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This monographic issue spotlights the rise of Belgian architects Kersten Geers and David Van Severen. Prior to establishing their own practice in 2002, the duo honed their skills in offices in Rotterdam, Ghent, and Brussels. An economy of means is a prominent feature of their work, and they display a strong proclivity for precision. Their interest in materials, as well as(...)
El Croquis 185: OFFICE Kersten Geers David Van Severen
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This monographic issue spotlights the rise of Belgian architects Kersten Geers and David Van Severen. Prior to establishing their own practice in 2002, the duo honed their skills in offices in Rotterdam, Ghent, and Brussels. An economy of means is a prominent feature of their work, and they display a strong proclivity for precision. Their interest in materials, as well as their attitude towards past and present, are likewise ubiquitous qualities that are reflected in their work. Besides an in-depth interview, the issue features several projects, including private homes, an office refurbishment in Kortrijk, Campus RTS in Lausanne, and the Centre for Traditional Music in Bahrain.
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OASE 96: social poetics
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OASE 96 examines the revival of architectural practices that focus on reuse and appropriation of buildings, environments and materials. What is the possible positive or negative social impact of these interventions?
OASE 96: social poetics
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OASE 96 examines the revival of architectural practices that focus on reuse and appropriation of buildings, environments and materials. What is the possible positive or negative social impact of these interventions?
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The 16th issue of Speech: investigates local architectural traditions and building materials in the context of global trends. Examples range from Finnish housing complexes to wooden architecture in Russia and clay buildings in Africa and Indonesia.
Speech: 16, vernacular architecture
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The 16th issue of Speech: investigates local architectural traditions and building materials in the context of global trends. Examples range from Finnish housing complexes to wooden architecture in Russia and clay buildings in Africa and Indonesia.
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New Geographies 8: Island
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As a master metaphor, the island has been a fecund source of inspiration across many domains. From More’s Utopia to Darwin’s evolutionary theory to Ungers’s archipelago, insights derived from “island thinking” are commonly extrapolated across diverse scales and fields. ''New Geographies 8'' proposes an epistemological pulse between, on the one hand, the ultimate loss of(...)
New Geographies 8: Island
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As a master metaphor, the island has been a fecund source of inspiration across many domains. From More’s Utopia to Darwin’s evolutionary theory to Ungers’s archipelago, insights derived from “island thinking” are commonly extrapolated across diverse scales and fields. ''New Geographies 8'' proposes an epistemological pulse between, on the one hand, the ultimate loss of the exterior implied in planetary upscaling of territorial interpretations (toward an idea of the world as a whole) and, on the other hand, the need to rearrange new boundaries in an environment viewed through the process-oriented lens of ecology. An “atlas” of islands, New Geographies, 8 explores the new limits of islandness and gathers examples to reassert its relevance for design disciplines.
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Dernier numéro disponible en librairie! The latest issue is now available at the bookstore!
c3 382 : the creative workplace
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Dernier numéro disponible en librairie! The latest issue is now available at the bookstore!
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c3 383 : wood
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Dernier numéro disponible en librairie! The latest issue available at the bookstore!
c3 383 : wood
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Dernier numéro disponible en librairie! The latest issue available at the bookstore!
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Dernier numéro disponible en librairie! The latest issue available at the bookstore!
AV Proyectos 075: dossier estudio Herreros
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Dernier numéro disponible en librairie! The latest issue available at the bookstore!
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Dernier numéro disponible en librairie! Latest issue available at the bookstore!
Nouveau projet 10, automne hiver 2016
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Built in the early 1950s in São Paulo, Lina Bo Bardi’s Casa de Vidro (Glass House) was the first real architectural project she completed after her arrival in Brazil. Built as a home for herself and her husband, it clearly demonstrates how architecture and design should keep a distance from individuals, society or community, and the natural environment – a stance that(...)
GA residential masterpieces 22: Lina Bo Bardi, Casa De Vidro, São Paulo, 1950-51
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Built in the early 1950s in São Paulo, Lina Bo Bardi’s Casa de Vidro (Glass House) was the first real architectural project she completed after her arrival in Brazil. Built as a home for herself and her husband, it clearly demonstrates how architecture and design should keep a distance from individuals, society or community, and the natural environment – a stance that would come to underlie all of the Italian-born architect’s subsequent works. Photographed by master architectural photographer Yukio Futagawa, Casa de Vidro still appears as its designer intended, a prototype that responded to a new society, rising directly from the earth and embedded in the surrounding jungle.
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A new issue at the bookstore!
Border Crossings 139: painting
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A new issue at the bookstore!
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