2030 Résultats
Classification:
livres
livres
Titre:
Alexandre David
Alexandre David
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Les œuvres d’Alexandre David prennent le plus souvent la forme de sculptures, d’installations et d’interventions dans l’espace public. Installées à l’intérieur ou à l’extérieur, ses constructions à grande échelle font référence à l’architecture. L’artiste aménage les espaces, construit des réceptacles ou des parcours dans lesquels déambule le spectateur. Se fondant sur(...)
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Les œuvres d’Alexandre David prennent le plus souvent la forme de sculptures, d’installations et d’interventions dans l’espace public. Installées à l’intérieur ou à l’extérieur, ses constructions à grande échelle font référence à l’architecture. L’artiste aménage les espaces, construit des réceptacles ou des parcours dans lesquels déambule le spectateur. Se fondant sur(...)
Titre:
Alexandre David
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$45.00
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Les œuvres d’Alexandre David prennent le plus souvent la forme de sculptures, d’installations et d’interventions dans l’espace public. Installées à l’intérieur ou à l’extérieur, ses constructions à grande échelle font référence à l’architecture. L’artiste aménage les espaces, construit des réceptacles ou des parcours dans lesquels déambule le spectateur. Se fondant sur l’expérience vécue et les espaces qu’elles habitent, les œuvres deviennent ainsi des objets fortement relationnels. Elles suscitent généralement l’intérêt et l’engouement du public, ainsi qu’un large consensus auprès des critiques et du monde de l’art. L’auteure Katrie Chagnon parcourt les vingt-cinq années de pratique de l’artiste. en mettant à profit ses compétences de théoricienne de l’art, son expérience dans le monde de l’édition en art contemporain et sa connaissance intime du travail de Alexandre David – dont elle suit le travail depuis plusieurs années –, elle propose une analyse approfondie des oeuvres du sculpteur tout en dégageant les diverses problématiques théoriques soulevées par l’approche de la sculpture et de l’installation. Faisant appel aux notions théoriques les plus courantes, elle nous conduit ainsi dans une plus vaste exploration des enjeux de la sculpture actuelle et de l’art d’aujourd’hui.
Alexandre David
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Les œuvres d’Alexandre David prennent le plus souvent la forme de sculptures, d’installations et d’interventions dans l’espace public. Installées à l’intérieur ou à l’extérieur, ses constructions à grande échelle font référence à l’architecture. L’artiste aménage les espaces, construit des réceptacles ou des parcours dans lesquels déambule le spectateur. Se fondant sur l’expérience vécue et les espaces qu’elles habitent, les œuvres deviennent ainsi des objets fortement relationnels. Elles suscitent généralement l’intérêt et l’engouement du public, ainsi qu’un large consensus auprès des critiques et du monde de l’art. L’auteure Katrie Chagnon parcourt les vingt-cinq années de pratique de l’artiste. en mettant à profit ses compétences de théoricienne de l’art, son expérience dans le monde de l’édition en art contemporain et sa connaissance intime du travail de Alexandre David – dont elle suit le travail depuis plusieurs années –, elle propose une analyse approfondie des oeuvres du sculpteur tout en dégageant les diverses problématiques théoriques soulevées par l’approche de la sculpture et de l’installation. Faisant appel aux notions théoriques les plus courantes, elle nous conduit ainsi dans une plus vaste exploration des enjeux de la sculpture actuelle et de l’art d’aujourd’hui.
Classification:
livres
livres
Publication:
mars 2017
mars 2017
Sujet:
Art canadien
Art canadien
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livres
livres
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$34.95
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Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic(...)
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Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic(...)
Titre:
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. European visitors brought with them varying conceptions of nature as sublime, as spiritual, or as a resource for human progress. They saw glaciers as inanimate, subject to empirical investigation and measurement. Aboriginal oral histories, conversely, described glaciers as sentient, animate, and quick to respond to human behaviour. In each case, however, the experiences and ideas surrounding glaciers were incorporated into interpretations of social relations. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
Do glaciers listen? Local knowledge, colonial encounters, and social imagination
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Prix:
$34.95
(disponible sur commande)
Résumé:
Do Glaciers Listen? explores the conflicting depictions of glaciers to show how natural and cultural histories are objectively entangled in the Mount Saint Elias ranges. This rugged area, where Alaska, British Columbia, and the Yukon Territory now meet, underwent significant geophysical change in the late eighteenth and nineteenth centuries, which coincided with dramatic social upheaval resulting from European exploration and increased travel and trade among Aboriginal peoples. European visitors brought with them varying conceptions of nature as sublime, as spiritual, or as a resource for human progress. They saw glaciers as inanimate, subject to empirical investigation and measurement. Aboriginal oral histories, conversely, described glaciers as sentient, animate, and quick to respond to human behaviour. In each case, however, the experiences and ideas surrounding glaciers were incorporated into interpretations of social relations. Focusing on these contrasting views during the late stages of the Little Ice Age (1550-1900), Cruikshank demonstrates how local knowledge is produced, rather than discovered, through colonial encounters, and how it often conjoins social and biophysical processes. She then traces how the divergent views weave through contemporary debates about cultural meanings as well as current discussions about protected areas, parks, and the new World Heritage site.
Classification:
livres
livres
Publication:
avril 2006
avril 2006
Sujet:
Théorie de l’architecture
Théorie de l’architecture
Classification:
livres
livres
Titre:
Aalto and America
Aalto and America
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$79.95
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Résumé:
The internationally renowned Finnish architect and designer Alvar Aalto (1898-1976) created several landmarks of modern design in the United States. The first, the Finland Pavilion at the New York World's Fair in 1939, introduced his pioneering style to the country and established his reputation among his American peers. Subsequent designs produced in the United States(...)
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The internationally renowned Finnish architect and designer Alvar Aalto (1898-1976) created several landmarks of modern design in the United States. The first, the Finland Pavilion at the New York World's Fair in 1939, introduced his pioneering style to the country and established his reputation among his American peers. Subsequent designs produced in the United States(...)
Titre:
Aalto and America
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$79.95
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Résumé:
The internationally renowned Finnish architect and designer Alvar Aalto (1898-1976) created several landmarks of modern design in the United States. The first, the Finland Pavilion at the New York World's Fair in 1939, introduced his pioneering style to the country and established his reputation among his American peers. Subsequent designs produced in the United States marked major turning points in his evolving position as an architect. His commissioned project for the Massachusetts Institute of Technology's Baker House dormitory (completed 1949) features an undulating facade of red brick, a material that references the building's Boston surroundings. Aalto's fan-shaped plan for the Mount Angel Abbey Library (completed 1970) in St. Benedict, Oregon, his consummate exploration of the library type, capitalizes on the local terrain and the use of natural light. Aalto's designs had a lasting impact on American modernism, but his experiences in America also profoundly influenced his own stylistic development. Aalto and America is a detailed survey of this beneficial relationship, with contributions by fifteen experts who explore these key designs in relation to larger themes in international politics, architectural culture, housing research, and modern criticism and design.
Aalto and America
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$79.95
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Résumé:
The internationally renowned Finnish architect and designer Alvar Aalto (1898-1976) created several landmarks of modern design in the United States. The first, the Finland Pavilion at the New York World's Fair in 1939, introduced his pioneering style to the country and established his reputation among his American peers. Subsequent designs produced in the United States marked major turning points in his evolving position as an architect. His commissioned project for the Massachusetts Institute of Technology's Baker House dormitory (completed 1949) features an undulating facade of red brick, a material that references the building's Boston surroundings. Aalto's fan-shaped plan for the Mount Angel Abbey Library (completed 1970) in St. Benedict, Oregon, his consummate exploration of the library type, capitalizes on the local terrain and the use of natural light. Aalto's designs had a lasting impact on American modernism, but his experiences in America also profoundly influenced his own stylistic development. Aalto and America is a detailed survey of this beneficial relationship, with contributions by fifteen experts who explore these key designs in relation to larger themes in international politics, architectural culture, housing research, and modern criticism and design.
Classification:
livres
livres
Publication:
octobre 2011
octobre 2011
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Omon Ra
Omon Ra
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$15.00
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar(...)
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A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar(...)
Titre:
Omon Ra
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$15.00
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Résumé:
A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar expedition? is sprinkled with throwaway gags, absurdist humor and wickedly ironic touches, as well as with the eerie beauty of space exploration. Obsessed with space travel since early childhood, Omon Krivomazov identifies with Ra, the ancient Egyptian falcon-headed sun god, a fixation that reflects his desire to escape the gray conformity of Soviet life and his yearning for a soul. Omon learns that more than 100 of his fellow cosmonauts have already been sacrificed as guinea pigs after taking part in supposedly automated, manless launches. Pelevin portrays the Russian space program as a vast propaganda enterprise, a distraction to paper over the tawdriness and fear of everyday life. Many allusions will be lost on American readers. And, in light of the truth-is-stranger-than-fiction state of contemporary Russian society, some of the Soviet-era satire seems oddly tame.
Omon Ra
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$15.00
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Résumé:
A rising star in the Russian literary firmament Pelevin, winner of the 1993 Russian Booker Prize for short stories, has written a parody of life under Communism refracted through the prism of the Soviet space program. This clever parable about a young cosmonaut ordered to make the ultimate sacrifice? Killing himself after secretly piloting a supposedly unmanned lunar expedition? is sprinkled with throwaway gags, absurdist humor and wickedly ironic touches, as well as with the eerie beauty of space exploration. Obsessed with space travel since early childhood, Omon Krivomazov identifies with Ra, the ancient Egyptian falcon-headed sun god, a fixation that reflects his desire to escape the gray conformity of Soviet life and his yearning for a soul. Omon learns that more than 100 of his fellow cosmonauts have already been sacrificed as guinea pigs after taking part in supposedly automated, manless launches. Pelevin portrays the Russian space program as a vast propaganda enterprise, a distraction to paper over the tawdriness and fear of everyday life. Many allusions will be lost on American readers. And, in light of the truth-is-stranger-than-fiction state of contemporary Russian society, some of the Soviet-era satire seems oddly tame.
Classification:
livres
livres
Publication:
février 1998
février 1998
Sujet:
Architecture et l'imaginaire
Architecture et l'imaginaire
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livres
livres
Prix:
$59.95
(disponible sur commande)
Résumé:
From its origins in the Midwest in the early nineteenth century, the technique of light timber framing—also known at the time as "Chicago construction"—quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The(...)
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Résumé:
From its origins in the Midwest in the early nineteenth century, the technique of light timber framing—also known at the time as "Chicago construction"—quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The(...)
Sujet:
Constructions en bois
Constructions en bois
Publication:
septembre 2023
septembre 2023
Titre:
American framing: the architecture of a specific anonymity
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$59.95
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Résumé:
From its origins in the Midwest in the early nineteenth century, the technique of light timber framing—also known at the time as "Chicago construction"—quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The result was a built environment that erased typological and class distinctions: no amount of money can buy you a better 2 x 4. This fundamental sameness paradoxically underlies the American culture of individuality, unifying all superficial differences. It has been both a cause and effect of the country’s high regard for novelty, in contrast with the stability that is often assumed to be essential to architecture. "American framing" is a visual and textual exploration of the social, environmental, and architectural conditions and consequences of this ubiquitous form of construction. For architecture, it offers a story of an American project that is bored with tradition, eager to choose economy over technical skill, and accepting of a relaxed idea of craft in the pursuit of something useful and new—the forming of an architecture that enables architecture.
American framing: the architecture of a specific anonymity
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$59.95
(disponible sur commande)
Résumé:
From its origins in the Midwest in the early nineteenth century, the technique of light timber framing—also known at the time as "Chicago construction"—quickly came to underwrite the territorial and ideological expansion of the United States. Softwood construction was inherently practical, as its materials were readily available and required little skill to assemble. The result was a built environment that erased typological and class distinctions: no amount of money can buy you a better 2 x 4. This fundamental sameness paradoxically underlies the American culture of individuality, unifying all superficial differences. It has been both a cause and effect of the country’s high regard for novelty, in contrast with the stability that is often assumed to be essential to architecture. "American framing" is a visual and textual exploration of the social, environmental, and architectural conditions and consequences of this ubiquitous form of construction. For architecture, it offers a story of an American project that is bored with tradition, eager to choose economy over technical skill, and accepting of a relaxed idea of craft in the pursuit of something useful and new—the forming of an architecture that enables architecture.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Sujet:
Constructions en bois
Constructions en bois
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livres
livres
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Prix:
$88.00
(disponible en magasin)
Résumé:
The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making(...)
$88.00
(disponible en magasin)
Résumé:
The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making(...)
Titre:
Lee Friedlander: the people's pictures
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$88.00
(disponible en magasin)
Résumé:
The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making pictures of it, as well as how those pictures and the pictures constructed for advertising or political purposes define the public space. In ''Lee Friedlander: The people’s pictures'' we see photographs spanning six decades, most of the geographic United States and parts of Western Europe and Asia. These pictures are uniquely Friedlander photographs: as much about what’s in front of the camera as they are about the photographer’s lifelong redefining of the medium. Like his exploration of words, letters and numbers in the social landscape, these photographs of photography’s street presence seem inevitable to Friedlander’s vast visual orchestration of what our society looks like. But make no mistake, Friedlander’s photographs are not objective documents; they are intentional, authored, playful, intelligent creations made through his unprecedented collaboration with time and place.
Lee Friedlander: the people's pictures
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Prix:
$88.00
(disponible en magasin)
Résumé:
The saturation of our social landscape by photographs and photographers is apparent from any public point of view. Photography is arguably the most democratic of mediums, even more accessible today across culture and class than language. In some regards, this has been Lee Friedlander’s most enduring subject—the way that average citizens interact with the world by making pictures of it, as well as how those pictures and the pictures constructed for advertising or political purposes define the public space. In ''Lee Friedlander: The people’s pictures'' we see photographs spanning six decades, most of the geographic United States and parts of Western Europe and Asia. These pictures are uniquely Friedlander photographs: as much about what’s in front of the camera as they are about the photographer’s lifelong redefining of the medium. Like his exploration of words, letters and numbers in the social landscape, these photographs of photography’s street presence seem inevitable to Friedlander’s vast visual orchestration of what our society looks like. But make no mistake, Friedlander’s photographs are not objective documents; they are intentional, authored, playful, intelligent creations made through his unprecedented collaboration with time and place.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$65.00
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Résumé:
This groundbreaking exploration of appropriation and institutional critique assembles a wide variety of artists and mediums to offer new insight and make unprecedented connections. Exploring two parallel strands of post-conceptual art, Take It or Leave It highlights artists known for their use of appropriation and those who engage in "institutional critique." Focusing on(...)
$65.00
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This groundbreaking exploration of appropriation and institutional critique assembles a wide variety of artists and mediums to offer new insight and make unprecedented connections. Exploring two parallel strands of post-conceptual art, Take It or Leave It highlights artists known for their use of appropriation and those who engage in "institutional critique." Focusing on(...)
Publication:
mars 2014
mars 2014
Titre:
Take it or leave it: institution, image, ideology
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$65.00
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This groundbreaking exploration of appropriation and institutional critique assembles a wide variety of artists and mediums to offer new insight and make unprecedented connections. Exploring two parallel strands of post-conceptual art, Take It or Leave It highlights artists known for their use of appropriation and those who engage in "institutional critique." Focusing on American artists who emerged from the late 1970s to the early 1990s, the book highlights dynamic practices in a variety of media: from performance to photography; video to installation; painting to writing. Artists as wide-ranging in approach as Dara Birnbaum, Mark Dion, Robert Gober, Barbara Kruger, Zoe Leonard, Glenn Ligon, Adrian Piper, Stephen Prina, and Fred Wilson are examined within the context of the larger culture— from the political landscape to design strategies in advertising. Essays by curators Anne Ellegood and Johanna Burton as well as scholars George Baker, Julia Bryan-Wilson, Gavin Butt, and Darby English explore the historical and current terrain of appropriation and institutional critique, while pursuing topics including the downtown music scene in New York in the '80s, new strategies of painting, and theories of race after identity politics' heyday.
Take it or leave it: institution, image, ideology
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$65.00
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This groundbreaking exploration of appropriation and institutional critique assembles a wide variety of artists and mediums to offer new insight and make unprecedented connections. Exploring two parallel strands of post-conceptual art, Take It or Leave It highlights artists known for their use of appropriation and those who engage in "institutional critique." Focusing on American artists who emerged from the late 1970s to the early 1990s, the book highlights dynamic practices in a variety of media: from performance to photography; video to installation; painting to writing. Artists as wide-ranging in approach as Dara Birnbaum, Mark Dion, Robert Gober, Barbara Kruger, Zoe Leonard, Glenn Ligon, Adrian Piper, Stephen Prina, and Fred Wilson are examined within the context of the larger culture— from the political landscape to design strategies in advertising. Essays by curators Anne Ellegood and Johanna Burton as well as scholars George Baker, Julia Bryan-Wilson, Gavin Butt, and Darby English explore the historical and current terrain of appropriation and institutional critique, while pursuing topics including the downtown music scene in New York in the '80s, new strategies of painting, and theories of race after identity politics' heyday.
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livres
livres
Publication:
mars 2014
mars 2014
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livres
livres
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Description:
195 pages : illustrations, maps, plans ; 25 cm.
Description:
195 pages : illustrations, maps, plans ; 25 cm.
Auteur:
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Publication:
Montréal, Québec : École d'architecture, Faculté de l'aménagement, Université de Montréal, 2018.
Montréal, Québec : École d'architecture, Faculté de l'aménagement, Université de Montréal, 2018.
Titre:
Architecture et information 2.0. 2018 / responsable de la publication, Alessandra Ponte.
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Description:
195 pages : illustrations, maps, plans ; 25 cm.
Architecture et information 2.0. 2018 / responsable de la publication, Alessandra Ponte.
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Description:
195 pages : illustrations, maps, plans ; 25 cm.
Classification:
livres
livres
Publication:
Montréal, Québec : École d'architecture, Faculté de l'aménagement, Université de Montréal, 2018.
Montréal, Québec : École d'architecture, Faculté de l'aménagement, Université de Montréal, 2018.
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livres
livres
Titre:
Étapes : international 04
Étapes : international 04
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$45.50
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Summary in this issue : "Hot shots" - a portrait of contemporary French photography as represented by Morgane Le Gall, Léa Crespi, Grégoire Alexandre, Cindy Gravelat, Raphaël Dallaporta and Sandrine Expilly; "Brussels in focus" - low-profile but high-quality, Brussels’ graphics scene is surveyed here via five studios and a magazine; "On & roll" - wallpaper is back in(...)
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Summary in this issue : "Hot shots" - a portrait of contemporary French photography as represented by Morgane Le Gall, Léa Crespi, Grégoire Alexandre, Cindy Gravelat, Raphaël Dallaporta and Sandrine Expilly; "Brussels in focus" - low-profile but high-quality, Brussels’ graphics scene is surveyed here via five studios and a magazine; "On & roll" - wallpaper is back in(...)
Publication:
février 2006, Paris
février 2006, Paris
Titre:
Étapes : international 04
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$45.50
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Résumé:
Summary in this issue : "Hot shots" - a portrait of contemporary French photography as represented by Morgane Le Gall, Léa Crespi, Grégoire Alexandre, Cindy Gravelat, Raphaël Dallaporta and Sandrine Expilly; "Brussels in focus" - low-profile but high-quality, Brussels’ graphics scene is surveyed here via five studios and a magazine; "On & roll" - wallpaper is back in fashion, with graphic designers crafting limited editions and playing manipulative games with forms and adhesives; "Chaumont, Graphic-Design lab" - the 16th Chaumont festival blended genres and relocated graphic design to the land of visual exploration; "Lines of inquiry" - adapter, Juliana Russo and Brice Domingues are developing three highly expressive ways with linework in Japan, Brazil and France; "Doma" - meet an Argentinian collective that likes taking over museums and streets with its vehicles of protest; "Swiss graphic design / the brand image" - in Switzerland, posters have a heritage value explored by generations of graphic designers, and tracked by the Museum für Gestaltung in Zurich via collections and commissions; "Swiss graphic design : is there such a thing ?" - after the historical background, the players in contemporary Swiss graphics take centre-stage; "Type in space" - é:i investigates the visual virtues displayed by the typographic objects of Israeli Oded Ezer.
Étapes : international 04
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$45.50
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Résumé:
Summary in this issue : "Hot shots" - a portrait of contemporary French photography as represented by Morgane Le Gall, Léa Crespi, Grégoire Alexandre, Cindy Gravelat, Raphaël Dallaporta and Sandrine Expilly; "Brussels in focus" - low-profile but high-quality, Brussels’ graphics scene is surveyed here via five studios and a magazine; "On & roll" - wallpaper is back in fashion, with graphic designers crafting limited editions and playing manipulative games with forms and adhesives; "Chaumont, Graphic-Design lab" - the 16th Chaumont festival blended genres and relocated graphic design to the land of visual exploration; "Lines of inquiry" - adapter, Juliana Russo and Brice Domingues are developing three highly expressive ways with linework in Japan, Brazil and France; "Doma" - meet an Argentinian collective that likes taking over museums and streets with its vehicles of protest; "Swiss graphic design / the brand image" - in Switzerland, posters have a heritage value explored by generations of graphic designers, and tracked by the Museum für Gestaltung in Zurich via collections and commissions; "Swiss graphic design : is there such a thing ?" - after the historical background, the players in contemporary Swiss graphics take centre-stage; "Type in space" - é:i investigates the visual virtues displayed by the typographic objects of Israeli Oded Ezer.
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livres
livres
Publication:
février 2006, Paris
février 2006, Paris
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livres
livres
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Description:
349 pages : illustrations (some color) ; 30 cm
Description:
349 pages : illustrations (some color) ; 30 cm
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Publication:
Paris : Réunion des musées nationaux, [2017], ©2017
Paris : Réunion des musées nationaux, [2017], ©2017
Titre:
Jardins / commissaire, Laurent Le Bon.
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Description:
349 pages : illustrations (some color) ; 30 cm
Jardins / commissaire, Laurent Le Bon.
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Description:
349 pages : illustrations (some color) ; 30 cm
Classification:
livres
livres
Publication:
Paris : Réunion des musées nationaux, [2017], ©2017
Paris : Réunion des musées nationaux, [2017], ©2017
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