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Rievaulx Abbey
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Set in a beautiful tree-sided valley in England’s North York moors, the ruins of 800-year-old Rievaulx Abbey evoke a medieval world of Cistercian monks living and working, worshipping and seeking spiritual growth. This book provides an unprecedented account of Rievaulx, its 400 years as a monastery and its next 400 years, forsaken and deteriorating. Peter Fergusson(...)
Histoire jusqu’à 1900
janvier 1900, New Haven/London
Rievaulx Abbey
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Set in a beautiful tree-sided valley in England’s North York moors, the ruins of 800-year-old Rievaulx Abbey evoke a medieval world of Cistercian monks living and working, worshipping and seeking spiritual growth. This book provides an unprecedented account of Rievaulx, its 400 years as a monastery and its next 400 years, forsaken and deteriorating. Peter Fergusson and Stuart Harrison present the first comprehensive archaeological and architectural analysis of Rievaulx and the other buildings within its 92-acre walled precinct. They include extensive reconstruction drawings that bring to life the abbey and its infirmary, service buildings, water meadows, mills, and workshops. The authors describe Rievaulx’s remarkable architectural development from its early decades as home to a community of 650 men to its desertion after Henry VIII's Suppression. Fergusson and Harrison consider the buildings' context, architectural significance, iconography, and social and economic influences. Then, tracing the suppression of the monastery and changing perceptions of the ruin from the sixteenth through the twentieth centuries, the authors complete their portrait of the spectacular abbey and its meanings across time.
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janvier 1900, New Haven/London
Histoire jusqu’à 1900
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La ville du Havre, présente une histoire faite de ruptures. Leure, le port d’origine, se trouva comme effacé par la guerre de Cent Ans. Le Havre proprement dit a été fondé par François Ier, qui voulait un port pour faciliter les échanges rouennais, notamment avec l’Amérique. A la fin du XIXe siècle et au début du XXe, le Havre connaît un développement des plus rapides.(...)
Le Havre : un port, des villes neuves
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La ville du Havre, présente une histoire faite de ruptures. Leure, le port d’origine, se trouva comme effacé par la guerre de Cent Ans. Le Havre proprement dit a été fondé par François Ier, qui voulait un port pour faciliter les échanges rouennais, notamment avec l’Amérique. A la fin du XIXe siècle et au début du XXe, le Havre connaît un développement des plus rapides. Les bombardements de la Seconde Guerre mondiale, en feront une des villes d’Europe les plus sinistrées. Sa reconstruction selon les plans de l’équipe Perret se posera en exemple et chef-d’œuvre d’architecture rationaliste. Dès l’après-guerre, l’expansion urbaine reprendra à une rythme effréné jusqu'à la fin du XXe siècle. Le livre aborde la ville par sa réalité physique et met en évidence les rapports du port et de la ville. Il restitue toute la richesse de cette ville au passé détruit, mais dont la qualité architecturale contemporaine lui vaut d’être proposée par la France pour une inscription sur la liste du patrimoine mondial de l’humanité.
Histoire jusqu’à 1900
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Larry Bennett calls contemporary Chicago the third city to distinguish it from its two predecessors: the first city, a sprawling industrial center whose historical arc ran from the Civil War to the Great Depression; and the second city, the Rustbelt exemplar of the period from around 1950 to 1990. The third city features a dramatically revitalized urban core, a shifting(...)
septembre 2010
The third city: Chicago and American urbanism
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Larry Bennett calls contemporary Chicago the third city to distinguish it from its two predecessors: the first city, a sprawling industrial center whose historical arc ran from the Civil War to the Great Depression; and the second city, the Rustbelt exemplar of the period from around 1950 to 1990. The third city features a dramatically revitalized urban core, a shifting population mix that includes new immigrant streams, and a growing number of middle-class professionals working in new economy sectors. It is also a city utterly transformed by the top-to-bottom reconstruction of public housing developments and the ambitious provision of public works like Millennium Park. It is, according to Bennett, a work in progress spearheaded by Richard M. Daley, a self-consciously innovative mayor whose strategy of neighborhood revitalization and urban renewal is a prototype of city governance for the twenty-first century. The Third City ultimately contends that to understand Chicago under Daley’s charge is to understand what metropolitan life across North America may well look like in the coming decades.
Austrian phenomenon
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti(...)
Austrian phenomenon
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In the Austria of the 1960s, the visionary designs of architects and artists garnered international attention. Described as the "Austrian phenomenon," these projects and installations contained the concentrated creativity of the Austrian architectural neo-avant-garde between 1956 and 1973. In Vienna, these avant-garde dreams came to be symbolized by Hans Hollein’s Retti Candle Shop and Hermann Czech’s many cafés and bars, which are still successful today, including the Kleines Café (Little Café), Wunderbar, and Salzamt. The best-known protagonists of this scene include Hans Hollein, Walter Pichler, Raimund Abraham, Coop Himmelblau, Haus-Rucker-Co, Missing Link, and others. The book consists of two parts. The first contains "Documentation" of important publications from the years 1958–1973 in international trade journals like Archigram, Domus, Architectural Record, and Casabella, in which the young architects sought attention for their programs. The second is "Reconstruction," a cross-section of images and texts from publications on the "Austrian phenomenon," elucidated and situated in the context of international architectural history by authors such as Friedrich Achleitner, Bart Lootsma, Stanislaus von Moos, Joseph Rykwert, Anthony Vidler, and others.
$48.95
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What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. He guides us through ruins and fragments, both ancient and modern, visual and(...)
Ruins and fragments: tales of loss and rediscovery
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What is it about ruins that are so alluring, so puzzling, that they can hold some of us in endless wonder over the half-erased story they tell? In this elegant book, Robert Harbison explores the captivating hold these remains and broken pieces—from architecture, art, and literature—have on us. He guides us through ruins and fragments, both ancient and modern, visual and textual, showing us how they are crucial to understanding our current mindset and how we arrived here. First looking at ancient fragments, he examines the ways we have recovered, restored, and exhibited them as artworks. Then he moves on to modernist architecture and the ways that it seeks a fragmentary form, examining modern projects that have been designed into existing ruins, such as the Castelvecchio in Verona, Italy and the reconstruction of the Neues Museum in Berlin. From there he explores literature and the works of T. S. Eliot, Montaigne, Coleridge, Joyce, and Sterne, and how they have used fragments as the foundation for creating new work.
Théorie de l’architecture
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Josef Paul Kleihues (1933–2004) was one of the most prolific architects of postwar Germany, famous both as the Director of the International Building Exhibition Berlin in 1987 and for his design for the Museum of Contemporary Art in Chicago. He was also known for his sensitive interventions into older buildings, an instance of which is the former Hamburger Bahnhof - now(...)
Josef Paul Kleihues: works 1966-1980 Vol. 1
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Josef Paul Kleihues (1933–2004) was one of the most prolific architects of postwar Germany, famous both as the Director of the International Building Exhibition Berlin in 1987 and for his design for the Museum of Contemporary Art in Chicago. He was also known for his sensitive interventions into older buildings, an instance of which is the former Hamburger Bahnhof - now the Museum für Gegenwart - in Berlin, where Kleihues intermixed glass walls and light installations by the American Minimalist Dan Flavin with the building’s original nineteenth-century Neoclassical design. (His reconstruction was widely deemed to rival or even surpass Gae Aulenti's overhaul of the interior of the Musée d'Orsay in Paris.) This first volume of a three-part monograph presents projects up to 1980, including the highly acclaimed Berlin Sanitation Department and the Neukölln Hospital. Even in these early works, Kleihues’ practical, problem-solving approach is already evident, indicating his readiness to reflect on the traditional approaches of Modern architecture and his capacity to expand them in interesting ways. This very generously illustrated volume was designed by Kleihues himself, just before his death in 2004.
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mars 2008, Ostfildern
Architecture, monographies
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Architectural design and the curatorial share a non-disciplinary background, and aim to assemble diverse forms of knowledge rather than specializing. Inherently transdisciplinary, then, they are at odds with the increasing division of labor in all fields of knowledge and practice. In the face of professionalization, which limits our capacity to intervene comprehensively,(...)
Curatorial design: A place between
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Architectural design and the curatorial share a non-disciplinary background, and aim to assemble diverse forms of knowledge rather than specializing. Inherently transdisciplinary, then, they are at odds with the increasing division of labor in all fields of knowledge and practice. In the face of professionalization, which limits our capacity to intervene comprehensively, design and the curatorial challenge specialization and produce relational knowledge. They intend to create an in-between place, as together they form a novel practice that—in combining heterogenous forms of knowledge—takes center stage rather than serving as a moderator or mediator of sorts. What unites them is the assertion of a relational form, the autonomy of which consists precisely in teasing out relations between different elements. What happens to architectural design when it consciously enters a relationship with the curatorial? The book is aimed at practitioners and educators in the field of architecture and design, as well as curators and exhibition makers. It contains three photo series by Armin Linke that accompany the three sections of the book: "Public School for Architecture", "Total Reconstruction," and "Designing for Co-Habitation."
Muséologie
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Le 15 avril 2019, sous les yeux sidérés du monde entier, Notre- Dame de Paris brûlait. Si cet incendie est indiscutablement d’origine accidentelle, toutes les conditions pour qu’il survienne et prenne les dimensions que l’on connaît étaient réunies : un entretien insuffisant du monument, des économies effectuées aux dépens de la sécurité, un système anti-incendie peu(...)
Notre-Dame : Une affaire d'état
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Le 15 avril 2019, sous les yeux sidérés du monde entier, Notre- Dame de Paris brûlait. Si cet incendie est indiscutablement d’origine accidentelle, toutes les conditions pour qu’il survienne et prenne les dimensions que l’on connaît étaient réunies : un entretien insuffisant du monument, des économies effectuées aux dépens de la sécurité, un système anti-incendie peu performant et un chantier de restauration qui constituait un facteur de risques supplémentaires. À travers le récit des faits, Didier Rykner s’intéresse à tous les aspects de ce drame. Comment a-t-il été possible et quelles en sont les causes probables? Pourquoi a-t-il suscité autant de polémiques (les dons des grands mécènes, les délais, la reconstruction de la flèche, la loi d’exception, la pollution au plomb…), dont certaines (la question des abords ou les fouilles archéologiques) sont toujours d’actualité? Didier Rykner montre que le chantier de restauration se déroule malgré tout dans de bonnes conditions, avec un espoir de pouvoir entrer bientôt dans un édifice qui ne sera pas « plus beau » qu’avant, mais qui sera dans un état de conservation beaucoup plus satisfaisant, dont on aimerait qu’il soit aussi celui des autres monuments historiques.
Vera Röhm
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which(...)
avril 2006, London
Vera Röhm
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Vera Röhm’s name comes up in discussions of contemporary constructive art as an unorthodox example of the sculptural approach. Since the beginning of her artistic career she has been concerned with a repertoire of elementary geometric shapes. Her approach plays upon different kinds of distortion: incisions, cross-sections, mutilation and restoration/reconstruction; which bring about an increased richness of form and complexity, and challenge the viewer’s imagination. Metamorphosis of materials in "Integrations", multiplication of shapes in "Shadow Objects", not to forget her photographs of the Jaipur Observatory – all of these offer unexpected angles on the real world. When her works include written words – as is the case with her cube-series bearing the inscription "Night Is The Shadow of The Earth" – this can be associated with Concrete Poetry. Her work in general also falls within the tradition of Constructivism, although there is an almost temperamental inclination to geometrical form, which is always manifest in the rich variations of shape that inform her sculptures. This first comprehensive presentation of the artist’s work in the English language is accompanied by essays by the poet and critic Eugen Gomringer and the art historian Stephen Bann.
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Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a(...)
Newark: a history of race, rights, and riots in America
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Newark's volatile past is infamous. The city has become synonymous with the Black Power movement and urban crisis. Its history reveals a vibrant and contentious political culture punctuated by traditional civic pride and an understudied tradition of protest in the black community. Newark charts this important city's place in the nation, from its founding in 1666 by a dissident Puritan as a refuge from intolerance, through the days of Jim Crow and World War II civil rights activism, to the height of postwar integration and the election of its first black mayor. In this broad and balanced history of Newark, Kevin Mumford applies the concept of the public sphere to the problem of race relations, demonstrating how political ideas and print culture were instrumental in shaping African American consciousness. He draws on both public and personal archives, interpreting official documents-such as newspapers, commission testimony, and government records-alongside interviews, political flyers, meeting minutes, and rare photos. From the migration out of the south to the rise of public housing and ethnic conflict, Newark explains the impact of African Americans on the reconstruction of American cities in the twentieth century.
Théorie/ philosophie