29337 Résultats
Classification:
articles
articles
Actions:
Giovanna Borasi et Sam Chermayeff introduisent notre exposition Une portion du présent
Titre:
Une société en transformation
Giovanna Borasi et Sam Chermayeff introduisent notre exposition Une portion du présent
Actions:
Une société en transformation
Giovanna Borasi et Sam Chermayeff introduisent notre exposition Une portion du présent
Actions:
Dossier:
Réinitialiser le social
Réinitialiser le social
Titre:
QUESTIONS, ANSWERS
QUESTIONS, ANSWERS
Numéro de référence:
PHCON2002:0016:005:030
Description:
Catalogue of an exhibition at Sarah Lawrence College, Bronxville, New York, 16-26 April 1974.
PHCON2002:0016:005:030
Description:
Catalogue of an exhibition at Sarah Lawrence College, Bronxville, New York, 16-26 April 1974.
Personnes et institutions:
Date:
1974
1974
Titre:
QUESTIONS, ANSWERS
Actions:
PHCON2002:0016:005:030
Description:
Catalogue of an exhibition at Sarah Lawrence College, Bronxville, New York, 16-26 April 1974.
QUESTIONS, ANSWERS
Actions:
PHCON2002:0016:005:030
Description:
Catalogue of an exhibition at Sarah Lawrence College, Bronxville, New York, 16-26 April 1974.
Date:
1974
1974
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S1.1996.PR03.002
Description:
Original file title: Cais embarque Salonica This file includes drawings used in a exhibition.
AP178.S1.1996.PR03.002
Description:
Original file title: Cais embarque Salonica This file includes drawings used in a exhibition.
Personnes et institutions:
Date:
ca. 1996
ca. 1996
Titre:
Studies and presentation drawings, Cais de embarque para european architects, Salonica
Actions:
AP178.S1.1996.PR03.002
Description:
Original file title: Cais embarque Salonica This file includes drawings used in a exhibition.
Studies and presentation drawings, Cais de embarque para european architects, Salonica
Actions:
AP178.S1.1996.PR03.002
Description:
Original file title: Cais embarque Salonica This file includes drawings used in a exhibition.
Classification:
dessins
dessins
Date:
ca. 1996
ca. 1996
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
Personnes et institutions:
Date:
circa 1977
circa 1977
Titre:
Testimonianze D'Architettura [Testimony of Architecture] (1977)
Actions:
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
Testimonianze D'Architettura [Testimony of Architecture] (1977)
Actions:
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1977
circa 1977
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR1995:0295:096:001:002:002
Description:
Letter regarding architects fees for the exhibition "Architecture II: Houses for Sale" at Leo Castelli Gallery.
DR1995:0295:096:001:002:002
Description:
Letter regarding architects fees for the exhibition "Architecture II: Houses for Sale" at Leo Castelli Gallery.
Personnes et institutions:
Date:
26 November 1979
26 November 1979
Titre:
Letter from Cedric Price to Susan Brundage
Actions:
DR1995:0295:096:001:002:002
Description:
Letter regarding architects fees for the exhibition "Architecture II: Houses for Sale" at Leo Castelli Gallery.
Letter from Cedric Price to Susan Brundage
Actions:
DR1995:0295:096:001:002:002
Description:
Letter regarding architects fees for the exhibition "Architecture II: Houses for Sale" at Leo Castelli Gallery.
Classification:
documents textuels
documents textuels
Date:
26 November 1979
26 November 1979
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP178.S1.1988.PR07.SS8.023
Description:
Original file title :Edificio Grandella These drawings were part of the exhibitIon Chiado in details.
AP178.S1.1988.PR07.SS8.023
Description:
Original file title :Edificio Grandella These drawings were part of the exhibitIon Chiado in details.
Personnes et institutions:
Date:
September 1993
September 1993
Titre:
Elevations, sections and floor plans, Recuperação do Edifício Grandella, Bloco C, Reconstrução do Chiado, Lisbon
Actions:
AP178.S1.1988.PR07.SS8.023
Description:
Original file title :Edificio Grandella These drawings were part of the exhibitIon Chiado in details.
Elevations, sections and floor plans, Recuperação do Edifício Grandella, Bloco C, Reconstrução do Chiado, Lisbon
Actions:
AP178.S1.1988.PR07.SS8.023
Description:
Original file title :Edificio Grandella These drawings were part of the exhibitIon Chiado in details.
Classification:
dessins
dessins
Date:
September 1993
September 1993
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1980:0505
Description:
- The headboard and a footboard are in Servule Morneau's house. - The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
PH1980:0505
Description:
- The headboard and a footboard are in Servule Morneau's house. - The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Date:
1950
1950
Titre:
Détail d'un châlit sculpté par Servule Morneau, artisan de Saint-Jean-Port-Joli, Québec
Actions:
PH1980:0505
Description:
- The headboard and a footboard are in Servule Morneau's house. - The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Détail d'un châlit sculpté par Servule Morneau, artisan de Saint-Jean-Port-Joli, Québec
Actions:
PH1980:0505
Description:
- The headboard and a footboard are in Servule Morneau's house. - The constructed alternate title is the title that appeared on the label copy in the CCA exhibition "Parcours de photographes visiteurs au Québec: Sipprell, Moser, Volkerding et Kawamata" (see exhibition file "Four Photographers Visit Québec").
Classification:
photographies
photographies
Date:
1950
1950
Personnes et institutions:
Sujet:
architecture, sculpture
architecture, sculpture
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1983:0526
Description:
- Alternate title "Castell Powys, Cymru, 1982" is based on the exhibition catalogue 'Genius Loci, Geoffrey James'.
PH1983:0526
Description:
- Alternate title "Castell Powys, Cymru, 1982" is based on the exhibition catalogue 'Genius Loci, Geoffrey James'.
Personnes et institutions:
Sujet:
architecture, architecture de paysage, sculpture
architecture, architecture de paysage, sculpture
Date:
1982
1982
Titre:
View of the grounds of Castell Powys showing a statue and hedges, Powys, Wales
Actions:
PH1983:0526
Description:
- Alternate title "Castell Powys, Cymru, 1982" is based on the exhibition catalogue 'Genius Loci, Geoffrey James'.
View of the grounds of Castell Powys showing a statue and hedges, Powys, Wales
Actions:
PH1983:0526
Description:
- Alternate title "Castell Powys, Cymru, 1982" is based on the exhibition catalogue 'Genius Loci, Geoffrey James'.
Classification:
photographies
photographies
Date:
1982
1982
Personnes et institutions:
Sujet:
architecture, architecture de paysage, sculpture
architecture, architecture de paysage, sculpture
Classification:
dessins
dessins
Titre:
Plan for Castel
Plan for Castel
Numéro de référence:
DR1995:0295:080
Description:
The project was presented in the exhibition "Architecture II: Houses for Sale" at Leo Castelli Gallery in 1980.
DR1995:0295:080
Description:
The project was presented in the exhibition "Architecture II: Houses for Sale" at Leo Castelli Gallery in 1980.
Personnes et institutions:
Date:
1979 or 1980
1979 or 1980
Titre:
Plan for Castel
Actions:
DR1995:0295:080
Description:
The project was presented in the exhibition "Architecture II: Houses for Sale" at Leo Castelli Gallery in 1980.
Plan for Castel
Actions:
DR1995:0295:080
Description:
The project was presented in the exhibition "Architecture II: Houses for Sale" at Leo Castelli Gallery in 1980.
Classification:
dessins
dessins
Date:
1979 or 1980
1979 or 1980
Personnes et institutions:
