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$81.50
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In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in(...)
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In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in(...)
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Summersopn and Hitchcock : centenary essays on architectural historiography
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In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in the 1950s, both turned more exclusively to historical research and writing. While their areas of interest overlapped, their approaches greatly differed. The contributors to the book investigate the work and methodologies of Summerson and Hitchcock, from their interests in the Northern European (as opposed to Italian) Renaissance, through their studies of the nineteenth century as a precursor to their own times, to their involvement in contemporary issues of design and conservation. The book enhances our understanding of the influences that shaped these two important figures and of the place of architecture within the social and cultural environment.
Summersopn and Hitchcock : centenary essays on architectural historiography
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In this volume, twenty scholars explore the work of two of the twentieth century’s greatest architectural historians: the American Henry-Russell Hitchcock (1903–1987) and the Englishman Sir John Summerson (1904–1992). Both men undertook architectural training and became key polemical figures in the establishment of Modernism in the 1930s. After the war, and especially in the 1950s, both turned more exclusively to historical research and writing. While their areas of interest overlapped, their approaches greatly differed. The contributors to the book investigate the work and methodologies of Summerson and Hitchcock, from their interests in the Northern European (as opposed to Italian) Renaissance, through their studies of the nineteenth century as a precursor to their own times, to their involvement in contemporary issues of design and conservation. The book enhances our understanding of the influences that shaped these two important figures and of the place of architecture within the social and cultural environment.
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livres
Publication:
janvier 2006, New Haven, London
janvier 2006, New Haven, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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$51.00
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How and why Palladio has become the most influential architect of the Renaissance and beyond.For more than four and a half centuries, his works have continuously provided a touchstone for architects, not only in the Veneto, where architects were able to scrutinize his works firsthand, but abroad as well. Indeed, his followers are legion; however, the manner in which his(...)
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How and why Palladio has become the most influential architect of the Renaissance and beyond.For more than four and a half centuries, his works have continuously provided a touchstone for architects, not only in the Veneto, where architects were able to scrutinize his works firsthand, but abroad as well. Indeed, his followers are legion; however, the manner in which his(...)
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Palladio's Legacy: architectural polemics in eighteenth-century Venice
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How and why Palladio has become the most influential architect of the Renaissance and beyond.For more than four and a half centuries, his works have continuously provided a touchstone for architects, not only in the Veneto, where architects were able to scrutinize his works firsthand, but abroad as well. Indeed, his followers are legion; however, the manner in which his oeuvre has been interpreted varied considerably according to time and place. His successors have ranged from those advocating a return to classical orthodoxy to those who have sought to borrow from his work more freely. Yet as the call for architectural reform grew ever more urgent over the course of the eighteenth century, this polysemy came to be overshadowed by a rationalized classical interpretation of Palladio's work.
Palladio's Legacy: architectural polemics in eighteenth-century Venice
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How and why Palladio has become the most influential architect of the Renaissance and beyond.For more than four and a half centuries, his works have continuously provided a touchstone for architects, not only in the Veneto, where architects were able to scrutinize his works firsthand, but abroad as well. Indeed, his followers are legion; however, the manner in which his oeuvre has been interpreted varied considerably according to time and place. His successors have ranged from those advocating a return to classical orthodoxy to those who have sought to borrow from his work more freely. Yet as the call for architectural reform grew ever more urgent over the course of the eighteenth century, this polysemy came to be overshadowed by a rationalized classical interpretation of Palladio's work.
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livres
livres
Publication:
avril 2013
avril 2013
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$74.95
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In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects—cups, saucers, chairs, and tables—began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural(...)
$74.95
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In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects—cups, saucers, chairs, and tables—began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural(...)
Titre:
From ornament to object: genealogies of architectural modernism
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In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects—cups, saucers, chairs, and tables—began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural modernism: rather than the well-known story in which an absorption of technology and mass production created a radical aesthetic that broke decisively with the past, Payne argues for a more gradual shift, as the eloquence of architectural ornamentation was taken on by objects of daily use. As she demonstrates, the work of Adolf Loos and Le Corbusier should be seen as the culmination of a conversation about ornament dating as far back as the Renaissance. Payne looks beyond the usual suspects of philosophy and science to establish theoretical catalysts for the shift from ornament to object in the varied fields of anthropology and ethnology; art history and the museum; and archaeology and psychology.
From ornament to object: genealogies of architectural modernism
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In the late 19th century, a centuries-old preference for highly ornamented architecture gave way to a budding Modernism of clean lines and unadorned surfaces. At the same moment, everyday objects—cups, saucers, chairs, and tables—began to receive critical attention. Alina Payne addresses this shift, arguing for a new understanding of the genealogy of architectural modernism: rather than the well-known story in which an absorption of technology and mass production created a radical aesthetic that broke decisively with the past, Payne argues for a more gradual shift, as the eloquence of architectural ornamentation was taken on by objects of daily use. As she demonstrates, the work of Adolf Loos and Le Corbusier should be seen as the culmination of a conversation about ornament dating as far back as the Renaissance. Payne looks beyond the usual suspects of philosophy and science to establish theoretical catalysts for the shift from ornament to object in the varied fields of anthropology and ethnology; art history and the museum; and archaeology and psychology.
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livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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$52.50
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To concentrate only on the profession of architecture is to ignore the much larger field of architecture, which structures the entire social universe of the architect and of which architects are only one part. This book critically surveys that field, exposing(...)
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To concentrate only on the profession of architecture is to ignore the much larger field of architecture, which structures the entire social universe of the architect and of which architects are only one part. This book critically surveys that field, exposing(...)
Titre:
The favored circle : the social foundations of architectural distinction
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To concentrate only on the profession of architecture is to ignore the much larger field of architecture, which structures the entire social universe of the architect and of which architects are only one part. This book critically surveys that field, exposing many myths and debunking a number of heroes in the process. Using the conceptual apparatus of French sociologist Pierre Bourdieu, Stevens describes the field of architecture on two levels. First, he provides a detailed account of the field as it is at any given point in time, describing the different components and their relationships. Second, he analyzes the dynamics of the field through time, from the Renaissance to the present. He discusses the system of architectural education, as well as everyday aspects such as the competition for reputation. He concludes that throughout history, the most eminent architects have been connected to each other by master-pupil and collegiate relations. These networks, which still exist, provide a mechanism for architectural influence that runs parallel to that of the university-based schools.
The favored circle : the social foundations of architectural distinction
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To concentrate only on the profession of architecture is to ignore the much larger field of architecture, which structures the entire social universe of the architect and of which architects are only one part. This book critically surveys that field, exposing many myths and debunking a number of heroes in the process. Using the conceptual apparatus of French sociologist Pierre Bourdieu, Stevens describes the field of architecture on two levels. First, he provides a detailed account of the field as it is at any given point in time, describing the different components and their relationships. Second, he analyzes the dynamics of the field through time, from the Renaissance to the present. He discusses the system of architectural education, as well as everyday aspects such as the competition for reputation. He concludes that throughout history, the most eminent architects have been connected to each other by master-pupil and collegiate relations. These networks, which still exist, provide a mechanism for architectural influence that runs parallel to that of the university-based schools.
Classification:
livres
livres
Publication:
novembre 1998, Cambridge, Mass.
novembre 1998, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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1 volume (unpaged) : illustrations ; 23 cm
Description:
1 volume (unpaged) : illustrations ; 23 cm
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London : Trolley, 2003.
London : Trolley, 2003.
Titre:
Making art work : [Mike Smith Studio] / editor, Patsy Craig ; design, Patsy Craig, Donald Mak, Ena Andrade ; interviews, William Furlong ; text, Germano Celant.
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1 volume (unpaged) : illustrations ; 23 cm
Making art work : [Mike Smith Studio] / editor, Patsy Craig ; design, Patsy Craig, Donald Mak, Ena Andrade ; interviews, William Furlong ; text, Germano Celant.
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1 volume (unpaged) : illustrations ; 23 cm
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London : Trolley, 2003.
London : Trolley, 2003.
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$25.00
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In this publication, Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science(...)
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In this publication, Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
février 2009, Ithaca, London
février 2009, Ithaca, London
Titre:
The mirror, the window, and the telescope : how Renaissance linear perspective changed our vision of the universe
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In this publication, Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science and technology, ultimately undermining the very medieval Christian cosmic view that gave rise to it in the first place.
The mirror, the window, and the telescope : how Renaissance linear perspective changed our vision of the universe
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In this publication, Edgerton retells the fascinating story of how perspective emerged in early fifteenth-century Florence, growing out of an artistic and religious context in which devout Christians longed for divine presence in their daily lives. And yet, ironically, its discovery would have a profound effect not only on the history of art but on the history of science and technology, ultimately undermining the very medieval Christian cosmic view that gave rise to it in the first place.
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livres
livres
Publication:
février 2009, Ithaca, London
février 2009, Ithaca, London
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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$30.00
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Since Greek antiquity, the human body has been regarded as a microcosm of universal harmony. In this book, an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body's physical,(...)
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Since Greek antiquity, the human body has been regarded as a microcosm of universal harmony. In this book, an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body's physical,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
avril 2005, Cambridge, Massachusetts
avril 2005, Cambridge, Massachusetts
Titre:
Body and building : essays on the changing relation of body and architecture
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Since Greek antiquity, the human body has been regarded as a microcosm of universal harmony. In this book, an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body's physical, psychological, and spiritual needs and pleasures. Topics include Greek temples; the churches of Tadao Ando in Japan; Renaissance fortresses and paintings; the body, space, and dwelling in Wright's and Schindler's houses in North America; the corporeal dimension of Carlo Scarpa's landscapes and gardens; theory from Vitruvius to the Renaissance and Enlightenment; and Freudian psychoanalysis. The essays are framed by an appreciation of architectural historian and theorist Joseph Rykwert's influential work on the subject.
Body and building : essays on the changing relation of body and architecture
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Since Greek antiquity, the human body has been regarded as a microcosm of universal harmony. In this book, an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body's physical, psychological, and spiritual needs and pleasures. Topics include Greek temples; the churches of Tadao Ando in Japan; Renaissance fortresses and paintings; the body, space, and dwelling in Wright's and Schindler's houses in North America; the corporeal dimension of Carlo Scarpa's landscapes and gardens; theory from Vitruvius to the Renaissance and Enlightenment; and Freudian psychoanalysis. The essays are framed by an appreciation of architectural historian and theorist Joseph Rykwert's influential work on the subject.
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livres
livres
Publication:
avril 2005, Cambridge, Massachusetts
avril 2005, Cambridge, Massachusetts
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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Description:
304 pages : illustrations ; 26 cm
Description:
304 pages : illustrations ; 26 cm
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New York : Rizzoli, 1996.
New York : Rizzoli, 1996.
Titre:
Too much is never enough / by Morris Lapidus.
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304 pages : illustrations ; 26 cm
Too much is never enough / by Morris Lapidus.
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304 pages : illustrations ; 26 cm
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New York : Rizzoli, 1996.
New York : Rizzoli, 1996.
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$67.50
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Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical,(...)
$67.50
(disponible sur commande)
Résumé:
Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical,(...)
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Publication:
novembre 2001, Cambridge, Mass.
novembre 2001, Cambridge, Mass.
Titre:
Body and building : essays on the changing relation of body and architecture
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$67.50
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Résumé:
Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical, psychological, and spiritual needs and pleasures. Topics include Greek temples; the churches of Tadao Ando in Japan; Renaissance fortresses and paintings; the body, space, and dwelling in Wright’s and Schindler’s houses in North America; the corporeal dimension of Carlo Scarpa’s landscapes and gardens; theory from Vitruvius to the Renaissance and Enlightenment; and Freudian psychoanalysis. The essays are framed by an appreciation of architectural historian and theorist Joseph Rykwert’s influential work on the subject. Written for a symposium in honour of Joseph Rykwert held in March 1996 at the University of Pennsylvania.
Body and building : essays on the changing relation of body and architecture
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$67.50
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Since Greek antiquity the human body has been regarded as a microcosm of universal harmony. In this book an international group of architects, architectural historians, and theorists examines the relation of the human body and architecture. The essays view well-known buildings, texts, paintings, ornaments, and landscapes from the perspective of the body’s physical, psychological, and spiritual needs and pleasures. Topics include Greek temples; the churches of Tadao Ando in Japan; Renaissance fortresses and paintings; the body, space, and dwelling in Wright’s and Schindler’s houses in North America; the corporeal dimension of Carlo Scarpa’s landscapes and gardens; theory from Vitruvius to the Renaissance and Enlightenment; and Freudian psychoanalysis. The essays are framed by an appreciation of architectural historian and theorist Joseph Rykwert’s influential work on the subject. Written for a symposium in honour of Joseph Rykwert held in March 1996 at the University of Pennsylvania.
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livres
livres
Publication:
novembre 2001, Cambridge, Mass.
novembre 2001, Cambridge, Mass.
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
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8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
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Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
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A history of technology / edited by Charles Singer [and others].
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8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
A history of technology / edited by Charles Singer [and others].
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8 volumes : illustrations (some color), maps, portrait, charts (tables), plates ; 26 cm
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Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
Oxford University, London, Great Britain : Clarendon Press, 1954-1984., ©1954-1984
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