2440 Résultats
Classification:
dessins
dessins
Actions:
Numéro de référence:
DR1987:0400
Description:
- These sketches are mostly drawings for runway designs within the square site plan of the Los Angeles Municipal Airport project, with an elevation showing the massing of forms for the airport buildings. There are also at least three sketches for a segmentally-arched structure, possibly elevations for Lloyd Wright's second project for a shell for the Hollywood Bowl. This second project was commissioned in 1928; it was to be an elliptical shell, quarter-circular in elevation.
DR1987:0400
Description:
- These sketches are mostly drawings for runway designs within the square site plan of the Los Angeles Municipal Airport project, with an elevation showing the massing of forms for the airport buildings. There are also at least three sketches for a segmentally-arched structure, possibly elevations for Lloyd Wright's second project for a shell for the Hollywood Bowl. This second project was commissioned in 1928; it was to be an elliptical shell, quarter-circular in elevation.
Personnes et institutions:
Sujet:
architecture
architecture
Date:
1929
1929
Titre:
Los Angeles Municipal Airport: Thumbnail site plans, conceptual elevations and perspectives with some elevations, possibly for the Hollywood Bowl shell
Actions:
DR1987:0400
Description:
- These sketches are mostly drawings for runway designs within the square site plan of the Los Angeles Municipal Airport project, with an elevation showing the massing of forms for the airport buildings. There are also at least three sketches for a segmentally-arched structure, possibly elevations for Lloyd Wright's second project for a shell for the Hollywood Bowl. This second project was commissioned in 1928; it was to be an elliptical shell, quarter-circular in elevation.
Los Angeles Municipal Airport: Thumbnail site plans, conceptual elevations and perspectives with some elevations, possibly for the Hollywood Bowl shell
Actions:
DR1987:0400
Description:
- These sketches are mostly drawings for runway designs within the square site plan of the Los Angeles Municipal Airport project, with an elevation showing the massing of forms for the airport buildings. There are also at least three sketches for a segmentally-arched structure, possibly elevations for Lloyd Wright's second project for a shell for the Hollywood Bowl. This second project was commissioned in 1928; it was to be an elliptical shell, quarter-circular in elevation.
Classification:
dessins
dessins
Date:
1929
1929
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
dessins
dessins
Numéro de référence:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Date:
probably between 1745-1775
probably between 1745-1775
Titre:
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
Presentation drawing for a stage set with alternate designs
Actions:
DR1967:0010:002
Description:
- The two halves of this drawing show alternate stage sets from which the patron could make his choice. It is unclear whether this design was for a painted trompe-l'oeil stage backdrop and/or a constructed stage set. The deep unified space and low vanishing point of the central piazza/hemicycle interior indicates that this section is probably a painted trompe-l'oeil, however, the curtain pulled back within the central arch and the inscribed scale suggest that some of the architectural elements may have been constructed (Fuhring, 161 and 570). An etching of the Hermes is laid down on the left variant of the central portion of the drawing. The prickings indicate that the overall design was intended to be executed, and the crown above the central cartouche indicates a possible royal connection.
