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Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited,(...)
A dirty history of photography: Chemistry, fog, and empire
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Dependent on the extractive practices of fossil-fueled industrial capitalism, chemical photography’s emulsions and films were highly sensitive to polluted atmospheres, and photographic companies had to work hard to control this sensitivity. Drawing on histories of empire, coal, and chemistry and from the archives of British photographic manufacturer Ilford Limited, Michelle Henning exposes the ways photography shaped how we see and understand the atmosphere while leaving its toxic residues in the air, soil, and water. Structured as thirty-six short chapters and with over seventy illustrations, this innovative book begins in interwar London, follows the supply of Ilford products to photographers on the West African coast, and considers photography as a military technology linked to the development of chemical warfare. Combining close readings of photographs with discussions of low-light, tropical, and aerial photography, Henning examines the extraction and development of photographic materials, their role in the current environmental crisis, and how they have shaped experiences of time and the environment.
Monographies photo
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"Geography of the gaze" offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to the nineteenth century, Renzo Dibbini shows how developments in science, art, mapping, and visual epistemology affected the way natural and artificial landscapes were perceived and portrayed. He begins with(...)
Théorie du paysage
avril 2002, Chicago
Geography of the gaze : urban and rural vision in early modern Europe
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"Geography of the gaze" offers a new history and theory of how the way we look at things influences what we see. Focusing on Western Europe from the seventeenth to the nineteenth century, Renzo Dibbini shows how developments in science, art, mapping, and visual epistemology affected the way natural and artificial landscapes were perceived and portrayed. He begins with the idea of the "view" explaining its role in the invention of landscape painting and in the definition of landscape as a cultural space. Among other topics, Dubbini explores how the descriptive and pictorial techniques used in mariners' charts, view-oriented atlases, military cartography, and garden design were linked to the proliferation of highly realistic paintings of landscapes and city scenes; how the "picturesque" system for defining and composing landscapes affected not just art but also archaeology and engineering; and how the ever-changing modern cityspaces inspired new ways of seeing and representing the urban scene in Impressionist painting, photography, and stereoscopy. Transladed by Lydia G. Cochrane.
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avril 2002, Chicago
Théorie du paysage
Dead cities and other tales
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In his most syncretic writing yet, radical urban theorist Mike Davis explores the combat zone that is contemporary urban America, a ceaseless battle waged both within cities and against nature. Using environmental science as his frame of understanding, Davis examines themes of urban life today—white flight, deindustrialization, housing and job segregation and(...)
Dead cities and other tales
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In his most syncretic writing yet, radical urban theorist Mike Davis explores the combat zone that is contemporary urban America, a ceaseless battle waged both within cities and against nature. Using environmental science as his frame of understanding, Davis examines themes of urban life today—white flight, deindustrialization, housing and job segregation and discrimination, and federal policy—and looks at areas he calls "national sacrifice zones," military landscapes that simulated warfare and arms production have rendered uninhabitable. Davis begins our apocalyptically inflected tour with a trip to New York’s Ground Zero. He then takes us to "German Village," a Utah wasteland that was once a test site for Allied science advisors to rehearse the perfect plan for destroying Berlin, and to the diabolic miracle of Las Vegas, where environmental terrorism is practiced in the name of urban development. Davis also hits Los Angeles, the frontline of the "Second Civil War" sparked by American apartheid, and which lies waiting to be ignited in cities across the country.
Théorie de l’urbanisme
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Jerusalem currently stands at the center of a violent controversy that threatens the stability of both the Middle East and the world. This volatility, observes Annabel Jane Wharton, is only the most recent manifestation of a centuries-old obsession with the control of the Holy City—military occupation and pilgrimage being two familiar forms of “ownership.” Wharton makes(...)
Selling Jerusalem : relics, replicas, theme parks
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Jerusalem currently stands at the center of a violent controversy that threatens the stability of both the Middle East and the world. This volatility, observes Annabel Jane Wharton, is only the most recent manifestation of a centuries-old obsession with the control of the Holy City—military occupation and pilgrimage being two familiar forms of “ownership.” Wharton makes the innovative argument here that the West has also sought to possess Jerusalem by acquiring its representations. From relics of the True Cross and Templar replicas of the Holy Sepulchre to Franciscan recreations of the Passion to nineteenth-century mass-produced prints and contemporary theme parks, Wharton describes the evolving forms by which the city has been possessed in the West. She also maps those changing embodiments of the Holy City against shifts in the western market. From the gift-and-barter economy of the early Middle Ages to contemporary globalization, both money and the representations of Jerusalem have become progressively incorporeal, abstract, illusionistic, and virtual.
Arch Moyen-Orient
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Beatrice Minda examines private interiors in the context of historical events in her work. In Myanmar, which was isolated for decades by a rigid military dictatorship, she photographed houses and living spaces in both cities and remote regions. She captured the traces of the inhabitants’ lives and the signs of change. In 'Dark Whispers' the ambivalent aspects of the(...)
Beatrice Minda: Dark whispers
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Beatrice Minda examines private interiors in the context of historical events in her work. In Myanmar, which was isolated for decades by a rigid military dictatorship, she photographed houses and living spaces in both cities and remote regions. She captured the traces of the inhabitants’ lives and the signs of change. In 'Dark Whispers' the ambivalent aspects of the British colonial period and its consequences are reflected and illuminated by short texts on the history of the houses as well as historical photographs. Minda’s photographs focus on the atmospheres of past lives and the forms of representation with which the inhabitants once sought to fulfill themselves. Often they are objects that have remained untouched for decades and bear witness to the cosmos of a vanished world. But there are also large gaps between then and now. An uncanny emptiness animates these spaces. Dark whispers echo through them — a memento mori to the many unspoken words of Burmese history.
Monographies photo
Cyberfeminism index
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social(...)
Cyberfeminism index
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social and political act. It takes the name cyberfeminism as an umbrella, complicates it and pushes it into plain sight. Edited by designer, professor and researcher Mindy Seu (who began the project during a fellowship at the Harvard Law School’s Berkman Klein Center for the Internet & Society, later presenting it at the New Museum), it includes more than 1,000 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, bio-hacktivism; and depictions of feminist net art and new media art.
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Studies of the radical environmental politics of the 1960s have tended to downplay the extent to which much of that countercultural intellectual and social ferment continued into the 1970s and 1980s. Canadian Countercultures and the Environment adds to our knowledge of this understudied period. This collection contributes a sustained analysis of the beginning of major(...)
Canadian countercultures and the environment
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Studies of the radical environmental politics of the 1960s have tended to downplay the extent to which much of that countercultural intellectual and social ferment continued into the 1970s and 1980s. Canadian Countercultures and the Environment adds to our knowledge of this understudied period. This collection contributes a sustained analysis of the beginning of major environmental debates in this era and examines a range of issues related to broad environmental concerns, topics which emerged as key concerns in the context of Cold War military investments and experiments, the oil crisis of the 1970s, debates over gendered roles, and the increasing attention to urban pollution and pesticide use. No other publication dealing with this period covers the wide range of environmental topics (among others, activism, midwifery, organic farming, recycling, urban cycling, and communal living) or geographic locales, from Yukon to Atlantic Canada. Together, they demonstrate how this period influenced and informed environmental action and issues in ways that have had a long-term impact on Canadian society.
Architecture du Canada
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Using facts, anecdotes, and personal observation, architect and longtime advocate for the preservation of American architecture Harvey H. Kaiser leads the reader through more than 200 places of interest across the United States. Covering the entire nation and presented by region, this book takes the reader on a journey through recognizable icons such as the Statue of(...)
The national park architecture sourcebook
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Using facts, anecdotes, and personal observation, architect and longtime advocate for the preservation of American architecture Harvey H. Kaiser leads the reader through more than 200 places of interest across the United States. Covering the entire nation and presented by region, this book takes the reader on a journey through recognizable icons such as the Statue of Liberty, Mount Rushmore, Lincoln Memorial, Jefferson National Expansion Memorial Arch, and the USS Arizona. The extraordinary rustic buildings of the National Parks at Yellowstone, Carter Lake, Yosemite, and the Grand Canyon are explored as well as frontier military forts and trading posts like Fort Sumter, Bent's Old Fort, and Fort Clatsop. There are the southwestern sites of the mysterious Anasazi and Chaco cultures and missions of San Antonio, Tumacacori, Pecos, and Salinas Pueblo. Kaiser's descriptions let readers not only feel as if they have shared the experience of these places but also gain a solid understanding of why the architecture is significant to American history.
Bouffe
Shomei Tomatsu
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Casting a cold eye on postwar Japan, the raw, grainy and impressionistic photography of Shomei Tomatsu practically defined Japanese photography in the second half of the 20th century, greatly influencing Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara. His best-known images are his portraits of people and street scenes from the 1950s, when the country struggled to(...)
Shomei Tomatsu
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Casting a cold eye on postwar Japan, the raw, grainy and impressionistic photography of Shomei Tomatsu practically defined Japanese photography in the second half of the 20th century, greatly influencing Daido Moriyama, Nobuyoshi Araki and Takuma Nakihara. His best-known images are his portraits of people and street scenes from the 1950s, when the country struggled to recover from World War II and US military presence was ubiquitous; his photographs of 1960s Japan; and throughout his career, his images of Okinawa, where he died in 2012. Tomatsu's most famous single photograph is probably Melted Bottle, Nagasaki, 1961, which depicts a beer bottle rendered grotesquely biomorphic by the nuclear blast that devastated Nagasaki on August 9, 1945. The American photographer and writer Leo Rubinfien described Tomatsu's Nagasaki images as "sad, haggard facts," noting that "beneath the surface there was a grief so great that any overt expression of sympathy would have been an insult."
Monographies photo
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Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by(...)
When the lights went out, a history of blackouts in America
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Nye looks at America's development of its electrical grid, which made large-scale power failures possible; military blackouts before and during World War II ("The silence was the big surprise of the blackout, the darkness discounted," wrote Harold Ross in The New Yorker in 1942); New York City's contrasting 1965 and 1977 blackout experiences (the first characterized by cooperation, the second by looting and disorder); the growth in consumer demand that led to rolling blackouts made worse by energy traders' market manipulations; blackouts caused by terrorist attacks and sabotage; and, finally, the "greenout" (exemplified by the new tradition of "Earth Hour"), a voluntary reduction organized by environmental organizations. Blackouts, writes Nye, are breaks in the flow of social time that reveal much about the trajectory of American history. Each time one occurs, Americans confront their essential condition—not as isolated individuals, but as a community that increasingly binds itself together with electrical wires and signals.
Théorie de l’urbanisme