Freedom to roam
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Harold Sculthorpe was Principal Lecturer in the Department of Biological Sciences at North East Surrey College of Technology but on his retirement left the confines of the lecture room for the freedom of the open air, determined to make every Monday a Sunday. A life long concern with the constraints placed on the individual by a host of bureaucratic bodies, and not least(...)
Freedom to roam
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Harold Sculthorpe was Principal Lecturer in the Department of Biological Sciences at North East Surrey College of Technology but on his retirement left the confines of the lecture room for the freedom of the open air, determined to make every Monday a Sunday. A life long concern with the constraints placed on the individual by a host of bureaucratic bodies, and not least the State, then found expression in these short essays on the problems encountered when walking in the countryside as the military, large landowners, factory farmers and more recently the water companies conjoin to try to exclude walkers from much of the land for their own nefarious purposes.
Trajets
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The desert is a huge paradox. Beneath its outward appearance of immensity and silence, are the sounds of various experiments, mysteries, and utopias. The setting of outrageous true histories, entertainment oases founded on consumerism and play, and the secret staging of military power, the desert is far from empty. Instead, it is full of activity: unexpected, uninhibited,(...)
décembre 2005, Barcelona
Desert America: Territory of paradox
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The desert is a huge paradox. Beneath its outward appearance of immensity and silence, are the sounds of various experiments, mysteries, and utopias. The setting of outrageous true histories, entertainment oases founded on consumerism and play, and the secret staging of military power, the desert is far from empty. Instead, it is full of activity: unexpected, uninhibited, and excessive. Not subject to barriers and seemingly free of the formal, ideological or cultural ties of global society, the desert cultivates alternate architectures, urbanisms, and built phenomena. Through photographs, essays, and history, this book emerges as an exploration of some of these phenomena and the protagonists that made them possible.
Houses in motion: the genesis, history and development of the portable building. Second edition
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In this revised edition of his definitive study, Robert Kronenbourg examines the development of the moveable building from prehistory to the present day, including a entirely new chapter on the influence that new technologies have on the subject. From familiar vernacular models such as the tent, mobile home and houseboat, to developments in military and construction(...)
Houses in motion: the genesis, history and development of the portable building. Second edition
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In this revised edition of his definitive study, Robert Kronenbourg examines the development of the moveable building from prehistory to the present day, including a entirely new chapter on the influence that new technologies have on the subject. From familiar vernacular models such as the tent, mobile home and houseboat, to developments in military and construction engineering, all aspects of portable architecture are considered. Kronenbourg makes comparisons between current, commercially available products and the work of innovative designers. He explores the philosophical and technological issues raised by contemporary, experimental and futuristic prototypes, and examines the suitability to purpose of portable building solutions in shelter after disaster situations.
Architecture miniature
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Since embarking on her professional career as a photographer in 1975, Mao Ishikawas birthplace of Okinawa has also been a reliable and constant theme in her work, which avoids simple classification as documentary, or even autobiography. Hot Days in Okinawa revisits her debut series, when the 22-year-old Ishikawa went to work in a bar exclusive to foreigners primarily(...)
Mao Ishikawa: hot days in Okinawa
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Since embarking on her professional career as a photographer in 1975, Mao Ishikawas birthplace of Okinawa has also been a reliable and constant theme in her work, which avoids simple classification as documentary, or even autobiography. Hot Days in Okinawa revisits her debut series, when the 22-year-old Ishikawa went to work in a bar exclusive to foreigners primarily black members of the U.S. military. For two years she lived and captured familiar scenes of everyday life around her, portraying soldiers and women living furiously and vividly in Okinawa towards the end of the Vietnam War. A short text by Ishikawa accompanies the numerous black-and-white images.
Monographies photo
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An(...)
The right to look: a counterhistory of visuality
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In The Right to Look, Nicholas Mirzoeff develops a comparative decolonial framework for visual culture studies, the field that he helped to create and shape. Casting modernity as an ongoing contest between visuality and countervisuality, or "the right to look," he explains how visuality sutures authority to power and renders the association natural. An early-nineteenth-century concept, meaning the visualization of history, visuality has been central to the legitimization of Western hegemony. Mirzoeff identifies three "complexes of visuality"--plantation slavery, imperialism, and the present-day military-industrial complex--and explains how, within each, power is made to seem self-evident through techniques of classification, separation, and aestheticization. This publication is a work of geographic, temporal, and conceptual reach.
Théorie/ philosophie
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Scolari's illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance(...)
Oblique drawing : a history of anti-perspective
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Scolari's illustrated studies show that illusionistic perspective is not the only, or even the best, representation of objects in history; parallel projection, for example, preserves in scale the actual measurements of objects it represents, avoiding the distortions of one-point perspective. Scolari analyzes the use of nonperspectival representations in pre-Renaissance images of machines and military hardware, architectural models and drawings, and illustrations of geometrical solids. He challenges Panofsky's theory of Pompeiian perspective and explains the difficulties encountered by the Chinese when they viewed Jesuit missionaries' perspectival religious images. Scolari demonstrates the diversity of representational forms devised through the centuries, and shows how each one reveals something that is lacking in the others.
Théorie de l’architecture
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New York–based artist Matthew Brannon (born 1971) has spent the past five years exhaustively researching the Vietnam/American War, seeking his own understanding of one of the most pivotal confrontations of the 20th century and translating that research into intricate silkscreen works that collage military documents, maps, logos, memoranda and contemporaneous ephemera.(...)
Matthew Brannon: Concerning Vietnam
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New York–based artist Matthew Brannon (born 1971) has spent the past five years exhaustively researching the Vietnam/American War, seeking his own understanding of one of the most pivotal confrontations of the 20th century and translating that research into intricate silkscreen works that collage military documents, maps, logos, memoranda and contemporaneous ephemera. "Concerning Vietnam" distills a picture of the war and its ongoing effects in vivid, densely packed images that employ the bold graphic design for which the artist is known. Alongside these works are Brannon’s notes on the objects and situations they depict, constructing a detailed chronology of the war and a complex overview of the consequences of US intervention in Southeast Asia.
War zones: gta papers 2
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We tend to think of war as being fought in specific, bounded places—war zones. But since the end of World War II, warfare has taken different forms, with the wars themselves often undeclared and their battlegrounds ill-defined. This book addresses that shift. ''War Zones'' examines the people, landscapes, and built environments that are subject to both the civil and(...)
War zones: gta papers 2
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We tend to think of war as being fought in specific, bounded places—war zones. But since the end of World War II, warfare has taken different forms, with the wars themselves often undeclared and their battlegrounds ill-defined. This book addresses that shift. ''War Zones'' examines the people, landscapes, and built environments that are subject to both the civil and military aims and control of armed conflicts today. From colonial or total war, asymmetric war or counterinsurgency to barricaded or besieged cities, refugee camps or borderlines, to nuclear bunkers or ''war ghosts,'' to states of emergency and drone warfare, these texts disclose the complicated spatial aspects and process of formation of war zones past and present.
Théorie de l’architecture
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In this uncompromising essay, Jonathan Crary presents the obvious but unsayable reality: our ''digital age'' is synonymous with the disastrous terminal stage of global capitalism and its financialisation of social existence, mass impoverishment, ecocide, and military terror. ''Scorched earth'' surveys the wrecking of a living world by the internet complex and its(...)
Scorched earth: Beyond the digital age to a post-capitalist world
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In this uncompromising essay, Jonathan Crary presents the obvious but unsayable reality: our ''digital age'' is synonymous with the disastrous terminal stage of global capitalism and its financialisation of social existence, mass impoverishment, ecocide, and military terror. ''Scorched earth'' surveys the wrecking of a living world by the internet complex and its devastation of communities and their capacities for mutual support. This polemic by the author of 24/7 dismantles the presumption that social media could be an instrument of radical change and contends that the networks and platforms of transnational corporations are intrinsically incompatible with a habitable earth or with the human interdependence needed to build egalitarian post-capitalist forms of life.
Social
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In "Domesticated Land" Susan Lipper navigates an apocalyptic world poised between inertia and the end of mankind, somewhere in the California desert. Uncannily tranquil, the landscape offers a trans-historical litany of monuments, icons and signs from which the author and protagonist constructs a narrative interspersed with the words of historic and contemporary women.(...)
Susan Lipper: Domesticated land
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In "Domesticated Land" Susan Lipper navigates an apocalyptic world poised between inertia and the end of mankind, somewhere in the California desert. Uncannily tranquil, the landscape offers a trans-historical litany of monuments, icons and signs from which the author and protagonist constructs a narrative interspersed with the words of historic and contemporary women. Putting female subjectivity into relief, Lipper obfuscates the romantic notion of the desert as a land of freedom and self-enlightenment. A lone snake, a dilapidated home, the remains of a cinematic stage set, the head of a fallen woman, a military base, barbed wire: such facts create ?ction, and one that serves as an unnerving political admonition concerning the current state of America.
Monographies photo