Classification:
dessins
dessins
Date:
probably between 1745-1775
probably between 1745-1775
Personnes et institutions:
Sujet:
design de théâtre
design de théâtre
Classification:
articles
articles
Titre:
Un projet immobilier éthique
Un projet immobilier éthique
Actions:
Kim Courrèges et Felipe de Ferrari de Plan Común discutent avec Jack Self de REAL d’une société plus égalitaire à tous points de vue
Dossier:
Avec et au sein de
Avec et au sein de
Mot(s)-clé(s):
Le premier projet de logement éthique, Kim Courrèges, Felipe de Ferrari, Plan Común, Avec et au sein de, Jack Self, REAL foundation
Le premier projet de logement éthique, Kim Courrèges, Felipe de Ferrari, Plan Común, Avec et au sein de, Jack Self, REAL foundation
Publié:
14 juin 2021
14 juin 2021
Titre:
Un projet immobilier éthique
Kim Courrèges et Felipe de Ferrari de Plan Común discutent avec Jack Self de REAL d’une société plus égalitaire à tous points de vue
Actions:
Un projet immobilier éthique
Kim Courrèges et Felipe de Ferrari de Plan Común discutent avec Jack Self de REAL d’une société plus égalitaire à tous points de vue
Actions:
Dossier:
Avec et au sein de
Avec et au sein de
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0901:026:001
Description:
- This view looks west along the northern wall and moat of the Inner City of Peking (now Beijing). - On 11 October 1860, during the Second Opium War (1858-1860), the British and French forces positioned heavy siege guns along the southern wall (visible at c.l. to c.r. of PH1986:0901:026:002) of the Altar to Earth [Ditan] (also known as the Temple of Earth), threatening to bombard the walls of the Inner City of Peking (now Beijing) and demanding the surrender of the Anting Gate (now Anding Men) within forty-eight hours. The Chinese surrendered the gate at noon on 13 October 1860 (Harris, p. 145).
PH1986:0901:026:001
Description:
- This view looks west along the northern wall and moat of the Inner City of Peking (now Beijing). - On 11 October 1860, during the Second Opium War (1858-1860), the British and French forces positioned heavy siege guns along the southern wall (visible at c.l. to c.r. of PH1986:0901:026:002) of the Altar to Earth [Ditan] (also known as the Temple of Earth), threatening to bombard the walls of the Inner City of Peking (now Beijing) and demanding the surrender of the Anting Gate (now Anding Men) within forty-eight hours. The Chinese surrendered the gate at noon on 13 October 1860 (Harris, p. 145).
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire
architecture, ingénierie, militaire
Date:
between 13 October and 24 October 1860
between 13 October and 24 October 1860
Titre:
Partial view of the walls and moat of the Inner City, with the Anting Gate (now Anding Men) in the background, Peking (now Beijing), China
Actions:
PH1986:0901:026:001
Description:
- This view looks west along the northern wall and moat of the Inner City of Peking (now Beijing). - On 11 October 1860, during the Second Opium War (1858-1860), the British and French forces positioned heavy siege guns along the southern wall (visible at c.l. to c.r. of PH1986:0901:026:002) of the Altar to Earth [Ditan] (also known as the Temple of Earth), threatening to bombard the walls of the Inner City of Peking (now Beijing) and demanding the surrender of the Anting Gate (now Anding Men) within forty-eight hours. The Chinese surrendered the gate at noon on 13 October 1860 (Harris, p. 145).
Partial view of the walls and moat of the Inner City, with the Anting Gate (now Anding Men) in the background, Peking (now Beijing), China
Actions:
PH1986:0901:026:001
Description:
- This view looks west along the northern wall and moat of the Inner City of Peking (now Beijing). - On 11 October 1860, during the Second Opium War (1858-1860), the British and French forces positioned heavy siege guns along the southern wall (visible at c.l. to c.r. of PH1986:0901:026:002) of the Altar to Earth [Ditan] (also known as the Temple of Earth), threatening to bombard the walls of the Inner City of Peking (now Beijing) and demanding the surrender of the Anting Gate (now Anding Men) within forty-eight hours. The Chinese surrendered the gate at noon on 13 October 1860 (Harris, p. 145).
Classification:
photographies
photographies
Date:
between 13 October and 24 October 1860
between 13 October and 24 October 1860
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire
architecture, ingénierie, militaire
Classification:
expositions
expositions
Actions:
Description:
Empreintes de l’Inde démontre le rôle social, politique et anthropologique que de telles images peuvent jouer, en décrivant comment les éléments représentés ont jeté les fondements historiques – réels ou souhaités – sur lesquels un empire, plutôt qu’un assemblage de comptoirs coloniaux, a pu être bâti. Articulée autour de six thèmes, l’exposition explore des plus grands(...)
Empreintes de l’Inde démontre le rôle social, politique et anthropologique que de telles images peuvent jouer, en décrivant comment les éléments représentés ont jeté les fondements historiques – réels ou souhaités – sur lesquels un empire, plutôt qu’un assemblage de comptoirs coloniaux, a pu être bâti. Articulée autour de six thèmes, l’exposition explore des plus grands(...)
Localisation:
Salles principales
Salles principales
Date:
15 mai 2003 au 14 septembre 2003
15 mai 2003 au 14 septembre 2003
Titre:
Empreintes de l’Inde : photographie, architecture et politiques de la représentation
Actions:
Description:
Empreintes de l’Inde démontre le rôle social, politique et anthropologique que de telles images peuvent jouer, en décrivant comment les éléments représentés ont jeté les fondements historiques – réels ou souhaités – sur lesquels un empire, plutôt qu’un assemblage de comptoirs coloniaux, a pu être bâti. Articulée autour de six thèmes, l’exposition explore des plus grands(...)
Empreintes de l’Inde : photographie, architecture et politiques de la représentation
Actions:
Description:
Empreintes de l’Inde démontre le rôle social, politique et anthropologique que de telles images peuvent jouer, en décrivant comment les éléments représentés ont jeté les fondements historiques – réels ou souhaités – sur lesquels un empire, plutôt qu’un assemblage de comptoirs coloniaux, a pu être bâti. Articulée autour de six thèmes, l’exposition explore des plus grands(...)
Classification:
expositions
expositions
Date:
15 mai 2003 au
14 septembre 2003
15 mai 2003 au
14 septembre 2003
Localisation:
Salles principales
Salles principales
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Personnes et institutions:
Date:
2017
2017
Titre:
Questioning Pictures: Photograph of elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Castelvecchio Museum by Carlo Scarpa
Actions:
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Questioning Pictures: Photograph of elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Castelvecchio Museum by Carlo Scarpa
Actions:
PH2018:0005:028
Description:
Photograph by Stefano Graziani of the following work: Carlo Scarpa, Castelvecchio Museum, Ala della Reggia, elevation and sketches for the frame of the Madonna with the Child by Giovanni Bellini on the second floor of the Palace, inventory Number: 31805, recto, pastel red, yellow, blue two shades and lilac on cardboard, 316 x 432 mm, 1958-1961, Carlo Scarpa archive, Castevecchio Museum, Verona Questioning Pictures is a 36 photograph project commissioned by Fondazione Prada, Milan. Artist Stefano Graziani investigates archival and conservation systems in a number of museums. Through photographing museum objects, Graziani, focusing on the relationship between photographs, the museum objects and the power structures at play within institutions. The museums include the Canadian Centre for Architecture (CCA) in Montréal, Canada; Sir John Soane’s Museum in London, UK; the Kunstmuseum Basel, Switzerland; Museum Insel Hombroich in Neuss, Germany; the Museo di Castelvecchio in Verona, Italy; and the Plaster Cast Gallery at Museo Canova in Possagno, Italy.
Classification:
photographies
photographies
Date:
2017
2017
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Conçu dans le cadre du projet annuel Ressaisir la vie, le livre Une portion du présent vise à rétablir un dialogue entre l’architecture et la société, lequel permettrait à la première de commencer à composer et à traiter avec nos normes sociales modifiées et fluctuantes. Cette publication est une réflexion sur de nouveaux comportements, rituels, valeurs et sur leurs(...)
Conçu dans le cadre du projet annuel Ressaisir la vie, le livre Une portion du présent vise à rétablir un dialogue entre l’architecture et la société, lequel permettrait à la première de commencer à composer et à traiter avec nos normes sociales modifiées et fluctuantes. Cette publication est une réflexion sur de nouveaux comportements, rituels, valeurs et sur leurs(...)
Date:
10 mars 2022, 19h30 à 20h30
10 mars 2022, 19h30 à 20h30
Titre:
Une portion du présent, Lancement du livre avec Giovanna Borasi
Actions:
Description:
Conçu dans le cadre du projet annuel Ressaisir la vie, le livre Une portion du présent vise à rétablir un dialogue entre l’architecture et la société, lequel permettrait à la première de commencer à composer et à traiter avec nos normes sociales modifiées et fluctuantes. Cette publication est une réflexion sur de nouveaux comportements, rituels, valeurs et sur leurs(...)
Une portion du présent, Lancement du livre avec Giovanna Borasi
Actions:
Description:
Conçu dans le cadre du projet annuel Ressaisir la vie, le livre Une portion du présent vise à rétablir un dialogue entre l’architecture et la société, lequel permettrait à la première de commencer à composer et à traiter avec nos normes sociales modifiées et fluctuantes. Cette publication est une réflexion sur de nouveaux comportements, rituels, valeurs et sur leurs(...)
Classification:
événements
événements
Date:
10 mars 2022
19h30 à 20h30
10 mars 2022
19h30 à 20h30
Classification:
photographies
photographies
Actions:
Numéro de référence:
PH1986:0901:026:001-002
Description:
- This view looks west along the northern wall and moat of the Inner City of Peking (now Beijing). - On 11 October 1860, during the Second Opium War (1858-1860), the British and French forces positioned heavy siege guns along the southern wall (visible at c.l. to c.r. of PH1986:0901:026:002) of the Altar to Earth [Ditan] (also known as the Temple of Earth), threatening to bombard the walls of the Inner City of Peking (now Beijing) and demanding the surrender of the Anting Gate (now Anding Men) within forty-eight hours. The Chinese surrendered the gate at noon on 13 October 1860 (Harris, p. 145).
PH1986:0901:026:001-002
Description:
- This view looks west along the northern wall and moat of the Inner City of Peking (now Beijing). - On 11 October 1860, during the Second Opium War (1858-1860), the British and French forces positioned heavy siege guns along the southern wall (visible at c.l. to c.r. of PH1986:0901:026:002) of the Altar to Earth [Ditan] (also known as the Temple of Earth), threatening to bombard the walls of the Inner City of Peking (now Beijing) and demanding the surrender of the Anting Gate (now Anding Men) within forty-eight hours. The Chinese surrendered the gate at noon on 13 October 1860 (Harris, p. 145).
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire
architecture, ingénierie, militaire
Date:
between 13 October and 24 October 1860
between 13 October and 24 October 1860
Titre:
Panorama showing part of the walls and moat of the Inner City, with the Anting Gate (now Anding Men) in the background, and part of the Altar to Earth [Ditan] (also known as the Temple of Earth), Peking (now Beijing), China
Actions:
PH1986:0901:026:001-002
Description:
- This view looks west along the northern wall and moat of the Inner City of Peking (now Beijing). - On 11 October 1860, during the Second Opium War (1858-1860), the British and French forces positioned heavy siege guns along the southern wall (visible at c.l. to c.r. of PH1986:0901:026:002) of the Altar to Earth [Ditan] (also known as the Temple of Earth), threatening to bombard the walls of the Inner City of Peking (now Beijing) and demanding the surrender of the Anting Gate (now Anding Men) within forty-eight hours. The Chinese surrendered the gate at noon on 13 October 1860 (Harris, p. 145).
Panorama showing part of the walls and moat of the Inner City, with the Anting Gate (now Anding Men) in the background, and part of the Altar to Earth [Ditan] (also known as the Temple of Earth), Peking (now Beijing), China
Actions:
PH1986:0901:026:001-002
Description:
- This view looks west along the northern wall and moat of the Inner City of Peking (now Beijing). - On 11 October 1860, during the Second Opium War (1858-1860), the British and French forces positioned heavy siege guns along the southern wall (visible at c.l. to c.r. of PH1986:0901:026:002) of the Altar to Earth [Ditan] (also known as the Temple of Earth), threatening to bombard the walls of the Inner City of Peking (now Beijing) and demanding the surrender of the Anting Gate (now Anding Men) within forty-eight hours. The Chinese surrendered the gate at noon on 13 October 1860 (Harris, p. 145).
