2116 Résultats
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livres
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Vittoro Gregotti
Vittoro Gregotti
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Formé à l’école polytechnique de Milan et jeune architecte au début des années 1950, Vittorio Gregottidébute sa carrière à l’ombre de Rogers, de Quaroni et de Ridolfi, qui ouvrent de nouvelles voies à l’époque de la reconstruction d’après-guerre. Comme beaucoup de sa génération, il hésite entre le langage commun et normatif du courant international et les approches(...)
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Formé à l’école polytechnique de Milan et jeune architecte au début des années 1950, Vittorio Gregottidébute sa carrière à l’ombre de Rogers, de Quaroni et de Ridolfi, qui ouvrent de nouvelles voies à l’époque de la reconstruction d’après-guerre. Comme beaucoup de sa génération, il hésite entre le langage commun et normatif du courant international et les approches(...)
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Vittoro Gregotti
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Formé à l’école polytechnique de Milan et jeune architecte au début des années 1950, Vittorio Gregottidébute sa carrière à l’ombre de Rogers, de Quaroni et de Ridolfi, qui ouvrent de nouvelles voies à l’époque de la reconstruction d’après-guerre. Comme beaucoup de sa génération, il hésite entre le langage commun et normatif du courant international et les approches diversifiées qu’inspire le contexte local. Prenant ses distances avec les théories et les modèles dominants hérités du mouvement moderne, et renonçant à reproduire invariablement un standard architectural, il préfère ouvrir ses réalisations à des éléments de cultures régionales et nationales et rattacher chacun de ses projets à l’histoire et à la géographie de leur propre site. Fidèle à ce courant historiciste, il se fait théoricien de l’urbanisme, notamment à travers son magistral Territoire de l’architecture (L’Equerre, 1982).
Vittoro Gregotti
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Formé à l’école polytechnique de Milan et jeune architecte au début des années 1950, Vittorio Gregottidébute sa carrière à l’ombre de Rogers, de Quaroni et de Ridolfi, qui ouvrent de nouvelles voies à l’époque de la reconstruction d’après-guerre. Comme beaucoup de sa génération, il hésite entre le langage commun et normatif du courant international et les approches diversifiées qu’inspire le contexte local. Prenant ses distances avec les théories et les modèles dominants hérités du mouvement moderne, et renonçant à reproduire invariablement un standard architectural, il préfère ouvrir ses réalisations à des éléments de cultures régionales et nationales et rattacher chacun de ses projets à l’histoire et à la géographie de leur propre site. Fidèle à ce courant historiciste, il se fait théoricien de l’urbanisme, notamment à travers son magistral Territoire de l’architecture (L’Equerre, 1982).
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livres
livres
Publication:
avril 2009
avril 2009
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. Over the next three decades, Evans engaged in an unprecedented reconstruction project, creating a complex of concrete buildings on(...)
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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. Over the next three decades, Evans engaged in an unprecedented reconstruction project, creating a complex of concrete buildings on(...)
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Knossos & the prophets of modernism
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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. Over the next three decades, Evans engaged in an unprecedented reconstruction project, creating a complex of concrete buildings on the site that owed at least as much to modernist architecture as they did to Bronze Age remains. In the process, he fired the imaginations of a whole generation of intellectuals and artists, whose work would drive movements as disparate as fascism and pacifism, feminism and psychoanalysis. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture.
Knossos & the prophets of modernism
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In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. Over the next three decades, Evans engaged in an unprecedented reconstruction project, creating a complex of concrete buildings on the site that owed at least as much to modernist architecture as they did to Bronze Age remains. In the process, he fired the imaginations of a whole generation of intellectuals and artists, whose work would drive movements as disparate as fascism and pacifism, feminism and psychoanalysis. With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture.
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livres
livres
Publication:
mai 2009
mai 2009
Sujet:
Théorie de l’architecture
Théorie de l’architecture
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livres
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its(...)
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its(...)
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An accidental masterpiece : Mies Van Der Rohe's Barcelona-Pavillion
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement- up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986.
An accidental masterpiece : Mies Van Der Rohe's Barcelona-Pavillion
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With the temporary exhibition pavilion of the German Reich at the 1929 International Exposition in Barcelona, Mies van der Rohe designed an architectural icon, but also a controversial monument of the way the Weimar Republic portrayed itself. The building is one of the most unusual success stories in the history of architecture: Despite its short existence, its reputation grew steadily in the following decades, thanks in part to magnificent photographs. It was soon considered the constructed manifesto of the Modern Age, and its spatial and "ideational" ambitions were called "a milestone of Modern architecture." This comprehensively, broadly researched book portrays the building’s complex history and its political entanglement- up to and including its reconstruction according to van der Rohe’s plans at the original site between 1983 and 1986.
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livres
livres
Publication:
novembre 2020
novembre 2020
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Architecture, monographies
Architecture, monographies
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livres
livres
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« (Re)contruire la ville sur mesure » : par sa formulation duale, le titre de ce livre recouvre les champs de la construction et de la reconstruction. Publié à l'occasion d'In-Situ 2016, quatrième biennale d'architecture et d'urbanisme de Caen, cet ouvrage réunit des contributions d'horizons variés et s'inscrit dans une continuité avec « Habiter. Imaginons l'évidence »,(...)
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« (Re)contruire la ville sur mesure » : par sa formulation duale, le titre de ce livre recouvre les champs de la construction et de la reconstruction. Publié à l'occasion d'In-Situ 2016, quatrième biennale d'architecture et d'urbanisme de Caen, cet ouvrage réunit des contributions d'horizons variés et s'inscrit dans une continuité avec « Habiter. Imaginons l'évidence »,(...)
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(Re)construire la ville sur mesure
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« (Re)contruire la ville sur mesure » : par sa formulation duale, le titre de ce livre recouvre les champs de la construction et de la reconstruction. Publié à l'occasion d'In-Situ 2016, quatrième biennale d'architecture et d'urbanisme de Caen, cet ouvrage réunit des contributions d'horizons variés et s'inscrit dans une continuité avec « Habiter. Imaginons l'évidence », paru en 2013 chez le même éditeur. Dans un premier temps, ce livre explore les réinventions de la ville, tandis que l'architecte et urbaniste Christian de Portzamparc s'interroge sur le fait d'être moderne aujourd'hui en se positionnant dans le futur. S'ensuivent des contributions qui ont trait à l'esprit des lieux, les aménités urbaines, les villes reconstruites et les mesures de l'Homme. L'ensemble ouvre des perspectives nouvelles pour faire de la ville un luxe à la mesure de tous.
(Re)construire la ville sur mesure
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« (Re)contruire la ville sur mesure » : par sa formulation duale, le titre de ce livre recouvre les champs de la construction et de la reconstruction. Publié à l'occasion d'In-Situ 2016, quatrième biennale d'architecture et d'urbanisme de Caen, cet ouvrage réunit des contributions d'horizons variés et s'inscrit dans une continuité avec « Habiter. Imaginons l'évidence », paru en 2013 chez le même éditeur. Dans un premier temps, ce livre explore les réinventions de la ville, tandis que l'architecte et urbaniste Christian de Portzamparc s'interroge sur le fait d'être moderne aujourd'hui en se positionnant dans le futur. S'ensuivent des contributions qui ont trait à l'esprit des lieux, les aménités urbaines, les villes reconstruites et les mesures de l'Homme. L'ensemble ouvre des perspectives nouvelles pour faire de la ville un luxe à la mesure de tous.
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Architecture contemporaine
Architecture contemporaine
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livres
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Situated on the shore of the Lake Zurich, Le Corbusier's exhibition pavilion is his last realised design. Based on his Modulor proportional system and at the scale of a single-family home, it demonstrates the potential of prefabricated elements to form a perfect space for art and design. Commissioned in 1960 by Heidi Weber, Zurich-based gallery owner and patron of Le(...)
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Situated on the shore of the Lake Zurich, Le Corbusier's exhibition pavilion is his last realised design. Based on his Modulor proportional system and at the scale of a single-family home, it demonstrates the potential of prefabricated elements to form a perfect space for art and design. Commissioned in 1960 by Heidi Weber, Zurich-based gallery owner and patron of Le(...)
Titre:
Pavillon Le Corbusier Zürich: restoration of an architectural jewel
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Situated on the shore of the Lake Zurich, Le Corbusier's exhibition pavilion is his last realised design. Based on his Modulor proportional system and at the scale of a single-family home, it demonstrates the potential of prefabricated elements to form a perfect space for art and design. Commissioned in 1960 by Heidi Weber, Zurich-based gallery owner and patron of Le Corbusier the visual artist, this structure in steel and glass represents pivotal aspects of his architectural philosophy and also points to the future. Architects Silvio Schmed and Arthur Ruegg have carefully restored the Pavillon Le Corbusier to its original state, including the reconstruction of missing pieces of furniture and luminaires. This book documents their research and the restored building, featuring previously unpublished historic photographs and documents alongside newly commissioned images by Georg Aerni.
Pavillon Le Corbusier Zürich: restoration of an architectural jewel
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Situated on the shore of the Lake Zurich, Le Corbusier's exhibition pavilion is his last realised design. Based on his Modulor proportional system and at the scale of a single-family home, it demonstrates the potential of prefabricated elements to form a perfect space for art and design. Commissioned in 1960 by Heidi Weber, Zurich-based gallery owner and patron of Le Corbusier the visual artist, this structure in steel and glass represents pivotal aspects of his architectural philosophy and also points to the future. Architects Silvio Schmed and Arthur Ruegg have carefully restored the Pavillon Le Corbusier to its original state, including the reconstruction of missing pieces of furniture and luminaires. This book documents their research and the restored building, featuring previously unpublished historic photographs and documents alongside newly commissioned images by Georg Aerni.
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livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Architecture, monographies
Architecture, monographies
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livres
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Architect Hugh Maaskant (1907-1977) played a major role in modern Dutch architecture. He designed revolutionary, complex, large-scale buildings with metropolitan allure, like the Groothandelsgebouw and the Euromast in Rotterdam and the Scheveningen Pier. In Maaskant: Architect of Progress architecture historian and Maaskant expert Michelle Provoost places Maaskant in an(...)
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Architect Hugh Maaskant (1907-1977) played a major role in modern Dutch architecture. He designed revolutionary, complex, large-scale buildings with metropolitan allure, like the Groothandelsgebouw and the Euromast in Rotterdam and the Scheveningen Pier. In Maaskant: Architect of Progress architecture historian and Maaskant expert Michelle Provoost places Maaskant in an(...)
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Hugh Maaskant: architect of progress
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Architect Hugh Maaskant (1907-1977) played a major role in modern Dutch architecture. He designed revolutionary, complex, large-scale buildings with metropolitan allure, like the Groothandelsgebouw and the Euromast in Rotterdam and the Scheveningen Pier. In Maaskant: Architect of Progress architecture historian and Maaskant expert Michelle Provoost places Maaskant in an international and historical perspective. Hugh Maaskant is considered the godfather and forerunner of the generation of Winy Maas (MVRDV), Adriaan Geuze (West 8), Willem Jan Neutelings and Rem Koolhaas. Yet he was underappreciated for many years. Provoost describes Maaskant’s work as part of the optimistic, stimulating aspect of post-war reconstruction and the exciting world of the 1960s. She also places him in the context of Dutch architecture, both of his time and of later generations, particularly the ‘Super Dutch’.
Hugh Maaskant: architect of progress
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Architect Hugh Maaskant (1907-1977) played a major role in modern Dutch architecture. He designed revolutionary, complex, large-scale buildings with metropolitan allure, like the Groothandelsgebouw and the Euromast in Rotterdam and the Scheveningen Pier. In Maaskant: Architect of Progress architecture historian and Maaskant expert Michelle Provoost places Maaskant in an international and historical perspective. Hugh Maaskant is considered the godfather and forerunner of the generation of Winy Maas (MVRDV), Adriaan Geuze (West 8), Willem Jan Neutelings and Rem Koolhaas. Yet he was underappreciated for many years. Provoost describes Maaskant’s work as part of the optimistic, stimulating aspect of post-war reconstruction and the exciting world of the 1960s. She also places him in the context of Dutch architecture, both of his time and of later generations, particularly the ‘Super Dutch’.
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livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$41.95
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A l'occasion du bicentenaire de la naissance du duc d'Aumale, le catalogue de l'exposition présente sa collection de photographies et donne notamment à voir le château de Chantilly, dont il a hérité en 1830. Sans héritier direct depuis la mort de son dernier fils en 1872, le duc commande à Claudius Couton une couverture photographique de Chantilly, puis fait reconstruire(...)
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A l'occasion du bicentenaire de la naissance du duc d'Aumale, le catalogue de l'exposition présente sa collection de photographies et donne notamment à voir le château de Chantilly, dont il a hérité en 1830. Sans héritier direct depuis la mort de son dernier fils en 1872, le duc commande à Claudius Couton une couverture photographique de Chantilly, puis fait reconstruire(...)
Titre:
Le Duc d'Aumale et Chantilly : Photographies du XIXe siècle
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A l'occasion du bicentenaire de la naissance du duc d'Aumale, le catalogue de l'exposition présente sa collection de photographies et donne notamment à voir le château de Chantilly, dont il a hérité en 1830. Sans héritier direct depuis la mort de son dernier fils en 1872, le duc commande à Claudius Couton une couverture photographique de Chantilly, puis fait reconstruire à partir de 1875 par l'architecte Honoré Daumet le Grand Château mutilé depuis la Révolution. Après la reconstruction, il confie en 1885 à Alphonse Chalot, un enfant de Chantilly, les prises de vues du château, témoignage irremplaçable sur la genèse de son accrochage. Ayant installé ses collections dans le château, il lègue le musée Condé à l'Institut de France en 1884, avec interdiction de prêter ses collections et de modifier sa présentation.
Le Duc d'Aumale et Chantilly : Photographies du XIXe siècle
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A l'occasion du bicentenaire de la naissance du duc d'Aumale, le catalogue de l'exposition présente sa collection de photographies et donne notamment à voir le château de Chantilly, dont il a hérité en 1830. Sans héritier direct depuis la mort de son dernier fils en 1872, le duc commande à Claudius Couton une couverture photographique de Chantilly, puis fait reconstruire à partir de 1875 par l'architecte Honoré Daumet le Grand Château mutilé depuis la Révolution. Après la reconstruction, il confie en 1885 à Alphonse Chalot, un enfant de Chantilly, les prises de vues du château, témoignage irremplaçable sur la genèse de son accrochage. Ayant installé ses collections dans le château, il lègue le musée Condé à l'Institut de France en 1884, avec interdiction de prêter ses collections et de modifier sa présentation.
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livres
livres
Publication:
janvier 2023
janvier 2023
Sujet:
Photographie par région
Photographie par région
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livres
livres
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$75.00
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Finding your way around Sami building culture and architecture can be a challenge, as the material is scattered and sometimes inaccessible. This book is intended as both an introduction and a guide to deepening one's knowledge of the subject - in North Sami, Norwegian and English. In October 2021, the National Museum opened an exhibition of architect and artist Joar(...)
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Finding your way around Sami building culture and architecture can be a challenge, as the material is scattered and sometimes inaccessible. This book is intended as both an introduction and a guide to deepening one's knowledge of the subject - in North Sami, Norwegian and English. In October 2021, the National Museum opened an exhibition of architect and artist Joar(...)
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Huksendaidda: Architecture in Sapmi
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Finding your way around Sami building culture and architecture can be a challenge, as the material is scattered and sometimes inaccessible. This book is intended as both an introduction and a guide to deepening one's knowledge of the subject - in North Sami, Norwegian and English. In October 2021, the National Museum opened an exhibition of architect and artist Joar Nango's nomadic architectural library Girjegumpi. During the opening weekend, the museum organized a seminar on Sami architecture, and the lectures from the seminar are the basis for the book. Here you can read more about Nango's work Girjegumpi, Sami building practices, the treatment of the Sami in the history of architecture in Norway, how reconstruction and Norwegianization went hand in hand, the phenomenon of kjempelávvu, and also get an overview of Sami architecture on the Norwegian side of Sápmi.
Huksendaidda: Architecture in Sapmi
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Finding your way around Sami building culture and architecture can be a challenge, as the material is scattered and sometimes inaccessible. This book is intended as both an introduction and a guide to deepening one's knowledge of the subject - in North Sami, Norwegian and English. In October 2021, the National Museum opened an exhibition of architect and artist Joar Nango's nomadic architectural library Girjegumpi. During the opening weekend, the museum organized a seminar on Sami architecture, and the lectures from the seminar are the basis for the book. Here you can read more about Nango's work Girjegumpi, Sami building practices, the treatment of the Sami in the history of architecture in Norway, how reconstruction and Norwegianization went hand in hand, the phenomenon of kjempelávvu, and also get an overview of Sami architecture on the Norwegian side of Sápmi.
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livres
livres
Publication:
janvier 2022
janvier 2022
Sujet:
Architecture autochtone
Architecture autochtone
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livres
livres
Titre:
Typography papers 6
Typography papers 6
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This issue focuses on the reconstruction and reinvention of the classical letter in Italy in the fifteenth and sixteenth centuries. It includes a previously unpublished article by the late Nicolete Gray. This reproduces, in 26 full-page illustrations, an unsigned and undated (late fifteenth century) manuscript of an alphabet of capital letters, presently in the Newberry(...)
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This issue focuses on the reconstruction and reinvention of the classical letter in Italy in the fifteenth and sixteenth centuries. It includes a previously unpublished article by the late Nicolete Gray. This reproduces, in 26 full-page illustrations, an unsigned and undated (late fifteenth century) manuscript of an alphabet of capital letters, presently in the Newberry(...)
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Typography papers 6
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This issue focuses on the reconstruction and reinvention of the classical letter in Italy in the fifteenth and sixteenth centuries. It includes a previously unpublished article by the late Nicolete Gray. This reproduces, in 26 full-page illustrations, an unsigned and undated (late fifteenth century) manuscript of an alphabet of capital letters, presently in the Newberry Library, Chicago, and provides the first analysis of this important document. Other articles here are the first English translation of the late Giovanni Mardersteig’s seminal essay of 1959 (‘L.B. Alberti e la rinascita del carattere lapidario romano nel quattrocento’), and James Mosley on Giovan Francesco Cresci’s formative influence on the form of Western handwriting, and hence on typefaces, and on the inscriptional capitals which appeared on new buildings in Rome between 1585 and 1590. Paul Stiff contributes a piece on ‘Designing public letters in fifteenth-century Florence’.
Typography papers 6
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This issue focuses on the reconstruction and reinvention of the classical letter in Italy in the fifteenth and sixteenth centuries. It includes a previously unpublished article by the late Nicolete Gray. This reproduces, in 26 full-page illustrations, an unsigned and undated (late fifteenth century) manuscript of an alphabet of capital letters, presently in the Newberry Library, Chicago, and provides the first analysis of this important document. Other articles here are the first English translation of the late Giovanni Mardersteig’s seminal essay of 1959 (‘L.B. Alberti e la rinascita del carattere lapidario romano nel quattrocento’), and James Mosley on Giovan Francesco Cresci’s formative influence on the form of Western handwriting, and hence on typefaces, and on the inscriptional capitals which appeared on new buildings in Rome between 1585 and 1590. Paul Stiff contributes a piece on ‘Designing public letters in fifteenth-century Florence’.
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livres
livres
Publication:
mai 2004, London
mai 2004, London
Classification:
livres
livres
Titre:
Seen from here : A photographic-literary encounter with buildings by Aebi & Vincent Architekten
Seen from here : A photographic-literary encounter with buildings by Aebi & Vincent Architekten
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For more than twenty-five years, Swiss architects Bernhard Aebi and Pascal Vincent have been running their practice with offices in Bern and Geneva. Housing is one of the firm’s main fields of activity, yet it has also won several high-profile public commissions, such as the restoration and reconstruction of Switzerland’s national parliament building in Bern, the(...)
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For more than twenty-five years, Swiss architects Bernhard Aebi and Pascal Vincent have been running their practice with offices in Bern and Geneva. Housing is one of the firm’s main fields of activity, yet it has also won several high-profile public commissions, such as the restoration and reconstruction of Switzerland’s national parliament building in Bern, the(...)
Publication:
février 2024
février 2024
Titre:
Seen from here : A photographic-literary encounter with buildings by Aebi & Vincent Architekten
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For more than twenty-five years, Swiss architects Bernhard Aebi and Pascal Vincent have been running their practice with offices in Bern and Geneva. Housing is one of the firm’s main fields of activity, yet it has also won several high-profile public commissions, such as the restoration and reconstruction of Switzerland’s national parliament building in Bern, the renovation of the Swiss National Bank’s Bern headquarters, and the south wing of Zurich’s main train station. The images by photographers Adrian Scheidegger and Alexander Jaquemet, both longtime companions of the architects, demonstrate how the spaces they created gradually and naturally integrate with their environment. Writer Gianna Molinari joined Scheidegger and Jaquemet on their expeditions to Aebi & Vincent’s buildings. Her literary snapshots supplement the images in this volume, stimulating our imagination of the inner life of these structures and their occupants.
Seen from here : A photographic-literary encounter with buildings by Aebi & Vincent Architekten
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Résumé:
For more than twenty-five years, Swiss architects Bernhard Aebi and Pascal Vincent have been running their practice with offices in Bern and Geneva. Housing is one of the firm’s main fields of activity, yet it has also won several high-profile public commissions, such as the restoration and reconstruction of Switzerland’s national parliament building in Bern, the renovation of the Swiss National Bank’s Bern headquarters, and the south wing of Zurich’s main train station. The images by photographers Adrian Scheidegger and Alexander Jaquemet, both longtime companions of the architects, demonstrate how the spaces they created gradually and naturally integrate with their environment. Writer Gianna Molinari joined Scheidegger and Jaquemet on their expeditions to Aebi & Vincent’s buildings. Her literary snapshots supplement the images in this volume, stimulating our imagination of the inner life of these structures and their occupants.
Classification:
livres
livres
Publication:
février 2024
février 2024
