livres
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257 pages : illustrations (some color), plans ; 23 cm.
Bielefeld : Transcript, [2016]
The mereological city : a reading of the works of Ludwig Hilberseimer / Daniel Köhler.
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257 pages : illustrations (some color), plans ; 23 cm.
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Bielefeld : Transcript, [2016]
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xiii, 121 pages : illustrations (some color) ; 29 cm
St. Paul : Minnesota Historical Society Press, ©1995.
The architecture of Edwin Lundie / Dale Mulfinger ; foreword by David Gebhard ; essay by Eileen Michels.
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xiii, 121 pages : illustrations (some color) ; 29 cm
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St. Paul : Minnesota Historical Society Press, ©1995.
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80 pages : illustrations (some color) ; 21 cm
[Place of publication not identified] : Oro Editions : UBC SALA, [2017], ©2017
Copp House / Adele Weder ; photography by Michael Perlmutter.
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80 pages : illustrations (some color) ; 21 cm
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[Place of publication not identified] : Oro Editions : UBC SALA, [2017], ©2017
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xxi, 383 pages ; 24 cm
Minneapolis, MN. : University of Minnesota Press, [1997], ©1997
Aesthetic theory / Theodor W. Adorno ; Gretel Adorno and Rolf Tiedemann, editors ; newly translated, edited, and with a translator's introduction by Robert Hullot-Kentor.
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xxi, 383 pages ; 24 cm
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Minneapolis, MN. : University of Minnesota Press, [1997], ©1997
$45.00
(disponible en magasin)
Résumé:
Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations(...)
Modern architecture: A planetary warming history
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$45.00
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Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations between modern architecture and planetary warming. This book is a rough sketch of a proposed history of modern architecture since the beginning of the Industrial Revolution. It aims to break away from the established neural networks of the profession’s collective memory of how modern architecture’s history has unfolded, and offers the beginning of a rewiring: by introducing new actors, and highlighting ideas and projects that deal with climate and environment, while relegating some of the usual stars of modernism and postmodernism to the background.
Modernisme
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The German architect Konrad Wachsmann (1901–80) played a major role in the development of industrialized building production, notably through his collaboration with Walter Gropius on a "Packaged House System" for prefabricated homes that could be assembled in under nine hours (Wachsmann was also known for the summer house he designed for Albert Einstein). This catalog(...)
The art of joining: designing the universal connector. Bauhaus Taschenbuch 23
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The German architect Konrad Wachsmann (1901–80) played a major role in the development of industrialized building production, notably through his collaboration with Walter Gropius on a "Packaged House System" for prefabricated homes that could be assembled in under nine hours (Wachsmann was also known for the summer house he designed for Albert Einstein). This catalog collects research conducted at the Bauhaus in 2018 focusing on the decisive and historic importance of the universal wedge connector, one of Wachsmann’s key contributions that radically expanded the capacity for industrialized home production in its deceptively simple design, saving considerable time and cost. The collected texts by scientists and designers position the connector as "the cornerstone of an industrialized building system," and elaborately trace the historical contexts of postwar modernism and industrial design that led to the development of this decisive piece of technology.
Modernisme
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Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look(...)
Bauhaus at the newsstand: Die Neue Linie 1929-1943
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Between 1929 and 1943, an outstanding new lifestyle magazine called Die Neue Linie (“The New Line”) was published by Beyer Press in Leipzig. No other publication in this period was so consistent in bringing avant-garde typographic ideas to a mass audience, as leading graphic designers from the Bauhaus, including László Moholy-Nagy, Umbo and Herbert Bayer, steered the look of the magazine, whose contents combined fashion, literature, graphic design and art. Unembellished fonts, dynamic diagonals and dramatic use of photomontage were key to the journal's striking appearance. Its authors included Walter Gropius, Aldous Huxley, Gottfried Benn and Thomas Mann. The Bauhaus at the Newsstand illustrates the turbulent times in which the magazine appeared, reproducing spreads, statements, articles, a visual checklist of every issue and analyses of the magazine's delicate balancing act between modernism and conformity.
Modernisme
livres
Strange objects, new solids, and massive things : Archi-Tectonics / [author, Winka Dubbeldam].
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364 pages : illustrations (chiefly color), plans (some color) ; 28 cm
New York : Actar Publishers, 2021.
Strange objects, new solids, and massive things : Archi-Tectonics / [author, Winka Dubbeldam].
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364 pages : illustrations (chiefly color), plans (some color) ; 28 cm
livres
New York : Actar Publishers, 2021.
$35.00
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In Architecture or Techno-Utopia, Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s. Scott examines projects, conceptual work, exhibitions, publications, pedagogical initiatives, and agitprop performances that had as their(...)
Théorie de l’architecture
novembre 2007, Cambridge, London
Architecture or Techno-utopia : politics after modernism
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In Architecture or Techno-Utopia, Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s. Scott examines projects, conceptual work, exhibitions, publications, pedagogical initiatives, and agitprop performances that had as their premise the belief that architecture could be ethically and politically relevant. Although most of these strategies were far from the mainstream of American architectural practice, Scott suggests that their ambition-the demonstration of architecture's ongoing potential for social and political engagement-was nonetheless remarkable.
Théorie de l’architecture
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Architecture or Techno-Utopia offers a detailed account of the ways in which the work of architects and designers can speak to the contemporary condition. Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s.
avril 2010
Architecture or Techno-utopia: Politics after Modernism
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Architecture or Techno-Utopia offers a detailed account of the ways in which the work of architects and designers can speak to the contemporary condition. Felicity Scott traces an alternative genealogy of the postmodern turn in American architecture, focusing on a set of experimental practices and polemics that emerged in the late 1960s and early 1970s.