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In 'The Topography of Wellness', Sara Jensen Carr offers a chronological narrative of how six epidemics transformed the American urban landscape, reflecting changing views of the power of design, pathology of disease, and the epidemiology of the environment. From the infectious diseases of cholera and tuberculosis, to so-called social diseases of idleness and crime, to(...)
The topography of wellness: how health and disease shaped the American landscape
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In 'The Topography of Wellness', Sara Jensen Carr offers a chronological narrative of how six epidemics transformed the American urban landscape, reflecting changing views of the power of design, pathology of disease, and the epidemiology of the environment. From the infectious diseases of cholera and tuberculosis, to so-called social diseases of idleness and crime, to the more complicated origins of today’s chronic diseases, each illness and its associated combat strategies has left its mark on our surroundings. While each solution succeeded in eliminating the disease on some level, sweeping environmental changes often came with significant social and physical consequences. Even more unexpectedly, some adaptations inadvertently incubated future epidemics. From the Industrial Revolution to present day, this book illuminates the constant evolution of our relationship to wellness and the environment by documenting the shifting grounds of illness and the urban landscape.
Théorie de l’urbanisme
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This publication explores a series of urgent questions addressing architecture’s role in the welfare and everyday life of citizens, from the interdisciplinary perspectives of architecture, art history and anthropology. With Denmark as a case, it examines how the spatiality of the welfare system has transformed, since the end of the so-called “golden age of the welfare(...)
Théorie de l’architecture
septembre 2022
Architectures of dismantling and restructuring: Spaces of Danish welfare, 1970-present
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This publication explores a series of urgent questions addressing architecture’s role in the welfare and everyday life of citizens, from the interdisciplinary perspectives of architecture, art history and anthropology. With Denmark as a case, it examines how the spatiality of the welfare system has transformed, since the end of the so-called “golden age of the welfare state” in the early 1970s until today. Rather than unfolding a singular narrative of loss and nostalgia associated with welfare dismantlement – or one of triumphant humanization and restructuring of modernist planned environments – it describes shifting spatial materializations of welfare and the “good life” at the intersection of these two tendencies, under the influence of a Danish version of the neoliberal turn and other important societal transformations. A rich analytical sequence of drawn visualization supplements the book’s textual and photographic descriptions of welfare space transformation.
Théorie de l’architecture
The story of architecture
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In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra,(...)
octobre 2022
The story of architecture
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In this sweeping history, from the Stone Age to the present day, Witold Rybczynski shows how architectural ideals have been affected by technological, economic, and social changes—and by changes in taste. The host of examples ranges from places of worship such as Hagia Sophia and Brunelleschi’s Duomo to living spaces such as the Katsura Imperial Villa and the Alhambra, national icons such as the Lincoln Memorial and the Sydney Opera House, and skyscrapers such as the Seagram Building and Beijing’s CCTV headquarters. Rybczynski’s narrative emphasizes the ways that buildings across time and space are united by the human desire for order, meaning, and beauty.This is the story of architecture’s physical manifestation of the universal aspiration to celebrate, honor, and commemorate, and an exploration of the ways that each building is a unique product of patrons, architects, and builders.
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Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic(...)
Théorie de la photographie
novembre 2022
Wild visions: Wilderness as image and idea
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Our ideas of wilderness have evolved dramatically over the past one hundred and fifty years, from a view of wild country as an inviolable ''place apart'' to one that exists only within the matrix of human activity. This shift in understanding has provoked complicated questions about the importance of the wild in American environmentalism, as well as new aesthetic expectations as we reframe the wilderness as (to some degree) a human creation. ''Wild visions'' is distinctive in its union of landscape photography and environmental thought, a merging of short, thematic essays with a striking visual narrative. Often, the wild is viewed in binary terms: either revered as sacred and ecologically pure or dismissed as spoiled by human activities. This book portrays wilderness instead as an evolving gamut of understandings, a collage of views and ideas that is still in process.
Théorie de la photographie
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In the heady and hallucinogenic days of the 1960s and '70s, a diverse range of artists and creative individuals based in the American West -from the Pacific coast to the Rocky Mountains and the Southwest - broke the barriers between art and lifestyle and embraced the new, hybrid sensibilities of the countercultural movement. In "West of Center," Elissa Auther and Adam(...)
West of center : art and the counterculture experiment in America, 1965-1977
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In the heady and hallucinogenic days of the 1960s and '70s, a diverse range of artists and creative individuals based in the American West -from the Pacific coast to the Rocky Mountains and the Southwest - broke the barriers between art and lifestyle and embraced the new, hybrid sensibilities of the countercultural movement. In "West of Center," Elissa Auther and Adam Lerner bring together a prominent group of scholars to elaborate the historical and artistic significance of these counterculture projects within the broader narrative of postwar American art, which skews heavily toward New York's avant-garde art scene. A companion to an exhibition originating at the Museum of Contemporary Art Denver, this book illuminates how, in the western United States, the counterculture's unique integration of art practices, political action, and collaborative life activities serves as a linchpin connecting postwar and contemporary artistic endeavors.
Théorie de l’art
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum(...)
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum experimentation, novel exhibitionary forms and their implications for knowledge and identity, transformations of architecture and design, narrative and navigation, juxtapositions of art with science and ethnography, the fate of conventional notions of "object" and "representation," and the disorientating yet stimulating consequences of all this for museum-going. This collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries. Contributors tackle a range of examples of experimentalism from many different countries and exhibition spaces, and combine them with cutting-edge museum theory.
Muséologie
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines(...)
Justin Kimball : pieces of string
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines their existence and relationship to their absent owners. "I use the camera's descriptive power and the photographic illusion of truth to create the narrative and inspire feelings about its subject," he writes of these images. "The resulting photographs are my perception of what happened in those spaces: who lived there? What was hidden and what was seen?" Kimball's color photographs explore the minutiae of everyday life and contemplate our brief and humble legacies before they are cleaned up and cast to the wind.
Monographies photo
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published(...)
Hans Ulrich Obrist: the future will be
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published with the Ullens Center for Contemporary Art, this is the first installment of a new series published by Pinacoteca Giovanni and Marella Agnelli. Participants include A Yi, Nadim Abbas, Ai Weiwei, Daniel A. Bell, Cao Fei, Yung Ho Chang, Chen Jiaying, Chen Xiaoyun, Chen Man, Chen Wei, Cheng Ran, Cheng Wenhao, Chi Huisheng, Heman Chong, Chu Yun, Ding Yi, Duan Jianyu, Fang Lu, Gao Lei, Gao Weigang, Ge Lei, Frank Gehry, Gu Dexin and many others.
petits formats
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In a world of seemingly ever-increasing instability, many urban planning decisions seem to be governed not by vision, but by fear--fear of disaster, of change, of the unknown. What can we learn from this state of affairs? Can such fear be made beneficial? Is it conceivable that 'fear' might even offer a kind of guide in matters of urban planning? Guided by fantasy and(...)
The why factor : city shock, planning the unexpected
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In a world of seemingly ever-increasing instability, many urban planning decisions seem to be governed not by vision, but by fear--fear of disaster, of change, of the unknown. What can we learn from this state of affairs? Can such fear be made beneficial? Is it conceivable that 'fear' might even offer a kind of guide in matters of urban planning? Guided by fantasy and invention rather than science, City Shock: Planning the Unexpected proposes ten 'what if' scenarios, imagining how each of these scenarios could play out in the Dutch landscape between 2018 and 2047. In a narrative composed of feasible but unlikely headlines, a series of newspaper-style spreads report on fictitious future catastrophic events, exposing possible causes and consequences. City Shock is the sixth book in Winy Maas' Why Factory's Future Cities series.
Théorie de l’urbanisme
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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and(...)
Walter Niedermayr : recollection
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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and other smaller cities and historical sites. His travels spurred the undertaking of a new series examining Iranian architecture in its cultural and historical context. The resulting photographs reveal a wild mingling of east and west as older buildings jostle with colorful billboards, beltways and apartment blocks that look as if they could be located anywhere in the world. As with Niedermayr's famous winter landscapes, the majestic, pale color composition of these photographs transports them far beyond mere documentary, towards a sense of tremendous scale and implied political narrative.
Monographies photo