43402 Résultats
Classification:
dessins
dessins
Numéro de référence:
DR1989:0015:033
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
DR1989:0015:033
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1898
1898
Titre:
St. Peter's Home, Woking: Plan for the chapel choir stalls
Actions:
DR1989:0015:033
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
St. Peter's Home, Woking: Plan for the chapel choir stalls
Actions:
DR1989:0015:033
Description:
- This work is part of a group of drawings and reprographic prints of drawings for St. Peter's Home, Woking, and St. Peter's Convent, Woking, from the offices of John Loughborough Pearson and Frank Loughborough Pearson (DR1989:0015:011 - DR1989:0015:085 R/V). Composed of contract and working drawings including plans, site plans, sections, and elevations dated between 1881 and 1936, these drawings were sold at auction by the convent along with those for the older institution of St. Peter's Home, Kilburn (DR1989:0015:001 - DR1989:0015:010). Both St. Peter's Home, Kilburn, and St. Peter's Home, Woking were commissioned from John Loughborough Pearson by Benjamin Lancaster. The alterations to the Home at Kilburn were commissioned on behalf of Lancaster's wife, who founded the home and a lay nursing order which ran it. The institution at Woking was founded by Lancaster as a home for incurables in 1882 and dedicated to the memory of his deceased wife (Quiney 67-68, 254-255, and 284). It was probably first known as St. Peter's Home, Woking, not becoming a convent until ca. 1934.
Classification:
dessins
dessins
Date:
1898
1898
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Coen Beeker
Collection Coen Beeker
Numéro de référence:
CD035
Résumé:
The Coen Beeker collection comprises documents related to Coen Beeker’s urban and rural planning projects in Burkina Faso, Ethiopia and Sudan. Materials in this collection range from the late 1950s to the early 2000s.
CD035
Résumé:
The Coen Beeker collection comprises documents related to Coen Beeker’s urban and rural planning projects in Burkina Faso, Ethiopia and Sudan. Materials in this collection range from the late 1950s to the early 2000s.
Personnes et institutions:
Date:
1978-2006
1978-2006
Titre:
Collection Coen Beeker
Actions:
CD035
Résumé:
The Coen Beeker collection comprises documents related to Coen Beeker’s urban and rural planning projects in Burkina Faso, Ethiopia and Sudan. Materials in this collection range from the late 1950s to the early 2000s.
Collection Coen Beeker
Actions:
CD035
Résumé:
The Coen Beeker collection comprises documents related to Coen Beeker’s urban and rural planning projects in Burkina Faso, Ethiopia and Sudan. Materials in this collection range from the late 1950s to the early 2000s.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1978-2006
1978-2006
Personnes et institutions:
Numéro de référence:
PHCON2002:0016:002:056
Description:
Lists works of art and prices.
PHCON2002:0016:002:056
Description:
Lists works of art and prices.
Personnes et institutions:
Date:
24 January 1973
24 January 1973
Titre:
Inventory of works by Gordon Matta-Clark at Galleria Form
Actions:
PHCON2002:0016:002:056
Description:
Lists works of art and prices.
Inventory of works by Gordon Matta-Clark at Galleria Form
Actions:
PHCON2002:0016:002:056
Description:
Lists works of art and prices.
Date:
24 January 1973
24 January 1973
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1995.D1
Description:
The project series documents the competition entry, design, and execution of the José Hierro public library in the Usera district, Madrid, Spain. Abalos & Herreros were invited to participate in the competition organised by Consejería de Educación y Cultura (Council for Education and Culture), of the Comunidad de Autónoma de Madrid, and their entry won. The firm worked in collaboration with architect Ángel S. Jaramillo and artist Peter Halley. The firm identified this project as number 94. In 2003, this project was a finalist at the 7th edition of the Bienal de Arquitectua Española and received a mention at the 17th edition of the Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting the project are design development and working drawings, correspondence, notes, project descriptions, studies, specifications, photographic materials and a model.
AP164.S1.1995.D1
Description:
The project series documents the competition entry, design, and execution of the José Hierro public library in the Usera district, Madrid, Spain. Abalos & Herreros were invited to participate in the competition organised by Consejería de Educación y Cultura (Council for Education and Culture), of the Comunidad de Autónoma de Madrid, and their entry won. The firm worked in collaboration with architect Ángel S. Jaramillo and artist Peter Halley. The firm identified this project as number 94. In 2003, this project was a finalist at the 7th edition of the Bienal de Arquitectua Española and received a mention at the 17th edition of the Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting the project are design development and working drawings, correspondence, notes, project descriptions, studies, specifications, photographic materials and a model.
Personnes et institutions:
Date:
1995-2003
1995-2003
Titre:
Biblioteca de Usera, Madrid, Spain (1995-2003)
Actions:
AP164.S1.1995.D1
Description:
The project series documents the competition entry, design, and execution of the José Hierro public library in the Usera district, Madrid, Spain. Abalos & Herreros were invited to participate in the competition organised by Consejería de Educación y Cultura (Council for Education and Culture), of the Comunidad de Autónoma de Madrid, and their entry won. The firm worked in collaboration with architect Ángel S. Jaramillo and artist Peter Halley. The firm identified this project as number 94. In 2003, this project was a finalist at the 7th edition of the Bienal de Arquitectua Española and received a mention at the 17th edition of the Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting the project are design development and working drawings, correspondence, notes, project descriptions, studies, specifications, photographic materials and a model.
Biblioteca de Usera, Madrid, Spain (1995-2003)
Actions:
AP164.S1.1995.D1
Description:
The project series documents the competition entry, design, and execution of the José Hierro public library in the Usera district, Madrid, Spain. Abalos & Herreros were invited to participate in the competition organised by Consejería de Educación y Cultura (Council for Education and Culture), of the Comunidad de Autónoma de Madrid, and their entry won. The firm worked in collaboration with architect Ángel S. Jaramillo and artist Peter Halley. The firm identified this project as number 94. In 2003, this project was a finalist at the 7th edition of the Bienal de Arquitectua Española and received a mention at the 17th edition of the Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting the project are design development and working drawings, correspondence, notes, project descriptions, studies, specifications, photographic materials and a model.
Niveau de description archivistique:
Project
Project
Date:
1995-2003
1995-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2000.D3
Description:
The project series documents the competition, design, and construction of a gymnastics pavillion in Retiro park for the Instituto Municipal de Deporte of Madrid, Spain. Abalos & Herreros were invited to enter this competition and won first prize in collaboration with Renata Sentkiewicz. The project includes changing rooms, offices and a gymnasium, and was integrated into the surrounding and growing vegetation of the park. The firm worked in collaboration with Fermina Garrido and Obiol y Moya. The firm identified this project as number 127. In 2004, the firm received the Public Initiative Award for this project at the 28th Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting this project are presentation, design development and working drawings, correspondence, project descriptions, budgets, specifications, postcards, notes, and reference, graphic, photographic and digital materials.
AP164.S1.2000.D3
Description:
The project series documents the competition, design, and construction of a gymnastics pavillion in Retiro park for the Instituto Municipal de Deporte of Madrid, Spain. Abalos & Herreros were invited to enter this competition and won first prize in collaboration with Renata Sentkiewicz. The project includes changing rooms, offices and a gymnasium, and was integrated into the surrounding and growing vegetation of the park. The firm worked in collaboration with Fermina Garrido and Obiol y Moya. The firm identified this project as number 127. In 2004, the firm received the Public Initiative Award for this project at the 28th Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting this project are presentation, design development and working drawings, correspondence, project descriptions, budgets, specifications, postcards, notes, and reference, graphic, photographic and digital materials.
Personnes et institutions:
Date:
1989-2003
1989-2003
Titre:
Pabellón de gimnasia en el parque del Retiro, Madrid, Spain (2000-2003)
Actions:
AP164.S1.2000.D3
Description:
The project series documents the competition, design, and construction of a gymnastics pavillion in Retiro park for the Instituto Municipal de Deporte of Madrid, Spain. Abalos & Herreros were invited to enter this competition and won first prize in collaboration with Renata Sentkiewicz. The project includes changing rooms, offices and a gymnasium, and was integrated into the surrounding and growing vegetation of the park. The firm worked in collaboration with Fermina Garrido and Obiol y Moya. The firm identified this project as number 127. In 2004, the firm received the Public Initiative Award for this project at the 28th Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting this project are presentation, design development and working drawings, correspondence, project descriptions, budgets, specifications, postcards, notes, and reference, graphic, photographic and digital materials.
Pabellón de gimnasia en el parque del Retiro, Madrid, Spain (2000-2003)
Actions:
AP164.S1.2000.D3
Description:
The project series documents the competition, design, and construction of a gymnastics pavillion in Retiro park for the Instituto Municipal de Deporte of Madrid, Spain. Abalos & Herreros were invited to enter this competition and won first prize in collaboration with Renata Sentkiewicz. The project includes changing rooms, offices and a gymnasium, and was integrated into the surrounding and growing vegetation of the park. The firm worked in collaboration with Fermina Garrido and Obiol y Moya. The firm identified this project as number 127. In 2004, the firm received the Public Initiative Award for this project at the 28th Premios de Urbanismo, Arquitectura y Obra Publica 2003 from the Madrid City Council. Documenting this project are presentation, design development and working drawings, correspondence, project descriptions, budgets, specifications, postcards, notes, and reference, graphic, photographic and digital materials.
Niveau de description archivistique:
Project
Project
Date:
1989-2003
1989-2003
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2000.D8
Description:
The project series documents the competitions organised by the government of Extremadura for the design of four secondary education institutions in Badajoz, Spain: Centro de enseñanza secundaria obligatoria de Solana de los Barros (delimited by the streets Villalobos, Juan Ramón Jiménez, García Lorca and Antonio Machado); Centro de enseñanza secundaria obligatoria en Calamonte; Centro de enseñanza secundaria obligatoria de Valverde de Laganés; and Centro de enseñanza secundaria obligatoria de Fuente de Cantos. The firm identified this project as number 132. Abalos and Herreros worked with the construction company Magenta S.A. and Angel Jaramillo Esteban. The project documents conceptual and presentation drawings, cartographic and reference materiels, correspondence, specifications, contracts, project descriptions and a model.
AP164.S1.2000.D8
Description:
The project series documents the competitions organised by the government of Extremadura for the design of four secondary education institutions in Badajoz, Spain: Centro de enseñanza secundaria obligatoria de Solana de los Barros (delimited by the streets Villalobos, Juan Ramón Jiménez, García Lorca and Antonio Machado); Centro de enseñanza secundaria obligatoria en Calamonte; Centro de enseñanza secundaria obligatoria de Valverde de Laganés; and Centro de enseñanza secundaria obligatoria de Fuente de Cantos. The firm identified this project as number 132. Abalos and Herreros worked with the construction company Magenta S.A. and Angel Jaramillo Esteban. The project documents conceptual and presentation drawings, cartographic and reference materiels, correspondence, specifications, contracts, project descriptions and a model.
Personnes et institutions:
Date:
2000
2000
Titre:
Colegios Magenta, Badajoz, Spain (2000)
Actions:
AP164.S1.2000.D8
Description:
The project series documents the competitions organised by the government of Extremadura for the design of four secondary education institutions in Badajoz, Spain: Centro de enseñanza secundaria obligatoria de Solana de los Barros (delimited by the streets Villalobos, Juan Ramón Jiménez, García Lorca and Antonio Machado); Centro de enseñanza secundaria obligatoria en Calamonte; Centro de enseñanza secundaria obligatoria de Valverde de Laganés; and Centro de enseñanza secundaria obligatoria de Fuente de Cantos. The firm identified this project as number 132. Abalos and Herreros worked with the construction company Magenta S.A. and Angel Jaramillo Esteban. The project documents conceptual and presentation drawings, cartographic and reference materiels, correspondence, specifications, contracts, project descriptions and a model.
Colegios Magenta, Badajoz, Spain (2000)
Actions:
AP164.S1.2000.D8
Description:
The project series documents the competitions organised by the government of Extremadura for the design of four secondary education institutions in Badajoz, Spain: Centro de enseñanza secundaria obligatoria de Solana de los Barros (delimited by the streets Villalobos, Juan Ramón Jiménez, García Lorca and Antonio Machado); Centro de enseñanza secundaria obligatoria en Calamonte; Centro de enseñanza secundaria obligatoria de Valverde de Laganés; and Centro de enseñanza secundaria obligatoria de Fuente de Cantos. The firm identified this project as number 132. Abalos and Herreros worked with the construction company Magenta S.A. and Angel Jaramillo Esteban. The project documents conceptual and presentation drawings, cartographic and reference materiels, correspondence, specifications, contracts, project descriptions and a model.
Niveau de description archivistique:
Project
Project
Date:
2000
2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1966.PR01
Description:
This project series documents the sound performance "Tunnel Sonoro." It was created in 1966, when Pettena was experimenting with music and worked with musicians. "Tunnel Sonoro" was one of the results of his collaborations with musicians. This project consists of a sound performance during which a performer, entirely dressed in a metallic bodysuit, crosses a narrow tunnel "in which, by scrapping against the surfaces, their body 'played' the environment, imitating the sound of the wind [...]." [1] The performance was conceived for the (Musica Elettronica Viva), a live acoustic and electronic improvisational group from Rome. The project series contains a project description in Italian and in English, a reproduction of a publication from the Biennale di Firenze describing the project, and drawings of the tunnel and the metallic bodysuit. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 98.
AP207.S1.1966.PR01
Description:
This project series documents the sound performance "Tunnel Sonoro." It was created in 1966, when Pettena was experimenting with music and worked with musicians. "Tunnel Sonoro" was one of the results of his collaborations with musicians. This project consists of a sound performance during which a performer, entirely dressed in a metallic bodysuit, crosses a narrow tunnel "in which, by scrapping against the surfaces, their body 'played' the environment, imitating the sound of the wind [...]." [1] The performance was conceived for the (Musica Elettronica Viva), a live acoustic and electronic improvisational group from Rome. The project series contains a project description in Italian and in English, a reproduction of a publication from the Biennale di Firenze describing the project, and drawings of the tunnel and the metallic bodysuit. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 98.
Personnes et institutions:
Date:
circa 1966-2018
circa 1966-2018
Titre:
Tunnel Sonoro [Sound Tunnel] (1966)
Actions:
AP207.S1.1966.PR01
Description:
This project series documents the sound performance "Tunnel Sonoro." It was created in 1966, when Pettena was experimenting with music and worked with musicians. "Tunnel Sonoro" was one of the results of his collaborations with musicians. This project consists of a sound performance during which a performer, entirely dressed in a metallic bodysuit, crosses a narrow tunnel "in which, by scrapping against the surfaces, their body 'played' the environment, imitating the sound of the wind [...]." [1] The performance was conceived for the (Musica Elettronica Viva), a live acoustic and electronic improvisational group from Rome. The project series contains a project description in Italian and in English, a reproduction of a publication from the Biennale di Firenze describing the project, and drawings of the tunnel and the metallic bodysuit. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 98.
Tunnel Sonoro [Sound Tunnel] (1966)
Actions:
AP207.S1.1966.PR01
Description:
This project series documents the sound performance "Tunnel Sonoro." It was created in 1966, when Pettena was experimenting with music and worked with musicians. "Tunnel Sonoro" was one of the results of his collaborations with musicians. This project consists of a sound performance during which a performer, entirely dressed in a metallic bodysuit, crosses a narrow tunnel "in which, by scrapping against the surfaces, their body 'played' the environment, imitating the sound of the wind [...]." [1] The performance was conceived for the (Musica Elettronica Viva), a live acoustic and electronic improvisational group from Rome. The project series contains a project description in Italian and in English, a reproduction of a publication from the Biennale di Firenze describing the project, and drawings of the tunnel and the metallic bodysuit. Source: [1] Marco Scotini, editor. Non-conscious architecture: Gianni Pettena, Sternberg Press, 2018, 235 pages. p. 98.
Niveau de description archivistique:
Project
Project
Date:
circa 1966-2018
circa 1966-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Ice House I (1971)
Ice House I (1971)
Numéro de référence:
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
Personnes et institutions:
Date:
circa 1971-2015
circa 1971-2015
Titre:
Ice House I (1971)
Actions:
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
Ice House I (1971)
Actions:
AP207.S1.1971.PR06
Description:
The project series documents the project "Ice House I" for which Pettena once again studied the transformation of a building overtaken by nature. The project consisted of pouring water on the walls of an abandoned school building in Minneapolis and letting it freeze during the night to obtain a building covered by ice. "The school preserved its typology, the typical form of that typology, but once coated in ice it was the material that transformed it: it came alive, for it had been worked by nature." It is unclear if this project was ever performed. The project series contains photographs of the frozen building, sketches, a perspective drawing, and project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-ice-house-i-1971-1/ (last accessed 11 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1971-2015
circa 1971-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Personnes et institutions:
Date:
1955
1955
Titre:
Paston House School, Cambridge
Actions:
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Paston House School, Cambridge
Actions:
AP144.S2.D21
Description:
File documents a project for Paston House School, Cambridge, England, and includes drawings for new bicycle sheds and store rooms, possibly for an existing building, including details for glazing, entrance gates and screens. Cedric Price worked for architect, David Roberts, on this project. It was undertaken during the summer of 1955, after Price received his M.A. from Cambridge University and before he began studies at the Architectural Association in London. The scope of the project cannot be determined from the drawings in this file. Material in this file was produced in1955. Information on attribution based on 'Contemporary Architects, 3rd ed.' (New York: St. James Press, 1994), s.v. "Price, Cedric"; 'CCA Consignment List'; and notes by Howard Shubert, CCA Curator of Prints and Drawings, in conversation with Cedric Price. File contains working drawings.
Niveau de description archivistique:
File 21
File 21
Date:
1955
1955
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1954
1954
Titre:
Home '54 Design Competition, Canada (1954)
Actions:
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Home '54 Design Competition, Canada (1954)
Actions:
AP075.S1.1954.PR05
Description:
This project series documents Cornelia Hahn Oberlander's project for the Home '54 Design Competition for the Canadian Home Journal, in 1954. Oberlander worked on this proposal with architect Norman Rice, who designed the one-storey single-family house. The landscape design consists of a paved outdoor living space directly next to the living room with a curved fixed bench at the back of the house, as well as a quiet area with annual and perennial planting on the east edge of the site and a vegetable garden and sitting area facing the street. The project series contains only two presentation drawings showing floor plans, elevation and axonometric views of the house and landscape plans, and presentation panels of the same two drawings. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1954
1954
Personnes et institutions:
