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Ses œuvres jettent un éclairage inédit sur la ville nord-américaine.
Aude Moreau: la nuit politique=the political nightfall
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Ses œuvres jettent un éclairage inédit sur la ville nord-américaine.
Art canadien
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51 pages ; 23 cm
Amsterdam : Noord-Hollandsche, 1961.
In officina Ioannis Blaev / H. de la Fontaine Verwey & W.G. Hellinga.
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51 pages ; 23 cm
livres
Amsterdam : Noord-Hollandsche, 1961.
$16.95
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Dans ce numéro, le Funambuliste propose une critique de leur propre cadre de production des connaissances. Ils ont constaté à quel point le concept de « Sud global » s’est transformé en un terme commode permettant de désigner sans plus de réflexion les deux tiers de la superficie terrestre et 90 % de la population mondiale, effaçant ainsi les millions de spécificités qui(...)
The Funambulist 66 : Au-delà du sud global
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Dans ce numéro, le Funambuliste propose une critique de leur propre cadre de production des connaissances. Ils ont constaté à quel point le concept de « Sud global » s’est transformé en un terme commode permettant de désigner sans plus de réflexion les deux tiers de la superficie terrestre et 90 % de la population mondiale, effaçant ainsi les millions de spécificités qui caractérisent ce regroupement. Il incarne également souvent une entité qui n’existe qu’en dépendance de son alter ego, le Nord global. À ce titre, il nie toute forme d’agentivité aux peuples désignés comme « le Sud » indépendamment de leur relation au « Nord », comme nous l’examinons dans le cas de la guerre dans l’est du Congo (Josaphat Musamba). Le binarisme Sud/Nord désigne également les frontières comme des lignes (plutôt que comme des régimes opérant de part et d’autre de ces lignes) et essentialise la différence entre les deux côtés. Peut-on appréhender la noirceur et l’autochtonie en Abya Yala sans une scission fondamentale au niveau de la ligne coloniale qui sépare l’Amérique du Nord de l’Amérique centrale et du Sud (Ashley Ngozi Agbasoga) ? L’histoire de la Corée du 20e siècle peut-elle nous montrer que la ligne qui sépare actuellement le Nord (généralement présenté comme faisant partie du Sud global) et le Sud (généralement présenté comme faisant partie du Nord global) illustre particulièrement le manque de complexité du cadre Nord/Sud (Lina Eunji Chang et Andrei-Sergei Kim) ? Quel type de violence coloniale le Mouvement des pays non alignés rend-il invisible en Papouasie occidentale (Quito Swan), au Cachemire (Choakkeladd) ou au Sahara occidental (Buhari Lehbib) et, à l’inverse, quel type de solidarités a-t-il permis depuis la Yougoslavie (Dubravka Sekulic et Sanja Horvatincic) ? Et, surtout, comment pouvons-nous rendre justice à la complexité de nos politiques en étant capables de concilier deux vérités contradictoires, comme nous le rappelle Micol Meghnagi dans le contexte de la Libye de Kadhafi et du panarabisme ? Quant à l’illustration de couverture, il s’agit d’une peinture de l’artiste parisienne guyanaise Johanna Mirabel.
Revues
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Un survol photographique de l'architecture des banques en Amérique du nord. Avec des textes de James Borcoman, David Harris et Susan Wagg.
L'or et la pierre : un regard critique sur l'architecture des banques
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Un survol photographique de l'architecture des banques en Amérique du nord. Avec des textes de James Borcoman, David Harris et Susan Wagg.
Publications du CCA
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In this illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town(...)
novembre 2005, Chapel Hill, North Carolina
Town house : architecture and material life in the early american city, 1780-1830
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In this illustrated volume, Bernard Herman provides a history of urban dwellings and the people who built and lived in them in early America. In the eighteenth century, cities were constant objects of idealization, often viewed as the outward manifestations of an organized, civil society. As the physical objects that composed the largest portion of urban settings, town houses contained and signified different aspects of city life, argues Herman. Taking a material culture approach, Herman examines urban domestic buildings from Charleston, South Carolina, to Portsmouth, New Hampshire, as well as those in English cities and towns, to better understand why people built the houses they did and how their homes informed everyday city life. Working with buildings and documentary sources as diverse as court cases and recipes, Herman interprets town houses as lived experience. Chapters consider an array of domestic spaces, including the merchant family's house, the servant's quarter, and the widow's dower. Herman demonstrates that city houses served as sites of power as well as complex and often conflicted artifacts mapping the everyday negotiations of social identity and the display of sociability.
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"The Landmarks of New York" is a definitive resource book on the architectural history of the city, documenting and illustrating more than 1100 buildings that have been accorded landmark status over the past forty years. The chronological organization gives the reader a sequential overview of the city's architectural richness and diversity. The book presents a broad(...)
mai 2005, New York
The landmarks of New York : an illustrated record of the city's historic buildings
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$90.00
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"The Landmarks of New York" is a definitive resource book on the architectural history of the city, documenting and illustrating more than 1100 buildings that have been accorded landmark status over the past forty years. The chronological organization gives the reader a sequential overview of the city's architectural richness and diversity. The book presents a broad range of styles and building types - simple colonial farmhouses, churches, schools, librairies, Gilded Age mansions, and the great twentieth-century skycrapers that are recognized throughout the world.
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Outstanding examples of Palladian and Georgian architecture and design. As one of the eighteenth century's architecture writer/designers, Swan came to define many conventions of English rococo detail. Included here is a range of floor plans and detail elevations that demonstrates both Swan's style, as well as the types of homes prevalent in Georgian England and colonial America.
novembre 2005, Mineola
Georgian architectural designs and details : the classic 1757 stylebook
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Outstanding examples of Palladian and Georgian architecture and design. As one of the eighteenth century's architecture writer/designers, Swan came to define many conventions of English rococo detail. Included here is a range of floor plans and detail elevations that demonstrates both Swan's style, as well as the types of homes prevalent in Georgian England and colonial America.
$22.50
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Written by a prominent 19th-century architect, this authentic 1876 guide to Victorian house styles depicts a wide array of magnificent homes of the period. Included are a six-room ornamental cottage for $1,500 and an ornate Gothic suburban residence, complete with parlor, sitting room, dressing rooms, six bedrooms, and two baths-at a cost of $33,000. This publication is(...)
décembre 2005, Mineola, New York
Authentic Victorian villas and cottages : over 100 designs with elevation and floor plans
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Written by a prominent 19th-century architect, this authentic 1876 guide to Victorian house styles depicts a wide array of magnificent homes of the period. Included are a six-room ornamental cottage for $1,500 and an ornate Gothic suburban residence, complete with parlor, sitting room, dressing rooms, six bedrooms, and two baths-at a cost of $33,000. This publication is for architects, preservationists, home restorers, and Victoriana enthusiasts. With 122 engravings.
Look again in Baltimore
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A marriage of photography and criticism, this volume celebrates details of Baltimore's architectural heritage and explores both familiar and unnoticed places. Photographer James DuSel and art critic John Dorsey have created a book that leads from images to thoughts, and they invite readers to follow the same path. DuSel's black-and-white photographs focus on details(...)
janvier 2005, Baltimore
Look again in Baltimore
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A marriage of photography and criticism, this volume celebrates details of Baltimore's architectural heritage and explores both familiar and unnoticed places. Photographer James DuSel and art critic John Dorsey have created a book that leads from images to thoughts, and they invite readers to follow the same path. DuSel's black-and-white photographs focus on details of larger images: the bottom of a doorway, the corner of a portico, the wall of a shoe repair shop, the substructure of a bridge. Dorsey ruminates on these images, and he draws connections between Baltimore's visual vocabulary and the tapestry of civilization. He carries us from a window in Roland Park to the triumphal arch of Constantine in Rome, from a stairway at the Maryland Institute to the Doge's Palace in Venice, from a vine at the Baltimore museum of art to Shakespeare. DuSel and Dorsey, through a studious appreciation of detail, encourage us to look at our built environment afresh and discover a new and more meaningful relationship with our surroundings. Shaking off what DuSel calls "the anesthesia of daily life," "Look again in Baltimore" offers arresting insights into the richness of the everyday world.
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Over the past ten years, the Library of Congress has cataloged more than forty thousand drawings, prints, and photographs that capture important developments in the growth of Washington, D.C., and its greater metropolitan area, including Virginia and Maryland. This volume, a guide to the library's massive collection, offers an introduction to its content and a(...)
janvier 2005, Baltimore / Washindton
Capital drawings : architectural designs for Washington, D.C., from the library of congress
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Over the past ten years, the Library of Congress has cataloged more than forty thousand drawings, prints, and photographs that capture important developments in the growth of Washington, D.C., and its greater metropolitan area, including Virginia and Maryland. This volume, a guide to the library's massive collection, offers an introduction to its content and a celebration of the ambitious project of designing the nation's capital. "Capital drawings" features drawings for some of Washington's most important buildings, monuments, and memorials—the United States Capitol, the White House, and the Vietnam Memorial—as well as anonymous structures of everyday life and ambitious projects that were never built. These newly available documents tell the story of the capital's planning and growth. Each of these "capital drawings" reflects some aspect of the lives, history, and values of its creators and sponsors. Contributors: Richard Longstreth, George Washington University; C. Ford Peatross, Library of Congress; Pamela Scott, American University; William Seale, White House Historical Association; Damie Stillman, Society of Architectural Historians; Gwendolyn Wright, Columbia University.