Practice practice
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"Practice practice" addresses the parallel trajectories of cooperatives in the United States and the professionalization of architecture. This contextual background highlights the coincident struggles of the labor movement and the emergence of the architectural corporation. Within this context, the cooperative model is presented as a challenge to the prevailing conditions(...)
Practice practice
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"Practice practice" addresses the parallel trajectories of cooperatives in the United States and the professionalization of architecture. This contextual background highlights the coincident struggles of the labor movement and the emergence of the architectural corporation. Within this context, the cooperative model is presented as a challenge to the prevailing conditions of the profession. Logistical frameworks for creating an architectural cooperative-- including diagrams, sample operating agreements, and bylaws-- are offered for any firm looking to transition or incorporate anew. The book projects the social, economic, and aesthetic benefits of the architectural cooperative by taking stock of cooperatives in other industries. Finally, "Practice practice" presents a vision for a cooperative network of small architecture firms as imagined in collaboration with the Architecture Lobby.
Architecture contemporaine
Two cities
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Here we encounter a writer deeply engaged with narrative in situ—a traveler moving through beloved streets, sometimes accompanied, sometimes solo. With her, we see, anew, the Venice Biennale, the Lagoon, and San Michele, the island of the dead; the Piazza di Spagna, the Tiber, the view from the Gianicolo; the pigeons at San Marco and the parrots in the Doria Pamphili. As(...)
Two cities
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Here we encounter a writer deeply engaged with narrative in situ—a traveler moving through beloved streets, sometimes accompanied, sometimes solo. With her, we see, anew, the Venice Biennale, the Lagoon, and San Michele, the island of the dead; the Piazza di Spagna, the Tiber, the view from the Gianicolo; the pigeons at San Marco and the parrots in the Doria Pamphili. As a poet first and foremost, Zarin’s attention to the smallest details, the loveliest gesture, brings Venice and Rome vividly to life for the reader. The sixteenth book in the expanding, renowned ekphrasis series, ''Two cities'' creates space for these two historic cities to become characters themselves, their relationship to the writer as real as any love affair.
Trajets
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The Magic of Things explores a former advertising strategy of Swiss product posters in which banal, everyday objects—butter, a sewing machine, or shoes—are presented as desirable objects enticing us to buy. Free from any further contextualization, the objects acquire a sensual presence and magical aura. The product poster had its heyday in Switzerland in the 1940s with(...)
Poster collection 24: the magic of things
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The Magic of Things explores a former advertising strategy of Swiss product posters in which banal, everyday objects—butter, a sewing machine, or shoes—are presented as desirable objects enticing us to buy. Free from any further contextualization, the objects acquire a sensual presence and magical aura. The product poster had its heyday in Switzerland in the 1940s with designers such as Niklaus Stoecklin, Peter Birkhauser, or Otto Baumberger. As consumer society developed, however, the exclusive focus on the product and the brand name was no longer enough—in advertising, the feelings associated with the object as it related to life grew increasingly important. Today it is in the cultural poster that the magical depiction of things is experiencing a kind of renaissance.
Arts graphiques imprimés
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One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67(f) depicts two men--Mick Jagger and Hamilton's art dealer, Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967(...)
Richard Hamilton: Swingeing London 67 (f)
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One of the defining paintings of British Pop art, Richard Hamilton's Swingeing London 67(f) depicts two men--Mick Jagger and Hamilton's art dealer, Robert Fraser--handcuffed together in the back of a police van. The image is taken from a newspaper photograph that shows the two being driven from Lewes prison to Chichester Magistrates Court following their June 1967 arrest for possession of drugs. Andrew Wilson views Swingeing London 67 (f) as history painting, to be understood in the context of the struggle against the British state's attempt--aided and abetted by the popular press--to repress any expression of personal liberation. Hamilton's Pop art idiom of figuration and media images was his way of refusing the demands of an old aesthetic order.
Théorie de l’art
Dog dreams
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Originally printed by hand in a limited letterpress edition of 100 copies at the SF Center for the Book, Dog Dreams is a labor of love from the mind of author, artist, and printer Michael Wertz. The vibrantly colorful, engaging shapes in the board book pop out from the page in retro red and cyan that evokes a 60s feel. The narrative of the book imagines the many places(...)
Dog dreams
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Originally printed by hand in a limited letterpress edition of 100 copies at the SF Center for the Book, Dog Dreams is a labor of love from the mind of author, artist, and printer Michael Wertz. The vibrantly colorful, engaging shapes in the board book pop out from the page in retro red and cyan that evokes a 60s feel. The narrative of the book imagines the many places mans best friend may go during a long dog nap from Tracys dream of a rooftop tap dance to Dooeys evening cup of coffee on top of his new French chateau. This unique title is a work of pure joy and celebration of animal companions and is the perfect gift for any dog lover.
Littérature jeunesse
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Over a period of three years Tadanori Yokoo has set out with a camera to visit the 23 wards, suburbs and islands of Tokyo in search of Y-junctions. Having previously only painted them this astonishing book follows his Y-junctions search through the city and his struggle to picture them. Every nook and cranny of the city of Tokyo is filled with people. His refusal to have(...)
Tadanori Yokoo: Tokyo Y-junctions
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Over a period of three years Tadanori Yokoo has set out with a camera to visit the 23 wards, suburbs and islands of Tokyo in search of Y-junctions. Having previously only painted them this astonishing book follows his Y-junctions search through the city and his struggle to picture them. Every nook and cranny of the city of Tokyo is filled with people. His refusal to have any of them appear on the images implied he had to wait patiently for all persons to disappear which sometimes could take quite a while: he refused to artificially erase them with a computer. Includes an essay on the origins of the Y-junction by art critic Noi Sawaragi and an afterward by Yokoo himself.
Monographies photo
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Colors have a presence over and beyond the objects - buildings, spaces, billboards, artefacts and people - that make up the city. Not only does color give meaning to cities, cities give meaning to color. Whether carefully coordinated, clashing or an expression of materials, color is a powerful cultural, economic and political force in cities. Yet discussions on the city(...)
New geographies 3: Urbanisms of color
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Colors have a presence over and beyond the objects - buildings, spaces, billboards, artefacts and people - that make up the city. Not only does color give meaning to cities, cities give meaning to color. Whether carefully coordinated, clashing or an expression of materials, color is a powerful cultural, economic and political force in cities. Yet discussions on the city do not usually focus much on color, perhaps because urban colors are too often understood as being beyond any authority or taste or simply dismissed as cosmetic, naive or intangible. Volume 3 of New Geographies brings together artists and designers, anthropologists, historians, planners, and philosophers within the aim of exploring the potency, the interaction, and neglected design possibilities of color at the scale of the city.
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During the Renaissance, the contest to decide the order of rank among the fine arts, architecture, painting, and sculpture was an issue that also occupied the famous architect Andrea Palladio. He was convinced that architecture spoke for itself and did not require any ornamentation through painting. Nevertheless, frescos adorn the walls and ceilings of many of his villas.(...)
Frescos within Palladio's architecture : Malcontenta, 1557-1575
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During the Renaissance, the contest to decide the order of rank among the fine arts, architecture, painting, and sculpture was an issue that also occupied the famous architect Andrea Palladio. He was convinced that architecture spoke for itself and did not require any ornamentation through painting. Nevertheless, frescos adorn the walls and ceilings of many of his villas. In Frescos, Antonio Foscari analyzes this fresco cycle, one that not only represents an outstanding example of trompe l’oeil based on architectural structures – and which is closely modeled on Palladio’s ideals – but also sheds light on formative events within the family that commissioned Palladio. This publication contains a wealth of historical documents as well as photographs of the frescos by Matthias Schaller.
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Samuel Quiccheberg’s Inscriptiones, first published in Latin in 1565, is an ambitious effort to demonstrate the pragmatic value of curiosity cabinets, or Wunderkammern, to princely collectors in sixteenth-century Europe and, by so doing, inspire them to develop their own such collections. Quiccheberg shows how the assembly and display of physical objects offered nobles a(...)
Théorie de l’architecture
janvier 2014
The first treatise on museums: Samuel Quiccheberg's Inscriptiones, 1565
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Samuel Quiccheberg’s Inscriptiones, first published in Latin in 1565, is an ambitious effort to demonstrate the pragmatic value of curiosity cabinets, or Wunderkammern, to princely collectors in sixteenth-century Europe and, by so doing, inspire them to develop their own such collections. Quiccheberg shows how the assembly and display of physical objects offered nobles a powerful means to expand visual knowledge, allowing them to incorporate empirical and artisanal expertise into the realm of the written word. But in mapping out the collectability of the material world, Quiccheberg did far more than create a taxonomy. Rather, he demonstrated how organizing objects made their knowledge more accessible; how objects, when juxtaposed or grouped, could tell a story; and how such strategies could enhance the value of any single object.
Théorie de l’architecture
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The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point(...)
Théorie de l’architecture
juillet 2014
Architecture after revolution
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The work presented in this book is an invitation to undertake an urgent architectural and political thought experiment: to rethink today’s struggles for justice and equality not only from the historical perspective of revolution, but also from that of a continued struggle for decolonization; consequently, to rethink the problem of political subjectivity not from the point of view of a Western conception of a liberal citizen but rather from that of the displaced and extraterritorial refugee. You will not find here descriptions of popular uprising, armed resistance, or political negotiations, despite these of course forming an integral and necessary part of any radical political transformation. Instead, the authors present a series of provocative projects that try to imagine “the morning after revolution.”
Théorie de l’architecture