33505 Résultats
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Personnes et institutions:
Date:
1998-2014
1998-2014
Titre:
Documents d’archives de Karl Chu pour le projet X Phylum
Actions:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Documents d’archives de Karl Chu pour le projet X Phylum
Actions:
AP176
Résumé:
Karl Chu X PHYLUM project records, 1998-2014 (predominant 1998-2002), documents the development and design process of Chu’s project X PHYLUM. The archive consists exclusively of original born-digital material.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1998-2014
1998-2014
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Personnes et institutions:
Date:
1965-1984
1965-1984
Titre:
Fonds Institute for Architecture and Urban Studies
Actions:
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Fonds Institute for Architecture and Urban Studies
Actions:
AP057
Résumé:
The Institute for Architecture and Urban Studies (IAUS) fonds is composed primarily of textual and photographic material which document the activities of the IAUS from its inception in 1967 until its dissolution in 1983. Those activities include the publication of three periodicals (Oppositions, October and Skyline), as well as numerous books, conferences, lectures, exhibitions and educational programming. In addition, the IAUS fonds documents the activities of the IAUS' director, architect Peter Eisenman.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1965-1984
1965-1984
Personnes et institutions:
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
Personnes et institutions:
Sujet:
architecture
architecture
Date:
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
Titre:
Album of prints and drawings for nine domestic commissions, an office building, a tomb, and a hothouse in Paris, Royan and Cologne
Actions:
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
Album of prints and drawings for nine domestic commissions, an office building, a tomb, and a hothouse in Paris, Royan and Cologne
Actions:
DR1974:0002:002:001-094
Description:
- This album consists mainly of elevations, sections and plans for a number of domestic commissions by Charles Rohault de Fleury: a house in Cologne, a hothouse for M. Faquet-Lemaitre, two [?] apartment houses and three private houses in Paris, a house for Mme de Lescure, Royan, and the Administration générale des omnibus office building, Paris. Both the drawings for the house in Cologne and the three variant projects for a hothouse are probably presentation drawings. There are contract drawings, probably the architect's copies, for apartment houses for M. Piet and M. Le Comte, and houses for M. Moreau Chaslon, Mme la comtesse de Lubersac, Mme de Lescure and M. Waresquiel. A sheet of cost calculations attached to a preliminary site plan, are probably for M. Waresquiel's house. The first plan for Mme la comtesse de Lubersac's house (DR1974:0002:002:084), and the plans for M. Waresquiel's house are annotated with the functions of the rooms. The architect's copies of the drawings for the country house in Royan, given to the client by the architect, include drawings of the foundations and framework, larger scale elevational and sectional details of the architectural elements, profiles and joinery details. The function within the design process of the prints for the commercial building for the Administration Générale de Omnibus is unclear. The principal elevation (DR1974:0002:002:020) is rendered in watercolour, suggesting it may be a presentation print. The other prints for this building exhibit the same degree of finish as the contract drawings in this album, but the absence of the client's and contractor's signatures and the revision attached to DR1974:0002:002:022 suggests they may be part of the design development stage of the project. Also included in the album is a sheet of preliminary sketches for a tomb for Daguerre (not the photographer) and two small unbound sheets of sketches for unidentified projects (DR1974:0002:002:048 and DR1974:0002:002:028).
Classification:
dessins, documents textuels, oeuvres d'art
dessins, documents textuels, oeuvres d'art
Date:
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
drawings exectued between 1838 and 1854, prints executed between 1838 and 1856
Personnes et institutions:
Sujet:
architecture
architecture
Classification:
oeuvres d'art
oeuvres d'art
Actions:
Numéro de référence:
DR1974:0002:022:001-021
Description:
- This album contains 21 transfer lithographs of contract and working drawings for the Chambre des Notaires, Paris. The transfer lithographs of the contract drawings (DR1974:0002:022:002, DR1974:0002:022:003 and DR1974:0002:022:005 - DR1974:0002:022:011) are signed by architects Charles Rohault de Fleury and Auguste Joseph Pellechet (Hillairet, 393), and by six unidentified hands, probably those of the contractors and/or client(s). Several revisions are evident between these transfer lithographs, dated April 1855, and the transfer lithographs of the working drawings, predominantly dated June 1855 (DR1974:0002:022:001 and DR1974:0002:022:012 - DR1974:0002:022:018). Minor changes have been made in the distribution of spaces on all floors, while more significant changes have been made in the dimensions and design of the façade bays (Bergdoll). Rohault de Fleury considered three alternate elevations (DR1974:0002:022:019 - DR1974:0002:022:021) for the principal façade with different column dispositions and window designs. The basic arrangement of the façade, however, remained the same: three floors each carrying a different order, separated by prominent entablatures and surmounted by an attic roof with dormer windows. The façade as constructed most closely approximates the elevations on transfer lithographs DR1974:0002:022:001 and DR1974:0002:022:002. The floor plans, with their detailed measurements, also correspond quite closely to the building as constructed (Bergdoll). The plans are particularly informative concerning the mixed use of iron and masonry construction. The "soubassement" consists of numerous masonry supports spanned by iron beams, while the "rez-de-chaussée" and "entresol" are constructed of iron columns, beams, and lintels allowing for abundant fenestration on the side façades (DR1974:0002:022:003 - DR1974:0002:022:004). The upper stories then revert back to a construction similar to that of the "soubassement".
DR1974:0002:022:001-021
Description:
- This album contains 21 transfer lithographs of contract and working drawings for the Chambre des Notaires, Paris. The transfer lithographs of the contract drawings (DR1974:0002:022:002, DR1974:0002:022:003 and DR1974:0002:022:005 - DR1974:0002:022:011) are signed by architects Charles Rohault de Fleury and Auguste Joseph Pellechet (Hillairet, 393), and by six unidentified hands, probably those of the contractors and/or client(s). Several revisions are evident between these transfer lithographs, dated April 1855, and the transfer lithographs of the working drawings, predominantly dated June 1855 (DR1974:0002:022:001 and DR1974:0002:022:012 - DR1974:0002:022:018). Minor changes have been made in the distribution of spaces on all floors, while more significant changes have been made in the dimensions and design of the façade bays (Bergdoll). Rohault de Fleury considered three alternate elevations (DR1974:0002:022:019 - DR1974:0002:022:021) for the principal façade with different column dispositions and window designs. The basic arrangement of the façade, however, remained the same: three floors each carrying a different order, separated by prominent entablatures and surmounted by an attic roof with dormer windows. The façade as constructed most closely approximates the elevations on transfer lithographs DR1974:0002:022:001 and DR1974:0002:022:002. The floor plans, with their detailed measurements, also correspond quite closely to the building as constructed (Bergdoll). The plans are particularly informative concerning the mixed use of iron and masonry construction. The "soubassement" consists of numerous masonry supports spanned by iron beams, while the "rez-de-chaussée" and "entresol" are constructed of iron columns, beams, and lintels allowing for abundant fenestration on the side façades (DR1974:0002:022:003 - DR1974:0002:022:004). The upper stories then revert back to a construction similar to that of the "soubassement".
Personnes et institutions:
Sujet:
architecture
architecture
Date:
contracted 12 May 1855, prints executed between February and June 1855
contracted 12 May 1855, prints executed between February and June 1855
Titre:
Album of transfer lithographs of working and contract drawings for the Chambre des Notaires, place du Châtelet, Paris
Actions:
DR1974:0002:022:001-021
Description:
- This album contains 21 transfer lithographs of contract and working drawings for the Chambre des Notaires, Paris. The transfer lithographs of the contract drawings (DR1974:0002:022:002, DR1974:0002:022:003 and DR1974:0002:022:005 - DR1974:0002:022:011) are signed by architects Charles Rohault de Fleury and Auguste Joseph Pellechet (Hillairet, 393), and by six unidentified hands, probably those of the contractors and/or client(s). Several revisions are evident between these transfer lithographs, dated April 1855, and the transfer lithographs of the working drawings, predominantly dated June 1855 (DR1974:0002:022:001 and DR1974:0002:022:012 - DR1974:0002:022:018). Minor changes have been made in the distribution of spaces on all floors, while more significant changes have been made in the dimensions and design of the façade bays (Bergdoll). Rohault de Fleury considered three alternate elevations (DR1974:0002:022:019 - DR1974:0002:022:021) for the principal façade with different column dispositions and window designs. The basic arrangement of the façade, however, remained the same: three floors each carrying a different order, separated by prominent entablatures and surmounted by an attic roof with dormer windows. The façade as constructed most closely approximates the elevations on transfer lithographs DR1974:0002:022:001 and DR1974:0002:022:002. The floor plans, with their detailed measurements, also correspond quite closely to the building as constructed (Bergdoll). The plans are particularly informative concerning the mixed use of iron and masonry construction. The "soubassement" consists of numerous masonry supports spanned by iron beams, while the "rez-de-chaussée" and "entresol" are constructed of iron columns, beams, and lintels allowing for abundant fenestration on the side façades (DR1974:0002:022:003 - DR1974:0002:022:004). The upper stories then revert back to a construction similar to that of the "soubassement".
Album of transfer lithographs of working and contract drawings for the Chambre des Notaires, place du Châtelet, Paris
Actions:
DR1974:0002:022:001-021
Description:
- This album contains 21 transfer lithographs of contract and working drawings for the Chambre des Notaires, Paris. The transfer lithographs of the contract drawings (DR1974:0002:022:002, DR1974:0002:022:003 and DR1974:0002:022:005 - DR1974:0002:022:011) are signed by architects Charles Rohault de Fleury and Auguste Joseph Pellechet (Hillairet, 393), and by six unidentified hands, probably those of the contractors and/or client(s). Several revisions are evident between these transfer lithographs, dated April 1855, and the transfer lithographs of the working drawings, predominantly dated June 1855 (DR1974:0002:022:001 and DR1974:0002:022:012 - DR1974:0002:022:018). Minor changes have been made in the distribution of spaces on all floors, while more significant changes have been made in the dimensions and design of the façade bays (Bergdoll). Rohault de Fleury considered three alternate elevations (DR1974:0002:022:019 - DR1974:0002:022:021) for the principal façade with different column dispositions and window designs. The basic arrangement of the façade, however, remained the same: three floors each carrying a different order, separated by prominent entablatures and surmounted by an attic roof with dormer windows. The façade as constructed most closely approximates the elevations on transfer lithographs DR1974:0002:022:001 and DR1974:0002:022:002. The floor plans, with their detailed measurements, also correspond quite closely to the building as constructed (Bergdoll). The plans are particularly informative concerning the mixed use of iron and masonry construction. The "soubassement" consists of numerous masonry supports spanned by iron beams, while the "rez-de-chaussée" and "entresol" are constructed of iron columns, beams, and lintels allowing for abundant fenestration on the side façades (DR1974:0002:022:003 - DR1974:0002:022:004). The upper stories then revert back to a construction similar to that of the "soubassement".
Classification:
oeuvres d'art
oeuvres d'art
Date:
contracted 12 May 1855, prints executed between February and June 1855
contracted 12 May 1855, prints executed between February and June 1855
Personnes et institutions:
Sujet:
architecture
architecture
Actions:
Numéro de référence:
DR2001:0050:009
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:009
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Personnes et institutions:
Date:
[1868], 2000
[1868], 2000
Titre:
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:009
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:009
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
[1868], 2000
[1868], 2000
Personnes et institutions:
Actions:
Numéro de référence:
DR2001:0050:010
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:010
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Personnes et institutions:
Date:
[1868], 2000
[1868], 2000
Titre:
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:010
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:010
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
[1868], 2000
[1868], 2000
Personnes et institutions:
Actions:
Numéro de référence:
DR2001:0050:011
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:011
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Personnes et institutions:
Date:
[1868], 2000
[1868], 2000
Titre:
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:011
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:011
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
[1868], 2000
[1868], 2000
Personnes et institutions:
Actions:
Numéro de référence:
DR2001:0050:012
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:012
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Personnes et institutions:
Date:
[1868], 2000
[1868], 2000
Titre:
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:012
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:012
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
[1868], 2000
[1868], 2000
Personnes et institutions:
Actions:
Numéro de référence:
DR2001:0050:013
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
DR2001:0050:013
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Personnes et institutions:
Date:
[1868], 2000
[1868], 2000
Titre:
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:013
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Relevés de détails architecturaux de l'Église Saint-Joachim de la Pointe-Claire
Actions:
DR2001:0050:013
Résumé:
Le Fonds Église Saint-Joachim de la Pointe-Claire comprend des dessins par divers architectes, tels que Victor Bourgeau, Napoléon Beauchamp et S. Brais. Le fonds comprend 8 dessins, 5 photocopies et 1 tube à dessins. Les documents ont été produits entre 1868 et 1929.
Date:
[1868], 2000
[1868], 2000
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Dessins et tableaux
Dessins et tableaux
Numéro de référence:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Personnes et institutions:
Date:
1917-1955
1917-1955
Titre:
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Dessins et tableaux
Actions:
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Niveau de description archivistique:
Série 1
Série 1
Date:
1917-1955
1917-1955
Personnes et institutions:
