213 Résultats
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livres
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$42.95
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums(...)
$42.95
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums(...)
Titre:
Voluntary detours: small town and rural museums
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums very differently. Case studies include the World Famous Gopher Hole Museum, Fort Chipewyan Bicentennial Museum, Blackfoot Crossing Historical Park, and the Museum of Fear and Wonder. A key chapter analyzing sites devoted to resource extraction explores how these places promote settler colonial understandings of land use. By contrast, Indigenous museums and cultural centres defy colonial messages in displays that adapt and refuse conventional museum formats. Honouring local, rural, and Indigenous knowledge, 'Voluntary Detours' enriches critical accounts of the past, present, and future of museums.
Voluntary detours: small town and rural museums
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After visiting hundreds of museums across Alberta, Lianne McTavish chronicles some of the most challenging and unexpected sites where the idea of the museum is being reshaped. Addressing themes of place, land, colonization, rurality, heritage, childhood, and play, McTavish reveals the museum visitor as multifaceted, with locals and tourists often interpreting museums very differently. Case studies include the World Famous Gopher Hole Museum, Fort Chipewyan Bicentennial Museum, Blackfoot Crossing Historical Park, and the Museum of Fear and Wonder. A key chapter analyzing sites devoted to resource extraction explores how these places promote settler colonial understandings of land use. By contrast, Indigenous museums and cultural centres defy colonial messages in displays that adapt and refuse conventional museum formats. Honouring local, rural, and Indigenous knowledge, 'Voluntary Detours' enriches critical accounts of the past, present, and future of museums.
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livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Muséologie
Muséologie
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xiii, 191 pages : illustrations (some color) ; 28 cm.
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xiii, 191 pages : illustrations (some color) ; 28 cm.
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Honolulu : University of Hawaiʻi Press, [2013]
Honolulu : University of Hawaiʻi Press, [2013]
Titre:
Architecture and urbanism in modern Korea / Inha Jung.
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Description:
xiii, 191 pages : illustrations (some color) ; 28 cm.
Architecture and urbanism in modern Korea / Inha Jung.
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Description:
xiii, 191 pages : illustrations (some color) ; 28 cm.
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livres
livres
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Honolulu : University of Hawaiʻi Press, [2013]
Honolulu : University of Hawaiʻi Press, [2013]
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livres
livres
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Description:
xvi, 406 pages : illustrations (some color) ; 29 cm.
Description:
xvi, 406 pages : illustrations (some color) ; 29 cm.
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Austin : University of Texas Press, [2014]
Austin : University of Texas Press, [2014]
Titre:
Modern architecture in Latin America : art, technology, and utopia / Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur.
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xvi, 406 pages : illustrations (some color) ; 29 cm.
Modern architecture in Latin America : art, technology, and utopia / Luis E. Carranza and Fernando Luiz Lara ; foreword by Jorge Francisco Liernur.
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Description:
xvi, 406 pages : illustrations (some color) ; 29 cm.
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livres
livres
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Austin : University of Texas Press, [2014]
Austin : University of Texas Press, [2014]
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livres
livres
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Slow Scrape
Slow Scrape
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$20.00
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and(...)
$20.00
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and(...)
Titre:
Slow Scrape
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$20.00
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. ''Slow scrape'' can be read alongside Lukin Linklater’s practice as a visual artist and choreographer. ''Slow scrape'' includes an introduction by Layli Long Soldier, as well as a dialogue between Lukin Linklater and editor Michael Nardone.
Slow Scrape
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$20.00
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''Slow scrape'' is, in the words of Layli Long Soldier, ''an expansive and undulating meditation on time, relations, origin and colonization.'' Lukin Linklater draws upon documentary poetics, concrete-based installations, event scores, and other texts composed in relation to performances written between 2011 and 2018. The book cites memory, Cree and Alutiiq languages, and embodiment as modes of relational being and knowledge. The book unfolds a poetics of relation and action to counter the settler colonial violences of erasure, extraction, and dispossession. ''Slow scrape'' can be read alongside Lukin Linklater’s practice as a visual artist and choreographer. ''Slow scrape'' includes an introduction by Layli Long Soldier, as well as a dialogue between Lukin Linklater and editor Michael Nardone.
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livres
livres
Publication:
janvier 2020
janvier 2020
Classification:
livres
livres
Prix:
$37.95
(disponible en magasin)
Résumé:
In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures(...)
$37.95
(disponible en magasin)
Résumé:
In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures(...)
Titre:
The elsewhere is black: ecological violence and improvised life
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$37.95
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In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures concentrate environmental risk in an elsewhere that is routinely Black. Solomon emphasizes that ecological violence is a form of racialized heteropatriarchal environmental control that upholds whiteness as a propertied way of life and criminalizes Black survival. As she points to acute sites of toxicity, Solomon theorizes the relationship between the devaluation of land and Black and more-than-human life to reveal how the risks of poisoning, police violence, dispossession, and poverty hold Black life captive.
The elsewhere is black: ecological violence and improvised life
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$37.95
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Résumé:
In "The elsewhere is black," Marisa Solomon examines how waste is a mundane part of poor Black survival and a condition of settler colonial racial capitalism. Tracing the flow of trash and waste across Black spaces, from Brooklyn's historically Black Bedford-Stuyvesant to the post-plantation towns of Virginia's Tidewater, Solomon contends that waste infrastructures concentrate environmental risk in an elsewhere that is routinely Black. Solomon emphasizes that ecological violence is a form of racialized heteropatriarchal environmental control that upholds whiteness as a propertied way of life and criminalizes Black survival. As she points to acute sites of toxicity, Solomon theorizes the relationship between the devaluation of land and Black and more-than-human life to reveal how the risks of poisoning, police violence, dispossession, and poverty hold Black life captive.
Classification:
livres
livres
Publication:
septembre 2025
septembre 2025
Sujet:
Social
Social
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livres
livres
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Description:
416 pages : illustrations, maps ; 26 cm
Description:
416 pages : illustrations, maps ; 26 cm
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Cambridge, MA : Da Capo Press, ©2007.
Cambridge, MA : Da Capo Press, ©2007.
Titre:
Fortress America : the forts that defended America, 1600 to the present / J.E. Kaufmann and H.W. Kaufmann ; illustrated by Tomasz Idzikowski.
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416 pages : illustrations, maps ; 26 cm
Fortress America : the forts that defended America, 1600 to the present / J.E. Kaufmann and H.W. Kaufmann ; illustrated by Tomasz Idzikowski.
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416 pages : illustrations, maps ; 26 cm
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livres
livres
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Cambridge, MA : Da Capo Press, ©2007.
Cambridge, MA : Da Capo Press, ©2007.
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$44.00
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement,(...)
$44.00
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement,(...)
Titre:
Architecture of migration: The Dadaab Refugee Camps and Humanitarian Settlement
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$44.00
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Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border-at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partitions, sedentarizations, domesticities, and migrations.
Architecture of migration: The Dadaab Refugee Camps and Humanitarian Settlement
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$44.00
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Résumé:
Environments associated with migration are often seen as provisional, lacking history or architecture. As Anooradha Iyer Siddiqi demonstrates in "Architecture of migration," a refugee camp's aesthetic and material landscapes-even if born out of emergency-reveal histories, futures, politics, and rhetorics. She identifies forces of colonial and humanitarian settlement, tracing spatial and racial politics in the Dadaab refugee camps established in 1991 on the Kenya-Somalia border-at once a dense setting that manifests decades of architectural, planning, and design initiatives and a much older constructed environment that reflects its own ways of knowing. She moves beyond ahistorical representations of camps and their inhabitants by constructing a material and visual archive of Dadaab, finding long migratory traditions in the architecture, spatial practices, landscapes, and iconography of refugees and humanitarians. Countering conceptualizations of refugee camps as sites of border transgression, criminality, and placelessness, Siddiqi instead theorizes them as complex settlements, ecologies, and material archives created through histories of partitions, sedentarizations, domesticities, and migrations.
Classification:
livres
livres
Publication:
janvier 2024
janvier 2024
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
livres
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$40.00
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in(...)
$40.00
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Résumé:
''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in(...)
Publication:
septembre 2023
septembre 2023
Titre:
Humane ecology: Eight positions
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$40.00
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in sculpture, video, sound installation, and plantings—think in the relational terms implied by ecology, the study of how organisms relate to one another and their environment. They explore themes such as the extraction and exploitation of both places and people, kinships with the more-than-human world, and ancient traditions of relation to the land that take on new urgency and form. Against posthumanist tendencies to “decenter” the human, these artists center different humans, ones routinely excluded from dominant discourses of environmentalism. The publication presents entries on each artist in addition to scholarly essays on the exhibition concept, genealogies of land art, and settler colonial histories of the Berkshires.
Humane ecology: Eight positions
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''Humane ecology: Eight positions'' features a group of contemporary artists who consider the intertwined natural and social dimensions of environmental questions: Eddie Rodolfo Aparicio, Korakrit Arunanondchai, Carolina Caycedo, Allison Janae Hamilton, Juan Antonio Olivares, Christine Howard Sandoval, Pallavi Sen, and Kandis Williams. These artists—through their work in sculpture, video, sound installation, and plantings—think in the relational terms implied by ecology, the study of how organisms relate to one another and their environment. They explore themes such as the extraction and exploitation of both places and people, kinships with the more-than-human world, and ancient traditions of relation to the land that take on new urgency and form. Against posthumanist tendencies to “decenter” the human, these artists center different humans, ones routinely excluded from dominant discourses of environmentalism. The publication presents entries on each artist in addition to scholarly essays on the exhibition concept, genealogies of land art, and settler colonial histories of the Berkshires.
Classification:
livres
livres
Publication:
septembre 2023
septembre 2023
Classification:
périodiques
périodiques
Titre:
Scapegoat 12/13: c\a\n\a\d\a
Scapegoat 12/13: c\a\n\a\d\a
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$30.00
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Résumé:
This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally(...)
$30.00
(disponible sur commande)
Résumé:
This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally(...)
Titre:
Scapegoat 12/13: c\a\n\a\d\a
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$30.00
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This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally invented and formed. This research sees property delineation as a fundamental grammatical logic of the production of the space of nation, state and capital. The editors and contributors to this volume approach the intersection of Indigenous and settler viewpoints, as well as the interdisciplinary perspectives of both spatial delineators and critical commentators, in order to understand the deep connections between Indigenous dispossession and urban pathologies of gentrification, homelessness, systemically biased planning and urban alienation. The issue also addresses this connection in order to rethink and redraw land relations as a foundation for undoing this alienation and creating spaces that cultivate a caring relation with land, kin and strangers.
Scapegoat 12/13: c\a\n\a\d\a
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$30.00
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Résumé:
This issue aims to connect two critical discourses about space that have so far been disassociated: architectural theories that point to the importance of real property as the fundamental unit of urban morphology and architectural typology, and Indigenous land claims which point to the violence of colonial land dispossession, through which this property was originally invented and formed. This research sees property delineation as a fundamental grammatical logic of the production of the space of nation, state and capital. The editors and contributors to this volume approach the intersection of Indigenous and settler viewpoints, as well as the interdisciplinary perspectives of both spatial delineators and critical commentators, in order to understand the deep connections between Indigenous dispossession and urban pathologies of gentrification, homelessness, systemically biased planning and urban alienation. The issue also addresses this connection in order to rethink and redraw land relations as a foundation for undoing this alienation and creating spaces that cultivate a caring relation with land, kin and strangers.
Classification:
périodiques
périodiques
Publication:
mai 2022
mai 2022
Sujet:
Revues
Revues
Classification:
livres
livres
Prix:
$35.00
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Résumé:
The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research(...)
$35.00
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Résumé:
The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research(...)
Titre:
Unsettling educational modernism: Simon Fraser University
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$35.00
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The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research group, "Guests and Hosts", formed by Bitter & Weber and Métis scholar June Scudeler including Métis scholar and student Treena Chambers, Kanien’kehá:ka Mohawk student Toni-Leah Yake, as well as Rachel Warwick and Hannah Campbell, has challenged the narrative of the radical campus, so called because it was informed by experimental concepts of learning and teaching. Using the spaces of a settler colonial institution, the project shifts perspectives by unsettling and challenging western- based concepts of pedagogy and knowledge. Combining archival photographic material, architectural photographs by the artists, and interventions into the institutional spaces by Guests and Hosts, the project performs the claim for places rather than spaces for Indigenous ways of knowing and learning.
Unsettling educational modernism: Simon Fraser University
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$35.00
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Résumé:
The iconic architecture of the brutalist modernist megastructure of Simon Fraser University in Vancouver, Canada built by architect Arthur Erickson in the 1960s is the site of the artistic research project into the history of this "radical campus" and its built environment by Vancouver and Vienna based artists Sabine Bitter and Helmut Weber. The collaborative research group, "Guests and Hosts", formed by Bitter & Weber and Métis scholar June Scudeler including Métis scholar and student Treena Chambers, Kanien’kehá:ka Mohawk student Toni-Leah Yake, as well as Rachel Warwick and Hannah Campbell, has challenged the narrative of the radical campus, so called because it was informed by experimental concepts of learning and teaching. Using the spaces of a settler colonial institution, the project shifts perspectives by unsettling and challenging western- based concepts of pedagogy and knowledge. Combining archival photographic material, architectural photographs by the artists, and interventions into the institutional spaces by Guests and Hosts, the project performs the claim for places rather than spaces for Indigenous ways of knowing and learning.
Classification:
livres
livres
Publication:
octobre 2021
octobre 2021
Sujet:
Architectes canadiens
Architectes canadiens
