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People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings(...)
novembre 2021
Inhabited: Wildness and the vitality of the land
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People are key elements of wild places. At the same time, human entanglements with wild ecologies involve extractivism, the growth of resource-based economies, and imperial-colonial expansion, activities that are wreaking havoc on our planet. Through an ethnographic exploration of Canada’s ten UNESCO Natural World Heritage sites, ''Inhabited'' reflects on the meanings of wildness, wilderness, and natural heritage. As we are introduced to local inhabitants and their perspectives, Phillip Vannini and April Vannini ask us to reflect on the colonial and dualist assumptions behind the received meaning of wild, challenging us to reimagine wildness as relational and rooted in vitality. Over the three years they spent in and around these sites, they learned from Indigenous and non-Indigenous peoples about their entanglements with each other and with non-human animals, rocks, plants, trees, sky, water, and spirits. The stories, actions, and experiences they encountered challenge conventional narratives of wild places as uninhabited by people and disconnected from culture and society. While it might be tempting to dismiss the idea of wildness as outdated in the Anthropocene era, ''Inhabited'' suggests that rethinking wildness offers a better – if messier – way forward. Part geography and anthropology, part environmental and cultural studies, and part politics and ecology, ''Inhabited'' balances a genuine love of nature’s vitality with a culturally responsible understanding of its interconnectedness with more-than-human ways of life.
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For centuries, the cardinals, popes, and rulers of Italy have devoted themselves to creating vast villa gardens that represent their wealth and power, provide a calm refuge from city life, and showcase lavish plantings and rare flowers. Here, in over two hundred photographs — taken during the Edwardian era when these historic gardens were at their peak — twenty-two of(...)
Italian gardens : romantic splendor in the Edwardian age
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For centuries, the cardinals, popes, and rulers of Italy have devoted themselves to creating vast villa gardens that represent their wealth and power, provide a calm refuge from city life, and showcase lavish plantings and rare flowers. Here, in over two hundred photographs — taken during the Edwardian era when these historic gardens were at their peak — twenty-two of central Italy's most ornate and spectacular palace gardens are presented. This publication reveals the vanished magnificence of the aristocracy's landscapes in images from the archives of Britain's Country Life magazine. Classic photographs display patterned grottoes, elaborate terraces, sophisticated fountains, antique statuary, and sun-dappled arbors to provide an important record of these gardens at a nostalgic moment in time, before the two World Wars provoked irrevocable changes in Italy's political and economic climate and many gardens fell into neglect. Discussing the history and design of each garden, author Helena Attlee brings to life the personalities responsible for such extravagant creations as the Alley of a Hundred Fountains at the Villa d'Este in Tivoli, the swirling parterres de broderie of Villa Doria Pamphili in Rome, the broad terraces and majestic staircases of the Vatican Gardens, the frescoed loggia of the Villa Medici in Fiesole, and the border of innumerable citrus trees circling the Isolotto in Florence's famous Boboli Gardens.
Jardins
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The oldest churches shown in this book were built as early as in the 15th century, most of those still standing were built in the 18th and 19th centuries, and quite a few are still being built today. Many were destroyed in the two world wars, many fell victim to ethnic cleansing after 1945, some fell into disrepair during the Soviet era, others were burnt down by(...)
avril 2024
Wooden churches in Eastern Europe
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The oldest churches shown in this book were built as early as in the 15th century, most of those still standing were built in the 18th and 19th centuries, and quite a few are still being built today. Many were destroyed in the two world wars, many fell victim to ethnic cleansing after 1945, some fell into disrepair during the Soviet era, others were burnt down by lightning or short circuits, and quite a few simply gave way to the more "representative" stone churches as early as the 19th century. But a large number are still standing, consecrated, and believers gather in them. In fact almost of them in the various Carpathian countries are protected monuments, and many have been lovingly restored in recent times. More than the architectural-historical value, the question arises here of the aesthetic assessment of these small buildings. It is not a refined canon of forms of great architecture that can be derived and proven from the history of architecture that inspires us so much. Ba-sically, they are not overly sophisticated constructions in terms of craftsmanship, they are safe and beautiful in their simplicity. Their aesthetic appeal, however, also includes the surface-weathered material, deformed structures, colour improvisations, recently ornamented sheet metal, inside wall paintings, altar and iconostasis furnishings derived from Renaissance and Baroque periods, but above all their location in the village, mostly isolated, often elevated, surrounded by old trees, enclosures and graves without cemetery order.
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Instructive, amusing, colorful—pictorial maps have been used and admired since the first medieval cartographer put pen to paper depicting mountains and trees across countries, people and objects around margins, and sea monsters in oceans. More recent generations of pictorial map artists have continued that traditional mixture of whimsy and fact, combining cartographic(...)
Picturing America: the golden age of pictorial maps
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Instructive, amusing, colorful—pictorial maps have been used and admired since the first medieval cartographer put pen to paper depicting mountains and trees across countries, people and objects around margins, and sea monsters in oceans. More recent generations of pictorial map artists have continued that traditional mixture of whimsy and fact, combining cartographic elements with text and images and featuring bold and arresting designs, bright and cheerful colors, and lively detail. In the United States, the art form flourished from the 1920s through the 1970s, when thousands of innovative maps were mass-produced for use as advertisements and decorative objects—the golden age of American pictorial maps. "Picturing America" is the first book to showcase this vivid and popular genre of maps. Geographer Stephen J. Hornsby gathers together 158 delightful pictorial jewels, most drawn from the extensive collections of the Library of Congress. In his informative introduction, Hornsby outlines the development of the cartographic form, identifies several representative artists, describes the process of creating a pictorial map, and considers the significance of the form in the history of Western cartography. Organized into six thematic sections, "Picturing America" covers a vast swath of the pictorial map tradition during its golden age, ranging from “Maps to Amuse” to “Maps for War.” Hornsby has unearthed the most fascinating and visually striking maps the United States has to offer: Disney cartoon maps, college campus maps, kooky state tourism ads, World War II promotional posters, and many more.
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There are an estimated 600,000,000 passenger cars in the world, and that number is increasing every day. So too is Earth’s supply of parking spaces. In some cities, parking lots cover more than one-third of the metropolitan footprint. It’s official:we have paved paradise and put up a parking lot. In this publication,author Eran Ben-Joseph shares a different vision for(...)
Rethinking a lot : the design and culture of parking
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There are an estimated 600,000,000 passenger cars in the world, and that number is increasing every day. So too is Earth’s supply of parking spaces. In some cities, parking lots cover more than one-third of the metropolitan footprint. It’s official:we have paved paradise and put up a parking lot. In this publication,author Eran Ben-Joseph shares a different vision for parking’s future. Parking lots, he writes, are ripe for transformation. After all, as he points out, their design and function has not been rethought since the 1950s. With this book, Ben-Joseph pushes the parking lot into the twenty-first century. Can’t parking lots be aesthetically pleasing, environmentally and architecturally responsible? Used for something other than car storage? Ben-Joseph shows us that they can. He provides a visual history of this often ignored urban space, introducing us to some of the many alternative and nonparking purposes that parking lots have served - from RV campgrounds to stages for “Shakespeare in the Parking Lot.” He shows us parking lots that are not concrete wastelands but lushly planted with trees and flowers and beautifully integrated with the rest of the built environment. With purposeful design, Ben-Joseph argues, parking lots could be significant public places, contributing as much to their communities as great boulevards, parks, or plazas. For all the acreage they cover, parking lots have received scant attention. It’s time to change that; it’s time to rethink the lot.
Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for(...)
Robert Adams : turning back
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"Turning back: a photographic journal of re-exploration" is published to coincide with the bicentennial of the Lewis and Clark expedition. The narrative begins at the Pacific ocean and moves eastward through what was formerly one of the world’s great rain forests. Photographs at the center of the book report on the forest’s destruction. Elsewhere they trace a search for hope. Two hundred years ago, Lewis and Clark reported finding in the American Northwest a vast forest of ancient evergreens. In "Turning back", Robert Adams looks again at the region’s trees, discovering evidence both of America’s failure and of a continuing promise. President Jefferson’s primary charge to Lewis and Clark was to prepare the way for American commerce. Today, historians still speculate about why, upon his return, Lewis lapsed into depression and apparently committed suicide. "Going east," Adams suggests, "was more difficult than going west." So then, what is the future? "Turning back" documents two kinds of predictive evidence. On the one hand we observe the results of greed so unrestrained that they are indistinguishable from those of nihilism. On the other we see what still lives, whether by our design or neglect, or Providence; in these 164 pictures the tone is celebratory, as in a prayer book. From coastal landscapes populated with tourists to timber clear-cutting and small family farms in eastern Oregon, here we reflect on what was lost, what is retained, and what we value both regionally and as a people with a common history.
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When Richard Reynolds began planting flowers secretly at night outside his tower block in South London, he had no idea that he was part of a growing global movement committed to combating the forces of neglect, land shortage and apathy towards public spaces. But before long, his blog had attracted other guerrillas from around the world to share their experiences of the(...)
On guerrilla gardening : a handbook for gardening without boundaries
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When Richard Reynolds began planting flowers secretly at night outside his tower block in South London, he had no idea that he was part of a growing global movement committed to combating the forces of neglect, land shortage and apathy towards public spaces. But before long, his blog had attracted other guerrillas from around the world to share their experiences of the horticultural frontline, and is now a focal point for guerrilla gardeners everywhere, with over 4,000 people enlisted as recruits. "On Guerrilla Gardening" is Reynolds' lively, colourful treatise on why people illicitly cultivate land and how to do it yourself. From discreetly beautifying corners of Montreal to striving for green communal space in Berlin and sustainable food production in San Francisco, from Christmas trees on London roundabouts to the political agitations of landless workers in Brazil, Reynolds charts a battle that people worldwide are fighting on many different fronts. Along the way he unearths the movement's notable historic advances by seventeenth-century English radicals, a nineteenth-century American entrepreneur and public-spirited artists in 1970s New York. Reynolds has researched the subject with guerrilla gardeners from thirty different countries, and compiles their advice on what to grow where, how to cope with adverse environmental conditions, how to seed-bomb effectively, how to harness propaganda to win support and even how to handle anti-terror police. "On Guerrilla Gardening" informs, entertains and inspires. Packed with photographs, anecdotes and sound horticultural advice, it is an irresistible invitation to shoulder your shovel and join the revolution that is blooming in the world's shared spaces.
Théorie du paysage
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Known for their in-depth research and innovative, inventive, and meticulously constructed architecture, KieranTimberlake Assoicates put its ideas about streamlining the making of architecture to the test. The results took the form of a fully modular and award-winning house, featuring an active and adjustable double-skin facade so advanced that no client would consider it.(...)
Architecture, monographies
juin 2008, New York
Loblolly House: elements of a new architecture
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Known for their in-depth research and innovative, inventive, and meticulously constructed architecture, KieranTimberlake Assoicates put its ideas about streamlining the making of architecture to the test. The results took the form of a fully modular and award-winning house, featuring an active and adjustable double-skin facade so advanced that no client would consider it. KieranTimberlake Assoicates boldly took the project upon themselves, using partner Stephen Kieran's own summer house as a laboratory. Situated on idyllic Taylors Island, off the coast of Maryland's Chesapeake Bay, Loblolly House inaugurates a truly new, more efficient way of building. Through the use of state-of-the-art building information modeling (BIM), the architects were able to streamline the design-build process. Thousands of parts were collapsed and integrated into a few dozen panels and blocks that slid into an aluminum frame set on wooden pylons. Consisting of 70 percent prefabricated components, the kit-of-parts house was assembled (mostly with a wrench) and lifted into place on-site in less than six weeks. Unlike most houses, even those built with sustainability in mind, Loblolly disassembles as easily as it assembles, making it an ecologically sound structure with a manageable environmental footprint. Focusing on a single built project and illustrated with extensive photographic documentation and numerous detailed drawings, Loblolly House is the manual for componentized prefab. The book includes a DVD of the film "A House in the Trees" by producers Rick Deppe and Kathleen Blake, a real-time documentary of the design, fabrication, and assembly of Loblolly House.
Architecture, monographies
livres
The minimalist garden
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Over the course of the 20th century many of the best garden designers have looked to the past for inspiration; with the approach of the millennium, however, a fresh approach to garden design - minimalism - has moved to the forefront. The philosophy of minimalism, rooted simultaneously in classicism and modernism, has had a strong influence on architecture and interior(...)
The minimalist garden
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Over the course of the 20th century many of the best garden designers have looked to the past for inspiration; with the approach of the millennium, however, a fresh approach to garden design - minimalism - has moved to the forefront. The philosophy of minimalism, rooted simultaneously in classicism and modernism, has had a strong influence on architecture and interior and graphic design, as well as landscape. Minimalist gardens, with their emphasis on clean lines, pure form, and a strong sense of place, are closely related to contemporary architecture and lifestyles. New trends in more relaxed and ecologically aware planting have contributed greatly to the development of such green spaces, and the creative use of trees and hedges to define and control space is often an important design element. In this volume, award-winning garden designer Christopher Bradley-Hole has drawn together a great variety of minimalist gardens from around the world - large and small, urban and rural. The projects are grouped into thematic chapters, including the landscape garden, pools and water gardens, courtyard gardens, and terrace and roof gardens. Among the designers are Vladimir Sitta, John Pawson, Luis Barragán, Seth Stein, Jacques Wirtz, Martha Schwartz, Shodo Suzuki, and Isamu Noguchi. Large color photographs and detailed images show the gardens in context; the text discusses the inspiration behind each garden, the relationship of space and proportions, and the frequent use of unusual materials and imaginative planning. Directories of materials and plants for the perfect minimalist garden are included as well.
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octobre 1999, New York
Jardins
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In the spring of 2000, a man in Oregon hid a box of toys in the woods, posted the geographic coordinates of its location on a Web site, and issued a challenge for others to find it. People used their GPS receivers to find his treasure, and a new game was born. Today over a million people worldwide participate in geocaching, hiding stashes of trinkets in a variety of(...)
Local treasures : geocaching across America
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In the spring of 2000, a man in Oregon hid a box of toys in the woods, posted the geographic coordinates of its location on a Web site, and issued a challenge for others to find it. People used their GPS receivers to find his treasure, and a new game was born. Today over a million people worldwide participate in geocaching, hiding stashes of trinkets in a variety of locations - from a grove of trees to a cliff ledge to the depths of a riverbed - and then inviting others to find them, leave a note, and swap a treasure of their own. In "Local Treasures" Margot Anne Kelley offers one of the first books on "geocaching," exploring what compels ordinary people across the world to take part in these extraordinary treasure hunts. Kelley traveled throughout the U.S. to chronicle the sites and stories of geocaching adventures, from the rocky coasts of Maine to the deserts surrounding Las Vegas to the starting point of the Mason-Dixon Line. Each full-color photograph exposes a vision of America quite unlike that presented in a traditional guidebook : truly off the beaten path, these are non-idealized landscapes, often places with special meaning for the players alone. Kelley's accompanying writings explore the world of geocaching communities, their rare ability to integrate new technologies with the natural world, and their complex and often ambivalent relationships to the surveillance technologies that sustain the game. Kelley's text is an examination of a new and creative diversion emerging from the intersection of the virtual world with the real. With a foreword by Frank Gohlke.
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