33582 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Personnes et institutions:
Date:
1958-2001, predominant 1960-1966
1958-2001, predominant 1960-1966
Titre:
New Aviary, Zoological Society
Actions:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
New Aviary, Zoological Society
Actions:
AP144.S2.D31
Description:
File documents the new aviary built at The London Zoological Gardens at Regent's Park, in London, England, for the Zoological Society of London. It was designed by Lord Snowdon, Cedric Price and engineer Frank Newby. The aviary was constructed using aluminium cast tubes, cables, and welded aluminium mesh, and incorporated an elevated walkway. Material in this file includes early site surveys, development and landscaping plans for the zoo and adjacent areas; conceptual sketches; design development sketches; working drawings, including plans, elevations, sections, axonometric drawings, and details showing footings, elevated walkway, planting and nesting boxes, pool cliffs and waterfalls, retaining wall, public entrance, perch prototype, diagrams showing bird activities/locations, structural details, work schedules; and working drawings by associate architects, engineering consultants, and manufacturers. Publication materials include originals and copies for an article in 'Architectural Design' (Sept. 1965), 451-459. Material is this file was produced between 1958 and 2001, but predominantly between 1960 and 1966. File contains conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Niveau de description archivistique:
File 31
File 31
Date:
1958-2001, predominant 1960-1966
1958-2001, predominant 1960-1966
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1971.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of gardens for a housing project Marine Gardens, situated at the corner of S. W. Marine Drive and Yukon Street in Vancouver, British Columbia. Oberlander worked on this project in 1971 with architect Michael Katz. It was created as a demonstration project for the United Nation Habitat Conference held in Vancouver in 1976. The project consisted in a middle income family housing complex of 70 two-storey town houses connected by walkways and a shared garden space. The housing complex also included a day care centre. Oberlander was in charged of designing the gardens for the row houses development and the central shared courtyard. The development has been progressively destroyed and remplaced by condo towers since 2015. The project series contains a perspective drawing and working drawings such as a site plan, a unit plan, sections and elevations, a parking level plan, landscape plans, planting plans and sections of planters. The project is also recorded through photographs of the landscape work and textual records, including specifications, correspondence, inspection reports, and plant lists.
AP075.S1.1971.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of gardens for a housing project Marine Gardens, situated at the corner of S. W. Marine Drive and Yukon Street in Vancouver, British Columbia. Oberlander worked on this project in 1971 with architect Michael Katz. It was created as a demonstration project for the United Nation Habitat Conference held in Vancouver in 1976. The project consisted in a middle income family housing complex of 70 two-storey town houses connected by walkways and a shared garden space. The housing complex also included a day care centre. Oberlander was in charged of designing the gardens for the row houses development and the central shared courtyard. The development has been progressively destroyed and remplaced by condo towers since 2015. The project series contains a perspective drawing and working drawings such as a site plan, a unit plan, sections and elevations, a parking level plan, landscape plans, planting plans and sections of planters. The project is also recorded through photographs of the landscape work and textual records, including specifications, correspondence, inspection reports, and plant lists.
Personnes et institutions:
Date:
1971
1971
Titre:
Marine Gardens housing project, S. W. Marine Drive, Vancouver, British Columbia (1971)
Actions:
AP075.S1.1971.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of gardens for a housing project Marine Gardens, situated at the corner of S. W. Marine Drive and Yukon Street in Vancouver, British Columbia. Oberlander worked on this project in 1971 with architect Michael Katz. It was created as a demonstration project for the United Nation Habitat Conference held in Vancouver in 1976. The project consisted in a middle income family housing complex of 70 two-storey town houses connected by walkways and a shared garden space. The housing complex also included a day care centre. Oberlander was in charged of designing the gardens for the row houses development and the central shared courtyard. The development has been progressively destroyed and remplaced by condo towers since 2015. The project series contains a perspective drawing and working drawings such as a site plan, a unit plan, sections and elevations, a parking level plan, landscape plans, planting plans and sections of planters. The project is also recorded through photographs of the landscape work and textual records, including specifications, correspondence, inspection reports, and plant lists.
Marine Gardens housing project, S. W. Marine Drive, Vancouver, British Columbia (1971)
Actions:
AP075.S1.1971.PR02
Description:
Project series documents Cornelia Hahn Oberlander's project of gardens for a housing project Marine Gardens, situated at the corner of S. W. Marine Drive and Yukon Street in Vancouver, British Columbia. Oberlander worked on this project in 1971 with architect Michael Katz. It was created as a demonstration project for the United Nation Habitat Conference held in Vancouver in 1976. The project consisted in a middle income family housing complex of 70 two-storey town houses connected by walkways and a shared garden space. The housing complex also included a day care centre. Oberlander was in charged of designing the gardens for the row houses development and the central shared courtyard. The development has been progressively destroyed and remplaced by condo towers since 2015. The project series contains a perspective drawing and working drawings such as a site plan, a unit plan, sections and elevations, a parking level plan, landscape plans, planting plans and sections of planters. The project is also recorded through photographs of the landscape work and textual records, including specifications, correspondence, inspection reports, and plant lists.
Niveau de description archivistique:
Project
Project
Date:
1971
1971
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
Personnes et institutions:
Date:
ca. 1933-1955
ca. 1933-1955
Titre:
Dessins d'architecture et de meubles
Actions:
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
Dessins d'architecture et de meubles
Actions:
AP104.S1.SS2
Description:
Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal.
Niveau de description archivistique:
Sous-série 2
Sous-série 2
Date:
ca. 1933-1955
ca. 1933-1955
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Architectural projects
Architectural projects
Numéro de référence:
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Personnes et institutions:
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
Titre:
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Niveau de description archivistique:
series
series
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
Personnes et institutions:
Date:
between 1919 and 1920
between 1919 and 1920
Titre:
Hans Scharoun
Actions:
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
Hans Scharoun
Actions:
AP162.S7
Description:
Series documents the contribution of architect Hans Scharoun to the correspondence circle of Die gläserne Kette, with Scharoun writing under the pseudonym Hannes. Born in 1893 in Bremen, Germany, Scharoun studied archictecture at the Technische Hochschule at Berlin-Charlottenburg between 1912 and 1914. From 1915 to 1918 he worked on a military commission for the rebuilding of East Prussia. In 1919, he joined the Arbeitsrat für Kunst led by Bruno Taut. From 1919 to 1925 he worked independently, taking on private and public commissions as well as architectural projects for exhibitions. He taught at the Akademie für Kunst und Gewerbe in Breslau from 1925 to 1932, and at the Technische Universität Berlin as a town planning professor from 1946 to 1958. In 1956, he won the first prize of the competition for the Philharmonie concert hall in West Berlin. He died in Berlin in 1972. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans Scharoun to the Die gläserne Kette circle and related drawings.
Niveau de description archivistique:
series
series
Date:
between 1919 and 1920
between 1919 and 1920
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Personnes et institutions:
Date:
1991
1991
Titre:
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Bed and blanket design, Il carro di giove [Jupiter's chariot] (1991)
Actions:
AP148.S1.1991.PR01
Description:
Project series comprises design and promotional material for a bed entitled "Il carro di giove" designed by Poli in 1991. The bed was made for F.lli Ciulli (likely Fratelli Ciulli), based in Florence, Italy, and an accompanying blanket was made for the textile design company Fanair. The bed project was featured in the 1991 publication Catalogo Armonia by publisher Ponte alla Grazie in Florence, as well as the April 1992 issue of Casa Vogue (no. 240). The design features a large alabaster disc suspended from an iron frame. Project material in the series ranges from early sketches to drawings and collages of the bed in various media, with some drawings overlayed with wax and silver paper. Also included are excerpted pages from the Catalogo Armonia, featuring a conversation with Sergio Cammilli, who commissioned furniture designs from architects and contemporary artists. The Catalogo Armonia pages also feature images of the bed and blanket prototype. This project series includes textile reference studies, though no drawings or designs for the bed's blanket were received from Poli.
Niveau de description archivistique:
Project
Project
Date:
1991
1991
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
Personnes et institutions:
Date:
1965
1965
Titre:
York University, Lecture Hall No. 1, North York, Ontario (1964-1965)
Actions:
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
York University, Lecture Hall No. 1, North York, Ontario (1964-1965)
Actions:
AP018.S1.1964.PR09
Description:
This project series documents a lecture hall building at York University in North York, Ontario from 1964-1965. The office identified the project number as 6413. This project, known as Lecture Hall No. 1, consisted of a two-storey building at York University, to be used for teaching. The basement included mechanical and electrical rooms, while the ground floor was made up of large, two-storey lecture halls, smaller classrooms, and projection rooms. This project was built by John B. Parkin Associates, in a joint venture with Gordon S. Adamson Associates and Shore & Moffat and Partners. These three architecture firms formed a joint venture known as UPACE (University Planners Architects And Consulting Engineer). This project was part of a larger master plan by UPACE, which built more than a dozen buildings for the university during this time. UPACE received a Special Mention Massey Medal in 1967 for the design of this project. The project is recorded through reprographic copies of drawings dating from 1965. These were a set of drawings issued for tender.
Niveau de description archivistique:
Project
Project
Date:
1965
1965
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Personnes et institutions:
Date:
1963-1996
1963-1996
Titre:
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Architectural and design projects
Actions:
AP148.S1
Description:
This series includes student projects produced by Alessandro Poli between the years 1963 and 1970, Poli's professional work with Superstudio from 1970 to 1972, and his work as an independant architect from 1972 to the mid 1990s. The series documents his architectural projects, mainly in Italy, as well as his conceptual and research projects, such as "Architettura Interplanetaria (1970-1971)" [See AP148.S1.1970.PR02] and "Zeno, une cultura autosufficiente (1972-1980)" [See AP148.S1.1972.PR01], and his designs for furniture. Poli's latest projects includes mainly conceptual work for competition entries in Italy, such as "Ideas competition, Riqualificazione cava di San Carlo, San Vincenzo, Livorno, Italy (1988)" [See AP148.S1.1988.PR02] and "Ideas competition, Riqualificazione centro Storico di Pontassieve, Florence, Italy (1996)" [See AP148.S1.1996.PR01]. The series contains drawings, predominantly conceptual drawings, including sketches, and some presentation panels. Also included are notebooks, photographic materials, mainly photomontages, and storyboards documenting the projects. Furthermore, there are artefacts, such as objects for the "Zeno, une cultura autosufficiente (1972-1980)," and models for his student work, for his furniture designs, for competition entries.
Niveau de description archivistique:
Series
Series
Date:
1963-1996
1963-1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1983.PR07
Description:
This project series documents alterations to terminals one and two of the Toronto International Airport in Mississauga, Ontario from 1983-1984. The office identified the project number as 8313. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of changes made to both of those terminals. Alterations at terminal one included alterations to the medical clinic at the basement level and discussion of mending the ceilings at the departures level. Alterations to terminal two included the expansion of retail concession space and the extension of the transborder airside corridor. The project is recorded through drawings, a photograph of a terminal interior, and textual records dating from 1983-1984. The drawings are arranged within the textual materials. The textual records consist of specifications, conference reports, site reports, contract and tender documents, consultancy records and construction notes.
AP018.S1.1983.PR07
Description:
This project series documents alterations to terminals one and two of the Toronto International Airport in Mississauga, Ontario from 1983-1984. The office identified the project number as 8313. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of changes made to both of those terminals. Alterations at terminal one included alterations to the medical clinic at the basement level and discussion of mending the ceilings at the departures level. Alterations to terminal two included the expansion of retail concession space and the extension of the transborder airside corridor. The project is recorded through drawings, a photograph of a terminal interior, and textual records dating from 1983-1984. The drawings are arranged within the textual materials. The textual records consist of specifications, conference reports, site reports, contract and tender documents, consultancy records and construction notes.
Personnes et institutions:
Date:
1983-1984
1983-1984
Titre:
Toronto International Airport, Alterations to Terminals One and Two, Mississauga, Ontario (1983-1984)
Actions:
AP018.S1.1983.PR07
Description:
This project series documents alterations to terminals one and two of the Toronto International Airport in Mississauga, Ontario from 1983-1984. The office identified the project number as 8313. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of changes made to both of those terminals. Alterations at terminal one included alterations to the medical clinic at the basement level and discussion of mending the ceilings at the departures level. Alterations to terminal two included the expansion of retail concession space and the extension of the transborder airside corridor. The project is recorded through drawings, a photograph of a terminal interior, and textual records dating from 1983-1984. The drawings are arranged within the textual materials. The textual records consist of specifications, conference reports, site reports, contract and tender documents, consultancy records and construction notes.
Toronto International Airport, Alterations to Terminals One and Two, Mississauga, Ontario (1983-1984)
Actions:
AP018.S1.1983.PR07
Description:
This project series documents alterations to terminals one and two of the Toronto International Airport in Mississauga, Ontario from 1983-1984. The office identified the project number as 8313. Since the early 1960s, John B. Parkin Associates, and later John C. Parkin's new firm Parkin Architects Planners, had been commissioned by the government Department of Transport Air Services (now Transport Canada) to complete more than a dozen projects at the Toronto International Airport, including terminals one and two. This project consisted of changes made to both of those terminals. Alterations at terminal one included alterations to the medical clinic at the basement level and discussion of mending the ceilings at the departures level. Alterations to terminal two included the expansion of retail concession space and the extension of the transborder airside corridor. The project is recorded through drawings, a photograph of a terminal interior, and textual records dating from 1983-1984. The drawings are arranged within the textual materials. The textual records consist of specifications, conference reports, site reports, contract and tender documents, consultancy records and construction notes.
Niveau de description archivistique:
Project
Project
Date:
1983-1984
1983-1984
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1974.PR24
Description:
This project series documents the design of interiors for the Eaton's of Canada Limited executive offices at 1 Dundas Street West in Toronto from 1974-1976. The office identified the project number as 7431. This project consisted of the office interiors for the 17th and 18th floors of a high-rise building located directly above the Eaton's flagship store, which was attached to the Eaton's Centre mall. The high-rise, its interiors, the Eaton's store and the mall were all constructed simultaneously, with Parkin Architects Planners working on the Eaton's store and office interiors, while architecture firm Craig Zeidler Strong worked on the Eaton's Centre mall and high-rise office building. The project is recorded through drawings, most of which are reprographic copies, photographs and textual records dating from 1975-1976. Arranged within the drawings are some drawings produced for the high-rise building by Craig Zeidler Strong. The textual records contain meeting minutes, specifications, construction documentation and project notebooks. The photographs show the office interiors of various Eaton's executives.
AP018.S1.1974.PR24
Description:
This project series documents the design of interiors for the Eaton's of Canada Limited executive offices at 1 Dundas Street West in Toronto from 1974-1976. The office identified the project number as 7431. This project consisted of the office interiors for the 17th and 18th floors of a high-rise building located directly above the Eaton's flagship store, which was attached to the Eaton's Centre mall. The high-rise, its interiors, the Eaton's store and the mall were all constructed simultaneously, with Parkin Architects Planners working on the Eaton's store and office interiors, while architecture firm Craig Zeidler Strong worked on the Eaton's Centre mall and high-rise office building. The project is recorded through drawings, most of which are reprographic copies, photographs and textual records dating from 1975-1976. Arranged within the drawings are some drawings produced for the high-rise building by Craig Zeidler Strong. The textual records contain meeting minutes, specifications, construction documentation and project notebooks. The photographs show the office interiors of various Eaton's executives.
Personnes et institutions:
Date:
1975-1976
1975-1976
Titre:
Eaton's of Canada Limited Executive Offices, One Dundas Street West, Toronto (1974-1976)
Actions:
AP018.S1.1974.PR24
Description:
This project series documents the design of interiors for the Eaton's of Canada Limited executive offices at 1 Dundas Street West in Toronto from 1974-1976. The office identified the project number as 7431. This project consisted of the office interiors for the 17th and 18th floors of a high-rise building located directly above the Eaton's flagship store, which was attached to the Eaton's Centre mall. The high-rise, its interiors, the Eaton's store and the mall were all constructed simultaneously, with Parkin Architects Planners working on the Eaton's store and office interiors, while architecture firm Craig Zeidler Strong worked on the Eaton's Centre mall and high-rise office building. The project is recorded through drawings, most of which are reprographic copies, photographs and textual records dating from 1975-1976. Arranged within the drawings are some drawings produced for the high-rise building by Craig Zeidler Strong. The textual records contain meeting minutes, specifications, construction documentation and project notebooks. The photographs show the office interiors of various Eaton's executives.
Eaton's of Canada Limited Executive Offices, One Dundas Street West, Toronto (1974-1976)
Actions:
AP018.S1.1974.PR24
Description:
This project series documents the design of interiors for the Eaton's of Canada Limited executive offices at 1 Dundas Street West in Toronto from 1974-1976. The office identified the project number as 7431. This project consisted of the office interiors for the 17th and 18th floors of a high-rise building located directly above the Eaton's flagship store, which was attached to the Eaton's Centre mall. The high-rise, its interiors, the Eaton's store and the mall were all constructed simultaneously, with Parkin Architects Planners working on the Eaton's store and office interiors, while architecture firm Craig Zeidler Strong worked on the Eaton's Centre mall and high-rise office building. The project is recorded through drawings, most of which are reprographic copies, photographs and textual records dating from 1975-1976. Arranged within the drawings are some drawings produced for the high-rise building by Craig Zeidler Strong. The textual records contain meeting minutes, specifications, construction documentation and project notebooks. The photographs show the office interiors of various Eaton's executives.
Niveau de description archivistique:
Project
Project
Date:
1975-1976
1975-1976
Personnes et institutions:
