30964 Résultats
Niveau de description archivistique:
Projet
Projet
Titre:
Manhattan Waterfront Project
Manhattan Waterfront Project
Numéro de référence:
AP143.S6.D1
Description:
File documents an unexecuted project for the Manhattan Waterfront, New York, New York, United States. The project was exhibited as part of the exhibition "The new city : architecture and urban renewal" at the Museum of Modern Art, New York, January 23-March 13, 1967. Material in this file was probably produced in 1966 and 1967. File contains schematic drawings and photographic materials.
AP143.S6.D1
Description:
File documents an unexecuted project for the Manhattan Waterfront, New York, New York, United States. The project was exhibited as part of the exhibition "The new city : architecture and urban renewal" at the Museum of Modern Art, New York, January 23-March 13, 1967. Material in this file was probably produced in 1966 and 1967. File contains schematic drawings and photographic materials.
Personnes et institutions:
Date:
[between 1966 and 1967]
[between 1966 and 1967]
Titre:
Manhattan Waterfront Project
Actions:
AP143.S6.D1
Description:
File documents an unexecuted project for the Manhattan Waterfront, New York, New York, United States. The project was exhibited as part of the exhibition "The new city : architecture and urban renewal" at the Museum of Modern Art, New York, January 23-March 13, 1967. Material in this file was probably produced in 1966 and 1967. File contains schematic drawings and photographic materials.
Manhattan Waterfront Project
Actions:
AP143.S6.D1
Description:
File documents an unexecuted project for the Manhattan Waterfront, New York, New York, United States. The project was exhibited as part of the exhibition "The new city : architecture and urban renewal" at the Museum of Modern Art, New York, January 23-March 13, 1967. Material in this file was probably produced in 1966 and 1967. File contains schematic drawings and photographic materials.
Niveau de description archivistique:
File 1
File 1
Date:
[between 1966 and 1967]
[between 1966 and 1967]
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
AFX
AFX
Numéro de référence:
AP144.S2.D177
Description:
File documents an exhibition of the Magnet project (AP144.S2.D170) hosted by the Architecture Foundation of London, England, from April 18 to June 1, 1997. Material in this file was produced between 1996 and 1997. File contains design development drawings, other drawings, presentation panels, a model, photographic materials, textual records, and artefacts.
AP144.S2.D177
Description:
File documents an exhibition of the Magnet project (AP144.S2.D170) hosted by the Architecture Foundation of London, England, from April 18 to June 1, 1997. Material in this file was produced between 1996 and 1997. File contains design development drawings, other drawings, presentation panels, a model, photographic materials, textual records, and artefacts.
Personnes et institutions:
Date:
1996-1997
1996-1997
Titre:
AFX
Actions:
AP144.S2.D177
Description:
File documents an exhibition of the Magnet project (AP144.S2.D170) hosted by the Architecture Foundation of London, England, from April 18 to June 1, 1997. Material in this file was produced between 1996 and 1997. File contains design development drawings, other drawings, presentation panels, a model, photographic materials, textual records, and artefacts.
AFX
Actions:
AP144.S2.D177
Description:
File documents an exhibition of the Magnet project (AP144.S2.D170) hosted by the Architecture Foundation of London, England, from April 18 to June 1, 1997. Material in this file was produced between 1996 and 1997. File contains design development drawings, other drawings, presentation panels, a model, photographic materials, textual records, and artefacts.
Niveau de description archivistique:
File 177
File 177
Date:
1996-1997
1996-1997
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP142.S1.D91
Description:
File documents the project "Teatro domestico" presented during the exhibition "Il progetto domestico" at the XVII Triennale di Milano, held in 1983-1988 in Milan, Italy. Material in this file was produced approximately in 1985-1986. File contains design development drawings and textual records, including an architect's report, wallpaper samples and photographic material.
AP142.S1.D91
Description:
File documents the project "Teatro domestico" presented during the exhibition "Il progetto domestico" at the XVII Triennale di Milano, held in 1983-1988 in Milan, Italy. Material in this file was produced approximately in 1985-1986. File contains design development drawings and textual records, including an architect's report, wallpaper samples and photographic material.
Personnes et institutions:
Date:
[ca. 1985]-1986
[ca. 1985]-1986
Titre:
"Teatro domestico" per la mostra "Il progetto domestico" alla XVII Triennale di Milano
Actions:
AP142.S1.D91
Description:
File documents the project "Teatro domestico" presented during the exhibition "Il progetto domestico" at the XVII Triennale di Milano, held in 1983-1988 in Milan, Italy. Material in this file was produced approximately in 1985-1986. File contains design development drawings and textual records, including an architect's report, wallpaper samples and photographic material.