Classification:
photographies
photographies
Date:
between 13 October and 24 October 1860
between 13 October and 24 October 1860
Personnes et institutions:
Sujet:
architecture, ingénierie, militaire
architecture, ingénierie, militaire
Classification:
événements
événements
Titre:
De cause à effet
De cause à effet
Actions:
Description:
Lors de cette causerie, Michel Boulet, photographe du CCA, et Louise Désy, Conservateur, Photographies, parleront de la documentation photographique de catastrophes environnementales. Natif de Lac-Mégantic, Michel Boulet était sur les lieux lors de la catastrophe ferroviaire survenue le 6 juillet 2013, croquant sur le vif les images des premières heures de l’accident.(...)
Lors de cette causerie, Michel Boulet, photographe du CCA, et Louise Désy, Conservateur, Photographies, parleront de la documentation photographique de catastrophes environnementales. Natif de Lac-Mégantic, Michel Boulet était sur les lieux lors de la catastrophe ferroviaire survenue le 6 juillet 2013, croquant sur le vif les images des premières heures de l’accident.(...)
Localisation:
Salles principales
Salles principales
Date:
10 décembre 2016, 15h
10 décembre 2016, 15h
Titre:
De cause à effet
Actions:
Description:
Lors de cette causerie, Michel Boulet, photographe du CCA, et Louise Désy, Conservateur, Photographies, parleront de la documentation photographique de catastrophes environnementales. Natif de Lac-Mégantic, Michel Boulet était sur les lieux lors de la catastrophe ferroviaire survenue le 6 juillet 2013, croquant sur le vif les images des premières heures de l’accident.(...)
De cause à effet
Actions:
Description:
Lors de cette causerie, Michel Boulet, photographe du CCA, et Louise Désy, Conservateur, Photographies, parleront de la documentation photographique de catastrophes environnementales. Natif de Lac-Mégantic, Michel Boulet était sur les lieux lors de la catastrophe ferroviaire survenue le 6 juillet 2013, croquant sur le vif les images des premières heures de l’accident.(...)
Classification:
événements
événements
Date:
10 décembre 2016
15h
10 décembre 2016
15h
Localisation:
Salles principales
Salles principales
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
AP148.S1.1972.PR02.001
Description:
70 pages drawings and texts, with graphic materials interspersed throughout. Some textual documents are copies. Material in has been kept in the order in which Poli transferred it to the CCA, and was stored in 7 folders that reflect the divisions he created within the material. Includes materials for the film "Supersuperficie - Vita."
AP148.S1.1972.PR02.001
Description:
70 pages drawings and texts, with graphic materials interspersed throughout. Some textual documents are copies. Material in has been kept in the order in which Poli transferred it to the CCA, and was stored in 7 folders that reflect the divisions he created within the material. Includes materials for the film "Supersuperficie - Vita."
Personnes et institutions:
Date:
1972
1972
Titre:
Notes, sketches, and reprographic copies, Supersurface
Actions:
AP148.S1.1972.PR02.001
Description:
70 pages drawings and texts, with graphic materials interspersed throughout. Some textual documents are copies. Material in has been kept in the order in which Poli transferred it to the CCA, and was stored in 7 folders that reflect the divisions he created within the material. Includes materials for the film "Supersuperficie - Vita."
Notes, sketches, and reprographic copies, Supersurface
Actions:
AP148.S1.1972.PR02.001
Description:
70 pages drawings and texts, with graphic materials interspersed throughout. Some textual documents are copies. Material in has been kept in the order in which Poli transferred it to the CCA, and was stored in 7 folders that reflect the divisions he created within the material. Includes materials for the film "Supersuperficie - Vita."
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Date:
1972
1972
Personnes et institutions:
