditions drawings show the existing site layout, landscaping plans and plans showing water supply and electrical services. Design development drawings and working drawings include preliminary interior perspectives, site plans, floor plans, reflected ceiling plans, utility plans, sections, elevations, axonometric views of interior, roof trusses, and structural system, construction details, and progress charts. Two sets of drawings that include plans, sections, and elevations, were possibly used for presentation purposes. Construction details are drawn on letter-size paper and show details for curtain tracks, exterior walls, and windows. A project schedule listing the remaining work is dated October 29, 1973. Consultant's drawings for catering, structural, mechanical, and electrical services are also included in the file. Over 300 detail drawings on letter-size paper are included in the textual records. Cedric Price visited the restaurant in 1988. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 81. Some reference drawings are attributed to H. Carpenter, Engineer, County Borough of Blackpool, and to Building Design Partnership. Versa-Serve Ltd Catering Consultants, Briggs Amasco, Crittall-Hope, Archbell Greenwood Ltd Structural Engineers, Hall & Kay Limited, Campbell & Isherwood Ltd Electrical Engineers appear as consultants in this project. Bovis: Fee Construction Limited appears as the general contractor for this project. File contains design development drawings, presentation drawings, reference drawings, technical drawings, working drawings, photographic materials, and textual records.
Blackpool Project
Actions:
AP144.S2.D81
Description:
File documents the completed project for a restaurant at the Blackpool Zoo Park in Blackpool, England, for client J. Lyons & Co. Ltd. Initially the brief also called for the erection of five pre-fabricated Wimpy kiosks, of which at least one and possibly two kiosks were erected. The restaurant building is a square, clear-span, steel-frame building with its own kitchen and store rooms, and includes a cafeteria, a full service restaurant and bar, and offices. The restaurant dining room can be converted from one large space into two by means of a curtain on a track, removable barrier rails, and mobile cash and cutlery units. The exterior is timber-clad with tinted glazing. Existing conditions drawings show the existing site layout, landscaping plans and plans showing water supply and electrical services. Design development drawings and working drawings include preliminary interior perspectives, site plans, floor plans, reflected ceiling plans, utility plans, sections, elevations, axonometric views of interior, roof trusses, and structural system, construction details, and progress charts. Two sets of drawings that include plans, sections, and elevations, were possibly used for presentation purposes. Construction details are drawn on letter-size paper and show details for curtain tracks, exterior walls, and windows. A project schedule listing the remaining work is dated October 29, 1973. Consultant's drawings for catering, structural, mechanical, and electrical services are also included in the file. Over 300 detail drawings on letter-size paper are included in the textual records. Cedric Price visited the restaurant in 1988. Some material in this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 81. Some reference drawings are attributed to H. Carpenter, Engineer, County Borough of Blackpool, and to Building Design Partnership. Versa-Serve Ltd Catering Consultants, Briggs Amasco, Crittall-Hope, Archbell Greenwood Ltd Structural Engineers, Hall & Kay Limited, Campbell & Isherwood Ltd Electrical Engineers appear as consultants in this project. Bovis: Fee Construction Limited appears as the general contractor for this project. File contains design development drawings, presentation drawings, reference drawings, technical drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 81
File 81
Date:
1963-1988, predominant 1971-1975
1963-1988, predominant 1971-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Synthetic Landscape research project, Oslo, Norway (1995-2000)
Actions:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Synthetic Landscape research project, Oslo, Norway (1995-2000)
Actions:
AP194.S1.1995.PR01
Description:
Project records consist of records documenting the three phases of the Synthetic Landscape project (1995-2000) as worked on by Johan Bettum and OCEAN North. The project was initially developed and submitted in 1995 for the Membrane Design International Competition held in Japan by the Taiyo Kogyo Corporation. The entry showcases a children’s playscape in the setting of Oslo’s Tøyen Park, joining both its urban surroundings and its natural landscape into a synthetic space. Afterwards, the project was exhibited at the Architecture Association (AA) in London, where Johan Bettum and Kivi Sotamaa met. This eventually led to Bettum and Sotamaa collaborating on projects, along with their respective OCEAN teams in Oslo and Helsinki. The Synthetic Landscape project continued as a research project, with a second phase in 1996 and a third phase which ran from 1997 through 2000 and integrated design methods (particle streaming, Channelling Systems) from the work made on the Töölö and Jyväskylä projects. In the third phase, a pavilion was also added to the setting. Aside from one drawing, all records for this project are in a digital format. Drawings and models from phase 1 show parts or the whole of a shell-like structure. A color scheme seems to be associated to the different components of the structure. A report on phases 1 and 2 discusses the use of synthetic and composite materials for the structure, explaining the concept for the site. Phase 2 textual records include a working plan, site charts and program. Additional drawings and models show an evolution in the shape of the landscape. Most records are related to the third phase of Synthetic Landscape. They are largely drawings and models showing textures and coloured grafts used in the design process, section and surfaces studies, as well as site plans. Other files of the third phase consist of animated renderings of Channelling Systems studies within the Synthetic Landscape topology, saved as Quicktime MOV files. Additionally, the third phase of Synthetic Landscape has files related to the FEM (finite element method) analysis process utilized in the project’s engineering. This particular section includes raster images showing vectorial drawings and data appearing to be surface studies. These were likely created with the software Mathematica. The bulk of textual documentation on the project’s scope and outcomes may be found in AP194.S1.1995.PR01.001 for phases 1 and 2, and in AP194.S1.1995.PR01.005 for phase 3. The latter file also contains documentation related to a grant application to The Research Council of Norway; a proposal for a conference and exhibition at the AA; and administrative records such as budgets, correspondence, invoices, progress reports, meeting agendas and minutes. For all project phases, records related to the design process consist of CAD models saved in a variety of modelling formats (iges, fmz, dgn, 3dm, dxf) as well as raster or vector images (tiff, jpeg, png, eps, pict, etc.). In some cases, only these raster or vector images of the original CAD drawings are present in the archive.
Niveau de description archivistique:
Project
Project
Date:
1995-2000
1995-2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Miragaia, Porto
Miragaia, Porto
Numéro de référence:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1975-1977
1975-1977
Titre:
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Miragaia, Porto
Actions:
CD034.S1.1975.PR01
Description:
This project series contains reproductions of drawings and panels displayed in the exhibit to document the neighbourhood Miragaia, in Porto Portugal. The exhibit text explained that: ... although the Miragaia project was never built, its seminal and programmatic character contributed significantly to the development of the SAAL Process. The project architect Fernando Távora first worked on the Barredo Neighbourhood ― a very poor area in the Porto's historic centre ― as an architect and teacher at the city's School of Fine Arts, and the Miragaia project built on this research, demonstrating a knowledge of and sensitivity to both the physical terrain and the social landscape of Porto, presenting a nuanced view of life in an urban space. Despite the strengths of the plan, the city council's policy on Porto's historic centre subsequently did not include Távora's project for Miragaia. Nonetheless, in the seriousness of its design and the depth of knowledge that it displayed, the project was a significant attempt to recover and rationalize Miragaia's vacant riverside zone. The highly developed nature of the proposal, its level of surgical precision, and Fernando Távora's thoughtful notes reveal a great deal about SAAL, its structure, its relationship with residents, and the overall model for urban intervention. (The SAAL Process, Housing in Portugal 1974–76) Fernando Távora worked for SAAL/North with Antónia Nolo, Bernardo Ferrão, Gil Carneiro, Joaquim Jordão, Jorge Barros, Manuel Campos, Pedro Paredes and the residents' association Miragaia, that was founded on March 30th, 1976. The project was for 900 dwellings, but none were built. The operation began in June 1975. This project series contains reproductions of design development drawings, presentation panels, site plans and a study of a logo. The original drawings and panels were produced from 1975 to 1977 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975-1977
1975-1977
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
CD041.S1
Description:
This series documents eight projects that Eva Hollo Vecsei worked on while at the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (Arcop). Vecsei worked for the firm from 1959 to 1971 and was made an associate in 1964. She was the designer in charge of several Massey Award winning projects such as: Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). This series includes documents related to the following projects: Tifereth Jerusalem Synagogue, Côte-Saint-Luc, Québec (circa 1959-1971); Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Centre civique Chomedey, Chomedey [now Laval], Québec (1962-1965); Place des Arts, Montréal, Québec (1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). Collection material in this series was produced between 1959 and 2017. Documenting the series are photographs, presentation drawings, slides, publications, clippings, correspondence, and digital material (mainly photographs and versions of a filmed interview). Records are predominantly related to Place Bonaventure, a large multi-functional complex comprised of exhibition and convention halls, an international trade centre, shopping concourses, offices, and a 400-room hotel with rooftop gardens. Mostly constructed of concrete, the building is connected to an underground pedestrian network and the Place Bonaventure metro station.
CD041.S1
Description:
This series documents eight projects that Eva Hollo Vecsei worked on while at the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (Arcop). Vecsei worked for the firm from 1959 to 1971 and was made an associate in 1964. She was the designer in charge of several Massey Award winning projects such as: Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). This series includes documents related to the following projects: Tifereth Jerusalem Synagogue, Côte-Saint-Luc, Québec (circa 1959-1971); Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Centre civique Chomedey, Chomedey [now Laval], Québec (1962-1965); Place des Arts, Montréal, Québec (1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). Collection material in this series was produced between 1959 and 2017. Documenting the series are photographs, presentation drawings, slides, publications, clippings, correspondence, and digital material (mainly photographs and versions of a filmed interview). Records are predominantly related to Place Bonaventure, a large multi-functional complex comprised of exhibition and convention halls, an international trade centre, shopping concourses, offices, and a 400-room hotel with rooftop gardens. Mostly constructed of concrete, the building is connected to an underground pedestrian network and the Place Bonaventure metro station.
Personnes et institutions:
Date:
1959-2017
1959-2017
Titre:
Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (1959-1971)
Actions:
CD041.S1
Description:
This series documents eight projects that Eva Hollo Vecsei worked on while at the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (Arcop). Vecsei worked for the firm from 1959 to 1971 and was made an associate in 1964. She was the designer in charge of several Massey Award winning projects such as: Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). This series includes documents related to the following projects: Tifereth Jerusalem Synagogue, Côte-Saint-Luc, Québec (circa 1959-1971); Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Centre civique Chomedey, Chomedey [now Laval], Québec (1962-1965); Place des Arts, Montréal, Québec (1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). Collection material in this series was produced between 1959 and 2017. Documenting the series are photographs, presentation drawings, slides, publications, clippings, correspondence, and digital material (mainly photographs and versions of a filmed interview). Records are predominantly related to Place Bonaventure, a large multi-functional complex comprised of exhibition and convention halls, an international trade centre, shopping concourses, offices, and a 400-room hotel with rooftop gardens. Mostly constructed of concrete, the building is connected to an underground pedestrian network and the Place Bonaventure metro station.
Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (1959-1971)
Actions:
CD041.S1
Description:
This series documents eight projects that Eva Hollo Vecsei worked on while at the firm Affleck, Desbarats, Dimakopoulos, Lebensold & Sise Architect (Arcop). Vecsei worked for the firm from 1959 to 1971 and was made an associate in 1964. She was the designer in charge of several Massey Award winning projects such as: Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). This series includes documents related to the following projects: Tifereth Jerusalem Synagogue, Côte-Saint-Luc, Québec (circa 1959-1971); Saint Gerard Magella Church, Saint-Jean-sur-Richelieu, Québec (1960-1963); Centre civique Chomedey, Chomedey [now Laval], Québec (1962-1965); Place des Arts, Montréal, Québec (1963); Place Bonaventure, Montréal, Québec (circa 1963-1969); Student Union building, McGill University, Montréal, Québec (1965); and the Life science building, Dalhousie University, Halifax, Nova Scotia (1971). Collection material in this series was produced between 1959 and 2017. Documenting the series are photographs, presentation drawings, slides, publications, clippings, correspondence, and digital material (mainly photographs and versions of a filmed interview). Records are predominantly related to Place Bonaventure, a large multi-functional complex comprised of exhibition and convention halls, an international trade centre, shopping concourses, offices, and a 400-room hotel with rooftop gardens. Mostly constructed of concrete, the building is connected to an underground pedestrian network and the Place Bonaventure metro station.