"Teatro domestico" per la mostra "Il progetto domestico" alla XVII Triennale di Milano
Actions:
AP142.S1.D91
Description:
File documents the project "Teatro domestico" presented during the exhibition "Il progetto domestico" at the XVII Triennale di Milano, held in 1983-1988 in Milan, Italy. Material in this file was produced approximately in 1985-1986. File contains design development drawings and textual records, including an architect's report, wallpaper samples and photographic material.
Niveau de description archivistique:
File 91
File 91
Date:
[ca. 1985]-1986
[ca. 1985]-1986
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Personnes et institutions:
Date:
2001-2002
2001-2002
Titre:
Reviews, Announcements, Catalogues 2001-2002
Actions:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Reviews, Announcements, Catalogues 2001-2002
Actions:
PHCON2002:0016:010
Description:
Binder documents exhibitions from 2001 to 2002 that included the work of Gordon Matta-Clark, along with exhibition reviews, photographs, slides, and articles. Also included is documentation about his contemporaries including an obituary of his art dealer, Holly Solomon. Binder contains slides and textual records.
Date:
2001-2002
2001-2002
Personnes et institutions:
Classification:
documents textuels
documents textuels
Titre:
Clippings and periodicals
Clippings and periodicals
Numéro de référence:
ARCH218631
Description:
clippings and periodicals including Life magazine, Arts & Architecture, L'architettura, Casabella, Costruzioni Metalliche, informes, Metron, Time, and official guides and brochures on architecture from the Swiss National Exhibition, 1964
ARCH218631
Description:
clippings and periodicals including Life magazine, Arts & Architecture, L'architettura, Casabella, Costruzioni Metalliche, informes, Metron, Time, and official guides and brochures on architecture from the Swiss National Exhibition, 1964
Personnes et institutions:
Date:
ca. 1950-1964
ca. 1950-1964
Titre:
Clippings and periodicals
Actions:
ARCH218631
Description:
clippings and periodicals including Life magazine, Arts & Architecture, L'architettura, Casabella, Costruzioni Metalliche, informes, Metron, Time, and official guides and brochures on architecture from the Swiss National Exhibition, 1964
Clippings and periodicals
Actions:
ARCH218631
Description:
clippings and periodicals including Life magazine, Arts & Architecture, L'architettura, Casabella, Costruzioni Metalliche, informes, Metron, Time, and official guides and brochures on architecture from the Swiss National Exhibition, 1964
Classification:
documents textuels
documents textuels
Date:
ca. 1950-1964
ca. 1950-1964
Personnes et institutions:
Classification:
né numérique
né numérique
Numéro de référence:
AP167.S1.SS1.006
Description:
This directory includes drafts of spreadsheets which document various expenses related to the exhibition. Original directory name: "06 costs". Most common file formats: Microsoft Excel 97 Workbook (xls).
AP167.S1.SS1.006
Description:
This directory includes drafts of spreadsheets which document various expenses related to the exhibition. Original directory name: "06 costs". Most common file formats: Microsoft Excel 97 Workbook (xls).
Personnes et institutions:
Date:
25 November 2003 - 6 May 2004
25 November 2003 - 6 May 2004
Titre:
Expense spreadsheets for the NSA Muscle at the Centre Georges Pompidou
Actions:
AP167.S1.SS1.006
Description:
This directory includes drafts of spreadsheets which document various expenses related to the exhibition. Original directory name: "06 costs". Most common file formats: Microsoft Excel 97 Workbook (xls).
Expense spreadsheets for the NSA Muscle at the Centre Georges Pompidou
Actions:
AP167.S1.SS1.006
Description:
This directory includes drafts of spreadsheets which document various expenses related to the exhibition. Original directory name: "06 costs". Most common file formats: Microsoft Excel 97 Workbook (xls).
Classification:
né numérique
né numérique
Date:
25 November 2003 - 6 May 2004
25 November 2003 - 6 May 2004
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Un dictionnaire
Un dictionnaire
Numéro de référence:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Personnes et institutions:
Date:
1970-2001
1970-2001
Titre:
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Un dictionnaire
Actions:
AP041.S1.1970.D2
Description:
UN DICTIONNAIRE consists of black and white photographs of wire-service newspaper articles selected by Charney for their depiction of “people and buildings caught in upheavals”. Charney described these images as “monuments which are created by events outside the confines of architectural institutions”, meaning that buildings and locations assume a “monumental connotation” when they become associated with a significant event. UN DICTIONNAIRE consists of 300 plates, each plate a photograph that “traces the contours of relations which affect our grasp of the significance of buildings”. UN DICTIONNAIRE was presented as an installation at Galerie Catherine & Stéphane de Beyrie in Paris in 1994 and at the Canadian Pavilion of the 7th International Architectural Exhibition in Venice in 2000 as well as at Musée d'art contemporain de Montréal in 2001-2002. The publication “Tracking images : Melvin Charney, un dictionnaire...” related to this project was also realized in collaboration the Canadian Centre for Architecture in 2000. This project series contains correspondence, notes, photographs, installations plans and exhibition space plans related for the aforementioned exhibitions in Paris, at the Venice Biennale and in Montréal. It also contains reprints of panels shown outside the Canadian Pavilion at the Venice Biennale. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 21-28)
Niveau de description archivistique:
Project
Project
Date:
1970-2001
1970-2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Personnes et institutions:
Date:
1996-2002
1996-2002
Titre:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1996-2002
1996-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Kew
Kew
Numéro de référence:
AP144.S2.D115
Description:
File documents an unsuccessful entry to an architectural competition for a new building for the Royal Botanical Gardens, Kew in Richmond upon Thames, Greater London, England. The building's primary purpose was to house the Reference Collection, with a seconday purpose of providing exhibition space. Material in this file was produced between 1981 and 1982. File contains textual records.
AP144.S2.D115
Description:
File documents an unsuccessful entry to an architectural competition for a new building for the Royal Botanical Gardens, Kew in Richmond upon Thames, Greater London, England. The building's primary purpose was to house the Reference Collection, with a seconday purpose of providing exhibition space. Material in this file was produced between 1981 and 1982. File contains textual records.
Personnes et institutions:
Date:
1981-1982
1981-1982
Titre:
Kew
Actions:
AP144.S2.D115
Description:
File documents an unsuccessful entry to an architectural competition for a new building for the Royal Botanical Gardens, Kew in Richmond upon Thames, Greater London, England. The building's primary purpose was to house the Reference Collection, with a seconday purpose of providing exhibition space. Material in this file was produced between 1981 and 1982. File contains textual records.
Kew
Actions:
AP144.S2.D115
Description:
File documents an unsuccessful entry to an architectural competition for a new building for the Royal Botanical Gardens, Kew in Richmond upon Thames, Greater London, England. The building's primary purpose was to house the Reference Collection, with a seconday purpose of providing exhibition space. Material in this file was produced between 1981 and 1982. File contains textual records.
Niveau de description archivistique:
File 115
File 115
Date:
1981-1982
1981-1982
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Three Projects, Tate Gallery
Three Projects, Tate Gallery
Numéro de référence:
AP140.S2.SS3.D11
Description:
File documents the Three Projects exhibition at the Tate Gallery, in London, England, United Kingdom. The projects exhibited comprised of the Clore Gallery, the Tate Gallery New Museums and the Tate in the North projects. Material in this file was produced between 1986 and 1987. File contains textual records, including drawings, reprographic copies of drawings and correspondence.
AP140.S2.SS3.D11
Description:
File documents the Three Projects exhibition at the Tate Gallery, in London, England, United Kingdom. The projects exhibited comprised of the Clore Gallery, the Tate Gallery New Museums and the Tate in the North projects. Material in this file was produced between 1986 and 1987. File contains textual records, including drawings, reprographic copies of drawings and correspondence.
Personnes et institutions:
Date:
1986-1987
1986-1987
Titre:
Three Projects, Tate Gallery
Actions:
AP140.S2.SS3.D11
Description:
File documents the Three Projects exhibition at the Tate Gallery, in London, England, United Kingdom. The projects exhibited comprised of the Clore Gallery, the Tate Gallery New Museums and the Tate in the North projects. Material in this file was produced between 1986 and 1987. File contains textual records, including drawings, reprographic copies of drawings and correspondence.
Three Projects, Tate Gallery
Actions:
AP140.S2.SS3.D11
Description:
File documents the Three Projects exhibition at the Tate Gallery, in London, England, United Kingdom. The projects exhibited comprised of the Clore Gallery, the Tate Gallery New Museums and the Tate in the North projects. Material in this file was produced between 1986 and 1987. File contains textual records, including drawings, reprographic copies of drawings and correspondence.
Niveau de description archivistique:
File 11
File 11
Date:
1986-1987
1986-1987
Personnes et institutions:
