17996 Résultats
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1982:0094
PH1982:0094
Personnes et institutions:
Date:
1904
1904
Classification:
photographies
photographies
Date:
1904
1904
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1989:0205
PH1989:0205
Personnes et institutions:
Date:
May 1989
May 1989
Classification:
photographies
photographies
Date:
May 1989
May 1989
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1984:0420
PH1984:0420
Personnes et institutions:
Date:
1957
1957
Classification:
photographies
photographies
Date:
1957
1957
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1985:0306
PH1985:0306
Personnes et institutions:
Date:
1972
1972
Classification:
photographies
photographies
Date:
1972
1972
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1991:0146
PH1991:0146
Personnes et institutions:
Date:
1930s-1940s
1930s-1940s
Classification:
photographies
photographies
Date:
1930s-1940s
1930s-1940s
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1991:0152
PH1991:0152
Personnes et institutions:
Date:
1930s-1940s
1930s-1940s
Classification:
photographies
photographies
Date:
1930s-1940s
1930s-1940s
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
Personnes et institutions:
Sujet:
design d'exposition
design d'exposition
Date:
1971-1972
1971-1972
Titre:
United States One (1971-1972)
Actions:
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
United States One (1971-1972)
Actions:
AP027.S1.D54
Description:
This project series documents a presentation for the 1976 U.S. Bicentennial Corporation in Philadelphia. The project was a proposed plan for US1 highway to become a 2000 mile national exhibition from Madawasha, Maine to Key West, Florida. The plan was presented as an opportunity to create a national exhibition of incomparable scale.
Niveau de description archivistique:
File 54
File 54
Date:
1971-1972
1971-1972
Personnes et institutions:
Sujet:
design d'exposition
design d'exposition
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Personnes et institutions:
Date:
ca. 2001
ca. 2001
Titre:
ObliqueWTC, New York City, United States (2001)
Actions:
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
ObliqueWTC, New York City, United States (2001)
Actions:
AP173.S1.2001.D4
Description:
Series documents Lars Spuybroek's project ObliqueWTC in New York, United States, a proposal for the new World Trade Center for the Max Protetch Gallery in New York. Material in this series was produced around 2001. The series contains slides of drawings and a presentation drawing. This project may also include digital design material, which has yet to be processed and which will available for consultation in 2017.
Niveau de description archivistique:
Project
Project
Date:
ca. 2001
ca. 2001
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Personnes et institutions:
Date:
2003-2006
2003-2006
Titre:
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Niveau de description archivistique:
Project
Project
Date:
2003-2006
2003-2006
Personnes et institutions:
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1997:0062
Description:
- The series "Running Fence 1997" focuses "on the first 14 miles of the border fence that separates the United States and Mexico, beginning at the Pacific Ocean and ending in the Otay Mountains.... [It] analyzes the "idea" of the border and explores its iconography, the border being a subject that is of extreme importance to the public as the world proceeds towards greater globalization. [Geoffrey] James has written of the project: "[The border fence] was built by the US Army Corps of Engineers in 1994, out of recycled metal landing strip - the most visible symbol of what is known as Operation Gatekeeper. Because the steel sheets are placed in the ground so that their ridges run horizontally, a man can hop over the fence with ease; and no Mexican child ever seems to be impeded from retrieving a soccer ball from US territory. The real barrier to illegal immigration from Mexico into the USA is less visible: hundreds of buried sensors linked to a central computer, nightscopes, helicopters and Border Patrol Agents in white Broncos."" (Evans).
PH1997:0062
Description:
- The series "Running Fence 1997" focuses "on the first 14 miles of the border fence that separates the United States and Mexico, beginning at the Pacific Ocean and ending in the Otay Mountains.... [It] analyzes the "idea" of the border and explores its iconography, the border being a subject that is of extreme importance to the public as the world proceeds towards greater globalization. [Geoffrey] James has written of the project: "[The border fence] was built by the US Army Corps of Engineers in 1994, out of recycled metal landing strip - the most visible symbol of what is known as Operation Gatekeeper. Because the steel sheets are placed in the ground so that their ridges run horizontally, a man can hop over the fence with ease; and no Mexican child ever seems to be impeded from retrieving a soccer ball from US territory. The real barrier to illegal immigration from Mexico into the USA is less visible: hundreds of buried sensors linked to a central computer, nightscopes, helicopters and Border Patrol Agents in white Broncos."" (Evans).
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
Date:
1997
1997
Titre:
Partial night view of the United States-Mexico border fence from the United States side, San Diego County, California, United States, and Tijuana, Baja California, Mexico
Actions:
PH1997:0062
Description:
- The series "Running Fence 1997" focuses "on the first 14 miles of the border fence that separates the United States and Mexico, beginning at the Pacific Ocean and ending in the Otay Mountains.... [It] analyzes the "idea" of the border and explores its iconography, the border being a subject that is of extreme importance to the public as the world proceeds towards greater globalization. [Geoffrey] James has written of the project: "[The border fence] was built by the US Army Corps of Engineers in 1994, out of recycled metal landing strip - the most visible symbol of what is known as Operation Gatekeeper. Because the steel sheets are placed in the ground so that their ridges run horizontally, a man can hop over the fence with ease; and no Mexican child ever seems to be impeded from retrieving a soccer ball from US territory. The real barrier to illegal immigration from Mexico into the USA is less visible: hundreds of buried sensors linked to a central computer, nightscopes, helicopters and Border Patrol Agents in white Broncos."" (Evans).
Partial night view of the United States-Mexico border fence from the United States side, San Diego County, California, United States, and Tijuana, Baja California, Mexico
Actions:
PH1997:0062
Description:
- The series "Running Fence 1997" focuses "on the first 14 miles of the border fence that separates the United States and Mexico, beginning at the Pacific Ocean and ending in the Otay Mountains.... [It] analyzes the "idea" of the border and explores its iconography, the border being a subject that is of extreme importance to the public as the world proceeds towards greater globalization. [Geoffrey] James has written of the project: "[The border fence] was built by the US Army Corps of Engineers in 1994, out of recycled metal landing strip - the most visible symbol of what is known as Operation Gatekeeper. Because the steel sheets are placed in the ground so that their ridges run horizontally, a man can hop over the fence with ease; and no Mexican child ever seems to be impeded from retrieving a soccer ball from US territory. The real barrier to illegal immigration from Mexico into the USA is less visible: hundreds of buried sensors linked to a central computer, nightscopes, helicopters and Border Patrol Agents in white Broncos."" (Evans).
Classification:
photographies
photographies
Date:
1997
1997
Personnes et institutions:
Sujet:
architecture, ingénierie
architecture, ingénierie
