668 Résultats
Classification:
dessins, photographies
dessins, photographies
Numéro de référence:
AP178.S1.2003.PR02.005
Description:
Original file title: Napoli Museu This file includes details of the bathrooms, bookstore, bar, and restaurant.
AP178.S1.2003.PR02.005
Description:
Original file title: Napoli Museu This file includes details of the bathrooms, bookstore, bar, and restaurant.
Personnes et institutions:
Date:
2003-2006
2003-2006
Titre:
Details and photographs of the interior of the building, Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo, Naples
Actions:
AP178.S1.2003.PR02.005
Description:
Original file title: Napoli Museu This file includes details of the bathrooms, bookstore, bar, and restaurant.
Details and photographs of the interior of the building, Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo, Naples
Actions:
AP178.S1.2003.PR02.005
Description:
Original file title: Napoli Museu This file includes details of the bathrooms, bookstore, bar, and restaurant.
Classification:
dessins, photographies
dessins, photographies
Date:
2003-2006
2003-2006
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
Personnes et institutions:
Date:
1988
1988
Titre:
Record set, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
Record set, Canadian Centre for Architecture, Montréal, Québec
Actions:
AP046.S1.1983.PR01.450
Description:
This file includes main stair hall plans, bookstore furniture, auditorium details, door schedule, gallery details, misc sections and elevations.
Classification:
dessins
dessins
Date:
1988
1988
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
AP178.S1.2003.PR02.027
Description:
Original file title: Fotos Napoli This file includes photographs of the courtyard, as well as drawings and documentation for the bookstore, restaurant, and bar.
AP178.S1.2003.PR02.027
Description:
Original file title: Fotos Napoli This file includes photographs of the courtyard, as well as drawings and documentation for the bookstore, restaurant, and bar.
Personnes et institutions:
Date:
circa 2007
circa 2007
Titre:
Plans and project documentation, Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo, Naples
Actions:
AP178.S1.2003.PR02.027
Description:
Original file title: Fotos Napoli This file includes photographs of the courtyard, as well as drawings and documentation for the bookstore, restaurant, and bar.
Plans and project documentation, Recupero del Palazzo Donnaregina / Museu de Arte Contemporâneo, Naples
Actions:
AP178.S1.2003.PR02.027
Description:
Original file title: Fotos Napoli This file includes photographs of the courtyard, as well as drawings and documentation for the bookstore, restaurant, and bar.
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Date:
circa 2007
circa 2007
Personnes et institutions:
Classification:
dessins
Quantité:
16 File
dessins
Quantité:
16 File
Numéro de référence:
ARCH43281
Description:
room openings, doors, guard rail, bridge, book store and cashier cage, chemistry laboratory, writing room, screen and lights, window blind recesses, room layout, hat and coat racks, cupboards, entrance canopy, auditorium cornices, bookstore counter, storeroom
ARCH43281
Description:
room openings, doors, guard rail, bridge, book store and cashier cage, chemistry laboratory, writing room, screen and lights, window blind recesses, room layout, hat and coat racks, cupboards, entrance canopy, auditorium cornices, bookstore counter, storeroom
Personnes et institutions:
Titre:
Room openings, doors, guard rail, bridge, book store and cashier cage, chemistry laboratory
Actions:
ARCH43281
Description:
room openings, doors, guard rail, bridge, book store and cashier cage, chemistry laboratory, writing room, screen and lights, window blind recesses, room layout, hat and coat racks, cupboards, entrance canopy, auditorium cornices, bookstore counter, storeroom
Room openings, doors, guard rail, bridge, book store and cashier cage, chemistry laboratory
Actions:
ARCH43281
Description:
room openings, doors, guard rail, bridge, book store and cashier cage, chemistry laboratory, writing room, screen and lights, window blind recesses, room layout, hat and coat racks, cupboards, entrance canopy, auditorium cornices, bookstore counter, storeroom
Classification:
dessins
Quantité:
16 File
dessins
Quantité:
16 File
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Titre:
Fonds Max Wolfe Roth
Fonds Max Wolfe Roth
Numéro de référence:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Personnes et institutions:
Date:
1933-2000
1933-2000
Titre:
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Fonds Max Wolfe Roth
Actions:
AP125
Résumé:
The Max Wolfe Roth fonds, 1933-2000, documents the professional career of architect Max Wolfe Roth. The fonds comprises of materials relating to 15 student projects (1933-1937) and 333 professional projects (1937-2000). Materials in this fonds consist of 7,589 drawings (including reprographic copies), 303 photographs, 22 panels, 2.83 l.m. of textual records, 0.33 l.m.of slides, 82 notebooks, 7 stamps, 1 slide rule and 1 model.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1933-2000
1933-2000
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH256209
Description:
21 files - cost estimates, time changes, budget, specifications, Stage II requirements, Alma Mater Society request for space, Who's Where Directory, campus planning, bookstore, zoning by-laws, miscellaneous engineers correspondence, space management, International Center reports, Student Union renovation costs, documentation and articles, camera club, food services, music pre-programming notes.
ARCH256209
Description:
21 files - cost estimates, time changes, budget, specifications, Stage II requirements, Alma Mater Society request for space, Who's Where Directory, campus planning, bookstore, zoning by-laws, miscellaneous engineers correspondence, space management, International Center reports, Student Union renovation costs, documentation and articles, camera club, food services, music pre-programming notes.
Personnes et institutions:
Date:
1972-1973
1972-1973
Titre:
Budget, specifications, Stage II requirements
Actions:
ARCH256209
Description:
21 files - cost estimates, time changes, budget, specifications, Stage II requirements, Alma Mater Society request for space, Who's Where Directory, campus planning, bookstore, zoning by-laws, miscellaneous engineers correspondence, space management, International Center reports, Student Union renovation costs, documentation and articles, camera club, food services, music pre-programming notes.
Budget, specifications, Stage II requirements
Actions:
ARCH256209
Description:
21 files - cost estimates, time changes, budget, specifications, Stage II requirements, Alma Mater Society request for space, Who's Where Directory, campus planning, bookstore, zoning by-laws, miscellaneous engineers correspondence, space management, International Center reports, Student Union renovation costs, documentation and articles, camera club, food services, music pre-programming notes.
Classification:
documents textuels
documents textuels
Date:
1972-1973
1972-1973
Personnes et institutions:
Classification:
événements
événements
Description:
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
Localisation:
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
Date:
27 mars 2019, 13h30
27 mars 2019, 13h30
Titre:
La bibliothèque parlante : avec Konstantinos Pantazis
Actions:
Description:
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
La bibliothèque parlante : avec Konstantinos Pantazis
Actions:
Description:
Examiner les livres de toute bibliothèque personnelle révèle des processus, des influences et des façons de penser de leur propriétaire, ainsi que les surprises cachées dans ses travaux. Tandis que les historiens démêlent des archives, le CCA invite des architectes contemporains à choisir dix ouvrages qui les reflètent.
Classification:
événements
événements
Date:
27 mars 2019
13h30
27 mars 2019
13h30
Localisation:
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
Librairie du CCA Mot(s)-clé(s):
Konstantinos Pantazis, bibliotheque parlante, libraire
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1988.PR01
Description:
This project series documents the Centro Cultural de la Defensa in Madrid, Spain. While the records were held in the office’s archives this project was assigned the number 50/80. The office assigned the date 1988 to this project. An architectural competition was held for the construction of a cultural center and museum for the Ministry of Defense. Seven architects were invited for the first phase of the competition. Four architects, including Fancisco Javier Sainz de Oiza, Lluis Clotet Ballus, Juan Navarro Baldeweg, and Álvaro Siza were selected for the second and final phase. The L-shaped building proposed by Siza included a museum, library, archives, research center, auditoriums, restaurants and bookstores. Siza won the competition but the building was not realized. Documenting this project are sketches, presentation drawings and photographs of model. Textual materials include project documentation, correspondence and articles on the competition.
AP178.S1.1988.PR01
Description:
This project series documents the Centro Cultural de la Defensa in Madrid, Spain. While the records were held in the office’s archives this project was assigned the number 50/80. The office assigned the date 1988 to this project. An architectural competition was held for the construction of a cultural center and museum for the Ministry of Defense. Seven architects were invited for the first phase of the competition. Four architects, including Fancisco Javier Sainz de Oiza, Lluis Clotet Ballus, Juan Navarro Baldeweg, and Álvaro Siza were selected for the second and final phase. The L-shaped building proposed by Siza included a museum, library, archives, research center, auditoriums, restaurants and bookstores. Siza won the competition but the building was not realized. Documenting this project are sketches, presentation drawings and photographs of model. Textual materials include project documentation, correspondence and articles on the competition.
Personnes et institutions:
Date:
1988-1990
1988-1990
Titre:
Centro Cultural de la Defensa - 1º Fase - 2º Fase [La Defensa Cultural Centre, first and second phases], Madrid, Spain (1988)
Actions:
AP178.S1.1988.PR01
Description:
This project series documents the Centro Cultural de la Defensa in Madrid, Spain. While the records were held in the office’s archives this project was assigned the number 50/80. The office assigned the date 1988 to this project. An architectural competition was held for the construction of a cultural center and museum for the Ministry of Defense. Seven architects were invited for the first phase of the competition. Four architects, including Fancisco Javier Sainz de Oiza, Lluis Clotet Ballus, Juan Navarro Baldeweg, and Álvaro Siza were selected for the second and final phase. The L-shaped building proposed by Siza included a museum, library, archives, research center, auditoriums, restaurants and bookstores. Siza won the competition but the building was not realized. Documenting this project are sketches, presentation drawings and photographs of model. Textual materials include project documentation, correspondence and articles on the competition.
Centro Cultural de la Defensa - 1º Fase - 2º Fase [La Defensa Cultural Centre, first and second phases], Madrid, Spain (1988)
Actions:
AP178.S1.1988.PR01
Description:
This project series documents the Centro Cultural de la Defensa in Madrid, Spain. While the records were held in the office’s archives this project was assigned the number 50/80. The office assigned the date 1988 to this project. An architectural competition was held for the construction of a cultural center and museum for the Ministry of Defense. Seven architects were invited for the first phase of the competition. Four architects, including Fancisco Javier Sainz de Oiza, Lluis Clotet Ballus, Juan Navarro Baldeweg, and Álvaro Siza were selected for the second and final phase. The L-shaped building proposed by Siza included a museum, library, archives, research center, auditoriums, restaurants and bookstores. Siza won the competition but the building was not realized. Documenting this project are sketches, presentation drawings and photographs of model. Textual materials include project documentation, correspondence and articles on the competition.
Niveau de description archivistique:
Project
Project
Date:
1988-1990
1988-1990
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Personnes et institutions:
Date:
1986-1992
1986-1992
Titre:
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Art Gallery of Ontario, Phase 3, Toronto (1988-1993)
Actions:
AP056.S1.1988.PR09
Description:
This project series documents renovations and additions to the Art Gallery of Ontario in Toronto from 1988-1993. The office identified the project number as 18703. This project, known as Phase 3, built upon two other major expansion projects to the art gallery, Phase I and Phase II, that were completed by the architecture firm Parkin Architects Planners in the 1970s. Phase 3 was the winning entry for a limited competition won by KPMB, with Thomas Payne as partner-in-charge, in joint venture with the firm of Barton Myers Inc. This project consisted of 100,000 square feet of additions to the building including a prints and drawings study centre, a reference library and administrative offices in the southwest corner and new vaulted galleries, a tower and pyramidal arrival hall along Dundas Street. The Dundas Street elevation was transformed by these additions and brick facades were added. A new double height sculpture atrium, connected to the Victorian Grange mansion, was also added. This project also included 190,000 square feet of renovations to the existing building including changes to galleries, circulation, vaults, staff areas, the restaurant, bookstore and volunteer shop. The goal of these changes was to create a more coherent design between old and new parts of the building and to reinforce the role of art galleries in contemporary life by increasing the scale of the building and creating new spaces for interaction and participation. This project won the Canadian Architect Award of Excellence in 1988. The project is recorded through drawings, photographic materials and accompanying notes dating from 1986-1992. The drawings include site plans and surveys, sketches, plans, elevations, sections, perspectives, details, studies, axonometric drawings, furnishing and structural drawings and some presentation drawings.
Niveau de description archivistique:
Project
Project
Date:
1986-1992
1986-1992
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Personnes et institutions:
Date:
1998-2006
1998-2006
Titre:
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
C. Cultural e Audit. para a Fundação Iberê Camargo [Iberê Camargo Foundation Museum], Porto Alegre, Brazil (1998)
Actions:
AP178.S1.1998.PR07
Description:
This project series documents the C. Cultural e Audit. para a Fundação Ibere Camargo in Porto Alegre, Brazil. While the records were held in the office’s archives this project was assigned the number 102/90. The office assigned the date 1998 to this project. At the end of the nineties, an architectural competition was held for the construction of a new building for the Iberê Camargo Foundation. The foundation holds the archives and work of the Brazilian painter Ibere Carmargo, as well as hosts temporary exhibitions and seminars. The project site is located near the Guaíba River, between a cliff and the Avenida Padre Cacique. Collaborators on the project were Barbara Rangel, Pedro Polonia, Michele Gigante, Francesca Montalto, Atsushi Ueno, Rita Amaral, José Luiz Cana, and Camargo Correa. The three-stories building is 88,000 square feet and includes nine galleries, storage spaces, offices, a bookstore, an auditorium, and a video library. Each of the galleries is independent but linked via a system of ramps. One of the unique qualities of the building are the ramps that come out of its concrete façade. Due to the limited space, the parking was built below the Avenida Padre Cacique. The building respects the concept of sustainable development, with a sewage treatment station that redistributes the water to the surrounding vegetation. The museum was Siza's first built project in Brazil and it was inaugurated in 2008. Siza received the Golden Lion award at the Venice Architecture Biennale in 2003 for this project. Documenting this project are sketches, studies, preliminary drawings, working drawings, technical drawings, and electrical drawings. Textual material includes project documentation, correspondence, and documentation regarding exhibitions about the building. Photographic material documents the models, project site, and built project.
Niveau de description archivistique:
Project
Project
Date:
1998-2006
1998-2006
Personnes et institutions:
