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3710 drawing(s), 15 panel(s), 10 VHS(s), 9 photograph(s), 5 model(s), 3 artefact(s), 0.23 linear meter of textual records, Prior to its transfer to the CCA from the office...
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3710 drawing(s), 15 panel(s), 10 VHS(s), 9 photograph(s), 5 model(s), 3 artefact(s), 0.23 linear meter of textual records, Prior to its transfer to the CCA from the office...
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Toyo Ito & Associates, Architects fonds, 1970-2011
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3710 drawing(s), 15 panel(s), 10 VHS(s), 9 photograph(s), 5 model(s), 3 artefact(s), 0.23 linear meter of textual records, Prior to its transfer to the CCA from the office...
Toyo Ito & Associates, Architects fonds, 1970-2011
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3710 drawing(s), 15 panel(s), 10 VHS(s), 9 photograph(s), 5 model(s), 3 artefact(s), 0.23 linear meter of textual records, Prior to its transfer to the CCA from the office...
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Drawings by Marcel Dzama
Drawings by Marcel Dzama
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Résumé:
Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most(...)
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most(...)
Publication:
janvier 2005, Windsor
janvier 2005, Windsor
Titre:
Drawings by Marcel Dzama
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most comprehensive publication on Dzama's work to date, Patten examines the seminal evolution of Dzama's idiosyncratic approach to drawing between 1996 and 2001. Referring to Mikhail Bakhtin's concept of grotesque humour and the carnivalesque, he demonstrates how each drawing is an amalgam of allusions to 20th century popular culture. With an introduction by Wayne Baerwaldt, director of the Power Plant. Originally from Winnipeg, Marcel Dzama has had numerous solo exhibitions, notably at the Los Angeles Invitational Biennial, Richard Heller Gallery of Santa Monica and Sies + Hoke of Dusseldorf. He has also exhibited widely as a member of the Royal Art Lodge, most recently at New York's Drawing Room.
Drawings by Marcel Dzama
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Over the past few years Marcel Dzama's drawings have been attracting considerable attention. His odd mutant figures, with their ambiguous relationship to other figures, objects and situations, are infused with a radiant innocence and an idiosyncratic sense of humour far removed from other strategies that have fueled artmaking over the past decade. In this most comprehensive publication on Dzama's work to date, Patten examines the seminal evolution of Dzama's idiosyncratic approach to drawing between 1996 and 2001. Referring to Mikhail Bakhtin's concept of grotesque humour and the carnivalesque, he demonstrates how each drawing is an amalgam of allusions to 20th century popular culture. With an introduction by Wayne Baerwaldt, director of the Power Plant. Originally from Winnipeg, Marcel Dzama has had numerous solo exhibitions, notably at the Los Angeles Invitational Biennial, Richard Heller Gallery of Santa Monica and Sies + Hoke of Dusseldorf. He has also exhibited widely as a member of the Royal Art Lodge, most recently at New York's Drawing Room.
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livres
livres
Publication:
janvier 2005, Windsor
janvier 2005, Windsor
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livres
livres
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Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
Publication:
février 2009, Alberta
février 2009, Alberta
Titre:
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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$20.00
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
Derek Sullivan: we may be standing on the shoulder of giants but some of us are looking at the stars
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Published to accompany the exhibition: "Derek Sullivan: We May Be Standing on the Shoulder of Giants but Some of Us Are Looking at the Stars", Southern Alberta Art Gallery, January 26 to March 2, 2008. Including an essay by Pamela Meredith.
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livres
livres
Publication:
février 2009, Alberta
février 2009, Alberta
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livres
livres
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$73.00
(disponible en magasin)
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
$73.00
(disponible en magasin)
Résumé:
Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
Publication:
mars 2008, Seattle
mars 2008, Seattle
Titre:
Walid Raad: the atlas group volume 3
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$73.00
(disponible en magasin)
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Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
Walid Raad: the atlas group volume 3
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$73.00
(disponible en magasin)
Résumé:
Volume three of Raad's series of artists' books includes recent work that focuses on the Israeli invasion of Lebanon in 1982 and on the ammunition trade during Lebanon's civil war. Raad produces performances, videos and photographs; in 1999, he founded The Atlas Group, a fictitious archive that documents the contemporary history of Lebanon.
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livres
livres
Publication:
mars 2008, Seattle
mars 2008, Seattle
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livres
livres
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$30.00
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This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first(...)
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This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first(...)
Publication:
janvier 2005, Vancouver
janvier 2005, Vancouver
Titre:
Christopher Williams : archäologie beaux-arts / ethnography théâtre-vérité
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This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first solo exhibition at Galerie Saint-Laurent, Brussels in 1964, and the work of Raoul Hausmann, made during his stay in Ibiza, Spain between 1933 and 1936.
Christopher Williams : archäologie beaux-arts / ethnography théâtre-vérité
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$30.00
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Résumé:
This catalogue accompanies an exhibition of the work of Christopher Williams at the Contemporary Art Gallery, Vancouver. For this project Christopher Williams drew from three disparate sources: the development of colour photography for commercial applications in the United States, the European reception of Pop Art - specifically in relation to Marcel Broodthaer’s first solo exhibition at Galerie Saint-Laurent, Brussels in 1964, and the work of Raoul Hausmann, made during his stay in Ibiza, Spain between 1933 and 1936.
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livres
livres
Publication:
janvier 2005, Vancouver
janvier 2005, Vancouver
Classification:
livres
livres
Titre:
Èdres
Èdres
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$25.00
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et(...)
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et(...)
Publication:
août 2005, Montréal
août 2005, Montréal
Titre:
Èdres
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et d’improbable - à la faveur d’un entendement inouï. èdres | dehors (DC): les six èdres enregistrés en six sites extérieurs à Montréal captés à la manière du cinéma-direct – six plans-séquences audio – six duos composés de quatre voix d’homme et d’une voix de femme – alternés avec six arêtes sonores. Avec la collaboration de l'artiste audio Stéphane Claude.
Èdres
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èdres : Infra-dit de pensées, d’humeurs, d’agirs, visions, passions et sensations - apparition d’un polyèdre relationnel. Une série de six èdres en six feuillets de six strophes composées de six hexamètres. Télescopage d’échelles non-illustrative, non-naturaliste, à la faveur d’une considération du non-visible, une perception du réel par-delà les critères de probable et d’improbable - à la faveur d’un entendement inouï. èdres | dehors (DC): les six èdres enregistrés en six sites extérieurs à Montréal captés à la manière du cinéma-direct – six plans-séquences audio – six duos composés de quatre voix d’homme et d’une voix de femme – alternés avec six arêtes sonores. Avec la collaboration de l'artiste audio Stéphane Claude.
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livres
livres
Publication:
août 2005, Montréal
août 2005, Montréal
Classification:
livres
livres
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$79.95
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Résumé:
In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
$79.95
(disponible sur commande)
Résumé:
In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of(...)
Publication:
mai 2004, Brussels
mai 2004, Brussels
Titre:
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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$79.95
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Résumé:
In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
Michael Snow : Biographie of the walking woman / de la femme qui marche 1961 - 1967 (2004)
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$79.95
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Résumé:
In late 1960 Michael Snow made several naturalistic flat cut-out cardboard figures which used the/a wall as their background. In early 1961, to make one of these, he drew—then cut out with a matte knife—a side view of a female figure walking, 152 cm tall, within a drawn rectangle on a piece of cardboard. All his work between 1961 and 1967 used the outline or silhouette of the original cut-out as both tool and subject. "Biographie" is a 2004 The Walking Woman work which consists of the juxtaposition and the many-sided sequential ordering of a selection from these deliberate, inadvertent, and by-chance photographic documents. It is a Finnegan’s Wake, non-chronological biography. / À la fin des années 1960, Michael Snow réalisa plusieurs découpages naturalistes de figurines en carton en utilisant le mur comme arrière plan. Au début de 1961, il dessina, puis découpa la silhouette de profil d’une femme marchant, haute de 152 cm, dans un morceau de carton.Tout son travail, entre 1961 et 1967, utilise le profil ou la silhouette de la découpe originale aussi bien comme outil que comme sujet. Le livre "Biographie" est un livre d’artiste qui consiste en la juxtaposition et l’ordonnancement séquentiel de documents photographiques délibérés, inopinés ou aléatoires, conjuguant les apparitions ordinaires et sublimes de La femme qui marche. C’est une biographie non chronologique à la Finnegan’s Wake.
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livres
livres
Publication:
mai 2004, Brussels
mai 2004, Brussels
Classification:
livres
livres
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$31.95
(disponible en magasin)
Résumé:
In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at(...)
$31.95
(disponible en magasin)
Résumé:
In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at(...)
Publication:
janvier 2003, New York
janvier 2003, New York
Titre:
Alain Paiement : the world as I found it
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$31.95
(disponible en magasin)
Résumé:
In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at the Pratt Manhattan Gallery in New York. The book is formatted like a travel guide. The images presented are signposts to "Parages", marking a number of points of interest. Included with the book is a map that presents "Parages" in its entirety.
Alain Paiement : the world as I found it
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$31.95
(disponible en magasin)
Résumé:
In "The World as I Found It" Alain Paiement revisits his photographic mapping of the building at 5012 Boulevard Saint-Laurent in Montréal, the building where he has lived and worked for over ten years. Entitled "Parages(Vicinity) 2002", this work was originally presented as an installation of multiple suspended banners, first at Galerie de l'UQAM in Montréal, and later at the Pratt Manhattan Gallery in New York. The book is formatted like a travel guide. The images presented are signposts to "Parages", marking a number of points of interest. Included with the book is a map that presents "Parages" in its entirety.
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livres
livres
Publication:
janvier 2003, New York
janvier 2003, New York
Classification:
livres
livres
Titre:
Circumventions
Circumventions
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$25.50
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This book as been published on the occasion of the Dena Foundation Art Award 2003.
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Résumé:
This book as been published on the occasion of the Dena Foundation Art Award 2003.
Publication:
janvier 1900, Paris
janvier 1900, Paris
Titre:
Circumventions
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$25.50
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Résumé:
This book as been published on the occasion of the Dena Foundation Art Award 2003.
Circumventions
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$25.50
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Résumé:
This book as been published on the occasion of the Dena Foundation Art Award 2003.
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livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
Classification:
livres
livres
Prix:
$20.00
(disponible sur commande)
Résumé:
This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
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Résumé:
This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Publication:
mars 2009, Montréal
mars 2009, Montréal
Titre:
Silvia Kolbowski: nothing and everything / rien et tout
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$20.00
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Résumé:
This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Silvia Kolbowski: nothing and everything / rien et tout
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$20.00
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Résumé:
This publication accompanies the exhibition Silvia Kolbowski: Nothing and Everything, curated by Michèle Thériault and presented from January 29th to March 7th, 2009 at the Leonard & Bina Ellen Art Gallery, Concordia University.
Classification:
livres
livres
Publication:
mars 2009, Montréal
mars 2009, Montréal
