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xi, 1156 pages : illustrations ; 22 cm
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xi, 1156 pages : illustrations ; 22 cm
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New Delhi ; New York : Oxford University Press, 2000.
New Delhi ; New York : Oxford University Press, 2000.
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Cultural pasts : essays in early Indian history / Romila Thapar.
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xi, 1156 pages : illustrations ; 22 cm
Cultural pasts : essays in early Indian history / Romila Thapar.
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xi, 1156 pages : illustrations ; 22 cm
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New Delhi ; New York : Oxford University Press, 2000.
New Delhi ; New York : Oxford University Press, 2000.
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Los Angeles-based photographer Elena Dorfman's latest body of work presents American rock quarries as geologic phenomena, both conceptually and representationally. Empire Falling presents the abandoned and active quarries of the Midwest in Indiana, Kentucky and Ohio. Executed over the course of several years, Dorfman's images record both the minute and radical workings of(...)
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Los Angeles-based photographer Elena Dorfman's latest body of work presents American rock quarries as geologic phenomena, both conceptually and representationally. Empire Falling presents the abandoned and active quarries of the Midwest in Indiana, Kentucky and Ohio. Executed over the course of several years, Dorfman's images record both the minute and radical workings of(...)
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Elena Dorfman: empire falling
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Los Angeles-based photographer Elena Dorfman's latest body of work presents American rock quarries as geologic phenomena, both conceptually and representationally. Empire Falling presents the abandoned and active quarries of the Midwest in Indiana, Kentucky and Ohio. Executed over the course of several years, Dorfman's images record both the minute and radical workings of nature, as these spaces give way to human intervention and exploitation.
Elena Dorfman: empire falling
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Los Angeles-based photographer Elena Dorfman's latest body of work presents American rock quarries as geologic phenomena, both conceptually and representationally. Empire Falling presents the abandoned and active quarries of the Midwest in Indiana, Kentucky and Ohio. Executed over the course of several years, Dorfman's images record both the minute and radical workings of nature, as these spaces give way to human intervention and exploitation.
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janvier 2013
janvier 2013
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Monographies photo
Monographies photo
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118 pages illustrations (some color) 29 cm
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118 pages illustrations (some color) 29 cm
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[Toronto] Upper Canada Railway Society; Scarborough, Ont., Ontario Electric Railway Historical Association [1967]
[Toronto] Upper Canada Railway Society; Scarborough, Ont., Ontario Electric Railway Historical Association [1967]
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History of the Niagara, St. Catharines & Toronto Railway, [by] John M. Mills.
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118 pages illustrations (some color) 29 cm
History of the Niagara, St. Catharines & Toronto Railway, [by] John M. Mills.
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118 pages illustrations (some color) 29 cm
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[Toronto] Upper Canada Railway Society; Scarborough, Ont., Ontario Electric Railway Historical Association [1967]
[Toronto] Upper Canada Railway Society; Scarborough, Ont., Ontario Electric Railway Historical Association [1967]
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xxi, 335 pages : illustrations, some color, maps ; 22 cm
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xxi, 335 pages : illustrations, some color, maps ; 22 cm
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Ann Arbor, MI : ProQuest, 2011., ©2011
Ann Arbor, MI : ProQuest, 2011., ©2011
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On the becoming and unbecoming of monuments : archaeology, tourism and Delhi's Islamic architecture (1828-1963) / by Aditi J. Chandra.
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xxi, 335 pages : illustrations, some color, maps ; 22 cm
On the becoming and unbecoming of monuments : archaeology, tourism and Delhi's Islamic architecture (1828-1963) / by Aditi J. Chandra.
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xxi, 335 pages : illustrations, some color, maps ; 22 cm
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Ann Arbor, MI : ProQuest, 2011., ©2011
Ann Arbor, MI : ProQuest, 2011., ©2011
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7 preliminary leaves, 109, [1] pages, 2 leaves, 30 pages plans 27 cm
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7 preliminary leaves, 109, [1] pages, 2 leaves, 30 pages plans 27 cm
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Utrecht, Kemink en zoon n.v. [1943]
Utrecht, Kemink en zoon n.v. [1943]
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Nieuwe wegen in de romeinsche woningbouw van Sulla tot Domitianus, door Andreas Rudolphus Antonius van Aken.
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7 preliminary leaves, 109, [1] pages, 2 leaves, 30 pages plans 27 cm
Nieuwe wegen in de romeinsche woningbouw van Sulla tot Domitianus, door Andreas Rudolphus Antonius van Aken.
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7 preliminary leaves, 109, [1] pages, 2 leaves, 30 pages plans 27 cm
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Utrecht, Kemink en zoon n.v. [1943]
Utrecht, Kemink en zoon n.v. [1943]
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xiv, 184 pages, 16 unnumbered pages of plates : illustrations ; 26 cm
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xiv, 184 pages, 16 unnumbered pages of plates : illustrations ; 26 cm
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Berkeley : University of California Press, [1988], ©1987.
Berkeley : University of California Press, [1988], ©1987.
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The Great Temple of Tenochtitlan : center and periphery in the Aztec world / Johanna Broda, Davíd Carrasco, Eduardo Matos Moctezuma.
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xiv, 184 pages, 16 unnumbered pages of plates : illustrations ; 26 cm
The Great Temple of Tenochtitlan : center and periphery in the Aztec world / Johanna Broda, Davíd Carrasco, Eduardo Matos Moctezuma.
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xiv, 184 pages, 16 unnumbered pages of plates : illustrations ; 26 cm
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Berkeley : University of California Press, [1988], ©1987.
Berkeley : University of California Press, [1988], ©1987.
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20 pages, 40 leaves of plates : 40 illustrations (engravings) ; 20 cm (4to)
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20 pages, 40 leaves of plates : 40 illustrations (engravings) ; 20 cm (4to)
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Roma : Si vendono presso Antonio Poggioli nella Stamperia camerale, 1818.
Roma : Si vendono presso Antonio Poggioli nella Stamperia camerale, 1818.
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Raccolta de' monumenti più celebri di Roma antica : con l'aggiunta delle quattro principali basiliche di Roma moderna = Recueil des monuments plus celebres de Rome ancienne : avec les quatre basiliques principales de Rome moderne / illustrati da A. Nibby ; ed incisi da Pietro Parboni, e Pietro Ruga.
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20 pages, 40 leaves of plates : 40 illustrations (engravings) ; 20 cm (4to)
Raccolta de' monumenti più celebri di Roma antica : con l'aggiunta delle quattro principali basiliche di Roma moderna = Recueil des monuments plus celebres de Rome ancienne : avec les quatre basiliques principales de Rome moderne / illustrati da A. Nibby ; ed incisi da Pietro Parboni, e Pietro Ruga.
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20 pages, 40 leaves of plates : 40 illustrations (engravings) ; 20 cm (4to)
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Roma : Si vendono presso Antonio Poggioli nella Stamperia camerale, 1818.
Roma : Si vendono presso Antonio Poggioli nella Stamperia camerale, 1818.
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$31.25
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"Sowing Empire" identifies the cultivation and landscaping of colonies as one of the primary ways imperial nations justified their empires. Planting and transplanting, seeding and reshaping - the landscaping practices that emerged in the eighteenth century - are inextricable from the contested terrain of empire within which they operated. From the plantations of the(...)
$31.25
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"Sowing Empire" identifies the cultivation and landscaping of colonies as one of the primary ways imperial nations justified their empires. Planting and transplanting, seeding and reshaping - the landscaping practices that emerged in the eighteenth century - are inextricable from the contested terrain of empire within which they operated. From the plantations of the(...)
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Sowing empire : landscape and colonization
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"Sowing Empire" identifies the cultivation and landscaping of colonies as one of the primary ways imperial nations justified their empires. Planting and transplanting, seeding and reshaping - the landscaping practices that emerged in the eighteenth century - are inextricable from the contested terrain of empire within which they operated. From the plantations of the “nabobs” to the island gardens of narrative fiction, from William Beckford’s estate at Fonthill to Marie Antoinette’s ornamented farm, "Sowing Empire" considers imperial relandscaping - its patriarchal organization, heterosexual reproduction, and slavery - and how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistance - how, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape. In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the “heartlands” of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system - as a means of regulating national, sexual, and gender identities - Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as “European.” Utilizing a wide range of both visual and written sources - maps, literature, and travel writing - this book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.
Sowing empire : landscape and colonization
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"Sowing Empire" identifies the cultivation and landscaping of colonies as one of the primary ways imperial nations justified their empires. Planting and transplanting, seeding and reshaping - the landscaping practices that emerged in the eighteenth century - are inextricable from the contested terrain of empire within which they operated. From the plantations of the “nabobs” to the island gardens of narrative fiction, from William Beckford’s estate at Fonthill to Marie Antoinette’s ornamented farm, "Sowing Empire" considers imperial relandscaping - its patriarchal organization, heterosexual reproduction, and slavery - and how it contributed to the construction of imperial power. At the same time, the book shows how these picturesque landscapes and sugar plantations contained within them the seeds of resistance - how, for instance, slave gardens and the Afro-Caribbean practice of Vodou threatened authority and created new possibilities for once again transforming the landscape. In an ambitious work of wide-ranging literary, visual, and historical allusion, Jill H. Casid examines how landscaping functioned in an imperial mode that defined and remade the “heartlands” of nations as well as the contact zones and colonial peripheries in the West and East Indies. Revealing the colonial landscape as far more than an agricultural system - as a means of regulating national, sexual, and gender identities - Casid also traces how the circulation of plants and hybridity influenced agriculture and landscaping on European soil and how colonial contacts materially shaped what we take as “European.” Utilizing a wide range of both visual and written sources - maps, literature, and travel writing - this book is interdisciplinary in its methodology and in its scope. Sowing Empire explores how postcolonial and queer studies can alter art history and visual studies and, in turn, what close attention to the visual may offer to both postcolonial theorizing and historically and materially based colonial cultural studies.
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janvier 2005, Minneapolis
janvier 2005, Minneapolis
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Théorie du paysage
Théorie du paysage
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ix, 214 pages : illustrations (chiefly color), plans ; 26 cm
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ix, 214 pages : illustrations (chiefly color), plans ; 26 cm
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London : RIBA Publishing, [2024], ©2024
London : RIBA Publishing, [2024], ©2024
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Reclaiming colonial architecture / edited by Tania Sengupta and Stuart King.
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ix, 214 pages : illustrations (chiefly color), plans ; 26 cm
Reclaiming colonial architecture / edited by Tania Sengupta and Stuart King.
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ix, 214 pages : illustrations (chiefly color), plans ; 26 cm
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London : RIBA Publishing, [2024], ©2024
London : RIBA Publishing, [2024], ©2024
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176 pages illustrations 26 cm
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176 pages illustrations 26 cm
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Paris, H. Laurens, 1905.
Paris, H. Laurens, 1905.
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Rome, de l'avènement de Jules II à nos jours.
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176 pages illustrations 26 cm
Rome, de l'avènement de Jules II à nos jours.
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176 pages illustrations 26 cm
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Paris, H. Laurens, 1905.
Paris, H. Laurens, 1905.
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