2030 Résultats
Classification:
livres
livres
Titre:
Alice Neel: I am the century
Alice Neel: I am the century
Actions:
Prix:
$85.00
(disponible en magasin)
Résumé:
''Alice Neel: I Am the Century'' accompanies the first major retrospective in Italy dedicated to the US artist Alice Neel (1900–1984), presented by Pinacoteca Agnelli, Turin. Conceived as both a critical and a narrative journey, this publication offers an in-depth exploration of Neel's artistic and personal life, expanding on the exhibition through a rich selection of(...)
$85.00
(disponible en magasin)
Résumé:
''Alice Neel: I Am the Century'' accompanies the first major retrospective in Italy dedicated to the US artist Alice Neel (1900–1984), presented by Pinacoteca Agnelli, Turin. Conceived as both a critical and a narrative journey, this publication offers an in-depth exploration of Neel's artistic and personal life, expanding on the exhibition through a rich selection of(...)
Publication:
décembre 2025
décembre 2025
Titre:
Alice Neel: I am the century
Actions:
Prix:
$85.00
(disponible en magasin)
Résumé:
''Alice Neel: I Am the Century'' accompanies the first major retrospective in Italy dedicated to the US artist Alice Neel (1900–1984), presented by Pinacoteca Agnelli, Turin. Conceived as both a critical and a narrative journey, this publication offers an in-depth exploration of Neel's artistic and personal life, expanding on the exhibition through a rich selection of essays and visual material. Merging realism with surrealism and empathy with unflinching clarity, Neel captured the psychological and emotional depth of her sitters. The publication emphasizes her capacity to chronicle life's stages and relationships—childhood and adulthood, sexuality and intimacy, community and political consciousness—through works that continue to resonate with contemporary audiences. Positioning Neel as both artist and witness, ''I Am the Century'' underscores her enduring humanism and her singular vision of the "human comedy," offering readers a comprehensive entry point into a body of work that is still influencing new generations of artists.
Alice Neel: I am the century
Actions:
Prix:
$85.00
(disponible en magasin)
Résumé:
''Alice Neel: I Am the Century'' accompanies the first major retrospective in Italy dedicated to the US artist Alice Neel (1900–1984), presented by Pinacoteca Agnelli, Turin. Conceived as both a critical and a narrative journey, this publication offers an in-depth exploration of Neel's artistic and personal life, expanding on the exhibition through a rich selection of essays and visual material. Merging realism with surrealism and empathy with unflinching clarity, Neel captured the psychological and emotional depth of her sitters. The publication emphasizes her capacity to chronicle life's stages and relationships—childhood and adulthood, sexuality and intimacy, community and political consciousness—through works that continue to resonate with contemporary audiences. Positioning Neel as both artist and witness, ''I Am the Century'' underscores her enduring humanism and her singular vision of the "human comedy," offering readers a comprehensive entry point into a body of work that is still influencing new generations of artists.
Classification:
livres
livres
Publication:
décembre 2025
décembre 2025
Classification:
livres
livres
Titre:
Violent images
Violent images
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and(...)
$39.95
(disponible en magasin)
Résumé:
Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and(...)
Publication:
novembre 2025
novembre 2025
Titre:
Violent images
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and Violence in News Media and Photography" (Roland Bleiker and Emma Hutchison); transgressive image-making practices (Monica M. Haller), and more. All the contributors critically examine established and emerging visual concepts of violence, suggesting that our engagement with them is inherently political and more pressing than ever. Continuing Giulia Cordin and Eva Leitolf's exploration begun with ''Landscape with(out) Locus'', ''Violent Images'' explores the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it. It illustrates the need for a more critical and engaged approach to visual representation and communication in the context of local and global conflicts and crises.
Violent images
Actions:
Prix:
$39.95
(disponible en magasin)
Résumé:
Through the lens of various disciplines, ''Violent Images'' investigates the politics of visual violence and its potential to provoke, subvert, and transform social, political, and media discourses. The artists and scholars invited to contribute to this image-text publication discuss "The Whiteness of Silicon Valley's Digital Ecologies" (Stephanie Polsky); "Gender and Violence in News Media and Photography" (Roland Bleiker and Emma Hutchison); transgressive image-making practices (Monica M. Haller), and more. All the contributors critically examine established and emerging visual concepts of violence, suggesting that our engagement with them is inherently political and more pressing than ever. Continuing Giulia Cordin and Eva Leitolf's exploration begun with ''Landscape with(out) Locus'', ''Violent Images'' explores the intricate relationship between visual culture and the social and economic conditions that influence and are influenced by it. It illustrates the need for a more critical and engaged approach to visual representation and communication in the context of local and global conflicts and crises.
Classification:
livres
livres
Publication:
novembre 2025
novembre 2025
Classification:
livres
livres
Titre:
Soft Eyes
Soft Eyes
Actions:
Prix:
$93.00
(disponible en magasin)
Résumé:
"Soft eyes", the late Henry Wessel once wrote in describing the way he went about looking for photographs, “is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.” In this smart and tender act of homage, Wessel’s photographs (many of them previously unpublished) are combined(...)
$93.00
(disponible en magasin)
Résumé:
"Soft eyes", the late Henry Wessel once wrote in describing the way he went about looking for photographs, “is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.” In this smart and tender act of homage, Wessel’s photographs (many of them previously unpublished) are combined(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2025
septembre 2025
Titre:
Soft Eyes
Actions:
Prix:
$93.00
(disponible en magasin)
Résumé:
"Soft eyes", the late Henry Wessel once wrote in describing the way he went about looking for photographs, “is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.” In this smart and tender act of homage, Wessel’s photographs (many of them previously unpublished) are combined with the work of two younger California photographers, Austin Leong and Adrian Martinez, and the resulting work is a surprising exploration of influence as well as a study of the sorts of connective tissue that provide a throughline in photography’s long and fascinating history of lineage. In some sense, "Soft Eyes" is a case of two photographers chasing a dead man’s shadows, but Leong and Martinez are both disciplined and devoted, and Wessel’s shadows are all over his old stomping grounds of Northern and Southern California, eternally pooling in expected and unexpected places and hiding in plain sight under the bleaching California sun.
Soft Eyes
Actions:
Prix:
$93.00
(disponible en magasin)
Résumé:
"Soft eyes", the late Henry Wessel once wrote in describing the way he went about looking for photographs, “is a physical sensation. You are not looking for something. You are open, receptive. At some point you are in front of something that you cannot ignore.” In this smart and tender act of homage, Wessel’s photographs (many of them previously unpublished) are combined with the work of two younger California photographers, Austin Leong and Adrian Martinez, and the resulting work is a surprising exploration of influence as well as a study of the sorts of connective tissue that provide a throughline in photography’s long and fascinating history of lineage. In some sense, "Soft Eyes" is a case of two photographers chasing a dead man’s shadows, but Leong and Martinez are both disciplined and devoted, and Wessel’s shadows are all over his old stomping grounds of Northern and Southern California, eternally pooling in expected and unexpected places and hiding in plain sight under the bleaching California sun.
Classification:
livres
livres
Publication:
septembre 2025
septembre 2025
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$105.00
(disponible en magasin)
Résumé:
Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary(...)
$105.00
(disponible en magasin)
Résumé:
Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary(...)
Titre:
Concrete mon amour: The raw imprint of modernism
Actions:
Prix:
$105.00
(disponible en magasin)
Résumé:
Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten outliers, enduring symbols of artistic ingenuity or imposing expressions of misappropriated power, Concrete, mon amour unpacks the intricate narratives embedded in these architectural giants. It considers their paradoxical nature: raw yet deliberate, unadorned yet unapologetically evocative. By capturing their permanence in diverse settings—urban or remote, pristine or weathered—this book compels a deeper interrogation into what sustains their continued relevance—their sheer monumentality, the audacity of their forms, or the honesty of their materials. Ultimately, the significance of these once-revolutionary visions lies not in answers but in the questions they leave behind.
Concrete mon amour: The raw imprint of modernism
Actions:
Prix:
$105.00
(disponible en magasin)
Résumé:
Once hailed as icons of radical experimentation and creative ambition, the concrete structures of the mid-to-late 20th century, which have become a defining subject of Stefano Perego’s photographic exploration, continue to stir both admiration and debate. Through the scope of his lens, Perego invites readers to reflect on the era that has shaped these relics of visionary modernism and the ideals they embody. Whether celebrated landmarks or forgotten outliers, enduring symbols of artistic ingenuity or imposing expressions of misappropriated power, Concrete, mon amour unpacks the intricate narratives embedded in these architectural giants. It considers their paradoxical nature: raw yet deliberate, unadorned yet unapologetically evocative. By capturing their permanence in diverse settings—urban or remote, pristine or weathered—this book compels a deeper interrogation into what sustains their continued relevance—their sheer monumentality, the audacity of their forms, or the honesty of their materials. Ultimately, the significance of these once-revolutionary visions lies not in answers but in the questions they leave behind.
Classification:
livres
livres
Publication:
novembre 2025
novembre 2025
Sujet:
Brutalisme
Brutalisme
Classification:
livres
livres
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Miles Davis's seminal recording, known as Birth of the Cool, is the starting point for this colorful, multi-disciplinary journey through 1950s West Coast America. 1950s West Coast style exuded "cool": from the smooth, hypnotic strains of a Miles Davis riff through Richard Neutra's elegant, modernist residences to the hard-edged paintings of Helen Lundeberg and Karl(...)
$72.00
(disponible sur commande)
Résumé:
Miles Davis's seminal recording, known as Birth of the Cool, is the starting point for this colorful, multi-disciplinary journey through 1950s West Coast America. 1950s West Coast style exuded "cool": from the smooth, hypnotic strains of a Miles Davis riff through Richard Neutra's elegant, modernist residences to the hard-edged paintings of Helen Lundeberg and Karl(...)
Titre:
Birth of the cool: California art, design, and culture at midcentury
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Miles Davis's seminal recording, known as Birth of the Cool, is the starting point for this colorful, multi-disciplinary journey through 1950s West Coast America. 1950s West Coast style exuded "cool": from the smooth, hypnotic strains of a Miles Davis riff through Richard Neutra's elegant, modernist residences to the hard-edged paintings of Helen Lundeberg and Karl Benjamin. This richly illustrated volume casts a fresh eye on Fifties West Coast style with illuminating commentary from a variety of perspectives. Designed to echo the period it celebrates, this catalog explores modernist innovations in art, architecture, design, film and music. Prominent cultural critics write on an array of topics: Thomas Hine about the culture of cool; Elizabeth Smith on domestic aspects of the period's architecture; Francis Colpitt on hard-edged abstract painting; Dave Hickey on jazz, and Bruce Jenkins on the crossover between animation and experimental film. The result is a multi-faceted exploration of the 1950s West Coast zeitgeist in all its color, creativity, and cool.
Birth of the cool: California art, design, and culture at midcentury
Actions:
Prix:
$72.00
(disponible sur commande)
Résumé:
Miles Davis's seminal recording, known as Birth of the Cool, is the starting point for this colorful, multi-disciplinary journey through 1950s West Coast America. 1950s West Coast style exuded "cool": from the smooth, hypnotic strains of a Miles Davis riff through Richard Neutra's elegant, modernist residences to the hard-edged paintings of Helen Lundeberg and Karl Benjamin. This richly illustrated volume casts a fresh eye on Fifties West Coast style with illuminating commentary from a variety of perspectives. Designed to echo the period it celebrates, this catalog explores modernist innovations in art, architecture, design, film and music. Prominent cultural critics write on an array of topics: Thomas Hine about the culture of cool; Elizabeth Smith on domestic aspects of the period's architecture; Francis Colpitt on hard-edged abstract painting; Dave Hickey on jazz, and Bruce Jenkins on the crossover between animation and experimental film. The result is a multi-faceted exploration of the 1950s West Coast zeitgeist in all its color, creativity, and cool.
Classification:
livres
livres
Publication:
octobre 2007, Orange County
octobre 2007, Orange County
Sujet:
Design d’intérieur
Design d’intérieur
Classification:
livres
livres
Actions:
Prix:
$94.50
(disponible sur commande)
Résumé:
Although internationally known for his furniture, for his iconic Schröder House and for his relationship to the members of De Stijl, Gerrit Th. Rietveld developed a prolific career as an architect after his Neo-Plasticist phase in the 1920s. This double issue of 2G takes another look at Rietveld's domestic built work from his first Neo-Plasticist buildings of the(...)
$94.50
(disponible sur commande)
Résumé:
Although internationally known for his furniture, for his iconic Schröder House and for his relationship to the members of De Stijl, Gerrit Th. Rietveld developed a prolific career as an architect after his Neo-Plasticist phase in the 1920s. This double issue of 2G takes another look at Rietveld's domestic built work from his first Neo-Plasticist buildings of the(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
novembre 2006, Barcelona
novembre 2006, Barcelona
Titre:
2G 39/40 : Gerrit Th. Rietveld casas/houses
Actions:
Prix:
$94.50
(disponible sur commande)
Résumé:
Although internationally known for his furniture, for his iconic Schröder House and for his relationship to the members of De Stijl, Gerrit Th. Rietveld developed a prolific career as an architect after his Neo-Plasticist phase in the 1920s. This double issue of 2G takes another look at Rietveld's domestic built work from his first Neo-Plasticist buildings of the 1920s to his death in 1964. In it we discover a trajectory which, without renouncing the Neo-Plasticist precepts of his early days, gradually takes on a more domestic and everyday cast in direct rapport with his clients. Along with his endeavours as a cabinetmaker, the issue of suburban single-family housing constituted a fundamental mainstay in his trajectory, one in which the everyday is intermingled with spatial exploration. The revisit to this less-known oeuvre of Rietveld's is preceded by essays by Marijke Kuper (editor of this issue), Hans Ibelings and Wim Quist, and culminates in the nexus section with various texts by the architect himself.
2G 39/40 : Gerrit Th. Rietveld casas/houses
Actions:
Prix:
$94.50
(disponible sur commande)
Résumé:
Although internationally known for his furniture, for his iconic Schröder House and for his relationship to the members of De Stijl, Gerrit Th. Rietveld developed a prolific career as an architect after his Neo-Plasticist phase in the 1920s. This double issue of 2G takes another look at Rietveld's domestic built work from his first Neo-Plasticist buildings of the 1920s to his death in 1964. In it we discover a trajectory which, without renouncing the Neo-Plasticist precepts of his early days, gradually takes on a more domestic and everyday cast in direct rapport with his clients. Along with his endeavours as a cabinetmaker, the issue of suburban single-family housing constituted a fundamental mainstay in his trajectory, one in which the everyday is intermingled with spatial exploration. The revisit to this less-known oeuvre of Rietveld's is preceded by essays by Marijke Kuper (editor of this issue), Hans Ibelings and Wim Quist, and culminates in the nexus section with various texts by the architect himself.
Classification:
livres
livres
Publication:
novembre 2006, Barcelona
novembre 2006, Barcelona
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
The plan of Chicago
The plan of Chicago
Actions:
Prix:
$27.50
(disponible sur commande)
Résumé:
Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s history reveals(...)
$27.50
(disponible sur commande)
Résumé:
Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s history reveals(...)
Titre:
The plan of Chicago
Actions:
Prix:
$27.50
(disponible sur commande)
Résumé:
Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s history reveals the Plan’s central role in shaping the ways people envision the cityscape and urban life itself. Smith’s narrative begins with a survey of Chicago’s stunning rise from a tiny frontier settlement to the nation’s second-largest city. He then offers an illuminating exploration of the Plan’s creation and reveals how it embodies the renowned architect’s belief that cities can and must be remade for the better. The Plan defined the City Beautiful movement and was the first comprehensive attempt to reimagine a major American city. Smith points out the ways the Plan continues to influence debates, even a century after its publication, about how to create a vibrant and habitable urban environment.
The plan of Chicago
Actions:
Prix:
$27.50
(disponible sur commande)
Résumé:
Arguably the most influential document in the history of urban planning, Daniel Burnham’s 1909 Plan of Chicago, coauthored by Edward Bennett and produced in collaboration with the Commercial Club of Chicago, proposed many of the city’s most distinctive features, including its lakefront parks and roadways, the Magnificent Mile, and Navy Pier. Carl Smith’s history reveals the Plan’s central role in shaping the ways people envision the cityscape and urban life itself. Smith’s narrative begins with a survey of Chicago’s stunning rise from a tiny frontier settlement to the nation’s second-largest city. He then offers an illuminating exploration of the Plan’s creation and reveals how it embodies the renowned architect’s belief that cities can and must be remade for the better. The Plan defined the City Beautiful movement and was the first comprehensive attempt to reimagine a major American city. Smith points out the ways the Plan continues to influence debates, even a century after its publication, about how to create a vibrant and habitable urban environment.
Classification:
livres
livres
Publication:
octobre 2006, Chicago, London
octobre 2006, Chicago, London
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
Classification:
livres
livres
Actions:
Prix:
$62.50
(disponible sur commande)
Résumé:
Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the(...)
$62.50
(disponible sur commande)
Résumé:
Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the(...)
Sujet:
Monographies photo
Monographies photo
Publication:
juin 2005, Vienna
juin 2005, Vienna
Titre:
Blue : inventing the river Danube
Actions:
Prix:
$62.50
(disponible sur commande)
Résumé:
Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the middle of the 19th century onwards. They depict the development of the continent's second largest river, and its cultural and economic significance for central and south-easthern Europe. The river as it is today is the theme of the artistic work by Iosif Kiraly (Bucharest)and Sophie Ristelhueber (Paris). In winter and spring 2004/2005 the two photographers travelled along the Danube, eastwards and westwards. Kiraly visited places that have been shaped by the industrial age. Ristelhueber followed the Danube along its last few miles to Sulina, the place where the Danube ends and the Black Sea begins.
Blue : inventing the river Danube
Actions:
Prix:
$62.50
(disponible sur commande)
Résumé:
Published to accompany an exhibition at the Technisches Museum, Vienna. "Blue. Inventing the River Danube" combines a cultural history of the river with an artistic exploration of its present. The journey begins in Vienna and continue eastwards along the river for two thousand kilometres. Historical photograhs tell the story of how technologyreinvented the Danube from the middle of the 19th century onwards. They depict the development of the continent's second largest river, and its cultural and economic significance for central and south-easthern Europe. The river as it is today is the theme of the artistic work by Iosif Kiraly (Bucharest)and Sophie Ristelhueber (Paris). In winter and spring 2004/2005 the two photographers travelled along the Danube, eastwards and westwards. Kiraly visited places that have been shaped by the industrial age. Ristelhueber followed the Danube along its last few miles to Sulina, the place where the Danube ends and the Black Sea begins.
Classification:
livres
livres
Publication:
juin 2005, Vienna
juin 2005, Vienna
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Actions:
Prix:
$6.99
(disponible sur commande)
Résumé:
"Rubble" presents key episodes in the world of demolition. Stretching over more than five hundred years of razing and toppling, this story looks back to London’s Great Fire of 1666, where self-deputized wreckers artfully blew houses apart with barrels of gunpowder to halt the furious blaze, and spotlights the advent of dynamite - courtesy of demolition’s patron saint,(...)
$6.99
(disponible sur commande)
Résumé:
"Rubble" presents key episodes in the world of demolition. Stretching over more than five hundred years of razing and toppling, this story looks back to London’s Great Fire of 1666, where self-deputized wreckers artfully blew houses apart with barrels of gunpowder to halt the furious blaze, and spotlights the advent of dynamite - courtesy of demolition’s patron saint,(...)
Titre:
Rubble : unearthing the history of demolition
Actions:
Prix:
$6.99
(disponible sur commande)
Résumé:
"Rubble" presents key episodes in the world of demolition. Stretching over more than five hundred years of razing and toppling, this story looks back to London’s Great Fire of 1666, where self-deputized wreckers artfully blew houses apart with barrels of gunpowder to halt the furious blaze, and spotlights the advent of dynamite - courtesy of demolition’s patron saint, Alfred Nobel - that would later fuel epochal feats of unbuilding such as the implosion of the infamous Pruitt-Igoe housing complex in St. Louis. Rubble also delves beyond these bravura blasts to survey the world-jarring invention of the wrecking ball; the oddly stirring ruin of New York’s old Pennsylvania Station, that potent symbol of the wrecker run amok; and the ever busy bulldozers in places as diverse as Detroit, Berlin, and the British countryside. "Rubble" is also an exploration of what happens when buildings fall, when monuments topple into memory, and when “destructive creativity” tears down to build again.
Rubble : unearthing the history of demolition
Actions:
Prix:
$6.99
(disponible sur commande)
Résumé:
"Rubble" presents key episodes in the world of demolition. Stretching over more than five hundred years of razing and toppling, this story looks back to London’s Great Fire of 1666, where self-deputized wreckers artfully blew houses apart with barrels of gunpowder to halt the furious blaze, and spotlights the advent of dynamite - courtesy of demolition’s patron saint, Alfred Nobel - that would later fuel epochal feats of unbuilding such as the implosion of the infamous Pruitt-Igoe housing complex in St. Louis. Rubble also delves beyond these bravura blasts to survey the world-jarring invention of the wrecking ball; the oddly stirring ruin of New York’s old Pennsylvania Station, that potent symbol of the wrecker run amok; and the ever busy bulldozers in places as diverse as Detroit, Berlin, and the British countryside. "Rubble" is also an exploration of what happens when buildings fall, when monuments topple into memory, and when “destructive creativity” tears down to build again.
Classification:
livres
livres
Publication:
novembre 2005, New York
novembre 2005, New York
Sujet:
livres soldés
livres soldés
Classification:
périodiques
périodiques
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge(...)
$34.95
(disponible sur commande)
Résumé:
A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge(...)
Titre:
The senses & society : vol. 01, issue 01, march 2006
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge developments in art, design and architecture. Every volume contains something for and about each of the senses, both singly and in all sorts of novel configurations. Shaped by culture, gender and class, the senses mediate between mind and body, idea and object, self and environment. The senses are increasingly extended beyond the body through technology, and catered to by designers and marketers, yet persistently elude all efforts to capture and control them. Artists now experiment with the senses in bold new ways, disrupting conventional canons of aesthetics. Simply put, sensation is fundamental to our experience of the world.
The senses & society : vol. 01, issue 01, march 2006
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
A heightened interest in the role of the senses in society is sweeping the social sciences, supplanting older paradigms and challenging conventional theories of representation. This journal provides a forum for the exploration of this new area of inquiry - the senses in culture and society. It brings together work in the social sciences and incorporates cutting-edge developments in art, design and architecture. Every volume contains something for and about each of the senses, both singly and in all sorts of novel configurations. Shaped by culture, gender and class, the senses mediate between mind and body, idea and object, self and environment. The senses are increasingly extended beyond the body through technology, and catered to by designers and marketers, yet persistently elude all efforts to capture and control them. Artists now experiment with the senses in bold new ways, disrupting conventional canons of aesthetics. Simply put, sensation is fundamental to our experience of the world.
Classification:
périodiques
périodiques
Publication:
mars 2006, Brighton
mars 2006, Brighton
Sujet:
Revues
Revues