Niveau de description archivistique:
Series
Series
Date:
1959-2017
1959-2017
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1998.D1
Description:
The project series documents the design and constuction of the environmental complex for the treatment of municipal solid waste from the island of Tenerife, in Arico. The project was also named “PIRS building” and includes an environmental education center and offices. Abalos & Herreros was invited to enter the competition and won first prize for their entry. The firm identified this project as number 111. The firm worked with Ángel Jaramillo, Obiol y Moya and Luís Jesús Tomás Martínez. In 2001, the project received a mention at the tenth Premio Regional de Arquitectura Manuel de Oraá y Arcocha 2000-2001. Documenting the project are conceptual, design development and working drawings, correspondence, reports, project descriptions, budgets, specifications, invoices, minutes, postcards and reference and photographic materials.
AP164.S1.1998.D1
Description:
The project series documents the design and constuction of the environmental complex for the treatment of municipal solid waste from the island of Tenerife, in Arico. The project was also named “PIRS building” and includes an environmental education center and offices. Abalos & Herreros was invited to enter the competition and won first prize for their entry. The firm identified this project as number 111. The firm worked with Ángel Jaramillo, Obiol y Moya and Luís Jesús Tomás Martínez. In 2001, the project received a mention at the tenth Premio Regional de Arquitectura Manuel de Oraá y Arcocha 2000-2001. Documenting the project are conceptual, design development and working drawings, correspondence, reports, project descriptions, budgets, specifications, invoices, minutes, postcards and reference and photographic materials.
Personnes et institutions:
Date:
1995-2002
1995-2002
Titre:
Centro de control y aula medioambiental de Arico, Tenerife, Spain (1998-2001)
Actions:
AP164.S1.1998.D1
Description:
The project series documents the design and constuction of the environmental complex for the treatment of municipal solid waste from the island of Tenerife, in Arico. The project was also named “PIRS building” and includes an environmental education center and offices. Abalos & Herreros was invited to enter the competition and won first prize for their entry. The firm identified this project as number 111. The firm worked with Ángel Jaramillo, Obiol y Moya and Luís Jesús Tomás Martínez. In 2001, the project received a mention at the tenth Premio Regional de Arquitectura Manuel de Oraá y Arcocha 2000-2001. Documenting the project are conceptual, design development and working drawings, correspondence, reports, project descriptions, budgets, specifications, invoices, minutes, postcards and reference and photographic materials.
Centro de control y aula medioambiental de Arico, Tenerife, Spain (1998-2001)
Actions:
AP164.S1.1998.D1
Description:
The project series documents the design and constuction of the environmental complex for the treatment of municipal solid waste from the island of Tenerife, in Arico. The project was also named “PIRS building” and includes an environmental education center and offices. Abalos & Herreros was invited to enter the competition and won first prize for their entry. The firm identified this project as number 111. The firm worked with Ángel Jaramillo, Obiol y Moya and Luís Jesús Tomás Martínez. In 2001, the project received a mention at the tenth Premio Regional de Arquitectura Manuel de Oraá y Arcocha 2000-2001. Documenting the project are conceptual, design development and working drawings, correspondence, reports, project descriptions, budgets, specifications, invoices, minutes, postcards and reference and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1995-2002
1995-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
Personnes et institutions:
Date:
1998-2004
1998-2004
Titre:
Es Pil·lari, Palma de Mallorca, Spain (2000)
Actions:
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
Es Pil·lari, Palma de Mallorca, Spain (2000)
Actions:
AP164.S1.2000.D5
Description:
The project series documents the design of social and elderly housing complexes, office equipment, gardening and landscaping, in the village Es Pil·lari, Palma de Mallorca, Spain. The firm gave iterations of this project the following identification numbers: 129, 157, 166, 167, and 168. Each of these iterations is found within this project series. Abalos & Herreros were invited to participate in a competition organised by the Institut Balear de la Vivienda. They won the first prize. The firm worked with Ángel Jaramillo, Uriel Fogué, Fermina Garrído, Renata Sentkiewicz and Jacob Hense. Documenting this project are conceptual, design development, presentation and working drawings, digital, photographic and reference materials, notes, minutes, correspondence, specifications, presentation documents, reports, studies, and a postcard.
Niveau de description archivistique:
Project
Project
Date:
1998-2004
1998-2004
Personnes et institutions:
