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From Keith Haring to Extinction Rebellion, the civil rights movement to Black Lives Matter, what does a revolution look like? Discover the power of words and images in this thought-provoking look at protest art by acclaimed artivist De Nichols. From the psychedelic typography used in “Make Love Not War” posters of the ’60s to the solitary raised fist, some of the most(...)
Art of protest: creating, discovering, and activating art for your revolution
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From Keith Haring to Extinction Rebellion, the civil rights movement to Black Lives Matter, what does a revolution look like? Discover the power of words and images in this thought-provoking look at protest art by acclaimed artivist De Nichols. From the psychedelic typography used in “Make Love Not War” posters of the ’60s to the solitary raised fist, some of the most memorable and striking protest artwork from across the world and throughout history deserves a long, hard look. Readers can explore each piece of art to understand how color, symbolism, technique, and typography play an important role in communication. Guided by activist, lecturer, and speaker De Nichols’s powerful narrative and stunningly illustrated by a collaboration of young artists, this volume also has plenty of tips and ideas for creating your own revolutionary designs.
Illustration
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The work of landscape architecture firm Lucas & Lucas extends the architecture of the house into the garden through carefully selected elements of design. Each of the ten projects in this volume includes a design narrative that addresses the interconnections between home and land, detailed captions, and a site plan. Readers will learn how to implement features such as(...)
Architectural gardens: inside the landscapes of Lucas & Lucas
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The work of landscape architecture firm Lucas & Lucas extends the architecture of the house into the garden through carefully selected elements of design. Each of the ten projects in this volume includes a design narrative that addresses the interconnections between home and land, detailed captions, and a site plan. Readers will learn how to implement features such as landscape windows, breeze-catching grasses, cascading concrete waterfalls, and trees with thoughtfully cast shadows to transform their landscape. The book includes a roundup of Mike Lucas's favorite plants—those best suited to different types of properties and for different purposes like drought tolerance or fast growth. The featured projects will appeal to garden designers, landscape architects, landscape contractors, architects, and home builders, as well as home gardeners looking for inspiration.
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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism.(...)
février 2022
Amazonia: Anthology as cosmology
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The anthology comprises two distinct narrative sections, temporal structures, and points of view: the River and the Forest. The river is a kind of timeline, a sentence, a thread (of water) winding its way through the book, exploring indigenous thought and histories, issues of memory, erasure, rights and cultural practice, as well as the notion of ancestors and activism. The space of the forest, meanwhile, is represented as one of oral testimony and conversation, of voices speaking inside the present, in a kind of circular time in which past and future both impress upon and constitute the current uncertain moment. These voices include recorded conversations with elders, shamans, artists, and thinkers, as well as poetry, oral testimony, and artistic works from Amazonia that use the forest as both ground and cover.
Earth architecture
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Rael's engaging narrative addresses the misconceptions associated with earth architecture. Many assume that it’s only used for housing in poor rural areas – but there are examples of airports, embassies, hospitals, museums, and factories that are made of earth. It’s also assumed that earth is a fragile, ephemeral material, while in reality some of the oldest extant(...)
Earth architecture
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Rael's engaging narrative addresses the misconceptions associated with earth architecture. Many assume that it’s only used for housing in poor rural areas – but there are examples of airports, embassies, hospitals, museums, and factories that are made of earth. It’s also assumed that earth is a fragile, ephemeral material, while in reality some of the oldest extant buildings on the planet are made of earth. Rael also touches on many topics that pervade both architecture and popular media today, such as the ecological benefits and the politics of building with earth, particularly in developing nations where earth buildings are often thought of as pre-modern or backward. With engaging discussion and more than 300 images, Earth Architecture showcases the beauty and simplicity of one of humankind’s most evolved and sophisticated building technologies.
Architecture écologique
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing,(...)
Code and clay, data and dirt: five thousand years of urban media
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore. Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
Théorie de l’urbanisme
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The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. "Shadow-Makers" tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of(...)
Shadow-makers: a cultural history of shadows in architecture
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The making of shadows is an act as old as architecture itself. From the gloom of the medieval hearth through to the masterworks of modernism, shadows have been an essential yet neglected presence in architectural history. "Shadow-Makers" tells for the first time the history of shadows in architecture. It weaves together a rich narrative – combining close readings of significant buildings both ancient and modern with architectural theory and art history – to reveal the key places and moments where shadows shaped architecture in distinctive and dynamic ways. It shows how shadows are used as an architectural instrument of form, composition, and visual effect, while also exploring the deeper cultural context – tracing differing conceptions of their meaning and symbolism, whether as places of refuge, devotion, terror, occult practice, sublime experience or as metaphors of the unconscious.
Théorie de l’architecture
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Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility,(...)
Théorie de l’architecture
décembre 2015
The incidents: freedom of use
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Anne Lacaton and Jean-Philippe Vassal are known for an architecture that privileges inhabitants freedom and pleasure through generous, open designs. The Paris-based architects opened their 2015 lecture at Harvard University with a manifesto: study and create an inventory of the existing situation; densify without compressing individual space; promote user mobility, access, choice; and most importantly, never demolish. Freedom of Use reflects on these core values to present a fluid narrative of Lacaton and Vassal s oeuvre, articulated through processes of accumulation, addition, and extension. The architects describe built and unbuilt work, from a house in Niger made of little more than branches; to the expansive Nantes School of Architecture; to a public square in Bordeaux where, after months of study, their design solution was: do nothing.
Théorie de l’architecture
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In the 1970s, from his base in Los Angeles, artist Robert Cumming (born 1943) made functional-looking but ultimately useless constructions, created primarily to be photographed with his 8x10 camera. Playing with props, proportions, unusual angles, light and mirrors, Cumming invited viewers to look in--and then to look again, second-guessing what they saw. The Difficulties(...)
Robert Cumming: the difficulties of nonsense
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In the 1970s, from his base in Los Angeles, artist Robert Cumming (born 1943) made functional-looking but ultimately useless constructions, created primarily to be photographed with his 8x10 camera. Playing with props, proportions, unusual angles, light and mirrors, Cumming invited viewers to look in--and then to look again, second-guessing what they saw. The Difficulties of Nonsense is the first comprehensive publication to survey Cumming’s significant series of conceptual black-and-white and color photographs from the 1970s, now a touchstone for contemporary artists, and focus on the artist’s fascination with illusion and trickery. With an essay by Sarah Bay Gachot and an interview by David Campany, this monograph pays homage to a time when Cumming, and many in the photographic community, worked to playfully push the boundaries of photography and narrative.
Monographies photo
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A guide to the physical construction of buildings from the 1840s to the present, "Historical Building Construction" uses narrative, drawings, and photographs to describe the development of masonry, wood, and steel construction, modern curtain walls and concrete slabs, and the use of cast iron and patented floor construction. It provides case histories to show how(...)
juin 1995, New York
Historical building construction : design, materials & technology
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A guide to the physical construction of buildings from the 1840s to the present, "Historical Building Construction" uses narrative, drawings, and photographs to describe the development of masonry, wood, and steel construction, modern curtain walls and concrete slabs, and the use of cast iron and patented floor construction. It provides case histories to show how this information is applied to actual projects, ranging from brownstones to skyscrapers. In order to show a consistent and well-documented set of examples evolving in chronological order, New York City is used as model, since many examples of obsolete forms are still available for examination. The general information given applies, with few exceptions, to buildings of the same types built all over the United States during the same period, and these are referenced as needed.
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juin 1995, New York
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The architecture of Umberto Riva (1928-2021) has, over the span 60 years, distinguished itself by its stimulating complexity. This monograph analyzes, for the first time in a chronologically extended form, his work in the field of interiors and exhibitions; fundamental areas of investigation for the Milanese architect. In domestic spaces in contact with nature, in city(...)
Umberto Riva: Interiors and exhibitions
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The architecture of Umberto Riva (1928-2021) has, over the span 60 years, distinguished itself by its stimulating complexity. This monograph analyzes, for the first time in a chronologically extended form, his work in the field of interiors and exhibitions; fundamental areas of investigation for the Milanese architect. In domestic spaces in contact with nature, in city apartments or in public places, the restless and radical character of Riva's work emerges, in which the search for form brings with it a more intimate reflection on living. In the field of displays, the architect instead stages a complex relationship between the works on display, the curatorial narrative and the museum space, proving to be one of the best heirs and a continuation of the Italian museological revolution of the twentieth century.
Architecture, monographies