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352 pages : illustrations (some color) ; 29 cm
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352 pages : illustrations (some color) ; 29 cm
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New York, N.Y. : Thames and Hudson, 1995.
New York, N.Y. : Thames and Hudson, 1995.
Titre:
Designing modernity : the arts of reform and persuasion, 1885-1945 : selections from the Wolfsonian / edited by Wendy Kaplan.
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352 pages : illustrations (some color) ; 29 cm
Designing modernity : the arts of reform and persuasion, 1885-1945 : selections from the Wolfsonian / edited by Wendy Kaplan.
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352 pages : illustrations (some color) ; 29 cm
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livres
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New York, N.Y. : Thames and Hudson, 1995.
New York, N.Y. : Thames and Hudson, 1995.
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351 pages : illustrations (some color), map, plans ; 24 cm
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351 pages : illustrations (some color), map, plans ; 24 cm
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Prague, Czech Republic : Artguide s.r.o. for Garage Museum of Contemporary Art, Moscow, Russia, 2019.
Prague, Czech Republic : Artguide s.r.o. for Garage Museum of Contemporary Art, Moscow, Russia, 2019.
Titre:
Moscow : a guide to Soviet modernist architecture 1955-1991 / Anna Bronovitskaya, Nikolay Malinin ; photographer, Yuri Palmin ; translator, Clive Phillips ; editor, Ruth Addison.
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351 pages : illustrations (some color), map, plans ; 24 cm
Moscow : a guide to Soviet modernist architecture 1955-1991 / Anna Bronovitskaya, Nikolay Malinin ; photographer, Yuri Palmin ; translator, Clive Phillips ; editor, Ruth Addison.
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351 pages : illustrations (some color), map, plans ; 24 cm
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Prague, Czech Republic : Artguide s.r.o. for Garage Museum of Contemporary Art, Moscow, Russia, 2019.
Prague, Czech Republic : Artguide s.r.o. for Garage Museum of Contemporary Art, Moscow, Russia, 2019.
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livres
livres
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Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
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$50.00
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Résumé:
From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely(...)
$50.00
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From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely(...)
Publication:
avril 2007, Charlottesville, London
avril 2007, Charlottesville, London
Titre:
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
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$50.00
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From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely recognized by architectural historians, most studies have concentrated on the Bauhaus founder Walter Gropius and his transformation of Harvard's old Beaux-Arts School of Architecture into a "Harvard-Bauhaus," a radically new school with a single outlook. In "Inventing American modernism", Jill Pearlman argues that Gropius did not effect these changes alone and, further, that the GSD was not merely an offshoot of the Bauhaus. She offers a crucial missing piece to the story — and to the history of modern architecture — by focusing on Joseph Hudnut, the school’s dean and founder. After heading the architecture school at the University of Virginia, and then at Columbia University, Hudnut created the GSD at Harvard in 1936, before Gropius was appointed, and he headed the school until 1953, the year after Gropius resigned. From the beginning, Hudnut gave the GSD its modern pedagogical direction, and he continued to oversee its curriculum and staffing for the next seventeen years. Although originally an admirer of Gropius's work and theories, Hudnut came to clash with him over the control of the direction of modern architecture and planning in the United States Gropius won the battle, but Pearlman shows that, had the GSD followed the path Hudnut wanted, modern architecture and the modern city might well have been different. In his role as public intellectual, Hudnut wielded an influence that reached outside the university, distinguished by his encouraging people to participate in the architectural and urbanistic matters that affected their lives. A story involving European modernists such as Marcel Breuer, Martin Wagner, and Christopher Tunnard, as well as a number of other architects, city planners, and landscape architects, this book is more than the study of a single school; it is a look at the origins of modernism at a defining moment in the history of twentieth-century architecture.
Inventing American modernism : Joseph Hudnut, Walter Gropius, and the Bauhaus legacy at Harvard
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$50.00
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From the late 1930s to the early 1950s, the Harvard Graduate School of Design played a crucial role in shaping a new modern architecture and the modern city. Architects, planners, teachers, and students from all over the world looked to the new GSD, with its celebrated faculty and curriculum, for the path to modern design. While the school’s significance is widely recognized by architectural historians, most studies have concentrated on the Bauhaus founder Walter Gropius and his transformation of Harvard's old Beaux-Arts School of Architecture into a "Harvard-Bauhaus," a radically new school with a single outlook. In "Inventing American modernism", Jill Pearlman argues that Gropius did not effect these changes alone and, further, that the GSD was not merely an offshoot of the Bauhaus. She offers a crucial missing piece to the story — and to the history of modern architecture — by focusing on Joseph Hudnut, the school’s dean and founder. After heading the architecture school at the University of Virginia, and then at Columbia University, Hudnut created the GSD at Harvard in 1936, before Gropius was appointed, and he headed the school until 1953, the year after Gropius resigned. From the beginning, Hudnut gave the GSD its modern pedagogical direction, and he continued to oversee its curriculum and staffing for the next seventeen years. Although originally an admirer of Gropius's work and theories, Hudnut came to clash with him over the control of the direction of modern architecture and planning in the United States Gropius won the battle, but Pearlman shows that, had the GSD followed the path Hudnut wanted, modern architecture and the modern city might well have been different. In his role as public intellectual, Hudnut wielded an influence that reached outside the university, distinguished by his encouraging people to participate in the architectural and urbanistic matters that affected their lives. A story involving European modernists such as Marcel Breuer, Martin Wagner, and Christopher Tunnard, as well as a number of other architects, city planners, and landscape architects, this book is more than the study of a single school; it is a look at the origins of modernism at a defining moment in the history of twentieth-century architecture.
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livres
livres
Publication:
avril 2007, Charlottesville, London
avril 2007, Charlottesville, London
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livres
livres
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$42.00
(disponible en magasin)
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete(...)
$42.00
(disponible en magasin)
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete(...)
Titre:
Bauhau Dessau : architecture, design, concept
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$42.00
(disponible en magasin)
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The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete renovation is available. Featuring more than 110 black and white photographs, "Bauhaus Dessau" presents the whole scope of architectural and artistic variety and quality of the building. The book sketches the history of the building, its architectural parts, the interior design created by the Bauhaus artists, as well as the functions of the building. "Bauhaus Dessau" is well-suited as a companion for a tour through the building as well as a reference of individual details. In addition to the visual objects, the text also describes the work carried out in the former workshops and their most important products, because architecture, design and concept of the Bauhaus are inseparably connected to each other.
Bauhau Dessau : architecture, design, concept
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$42.00
(disponible en magasin)
Résumé:
The Bauhaus Dessau, designed by Walter Gropius and from 1925 to 1932 the headquarters of the "Hochschule für Gestaltung Bauhaus Dessau", attracts around 80,000 visitors annually from Germany and abroad who are in search of the roots of the 20th century Modernism. Now the first book in which the UNESCO world cultural heritage site is introduced following its complete renovation is available. Featuring more than 110 black and white photographs, "Bauhaus Dessau" presents the whole scope of architectural and artistic variety and quality of the building. The book sketches the history of the building, its architectural parts, the interior design created by the Bauhaus artists, as well as the functions of the building. "Bauhaus Dessau" is well-suited as a companion for a tour through the building as well as a reference of individual details. In addition to the visual objects, the text also describes the work carried out in the former workshops and their most important products, because architecture, design and concept of the Bauhaus are inseparably connected to each other.
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livres
livres
Publication:
juillet 2007, Berlin
juillet 2007, Berlin
Sujet:
Modernisme
Modernisme
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livres
livres
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$65.00
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Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the(...)
$65.00
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Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the(...)
Titre:
The other Modern moverment: Architecture, 1920-1970
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$65.00
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Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. ''The other Modern movement'' profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton’s account offers new insights into iconic buildings like Eileen Gray’s E-1027 House in France and Richard Neutra’s Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond’s Tokyo Golf Club and Alejandro de la Sota’s Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.
The other Modern moverment: Architecture, 1920-1970
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$65.00
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Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. ''The other Modern movement'' profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton’s account offers new insights into iconic buildings like Eileen Gray’s E-1027 House in France and Richard Neutra’s Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond’s Tokyo Golf Club and Alejandro de la Sota’s Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.
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livres
livres
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janvier 2022
janvier 2022
Sujet:
Modernisme
Modernisme
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livres
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Description:
165 pages : illustrations ; 23 cm
Description:
165 pages : illustrations ; 23 cm
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Prague : KANT 2019.
Prague : KANT 2019.
Titre:
Essays on Adolf Loos / Christopher Long
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165 pages : illustrations ; 23 cm
Essays on Adolf Loos / Christopher Long
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165 pages : illustrations ; 23 cm
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livres
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Prague : KANT 2019.
Prague : KANT 2019.
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Description:
216 pages : illustrations ; 31 cm
Description:
216 pages : illustrations ; 31 cm
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New York : Abrams, 1990.
New York : Abrams, 1990.
Titre:
Modern architecture : photographs by Ezra Stoller / William S. Saunders.
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216 pages : illustrations ; 31 cm
Modern architecture : photographs by Ezra Stoller / William S. Saunders.
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216 pages : illustrations ; 31 cm
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livres
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New York : Abrams, 1990.
New York : Abrams, 1990.
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752 pages : illustrations ; 24 cm
Description:
752 pages : illustrations ; 24 cm
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New York : Knopf, [1999], ©1998
New York : Knopf, [1999], ©1998
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Modern times, modern places / by Peter Conrad.
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752 pages : illustrations ; 24 cm
Modern times, modern places / by Peter Conrad.
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752 pages : illustrations ; 24 cm
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livres
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New York : Knopf, [1999], ©1998
New York : Knopf, [1999], ©1998
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xiii, 225 pages : illustrations (some color) ; 30 cm
Description:
xiii, 225 pages : illustrations (some color) ; 30 cm
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Washington : National Gallery of Art ; Berkeley : in association with University of California Press, ©2006.
Washington : National Gallery of Art ; Berkeley : in association with University of California Press, ©2006.
Titre:
Charles Sheeler : across media / Charles Brock.
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xiii, 225 pages : illustrations (some color) ; 30 cm
Charles Sheeler : across media / Charles Brock.
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xiii, 225 pages : illustrations (some color) ; 30 cm
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livres
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Washington : National Gallery of Art ; Berkeley : in association with University of California Press, ©2006.
Washington : National Gallery of Art ; Berkeley : in association with University of California Press, ©2006.
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248 pages : illustrations (some color) ; 24 cm
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248 pages : illustrations (some color) ; 24 cm
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Rotterdam : NAi Publishers ; New York, NY : Available in North, South and Central America through D.A.P., ©2009.
Rotterdam : NAi Publishers ; New York, NY : Available in North, South and Central America through D.A.P., ©2009.
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Radical games : popping the bubble of 1960s' architecture / Lara Schrijver.
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248 pages : illustrations (some color) ; 24 cm
Radical games : popping the bubble of 1960s' architecture / Lara Schrijver.
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248 pages : illustrations (some color) ; 24 cm
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livres
livres
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Rotterdam : NAi Publishers ; New York, NY : Available in North, South and Central America through D.A.P., ©2009.
Rotterdam : NAi Publishers ; New York, NY : Available in North, South and Central America through D.A.P., ©2009.
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