1436 Résultats
Classification:
photographies
photographies
Numéro de référence:
ARCH273314
Description:
Group consists of photographs for the Minimum Cost Housing Group's publication "Ecol Operation: Ecology + Building + Common Sense", including a photograph of a group of man building the base of the wall and a photograph of three man installing a window on Ecol House. The group also includes an enveloppe that was containing the photographs.
ARCH273314
Description:
Group consists of photographs for the Minimum Cost Housing Group's publication "Ecol Operation: Ecology + Building + Common Sense", including a photograph of a group of man building the base of the wall and a photograph of three man installing a window on Ecol House. The group also includes an enveloppe that was containing the photographs.
Personnes et institutions:
Date:
1972 or before
1972 or before
Titre:
Photographs for the publication "Ecol Operation: Ecology + Building + Common Sense"
Actions:
ARCH273314
Description:
Group consists of photographs for the Minimum Cost Housing Group's publication "Ecol Operation: Ecology + Building + Common Sense", including a photograph of a group of man building the base of the wall and a photograph of three man installing a window on Ecol House. The group also includes an enveloppe that was containing the photographs.
Photographs for the publication "Ecol Operation: Ecology + Building + Common Sense"
Actions:
ARCH273314
Description:
Group consists of photographs for the Minimum Cost Housing Group's publication "Ecol Operation: Ecology + Building + Common Sense", including a photograph of a group of man building the base of the wall and a photograph of three man installing a window on Ecol House. The group also includes an enveloppe that was containing the photographs.
Classification:
photographies
photographies
Date:
1972 or before
1972 or before
Personnes et institutions:
Classification:
articles
articles
Titre:
Les tours sonores
Les tours sonores
Actions:
Texte de Shannon Mattern
Dossier:
Autres sens, autres espaces
Autres sens, autres espaces
Mot(s)-clé(s):
20th century, 21st century, Carlotta Darò, Chabolovka, communism, communisme, El Lissitzky, Emily Thompson, Geoff Manaugh, Ilia Chashnik, Karin Bijsterveld, Lenin, Lénine, Lissitzky, photographie, photography, radio, Richard Pare, Sabine von Fischer, Sensations urbaines, Sense of the City, Shabolovka, Soviet Union, Susan Buck-Morss, technologie, technology, tour, tower, Union soviétique, Vitebsk, Vladimir Shukhov, XXe siècle, XXIe siècle
20th century, 21st century, Carlotta Darò, Chabolovka, communism, communisme, El Lissitzky, Emily Thompson, Geoff Manaugh, Ilia Chashnik, Karin Bijsterveld, Lenin, Lénine, Lissitzky, photographie, photography, radio, Richard Pare, Sabine von Fischer, Sensations urbaines, Sense of the City, Shabolovka, Soviet Union, Susan Buck-Morss, technologie, technology, tour, tower, Union soviétique, Vitebsk, Vladimir Shukhov, XXe siècle, XXIe siècle
Publié:
23 juillet 2012
23 juillet 2012
Dossier:
Autres sens, autres espaces
Autres sens, autres espaces
Classification:
photographies
photographies
Titre:
ECOL OPERATION
ECOL OPERATION
Numéro de référence:
ARCH273313
Description:
Group consists of photographs of the Ecol House for the Minimum Cost Housing Group's publication "Ecol House: Ecology + Building + Common Sense" including photographs of the construction of the house, photographs of Arthur Echeson and his wife living in the house during the demonstration phase and photographs of various devices and modular components of Ecol House development by the Mininum Cost Housing Group.
ARCH273313
Description:
Group consists of photographs of the Ecol House for the Minimum Cost Housing Group's publication "Ecol House: Ecology + Building + Common Sense" including photographs of the construction of the house, photographs of Arthur Echeson and his wife living in the house during the demonstration phase and photographs of various devices and modular components of Ecol House development by the Mininum Cost Housing Group.
Personnes et institutions:
Date:
1972 of before
1972 of before
Titre:
ECOL OPERATION
Actions:
ARCH273313
Description:
Group consists of photographs of the Ecol House for the Minimum Cost Housing Group's publication "Ecol House: Ecology + Building + Common Sense" including photographs of the construction of the house, photographs of Arthur Echeson and his wife living in the house during the demonstration phase and photographs of various devices and modular components of Ecol House development by the Mininum Cost Housing Group.
ECOL OPERATION
Actions:
ARCH273313
Description:
Group consists of photographs of the Ecol House for the Minimum Cost Housing Group's publication "Ecol House: Ecology + Building + Common Sense" including photographs of the construction of the house, photographs of Arthur Echeson and his wife living in the house during the demonstration phase and photographs of various devices and modular components of Ecol House development by the Mininum Cost Housing Group.
Classification:
photographies
photographies
Date:
1972 of before
1972 of before
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2004.D13
Description:
The project series documents the competition entry for a convention centre and an international fair in León, Spain. The competition by invitation only was organised by the León Town Council. Abalos & Herreros finished second. The firm identified this project as number 191. "Leon's Fair tries to give protagonism to old factories witch characterize the site making them up as principal access point and general services for the building, as well as creating a simple constructive space, similar to a tent. [...] Also the Congress Centre fill fair's core, the communication and leisure place with its small group of people's geometry. The project tries to compose these three pieces in a unique coherent group in its differences and resemblances, able to create a place with a clear sense: Leon’s Fair." Documenting the project are presentation drawings, project descriptions, competition documents, cartographic, graphic and reference materials, correspondence, specifications and publications.
AP164.S1.2004.D13
Description:
The project series documents the competition entry for a convention centre and an international fair in León, Spain. The competition by invitation only was organised by the León Town Council. Abalos & Herreros finished second. The firm identified this project as number 191. "Leon's Fair tries to give protagonism to old factories witch characterize the site making them up as principal access point and general services for the building, as well as creating a simple constructive space, similar to a tent. [...] Also the Congress Centre fill fair's core, the communication and leisure place with its small group of people's geometry. The project tries to compose these three pieces in a unique coherent group in its differences and resemblances, able to create a place with a clear sense: Leon’s Fair." Documenting the project are presentation drawings, project descriptions, competition documents, cartographic, graphic and reference materials, correspondence, specifications and publications.
Personnes et institutions:
Date:
2001-2005, predominant 2004-2005
2001-2005, predominant 2004-2005
Titre:
Palacio de congresos y ferial internacional de León, Spain (2004)
Actions:
AP164.S1.2004.D13
Description:
The project series documents the competition entry for a convention centre and an international fair in León, Spain. The competition by invitation only was organised by the León Town Council. Abalos & Herreros finished second. The firm identified this project as number 191. "Leon's Fair tries to give protagonism to old factories witch characterize the site making them up as principal access point and general services for the building, as well as creating a simple constructive space, similar to a tent. [...] Also the Congress Centre fill fair's core, the communication and leisure place with its small group of people's geometry. The project tries to compose these three pieces in a unique coherent group in its differences and resemblances, able to create a place with a clear sense: Leon’s Fair." Documenting the project are presentation drawings, project descriptions, competition documents, cartographic, graphic and reference materials, correspondence, specifications and publications.
Palacio de congresos y ferial internacional de León, Spain (2004)
Actions:
AP164.S1.2004.D13
Description:
The project series documents the competition entry for a convention centre and an international fair in León, Spain. The competition by invitation only was organised by the León Town Council. Abalos & Herreros finished second. The firm identified this project as number 191. "Leon's Fair tries to give protagonism to old factories witch characterize the site making them up as principal access point and general services for the building, as well as creating a simple constructive space, similar to a tent. [...] Also the Congress Centre fill fair's core, the communication and leisure place with its small group of people's geometry. The project tries to compose these three pieces in a unique coherent group in its differences and resemblances, able to create a place with a clear sense: Leon’s Fair." Documenting the project are presentation drawings, project descriptions, competition documents, cartographic, graphic and reference materials, correspondence, specifications and publications.
Niveau de description archivistique:
Project
Project
Date:
2001-2005, predominant 2004-2005
2001-2005, predominant 2004-2005
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Bijoy Jain
Fonds Bijoy Jain
Numéro de référence:
AP182
Résumé:
The Bijoy Jain fonds documents eight projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2015. Represented work includes courtyard houses in Maharashtra, Ahmedabad, and Chennai, live-work complexes in Mumbai and Dehradun, as well as two research-based projects, one for migrant housing and another an investigation of building demolition. The fonds consists of reproduced and original drawings, photographs, models, material samples, and several video recordings.
AP182
Résumé:
The Bijoy Jain fonds documents eight projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2015. Represented work includes courtyard houses in Maharashtra, Ahmedabad, and Chennai, live-work complexes in Mumbai and Dehradun, as well as two research-based projects, one for migrant housing and another an investigation of building demolition. The fonds consists of reproduced and original drawings, photographs, models, material samples, and several video recordings.
Personnes et institutions:
Date:
2008-2015
2008-2015
Titre:
Fonds Bijoy Jain
Actions:
AP182
Résumé:
The Bijoy Jain fonds documents eight projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2015. Represented work includes courtyard houses in Maharashtra, Ahmedabad, and Chennai, live-work complexes in Mumbai and Dehradun, as well as two research-based projects, one for migrant housing and another an investigation of building demolition. The fonds consists of reproduced and original drawings, photographs, models, material samples, and several video recordings.
Fonds Bijoy Jain
Actions:
AP182
Résumé:
The Bijoy Jain fonds documents eight projects by Bijoy Jain and the firm Studio Mumbai carried out between 2009 and 2015. Represented work includes courtyard houses in Maharashtra, Ahmedabad, and Chennai, live-work complexes in Mumbai and Dehradun, as well as two research-based projects, one for migrant housing and another an investigation of building demolition. The fonds consists of reproduced and original drawings, photographs, models, material samples, and several video recordings.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2008-2015
2008-2015
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Leal, Porto
Leal, Porto
Numéro de référence:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
1975
1975
Titre:
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Leal, Porto
Actions:
CD034.S1.1974.PR02
Description:
This project series contains eight reproductions of drawings displayed in the exhibit to document the Leal neighbourhood, in Porto, Portugal. The exhibit text explained that the project: ... pioneered the concept of community association, with the first resident activities dating back to the early 1970s. In 1974, immediately after the revolution, the residents opposed the building of a car park that would have involved their relocation and resettlement. The project of the architect Sérgio Fernandez, which originated in a pre-revolutionary resident organization, was conceived through the dynamics of the resident process, and had a project-oriented clarity that came from an economic sense of design, adapting to the needs and political character of the intervention. (The SAAL Process, Housing in Portugal 1974–76) Sérgio Fernandez worked for SAAL/North with António Corte Real, Carlos Delfim, Emídio Fonseca, José Manuel Soares, Vítor Sinde and the residents' association Bairro do Leal, that was founded on April 30th, 1975. The first phase of the project included 16 dwellings and the second, 33 dwellings. The operation began in October 1974, with a construction date in April 1976. This project series contains reproductions of design development drawings, cadastral and implementation plans, and an axonometric view. The original drawings were produced in 1975 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
1975
1975
Personnes et institutions:
Classification:
dessins
dessins
Titre:
Perspective for the proposed National Life Insurance Company Office Building, Chicago, Illinois
Perspective for the proposed National Life Insurance Company Office Building, Chicago, Illinois
Actions:
Numéro de référence:
DR1985:0290
Description:
- This drawing, one of a number of street-level perspectives which exist for the proposed National Life Insurance Company Building, is executed primarily in graphite. There is, however, one figure at bottom right whose coat and hat are drawn in orange coloured pencil. As this figure is cut off, and there is no title at the bottom of this drawing, and all the corners have been cut on a curve, it seems possible that this drawing was cropped, perhaps when it was re-mounted. Wright's decorative sense is displayed clearly by the variation of detailed geometric patterns used in the different parts of this building.
DR1985:0290
Description:
- This drawing, one of a number of street-level perspectives which exist for the proposed National Life Insurance Company Building, is executed primarily in graphite. There is, however, one figure at bottom right whose coat and hat are drawn in orange coloured pencil. As this figure is cut off, and there is no title at the bottom of this drawing, and all the corners have been cut on a curve, it seems possible that this drawing was cropped, perhaps when it was re-mounted. Wright's decorative sense is displayed clearly by the variation of detailed geometric patterns used in the different parts of this building.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1924
1924
Titre:
Perspective for the proposed National Life Insurance Company Office Building, Chicago, Illinois
Actions:
DR1985:0290
Description:
- This drawing, one of a number of street-level perspectives which exist for the proposed National Life Insurance Company Building, is executed primarily in graphite. There is, however, one figure at bottom right whose coat and hat are drawn in orange coloured pencil. As this figure is cut off, and there is no title at the bottom of this drawing, and all the corners have been cut on a curve, it seems possible that this drawing was cropped, perhaps when it was re-mounted. Wright's decorative sense is displayed clearly by the variation of detailed geometric patterns used in the different parts of this building.
Perspective for the proposed National Life Insurance Company Office Building, Chicago, Illinois
Actions:
DR1985:0290
Description:
- This drawing, one of a number of street-level perspectives which exist for the proposed National Life Insurance Company Building, is executed primarily in graphite. There is, however, one figure at bottom right whose coat and hat are drawn in orange coloured pencil. As this figure is cut off, and there is no title at the bottom of this drawing, and all the corners have been cut on a curve, it seems possible that this drawing was cropped, perhaps when it was re-mounted. Wright's decorative sense is displayed clearly by the variation of detailed geometric patterns used in the different parts of this building.
Classification:
dessins
dessins
Date:
1924
1924
Personnes et institutions:
Sujet:
architecture
architecture
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Personnes et institutions:
Date:
1996-2002
1996-2002
Titre:
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
MACBA [Museu d'Art Contemporani de Barcelona] (1997)
Actions:
AP164.S1.1997.D12
Description:
The subseries documents the show-event base “Fabricaciones / Fabrications,” held at the Museu d'Art Contemporani de Barcelona (MACBA) (February 10th to April 20th, 1998). The firm identified this project as number 110. “Fabrications was an innovative exhibition on architecture conceived and produced jointly by MACBA, MoMA, the Wexner Center for the Arts and the San Francisco Museum of Modern Art. The exhibition presented sixteen life-size architectural interventions, four at each participating center, each produced by a team of architects who explored tectonic issues in a broad sense. The four installations presented at Plaça dels Àngels – the square in front of the MACBA building – explored and modified the surfaces that defined this public space. Vicente Gualla (Barcelona) created an intervention on the façade opposite the Museum, which drew attention to the occupation and the population density that was absent from the buildings in the square. Abalos & Herreros (Madrid) acted upon the façade of the MACBA building itself, cladding and decorating its most monumental elements: the tower and the balcony. Riegler Riewe (Graz) worked with the whole of the square, inscribing a broken horizontal line along the perimeter of the public space. Finally, MVRDV (Rotterdam) acted upon the paving through an evocation of a series of different kinds of sports grounds.” (MACBA website) Documenting the exhibition are design development drawings, correspondence, project descriptions, budgets, notes, and reference, graphic and photographic materials.
Niveau de description archivistique:
Project
Project
Date:
1996-2002
1996-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Quinta da Bela Flor, Lisboa
Quinta da Bela Flor, Lisboa
Numéro de référence:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1976
circa 1976
Titre:
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Quinta da Bela Flor, Lisboa
Actions:
CD034.S1.1976.PR01
Description:
This project series contains one reproduction of a photograph displayed in the exhibit to document the Quinta da Bela Flor neighbourhood, in Lisbon, Portugal. The exhibit text explained that: Artur Rosa's project in the neighbourhood grew out of a shanty town, built on a difficult site, dating back to the 19th century, with reports of families living in hillside caves that today flank the entrance to a nearby highway. The process was based on voluntary work, and its ending presented a huge disappointment to the local brigade. In 1976 and 1977, Artur Rosa, also a practicing artist, produced three works that reflected on SAAL, its failure and the subsequent sense of persecution felt by many brigade leaders. The decision not to present the project but rather the artistic interventions aims at revealing the performative nature of the process, its poetic intensity and the way it related to its protagonists. In 1977 the architect presented a performance at the Fine Arts Society in Lisbon in which he closed the documentation of the project in a darkened room. The following year, he presented a structure with the documentation closed inside, and finally he used the project drawings in a collage with photographs on the occasion of the first public tap in Quinta da Bela-Flor. Those poetic artistic interventions are his form of publicly mourning the end of the SAAL process. (The SAAL Process, Housing in Portugal 1974–76) Artur Rosa worked for SAAL/Lisbon and Central South with Etelvina José, Hélio Oliveira, José Luís Teles Rebolo, José Miguel Fonseca, Luís Pereira, Manuel Coutinho Raposo, Maria Fernanda Carvalho, Maria Isabel Rodrigues Lobo, Nuno Blanco Bártolo, Nuno Martins and the residents' association Cooperativa de Habitação Económica Bela Flor, that was founded on February 13th, 1976. The project included 288 dwellings. The operation began in September 1976, with a construction date in December 1976. This project series contains a reproduction of a photograph of a model. The original photograph was produced around 1976 and was reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1976
circa 1976
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Personnes et institutions:
Date:
1998-2014
1998-2014
Titre:
Documents d’archives de Karl Chu pour le projet X Phylum
Actions:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Documents d’archives de Karl Chu pour le projet X Phylum
Actions:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1998-2014
1998-2014
Personnes et institutions:
