Janelle Lynch : Barcelone
$55.00
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Scouring the fallow landscape around the Llobregat river and the Rubí stream near Barcelona with her 8 x 10 camera, Janelle Lynch (born 1969) searches for evidence and omens of nature's life cycles. Her photographs of anthropomorphized trees, walls of litter-strewn vegetation, rocks and disintegrating leaves, all taken during a four-year stay in Barcelona between 2007 and(...)
Janelle Lynch : Barcelone
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Scouring the fallow landscape around the Llobregat river and the Rubí stream near Barcelona with her 8 x 10 camera, Janelle Lynch (born 1969) searches for evidence and omens of nature's life cycles. Her photographs of anthropomorphized trees, walls of litter-strewn vegetation, rocks and disintegrating leaves, all taken during a four-year stay in Barcelona between 2007 and 2011, are informed by three figures whose texts are excerpted in this volume: Roland Barthes, particularly his discussion of mourning in Camera Lucida; Charles Burchfield, whose pantheistic painterly animations of landscape have much inspired Lynch; and Wendell Berry, whose essay on approaching nature with respect and humility helped to further hone her process.
Monographies photo
William Kentridge: No, it is
$65.00
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No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and(...)
William Kentridge: No, it is
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$65.00
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No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and calligraphic renderings of trees that verge on abstraction. As with the artist’s previous book works, all of the drawings are executed on the pages of antiquarian publications. Satisfyingly chunky at 560 pages, and limited to an edition of only 800 copies, No, It Is is the largest flipbook-style publication that Kentridge has yet undertaken.
Gleis/Track 17
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If you get off the train in Berlin at the Grunewald station, you’ll see a small sign pointing the way to Gleis 17 – Track 17. It’s the platform from which the Nazis deported more than 50,000 Jews between 1941-1945 – now, it has been made into a memorial. The track is planted with trees, and a walkway lists each date of deportation, the number of Jews, and the chilling(...)
décembre 2009
Gleis/Track 17
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If you get off the train in Berlin at the Grunewald station, you’ll see a small sign pointing the way to Gleis 17 – Track 17. It’s the platform from which the Nazis deported more than 50,000 Jews between 1941-1945 – now, it has been made into a memorial. The track is planted with trees, and a walkway lists each date of deportation, the number of Jews, and the chilling destination. In this thought provoking book, a group of German artists and thinkers use the Gleis 17 memorial to consider whether it is possible to maintain memory in a monument, with some surprising conclusions. Contributors include NY Columbia University Professor Jorge Otero-Pailos, Diana Schulle, Andrea Wandel, Wolfgang Lorch, Harald Welzer and others.
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In 1920, as its population began to explode, Los Angeles was a largely pastoral city of bungalows and palm trees. Thirty years later, choked with smog and traffic, the city had become synonymous with urban sprawl and unplanned growth. Yet Los Angeles was anything but unplanned, as Jeremiah B.C. Axelrod reveals in this compelling, visually oriented history of the(...)
Inventing autopia: dreams and visions of the modern metropolis in Jazz Age Los Angeles
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In 1920, as its population began to explode, Los Angeles was a largely pastoral city of bungalows and palm trees. Thirty years later, choked with smog and traffic, the city had become synonymous with urban sprawl and unplanned growth. Yet Los Angeles was anything but unplanned, as Jeremiah B.C. Axelrod reveals in this compelling, visually oriented history of the metropolis during its formative years. In a deft mix of cultural and intellectual history that brilliantly illuminates the profound relationship between imagination and place, Inventing Autopia shows how the clash of irreconcilable utopian visions and dreams resulted in the invention of an unforeseen new form of urbanism--sprawling, illegible, fractured--that would reshape not only Southern California but much of the nation in the years to come.
The art of building
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and(...)
The art of building
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‘'Simplicity of life is not a misery, but the very foundation of refinement?: a sanded floor and whitewashed walls, and the green trees?; or a grimy palace amid the smoke with a regiment of housemaids always working ; which, think you, is the most refined?’' William Morris (1834–1896) was a poet, designer and political activist. He campaigned against the human and environmental costs of industrial mass production and viewed the arts as central to creating a better society. In these essays, Morris develops his philosophy of simplicity, equality and care for nature in relation to architecture, displaying the integrated vision of culture which has led to Morris being viewed as a forerunner to both the Bauhaus and today’s environmental movements.
Théorie de l’architecture
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In ''Water of the Sky'', artist Miya Ando offers us a beautifully rich, bilingual visual dictionary for rain. Through a collection of 2,000 Japanese words, their English interpretations, and 100 drawings, Ando describes the breadth and diversity of rain’s many expressions: when it falls, how it falls, and how its observer might be transformed physically or emotionally by(...)
Water of the sky: A dictionary of 2000 Japanese rain words
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In ''Water of the Sky'', artist Miya Ando offers us a beautifully rich, bilingual visual dictionary for rain. Through a collection of 2,000 Japanese words, their English interpretations, and 100 drawings, Ando describes the breadth and diversity of rain’s many expressions: when it falls, how it falls, and how its observer might be transformed physically or emotionally by its presence. The words range from prosaic to esoteric, extending from the meteorological (mukaame, or “very fine rain that falls in spring”) to the mystical (bunryuu, or “rain that splits a dragon's body in half”) and from the minute (kisame, or “raindrops that fall off the leaves and branches of trees”) to the vast (takuu, or “blessed rain that quenches all things in the universe”).
Théorie de l’art
livres
$64.00
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International in scope, the book is an A to Z of ideas for the twenty-first century, from a pavilion in Argentina to a forest house in New Zealand, all designed to have minimal architectural traces--made with local materials that harmonize with the surrounding environment. An outdoor care retreat outside Oslo provides space where visitors can benefit from the therapeutic(...)
Into the woods: retreats and dream houses
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International in scope, the book is an A to Z of ideas for the twenty-first century, from a pavilion in Argentina to a forest house in New Zealand, all designed to have minimal architectural traces--made with local materials that harmonize with the surrounding environment. An outdoor care retreat outside Oslo provides space where visitors can benefit from the therapeutic qualities of nature; a residence in Tottori, Japan, adapts with the changing seasons; a treehouse in Cape Town uses cylindrical towers that are elevated on stilts, offering views among the trees; and in Quebec, three geodesic domes were designed as part of an eco-tourism project to highlight the area's natural beauty. Each house is paired with photographs and plans.
livres
mars 2020
Architecture résidentielle
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Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken (born 1948) is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends; clippings from advertisements and glamour magazines; male pinups; illustrations of fences and grates from animal enclosures; mostly bare trees, bushes and forests; columns,(...)
Isa Genzken: Mach dich hübsch!
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Created in Berlin around 15 years ago, this large-format collage book by Isa Genzken (born 1948) is both a personal diary and artistic manifesto. In it are portraits of the artist and her friends; clippings from advertisements and glamour magazines; male pinups; illustrations of fences and grates from animal enclosures; mostly bare trees, bushes and forests; columns, faces and strange details from the artist’s work and installations; postcards of historical paintings and handwritten notes. Genzken uses brown sticky tape and silver textured textile tape; black, blue, red and vibrant green neon papers give the book a dramatic structure, creating windows and doors with views in and out. The format of the pages gradually becomes larger throughout the course of the book, giving it an astounding physicality.
Kenro Izu: Fuzhou
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Madong Ma’s heroic efforts to save parts of his hometown from flooding included physically disassembling, transporting and rebuilding many of the structures, along with some 10,000 trees, to a resort hundreds of miles away that he was constructing for this very purpose. Kenro Izu undertook to photograph the remaining majestic houses and other traditional structures of the(...)
Kenro Izu: Fuzhou
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Madong Ma’s heroic efforts to save parts of his hometown from flooding included physically disassembling, transporting and rebuilding many of the structures, along with some 10,000 trees, to a resort hundreds of miles away that he was constructing for this very purpose. Kenro Izu undertook to photograph the remaining majestic houses and other traditional structures of the ancient village for posterity. Fuzhou had become symbolic place, giving trace reminders of the life of people before the dam was built. This publication serves as a reminder that many places on Earth could serve as bridges to our past; but often instead are simply been obliterated in the interest of land development. Abandoned villages, ruined houses, and the last remaining residents – these are the monuments of humankind.
Monographies photo
Birds of Maine
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Long after the demise of humankind, birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there(...)
Birds of Maine
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Long after the demise of humankind, birds roam freely around the Moon complete with fruitful trees, sophisticated fungal networks, and an enviable socialist order. The universal worm feeds all, there are no weekends, and economics is as fantastical a study as unicorn psychology. No concept of money or wealth plagues the thoughts of these free-minded birds. Instead, there are angsty teens who form bands to show off their best bird song and other youngsters who yearn to become clothing designers even though clothes are only necessary during war. (The truly honorable professions for most birds are historian or librarian.) These birds are free to crush on hot pelicans and live their best lives until a crash-landed human from Earth threatens to change everything.
Illustration