33383 Résultats
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Personnes et institutions:
Date:
circa 1963
circa 1963
Titre:
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Punjab Agricultural University, Ludhiana, India (1963-1968)
Actions:
AP206.S1.1963.PR01
Description:
This project series documents the Punjab Agricultural University in Ludhiana, India from 1963-1968. With Prakash as the senior architect, this project consisted of the design of the entire campus, including the boys' hostel and mess, and the Agricultural Engineering College (AEC). Under this project, Prakash also designed campuses for the University in Hisar and Palampur. The boys' hostel, constructed first, consisted of a long, rectangular volume of exposed brick and concrete columns. Balconies lined its exterior, alternating on each floor so that every balcony had a view of the sky above. A covered walkway connected the hostel to the square mess, which was turned 45 degrees on its axis. The AEC, the campus's main building, was a long, single-storey building with a series of enclosed courtyards. Round exhaust openings were the only element that marked the building's façade. Prakash, developing his love of sculpture at this time, also crafted a large outdoor sculpture for the campus's main courtyard.[1] This project is recorded through a reprographic copy of a plan of the boys' hostel dating from around 1963. [1]Vikramaditya Prakash, One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash (Ahmedabad, India: Mapin Publishing Pvt. Ltd., 2019), 107-132.
Niveau de description archivistique:
Project
Project
Date:
circa 1963
circa 1963
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
Personnes et institutions:
Date:
1991-1997
1991-1997
Titre:
The Westnor Development Project, North York, Ontario (1991-1997)
Actions:
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
The Westnor Development Project, North York, Ontario (1991-1997)
Actions:
AP056.S1.1991.PR03
Description:
This project series documents planning for the Westnor Development Project, later called Wittington Place, in North York, Ontario from 1991-1997. The office identified the project number as 9106. This project consisted of a competition entry to develop the area above Highway 401 next to Yonge Street. The large plot of land would be a mix of residential, retail, hotel, office and outdoor spaces. The competition also called for the creation of a sports arena, Canada Coliseum, to be used for professional basketball and hockey. This entry was proposed by New York based firm Ehrenkrantz Eckstut and Whitelaw Architects, working with KPMB, among others.[1] The development was to be carried out in multiple phases, divided by city blocks. The drawings present different schemes for this development, most of which include a large park at its centre. This project was never built. The project is recorded through drawings and a site plan painting dating from 1991-1997. The large part of these drawings are originals and include sketches, model drawings, site plans and surveys, elevations, sections, perspectives and axonometric drawings. These drawings focus primarily on the development of the area as a whole and less on individual buildings. [1] Mark Osbaldeston, Unbuilt Toronto 2: More of the City That Might Have Been (Toronto: Dundurn Press, 2001), 160.
Niveau de description archivistique:
Project
Project
Date:
1991-1997
1991-1997
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Wenzel Hablik
Wenzel Hablik
Numéro de référence:
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
Personnes et institutions:
Date:
circa 1919-1920
circa 1919-1920
Titre:
Wenzel Hablik
Actions:
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
Wenzel Hablik
Actions:
AP162.S3
Description:
Series documents the contribution of architect Wenzel Hablik to the correspondence circle of Die gläserne Kette. Hablik participated using the pseudonym W.H.. Born in Brüx, Germany, (now Most, in Czech Republic) in 1881, Hablik worked as a porcelina painter from 1895 to 1897 and later as architectural draftsman. Between 1897 to 1902 he studied architecture at the Faschsdule für Tonindustrie und verwandte Gewerbe in Teplitz-Schönau, and at the Kungstgewerbeschule in Vienna in 1902. Between 1905 and 1906, he studied painting at the Akademie für bildenbe Künste in Prague. He worked in Itzehoe, Germany, after an invitation by a patron, Richard Biel, in 1907, where he start collaborating on textile designs with Elisabeth Lindemann, who he married in 1917. His work was exhibited at the Austellung für unbekannte Architeckten in 1919. The same year he joined the Arbeitsrat für Kunst lead by Bruno Taut. In 1925, Hablik published "Zyklus Architektur" an artist folio presenting some of his etched architectural fantasies. He worked for the family workshop by designing textiles and wall hangings. He died in 1934 in Itzehoe. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises letters and a drawing by Wenzel Hablik.
Niveau de description archivistique:
series
series
Date:
circa 1919-1920
circa 1919-1920
Personnes et institutions:
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Personnes et institutions:
Date:
circa 1981-1988
circa 1981-1988
Titre:
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Concurso, Block 121, Schlesisches Tor [Competition for Schlesisches Tor residential complex], Berlin, Germany (1981-1988)
Actions:
AP178.S1.1980.PR02.SS1
Description:
This project subseries documents the residential complex Bonjour Tristesse after Siza won the competition for Block 121. While the records were held in the office’s archives this project was assigned the number 2/80 A. The office assigned the date 1980 for this project. Among materials for the competition phase are conceptual sketches intermingled with sketches of people, design development drawings including drawings for the model, site plans for the competition site, proposed plans, proposed elevations, and plans for the proposed nursery and school extension. Also included are photographs, negatives, and slides for the competition, and general photographs and negatives of Berlin. Textual documentation includes correspondence from IBA officials, such as Hämer, Kleihues, and Dagmar Tanuschev, as well as letters from Brigitte Cassirer (later Brigitte Fleck). Fleck was responsible for national and international competitions for the Senate of Berlin (1971-1985) and first invited Siza to participate in the IBA competition by entering a design for the Görlitzer Bad swimming pool. Other correspondence included in this project series are letters from Peter Brinkert, Siza’s contact architect in Berlin, in which they discuss the Kita and the Seniors Club Anziani. Furthermore, there is textual documentation from the IBA, as well as historical documentation on the project site and notes.
Niveau de description archivistique:
Project
Project
Date:
circa 1981-1988
circa 1981-1988
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
Personnes et institutions:
Date:
1974-1981
1974-1981
Titre:
The Toronto Sun Publishing Limited, Press Plant and Office Building, Alterations and Press Hall Extension, Toronto, Ontario (1976)
Actions:
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
The Toronto Sun Publishing Limited, Press Plant and Office Building, Alterations and Press Hall Extension, Toronto, Ontario (1976)
Actions:
AP018.S1.1976.PR25
Description:
This project series documents alterations and extensions made to the Toronto Sun building in downtown Toronto in 1976. The office identified the project number as 7633. This project consisted primarily of an extension to the building's press hall and alterations. An addition of approximately 20,000 square feet was proposed to house printing operations on property once occupied by parking. The new space would permit the addition of a new printing press, adding 4 units of press to the existing10 unit press line. Due to the erasure of parking, this project is also heavily concerned with the search for new parking for the building. Parkin Architects Planners had designed and constructed the original Toronto Sun building at 333 King Street East from 1973-1975. The project is recorded through drawings, textual records, photographs and slides dating from 1974-1981. The majority of drawings are of details and are arranged within the textual records. The photographic materials show the building's exterior and masonry. The textual records include correspondence, specifications, meeting and site reports, tender documents, consultancy records, bylaw and building authority records, financial documents, change orders, supplementary instructions, interoffice letters, and contracts. File AP018.S1.1976.PR25.001 contains an index to the textual records, which was created by the office.
Niveau de description archivistique:
Project
Project
Date:
1974-1981
1974-1981
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1980.PR03
Description:
This project series documents the site consultancy and construction of the College of Nurses of Ontario in Toronto from 1980-1982. The office identified the project number as 8003. This project consisted of a building with a three-storey office space and atrium on the east side and a single-storey council chamber on the west side. The project was adapted to fit its surroundings, which had a residential landscape to the west and commercial zoning to the east. The building was 2536 square meters in size and cost approximately $5.2 million. In 1982, the design won a Canadian Architect Award of Excellence. However, some judges later stated that design changes made during construction had destroyed the original concept and the finished building lacked the polish of the original proposal. The project is recorded through drawings, photographs and textual records dating from 1980-1985. A large part of these drawings are reprographic copies arranged within the textual materials. There is also one presentation board of sections and elevations. Photographs show the project site and construction progress of the building. The textual records include construction invoices, correspondence, change orders, calculations, site reports, minutes of meetings, design notes and the program for the opening of the building.
AP018.S1.1980.PR03
Description:
This project series documents the site consultancy and construction of the College of Nurses of Ontario in Toronto from 1980-1982. The office identified the project number as 8003. This project consisted of a building with a three-storey office space and atrium on the east side and a single-storey council chamber on the west side. The project was adapted to fit its surroundings, which had a residential landscape to the west and commercial zoning to the east. The building was 2536 square meters in size and cost approximately $5.2 million. In 1982, the design won a Canadian Architect Award of Excellence. However, some judges later stated that design changes made during construction had destroyed the original concept and the finished building lacked the polish of the original proposal. The project is recorded through drawings, photographs and textual records dating from 1980-1985. A large part of these drawings are reprographic copies arranged within the textual materials. There is also one presentation board of sections and elevations. Photographs show the project site and construction progress of the building. The textual records include construction invoices, correspondence, change orders, calculations, site reports, minutes of meetings, design notes and the program for the opening of the building.
Personnes et institutions:
Date:
1980-1985
1980-1985
Titre:
College of Nurses of Ontario, Consultancy on Site Selection, Toronto (1980-1982)
Actions:
AP018.S1.1980.PR03
Description:
This project series documents the site consultancy and construction of the College of Nurses of Ontario in Toronto from 1980-1982. The office identified the project number as 8003. This project consisted of a building with a three-storey office space and atrium on the east side and a single-storey council chamber on the west side. The project was adapted to fit its surroundings, which had a residential landscape to the west and commercial zoning to the east. The building was 2536 square meters in size and cost approximately $5.2 million. In 1982, the design won a Canadian Architect Award of Excellence. However, some judges later stated that design changes made during construction had destroyed the original concept and the finished building lacked the polish of the original proposal. The project is recorded through drawings, photographs and textual records dating from 1980-1985. A large part of these drawings are reprographic copies arranged within the textual materials. There is also one presentation board of sections and elevations. Photographs show the project site and construction progress of the building. The textual records include construction invoices, correspondence, change orders, calculations, site reports, minutes of meetings, design notes and the program for the opening of the building.
College of Nurses of Ontario, Consultancy on Site Selection, Toronto (1980-1982)
Actions:
AP018.S1.1980.PR03
Description:
This project series documents the site consultancy and construction of the College of Nurses of Ontario in Toronto from 1980-1982. The office identified the project number as 8003. This project consisted of a building with a three-storey office space and atrium on the east side and a single-storey council chamber on the west side. The project was adapted to fit its surroundings, which had a residential landscape to the west and commercial zoning to the east. The building was 2536 square meters in size and cost approximately $5.2 million. In 1982, the design won a Canadian Architect Award of Excellence. However, some judges later stated that design changes made during construction had destroyed the original concept and the finished building lacked the polish of the original proposal. The project is recorded through drawings, photographs and textual records dating from 1980-1985. A large part of these drawings are reprographic copies arranged within the textual materials. There is also one presentation board of sections and elevations. Photographs show the project site and construction progress of the building. The textual records include construction invoices, correspondence, change orders, calculations, site reports, minutes of meetings, design notes and the program for the opening of the building.
Niveau de description archivistique:
Project
Project
Date:
1980-1985
1980-1985
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1966.PR01
Description:
This project series documents the construction of the Etobicoke General Hospital in Etobicoke, Ontario from 1966-1971. The office identified the project number as 6601. The project consisted of the design and construction of a twelve storey hospital building. The area of the building was 409,000 square feet and included 500 beds, diagnostic and treatment facilities, laboratories, administrative spaces, a cafeteria, and a staff lounge. This project was considered to be the first phase of construction at the time, with a medical office building and educational facilities to be added later on. The building was also designed to accommodate future vertical and horizontal expansion. John C. Parkin was originally hired for this project while he was working at the firm John B. Parkin Associates. This firm eventually evolved under new ownership, and was referred to as Searle Wilbee Rowland and later, as NORR. John C. Parkin left this firm during the project and continued work for the Etobicoke General Hospital under his new firm Parkin Architects Planners. All three firm names are present within materials for this project. The project is recorded through reprographic copies of drawings, including a presentation board, dating from 1968-1976. These drawings include as-built drawings, site plans, floor plans, elevations, sections, details, and construction schedules.
AP018.S1.1966.PR01
Description:
This project series documents the construction of the Etobicoke General Hospital in Etobicoke, Ontario from 1966-1971. The office identified the project number as 6601. The project consisted of the design and construction of a twelve storey hospital building. The area of the building was 409,000 square feet and included 500 beds, diagnostic and treatment facilities, laboratories, administrative spaces, a cafeteria, and a staff lounge. This project was considered to be the first phase of construction at the time, with a medical office building and educational facilities to be added later on. The building was also designed to accommodate future vertical and horizontal expansion. John C. Parkin was originally hired for this project while he was working at the firm John B. Parkin Associates. This firm eventually evolved under new ownership, and was referred to as Searle Wilbee Rowland and later, as NORR. John C. Parkin left this firm during the project and continued work for the Etobicoke General Hospital under his new firm Parkin Architects Planners. All three firm names are present within materials for this project. The project is recorded through reprographic copies of drawings, including a presentation board, dating from 1968-1976. These drawings include as-built drawings, site plans, floor plans, elevations, sections, details, and construction schedules.
Personnes et institutions:
Date:
1968-1976
1968-1976
Titre:
Etobicoke General Hospital, Etobicoke, Ontario (1966-1971)
Actions:
AP018.S1.1966.PR01
Description:
This project series documents the construction of the Etobicoke General Hospital in Etobicoke, Ontario from 1966-1971. The office identified the project number as 6601. The project consisted of the design and construction of a twelve storey hospital building. The area of the building was 409,000 square feet and included 500 beds, diagnostic and treatment facilities, laboratories, administrative spaces, a cafeteria, and a staff lounge. This project was considered to be the first phase of construction at the time, with a medical office building and educational facilities to be added later on. The building was also designed to accommodate future vertical and horizontal expansion. John C. Parkin was originally hired for this project while he was working at the firm John B. Parkin Associates. This firm eventually evolved under new ownership, and was referred to as Searle Wilbee Rowland and later, as NORR. John C. Parkin left this firm during the project and continued work for the Etobicoke General Hospital under his new firm Parkin Architects Planners. All three firm names are present within materials for this project. The project is recorded through reprographic copies of drawings, including a presentation board, dating from 1968-1976. These drawings include as-built drawings, site plans, floor plans, elevations, sections, details, and construction schedules.
Etobicoke General Hospital, Etobicoke, Ontario (1966-1971)
Actions:
AP018.S1.1966.PR01
Description:
This project series documents the construction of the Etobicoke General Hospital in Etobicoke, Ontario from 1966-1971. The office identified the project number as 6601. The project consisted of the design and construction of a twelve storey hospital building. The area of the building was 409,000 square feet and included 500 beds, diagnostic and treatment facilities, laboratories, administrative spaces, a cafeteria, and a staff lounge. This project was considered to be the first phase of construction at the time, with a medical office building and educational facilities to be added later on. The building was also designed to accommodate future vertical and horizontal expansion. John C. Parkin was originally hired for this project while he was working at the firm John B. Parkin Associates. This firm eventually evolved under new ownership, and was referred to as Searle Wilbee Rowland and later, as NORR. John C. Parkin left this firm during the project and continued work for the Etobicoke General Hospital under his new firm Parkin Architects Planners. All three firm names are present within materials for this project. The project is recorded through reprographic copies of drawings, including a presentation board, dating from 1968-1976. These drawings include as-built drawings, site plans, floor plans, elevations, sections, details, and construction schedules.
Niveau de description archivistique:
Project
Project
Date:
1968-1976
1968-1976
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
Personnes et institutions:
Titre:
Providence Healthcare Centre, Scarborough, Ontario (1995-2000)
Actions:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
Providence Healthcare Centre, Scarborough, Ontario (1995-2000)
Actions:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
Niveau de description archivistique:
Project
Project
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Personnes et institutions:
Date:
1990-1993
1990-1993
Titre:
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
United Nations Peacekeeping Monument, Ottawa, Ontario (1990-1993)
Actions:
AP075.S1.1990.PR03
Description:
Project series documents Cornelia Hahn Oberlander's landscape design for the United Nations Peacekeeping Monument in Ottawa, Ontario. Oberlander worked on this from 1990-1993 with Richard Henriquez & Partners and sculptor Jack Harmon. Together, they won the design competition organized by the National Capital Commission in 1990. The monument is situated between the National Gallery of Canada and the United States Embassy, between St. Patrick Street and Murray Street. The monument consists in three bronze cast figures of peacekeeping soldiers on a granite slab. Oberlander elaborated the planting scheme and designed "an oval grove of twelve oak trees representing Canada's ten provinces and two territories [...]" [1], except Nunavut that was still included in the Northwest Territories at the time. The project was completed in 1993. Project series contains ten landscape working drawings, including a site plan, landscape sections, planting and grading plans, and an irrigations plan. The project is also documented through textual records, including design competition information documents, competition proposal, correspondence with architects, client and consultants, specifications, financial documents, press about the project and photographs of the construction and the inauguration of the monument. Source: [1] Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages, p. 171.
Niveau de description archivistique:
Project
Project
Date:
1990-1993
1990-1993
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Personnes et institutions:
Date:
1947-2006
1947-2006
Titre:
Yorke-Forbes Residence, Vancouver, British Columbia (1999)
Actions:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Yorke-Forbes Residence, Vancouver, British Columbia (1999)
Actions:
AP075.S1.1999.PR05
Description:
Project series documents Cornelia Hahn Oberlander's landscape project for the garden of Linda Yorke and Gordon Forbes in Vancouver, British Columbia. Oberlander worked on this project in the second half of the 1990s. She worked with architect André Rowland who was in charge of designing an addition to the residence designed in the late 1940s by Ned Pratt from architectural firm Sharp, Thompson, Berwick and & Pratt. The project consisted in redesigning the entire yard and adding a play area for children. Oberlander included terraces next to the addition to the house, planting beds and planters. The play area included a tower house accessible by a rope bridge, a two levels playhouse with wooden porch, a slide, a fireman pole and a ladder, and a small water canal with stone edges and activated by a hand pump. The project series contains landscape sketches, design development drawings, including a landscape concept plan, details, sections and elevations for play area and play structures, and building plans used as reference. The project is also documented through correspondence, including with clients, suppliers and consultants, concept notes by Oberlander, plant lists, financial material, research material, and photographs of the landscaping. Source: Herrington, Susan. Cornelia Hahn Oberlander: Making the Modern Landscape, University of Virginia Press, 2014, 304 pages.
Niveau de description archivistique:
Project
Project
Date:
1947-2006
1947-2006
Personnes et institutions:
