7227 Résultats
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Numéro de référence:
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
Personnes et institutions:
Date:
1996-2008
1996-2008
Titre:
Consultants files for construction planning phase, BMW Welt, Munich
Actions:
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
Consultants files for construction planning phase, BMW Welt, Munich
Actions:
AP181.S1.006
Description:
Original directory name: "05_Konsulenten". File contains records created and shared by COOP HIMMELB(L)AU and the various consultants on the project. These include PRO-Elektroplan GmbH, Bollinger+Grohmann, Dr. Pfeiler GmbH, Kersken + Kirchner GmbH., KBP Beratende Ingenieure GmbH, pbb planungsbüro balke, Ingenieurgemeinschaft BDP, a.g Licht, Realgruen Landschaftsarchitekten ,Lang + Burkhardt Verkehrsplanung und Städtebau, Emmer Pfenninger Partner AG, IB Rüdiger Schönenberg, Thomas A. Weisse + Partner. Bulk dates run from 2003-2006. Consultant expertise ranges from electricity, (electrical conveyor technology, Foerdertechnik) to structural physics (bauphysik), including open space planning (Freiflächenplanung), interior design (Inneneinrichtung), fire protection (Brandschutz), stage technology (Buehnentechnik), kitchen planning (Küchenplanung), facade engineering (Fassadentechnik), light design and planning (Lichtplaner), and solar panels for the roof. The records, largely plans, show the specific parts on which each of these consultants was working. The bulk of the records may be found under the “k_SSF_Ausführungsplanung/G_Pläne” directory which contains close to half of the records in this file. These are plans and views of the different areas and components of the BMW Welt building. These often include a CAD and a PDF version, some of which are annotated digitally or by hand prior to being digitized. CAD files include 2D drawings or 3D models, wireframes, screen captures, renderings, and plotter files. Records also include project management files, lists of the components of each room, engineering and analyses reports, many of which were digitized. Related to electrical and building engineering, there are a few databases in "c_PRO_Elektro_Foerdertechnik" and "b_KBP_Haustechnik". These contain information on the rooms and their technical requirements, such as equipment for plumbing, heat and ventilation, refrigeration systems, building automation, etc. Some database reports are also part of the records. Various sub-directories are named “quelldaten” (source data), which are typically zipped archives and often contain duplicate files. Duplicates were kept due to possible dependencies. Finally, the more than 7,000 plotter files across most directories suggest that printing physical copies of digital drawings for consultation was common practice. Early files (1997-2000) are AutoCAD Compiled Shape/Font File, AutoCAD Font Mapping Table, TrueType Font, and AutoCAD Colour-Dependant Plot Style Table. CAD files may depend on these to display drawings accurately. Most common file formats: Hewlett Packard Vector Graphic Plotter File, AutoCAD Drawing, Acrobat PDF 1.3 - Portable Document Format, Acrobat PDF 1.4 - Portable Document Format, ZIP Format
Classification:
dessins, documents textuels, né numérique
dessins, documents textuels, né numérique
Date:
1996-2008
1996-2008
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Dans cette conversation, Kenneth Frampton discute les approches de l’histoire de l’architecture aujourd’hui, avec Esra Akcan (Cornell University) et Mark Jarzombek (Massachusetts Institute of Technology). Que signifie l’écriture d’une histoire globale de l’architecture au regard de l’urgence des enjeux contemporains? Au cours d’une discussion modérée par Kim Förster,(...)
Dans cette conversation, Kenneth Frampton discute les approches de l’histoire de l’architecture aujourd’hui, avec Esra Akcan (Cornell University) et Mark Jarzombek (Massachusetts Institute of Technology). Que signifie l’écriture d’une histoire globale de l’architecture au regard de l’urgence des enjeux contemporains? Au cours d’une discussion modérée par Kim Förster,(...)
Date:
6 avril 2017
6 avril 2017
Titre:
Une conversation avec Kenneth Frampton : Peut-il y avoir une histoire globale de l’architecture aujourd’hui?
Actions:
Description:
Dans cette conversation, Kenneth Frampton discute les approches de l’histoire de l’architecture aujourd’hui, avec Esra Akcan (Cornell University) et Mark Jarzombek (Massachusetts Institute of Technology). Que signifie l’écriture d’une histoire globale de l’architecture au regard de l’urgence des enjeux contemporains? Au cours d’une discussion modérée par Kim Förster,(...)
Une conversation avec Kenneth Frampton : Peut-il y avoir une histoire globale de l’architecture aujourd’hui?
Actions:
Description:
Dans cette conversation, Kenneth Frampton discute les approches de l’histoire de l’architecture aujourd’hui, avec Esra Akcan (Cornell University) et Mark Jarzombek (Massachusetts Institute of Technology). Que signifie l’écriture d’une histoire globale de l’architecture au regard de l’urgence des enjeux contemporains? Au cours d’une discussion modérée par Kim Förster,(...)
Classification:
événements
événements
Date:
6 avril 2017
6 avril 2017
Classification:
événements
événements
Actions:
Description:
Après une intense période de travail au milieu des années 1970 consacrée au initiatives d’habitation lancées au Portugal après la révolution, Álvaro Siza participe dans les années 1980 à deux des plus importants programmes de renouveau urbain en Europe : l’Exposition internationale d’architecture (IBA) de Berlin et le Stadsvernieuwing als Kulturel Aktiviteit (le renouveau(...)
Après une intense période de travail au milieu des années 1970 consacrée au initiatives d’habitation lancées au Portugal après la révolution, Álvaro Siza participe dans les années 1980 à deux des plus importants programmes de renouveau urbain en Europe : l’Exposition internationale d’architecture (IBA) de Berlin et le Stadsvernieuwing als Kulturel Aktiviteit (le renouveau(...)
Date:
26 novembre 2015
26 novembre 2015
Titre:
L’archéologie de l’ordinaire d’Álvaro Siza
Actions:
Description:
Après une intense période de travail au milieu des années 1970 consacrée au initiatives d’habitation lancées au Portugal après la révolution, Álvaro Siza participe dans les années 1980 à deux des plus importants programmes de renouveau urbain en Europe : l’Exposition internationale d’architecture (IBA) de Berlin et le Stadsvernieuwing als Kulturel Aktiviteit (le renouveau(...)
L’archéologie de l’ordinaire d’Álvaro Siza
Actions:
Description:
Après une intense période de travail au milieu des années 1970 consacrée au initiatives d’habitation lancées au Portugal après la révolution, Álvaro Siza participe dans les années 1980 à deux des plus importants programmes de renouveau urbain en Europe : l’Exposition internationale d’architecture (IBA) de Berlin et le Stadsvernieuwing als Kulturel Aktiviteit (le renouveau(...)
Classification:
événements
événements
Date:
26 novembre 2015
26 novembre 2015
Classification:
expositions
expositions
Actions:
Description:
L’exposition Robert Burley : La disparition de l’obscurité présente une série de photographies de l’artiste canadien Robert Burley documentant la disparition des industries de produits photographiques traditionnels en réponse à l’impact des nouvelles technologies. Depuis 2005, la mutation de la technologie photographique, qui est passée de l’analogique au numérique, (...)
L’exposition Robert Burley : La disparition de l’obscurité présente une série de photographies de l’artiste canadien Robert Burley documentant la disparition des industries de produits photographiques traditionnels en réponse à l’impact des nouvelles technologies. Depuis 2005, la mutation de la technologie photographique, qui est passée de l’analogique au numérique, (...)
Localisation:
Vitrines
Vitrines
Date:
11 septembre 2009 au 15 novembre 2009
11 septembre 2009 au 15 novembre 2009
Titre:
Robert Burley : La disparition de l'obscurité
Actions:
Description:
L’exposition Robert Burley : La disparition de l’obscurité présente une série de photographies de l’artiste canadien Robert Burley documentant la disparition des industries de produits photographiques traditionnels en réponse à l’impact des nouvelles technologies. Depuis 2005, la mutation de la technologie photographique, qui est passée de l’analogique au numérique, (...)
Robert Burley : La disparition de l'obscurité
Actions:
Description:
L’exposition Robert Burley : La disparition de l’obscurité présente une série de photographies de l’artiste canadien Robert Burley documentant la disparition des industries de produits photographiques traditionnels en réponse à l’impact des nouvelles technologies. Depuis 2005, la mutation de la technologie photographique, qui est passée de l’analogique au numérique, (...)
Classification:
expositions
expositions
Date:
11 septembre 2009 au
15 novembre 2009
11 septembre 2009 au
15 novembre 2009
Localisation:
Vitrines
Vitrines
Classification:
événements
événements
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Date:
21 septembre 2017, 18h30
21 septembre 2017, 18h30
Titre:
David B. Stewart, quel sens avait l’histoire pour Kazuo Shinohara?
Actions:
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
David B. Stewart, quel sens avait l’histoire pour Kazuo Shinohara?
Actions:
Description:
Figure ayant profondément marqué l’architecture d’après-guerre au Japon, Kazuo Shinohara s’est surtout fait connaître pour ses maisons individuelles. Or il reste peu étudié de nos jours, particulièrement à l’extérieur du Japon. Il a joint certaines formes traditionnelles et l’exploration de principes modernistes au moment des technologies de pointe et de l’information(...)
Classification:
événements
événements
Date:
21 septembre 2017
18h30
21 septembre 2017
18h30
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Kenneth Frampton
Fonds Kenneth Frampton
Numéro de référence:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Personnes et institutions:
Date:
1958-2016
1958-2016
Titre:
Fonds Kenneth Frampton
Actions:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Fonds Kenneth Frampton
Actions:
AP197
Résumé:
The Kenneth Frampton fonds, 1958-2016, documents the professional career of Kenneth Frampton – British architect, historian, theorist, and Ware professor of Architecture at the Graduate School of Architecture, Planning and Preservation (GSAPP) at Columbia University. Materials in the fonds consist of approximately 28.37 l.m. of textual records, 3966 photographs and prints, 3168 postcards, 2733 slides, 824 drawings (including reprographic copies), 470 negatives, 151 35 mm negatives, 105 posters, 30 objects, 23 audio cassettes, 18 VHS tapes, 15 transparencies, 3 tape reels, 2 microfilms, and 2 vinyl records.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1958-2016
1958-2016
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Personnes et institutions:
Date:
circa 1981 - 1990
circa 1981 - 1990
Titre:
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
106 habitações, Punt en Komma [Punt en Komma social housing], Schilderswijk-West, The Hague, The Netherlands, (1981-1990)
Actions:
AP178.S1.1984.PR02
Description:
The project series documents the Punt en Komma social housing project in The Hague, The Netherlands, with some materials related to the Urban plan for Deelgebied Zone 5, Schilderswijk-West. While the records were held in the office’s archives the urban plan for Deelgebied Zone 5 was assigned the number 30/80 and Punt en Komma was assigned the number 30/80 A/B (Punt (A) and Komma (B)). The office assigned the date 1984 for this project. In the mid to late1970s The Hague underwent an urban renewal program and in 1980 Adri Duivesteijn became the alderman responsible for this program. Dissatisfied with the results, in the early to mid-1980s Duivesteijn began a campaign to look at urban renewal as a cultural approach, and was interested in the participatory process that Siza incorporated for the Serviço Ambulatório de Apoio Local (SAAL) in Portugal and the Berlin projects submitted to the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA, circa 1979-1987). After taking a trip to Portugal, Duivesteijn invited Siza to speak with residents of Schilderswijk. The urban plan for Schilderswijk was the first part of a redevelopment plan for the 19th century district and included two four story blocks of 106 apartments, named Punt en Komma. Schilderswijk is in the centre of The Hague and is nearby the Haag Spoor train station. The residents are made up of multi-ethnic communities and included immigrants from Turkey, Morocco, Tunisia, and Portugal. Similarly to the Berlin projects, Siza was faced with cultural tensions between the residents of the area. The urban plan was to take into account the preservation of the neighborhood's identity while accounting for the changes brought on by multi-ethnic communities. As with the SAAL and Berlin projects there was an element of participation from the residents and included the collaboration of a residents association. In the “Plan of Zone 5 of Schilderswijk Centrum…”, found in this project series [AP178.S1.1984.PR02.024.1, AP178.S1.1984.PR02.024.2], it is outlined that meetings were periodically held with technicians appointed by the Department of Urban Planning and Housing of The Hague, the Housing Cooperative, and each of the designers. Siza’s design for Punt en Komma incorporated elements prevalent in Dutch architecture such as the Haagse Portiek. However, he also included components in his design which accounted for the needs of residents living there at the time. One feature which gained much attention was the incorporation of sliding doors in the apartments. Siza included these doors in his design in consideration of the cultural practices of Muslim families. Documenting this project series are drawings, photographic materials, and textual documentation. Among the drawings are plans, elevations, sections, and details, as well as axonometric drawings, such as the proposed design for Deelgebied zone 5 (including Punt en Komma) and drawings of the Haagse Porteik. Photographic materials document both Duivesteijn’s trip to Portugal and Siza’s first trip to The Hague and include photographs, negatives, and slides of the built project, as well as slides of drawings. Note that the photographic materials include photographs related to the housing and shopping complex in Schilderswijk. Textual documentation includes brochures regarding rent increases, a copy of “Stadsvernieuwing als Kulturele Aktiviteit” by Duivesteijn, and information booklets for the residents. Also included are minutes of meeting and correspondence from the Woningbouwvereniging’s-Gravenhage. Among the correspondence are letters regarding construction costs, including a letter from Siza to the local architectural firm Architectengemeenschap Van den Broek en Bakema explaining that he does not wish to modify the detail he specified for the lintels of the Punt building. There is also correspondence from project architect Carlos Castenheira and Duivesteijn and a summary of the meeting between Siza and the Committee of the Corporation for Social Housing (17 April, 1985)[AP178.S1.1984.PR02.025.1] It is important to note that Siza also participated in other projects for this urban renewal program: the housing and shopping complex in Schilderswijk [AP178.S1.1984.PR03], the Van der Vennepark [AP178.S1.1985.PR01], and the residential settlement in Schilderswijk (Plano de Doedijnstraat [AP178.S1.1989.PR03]). All three of these projects are arranged in separate project series.
Niveau de description archivistique:
Project
Project
Date:
circa 1981 - 1990
circa 1981 - 1990
Personnes et institutions:
Classification:
articles
articles
Titre:
Architecturer un changement
Architecturer un changement
Actions:
Federica Zambeletti en conversation avec Arno Brandlhuber et Olaf Grawert
Dossier:
Forces de friction
Forces de friction
Publié:
9 décembre 2024
9 décembre 2024
Titre:
Architecturer un changement
Federica Zambeletti en conversation avec Arno Brandlhuber et Olaf Grawert
Actions:
Architecturer un changement
Federica Zambeletti en conversation avec Arno Brandlhuber et Olaf Grawert
Actions:
Dossier:
Forces de friction
Forces de friction
Classification:
événements
événements
Actions:
Description:
La viande et les produits laitiers sont des ingrédients omniprésents dans l’alimentation mondiale. Cependant, les bâtiments qui transforment les êtres vivants en marchandises sont généralement cachés aux yeux du public. L’architecture de l’élevage industriel peut sembler anonyme et banale, et pourtant elle est rendue possible par des technologies sophistiquées et des(...)
La viande et les produits laitiers sont des ingrédients omniprésents dans l’alimentation mondiale. Cependant, les bâtiments qui transforment les êtres vivants en marchandises sont généralement cachés aux yeux du public. L’architecture de l’élevage industriel peut sembler anonyme et banale, et pourtant elle est rendue possible par des technologies sophistiquées et des(...)
Date:
20 juillet 2023, 18h à 19h30
20 juillet 2023, 18h à 19h30
Titre:
Des cages pour les non-humains : une histoire architecturale de l'élevage
Actions:
Description:
La viande et les produits laitiers sont des ingrédients omniprésents dans l’alimentation mondiale. Cependant, les bâtiments qui transforment les êtres vivants en marchandises sont généralement cachés aux yeux du public. L’architecture de l’élevage industriel peut sembler anonyme et banale, et pourtant elle est rendue possible par des technologies sophistiquées et des(...)
Des cages pour les non-humains : une histoire architecturale de l'élevage
Actions:
Description:
La viande et les produits laitiers sont des ingrédients omniprésents dans l’alimentation mondiale. Cependant, les bâtiments qui transforment les êtres vivants en marchandises sont généralement cachés aux yeux du public. L’architecture de l’élevage industriel peut sembler anonyme et banale, et pourtant elle est rendue possible par des technologies sophistiquées et des(...)
Classification:
événements
événements
Date:
20 juillet 2023
18h à 19h30
20 juillet 2023
18h à 19h30
Classification:
expositions
expositions
Actions:
Description:
L’américanisme, ce mélange d’idéalisation, de mimétisme et de réprobation qu’inspira aux architectes européens la découverte des modèles urbains et des pratiques de construction venus d’Amérique, constitue le thème de l’exposition Scènes de la vie future : L’architecture européenne et la tentation de l’Amérique, 1893-1960. Les gratte-ciel, les vastes installations(...)
L’américanisme, ce mélange d’idéalisation, de mimétisme et de réprobation qu’inspira aux architectes européens la découverte des modèles urbains et des pratiques de construction venus d’Amérique, constitue le thème de l’exposition Scènes de la vie future : L’architecture européenne et la tentation de l’Amérique, 1893-1960. Les gratte-ciel, les vastes installations(...)
Localisation:
Salles principales
Salles principales
Date:
14 juin 1995 au 14 septembre 1995
14 juin 1995 au 14 septembre 1995
Titre:
Scènes de la vie future : l'architecture européenne et la tentation de l'Amérique, 1893-1960
Actions:
Description:
L’américanisme, ce mélange d’idéalisation, de mimétisme et de réprobation qu’inspira aux architectes européens la découverte des modèles urbains et des pratiques de construction venus d’Amérique, constitue le thème de l’exposition Scènes de la vie future : L’architecture européenne et la tentation de l’Amérique, 1893-1960. Les gratte-ciel, les vastes installations(...)
Scènes de la vie future : l'architecture européenne et la tentation de l'Amérique, 1893-1960
Actions:
Description:
L’américanisme, ce mélange d’idéalisation, de mimétisme et de réprobation qu’inspira aux architectes européens la découverte des modèles urbains et des pratiques de construction venus d’Amérique, constitue le thème de l’exposition Scènes de la vie future : L’architecture européenne et la tentation de l’Amérique, 1893-1960. Les gratte-ciel, les vastes installations(...)
Classification:
expositions
expositions
Date:
14 juin 1995 au
14 septembre 1995
14 juin 1995 au
14 septembre 1995
Localisation:
Salles principales
Salles principales
