21393 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257482
Description:
11 files - "Permanent Files" 3 Blocks, Prince Rupert, SFU, Urban Study, Water in the Urban Environment, Brookswood-Fernridge com., Burrard Intel Study, CourtHouse Renovation, Daon Northshore Development, Granville Watrfront. Inner City
ARCH257482
Description:
11 files - "Permanent Files" 3 Blocks, Prince Rupert, SFU, Urban Study, Water in the Urban Environment, Brookswood-Fernridge com., Burrard Intel Study, CourtHouse Renovation, Daon Northshore Development, Granville Watrfront. Inner City
Personnes et institutions:
Titre:
Permanent Files for various projects
Actions:
ARCH257482
Description:
11 files - "Permanent Files" 3 Blocks, Prince Rupert, SFU, Urban Study, Water in the Urban Environment, Brookswood-Fernridge com., Burrard Intel Study, CourtHouse Renovation, Daon Northshore Development, Granville Watrfront. Inner City
Permanent Files for various projects
Actions:
ARCH257482
Description:
11 files - "Permanent Files" 3 Blocks, Prince Rupert, SFU, Urban Study, Water in the Urban Environment, Brookswood-Fernridge com., Burrard Intel Study, CourtHouse Renovation, Daon Northshore Development, Granville Watrfront. Inner City
Classification:
documents textuels
documents textuels
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Personnes et institutions:
Date:
2004-2006
2004-2006
Titre:
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
I’ve heard about and Hypnosis chamber
Actions:
AP193.S2
Description:
Series 2, I’ve heard about and Hypnosis chamber, 2004-2006, relates to the conception of the urban structure “I’ve heard about”. The records contain algorithmically-generated images, renderings, pictures of models and exhibitions. There are also photographs of the contour crafting process, 3D models and animated renderings illustrating the construction process of the structure. The project is a conceptual, unbuilt project that is meant to be a habitable organism, an adaptive landscape in a constant state of evolution. By means of transitory scenarios in which the operational mode is entropy and uncertainty, it develops open algorithms based on growth scripts permeable not only to human expressions, but also to the most discrete data such as the chemical emissions (for example due to stress or anxiety) of those who inhabit it. The chemical information is harvested through nanoreceptors feeding the VIAB machine with information. This biostructure becomes the visible part of human contingencies and their negotiation in real time. The structure is conceptualized to be in constant construction through the VIAB machine which is also a constituent of the structure itself. It secretes fiber cement, shaping the landscape where it is located and through which it moves. It generates the reticular structure using a process modelled on contour crafting. The VIAB machine was developed with Robotics Research Lab of the University of Southern California and takes its name from the terms viability and variability. R&Sie(n) considers that due to its mode of emergence “I’ve heard about” fabrication is not subjugated to any political power. Hypnosis chamber is a component of “I’ve heard about”. It consists of an indoor chamber, which was realized as a full-scale sample constructed through automated machinery. The chamber is situated as a part of the whole urban structure presented by “I’ve heard about,” and its goal is to immerse the audience into the project, into a fictional environment only reachable by hypnosis. In this context, hypnosis is a way to help citizens escape from their social condition and experience the new condition of citizenship imagined in “I’ve heard about”, where democracy is re-evaluated as a process of self-determination. Both parts of the projects were shown in contemporary art museums. First at Musée d’art de la ville de Paris in Paris (2005), the Hypnotic chamber is permanently on view at Towada Art Center in Towanda, Japan. AP193.S4 contains a video orienting the project into François Roche theoretical stance, research as speculation, that can be summarize as the use of technological tools to take a critical and political position through esthetic in order to open new lines of thoughts. AP193.S4 contains an updated version of the VIAB machine
Niveau de description archivistique:
Series
Series
Date:
2004-2006
2004-2006
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP056.S1.1989.PR08.042
Description:
These drawings were produced by Milus Bollenberge Topps Watchorn Landscape Architects and Urban Designers.
AP056.S1.1989.PR08.042
Description:
These drawings were produced by Milus Bollenberge Topps Watchorn Landscape Architects and Urban Designers.
Personnes et institutions:
Date:
1990
1990
Titre:
Planting and tree type drawings, Kitchener City Hall Competition
Actions:
AP056.S1.1989.PR08.042
Description:
These drawings were produced by Milus Bollenberge Topps Watchorn Landscape Architects and Urban Designers.
Planting and tree type drawings, Kitchener City Hall Competition
Actions:
AP056.S1.1989.PR08.042
Description:
These drawings were produced by Milus Bollenberge Topps Watchorn Landscape Architects and Urban Designers.
Classification:
dessins
dessins
Date:
1990
1990
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP140.S2.SS1.D63.P31
Description:
maps, elevations and photographs of existing buildings, axonometrics and perspectives for the Collegetown urban design study
AP140.S2.SS1.D63.P31
Description:
maps, elevations and photographs of existing buildings, axonometrics and perspectives for the Collegetown urban design study
Personnes et institutions:
Date:
circa 1971-1989
circa 1971-1989
Titre:
Maps, elevations and photographs of existing buildings, Performing Arts Centre, Cornell University, Ithaca, New York
Actions:
AP140.S2.SS1.D63.P31
Description:
maps, elevations and photographs of existing buildings, axonometrics and perspectives for the Collegetown urban design study
Maps, elevations and photographs of existing buildings, Performing Arts Centre, Cornell University, Ithaca, New York
Actions:
AP140.S2.SS1.D63.P31
Description:
maps, elevations and photographs of existing buildings, axonometrics and perspectives for the Collegetown urban design study
Classification:
dessins
dessins
Date:
circa 1971-1989
circa 1971-1989
Personnes et institutions:
Classification:
événements
événements
Actions:
Date:
5 octobre 2023, 18h30
5 octobre 2023, 18h30
Classification:
événements
événements
Date:
5 octobre 2023
18h30
5 octobre 2023
18h30
Niveau de description archivistique:
Sous-série
Sous-série
Numéro de référence:
AP001.S3.SS01
Description:
Cette sous-série documente l'implication d'Ernest Cormier dans diverses associations et ordres professionnels entre 1913 et 1975, incluant l'Ordre des Architectes du Québec, l'Association des architectes de la province de Québec et la Royal Architectural Institute of Canada. La sous-séries inclus des rapports, des procès verbaux, de la correspondance, des coupures de presse, des communiqués et des bulletins publiés par les différentes associations, ainsi que des documents relatifs à la participation de Cormier à des commissions d'urbanisme ou des jurys de selection de projets architecturaux.
AP001.S3.SS01
Description:
Cette sous-série documente l'implication d'Ernest Cormier dans diverses associations et ordres professionnels entre 1913 et 1975, incluant l'Ordre des Architectes du Québec, l'Association des architectes de la province de Québec et la Royal Architectural Institute of Canada. La sous-séries inclus des rapports, des procès verbaux, de la correspondance, des coupures de presse, des communiqués et des bulletins publiés par les différentes associations, ainsi que des documents relatifs à la participation de Cormier à des commissions d'urbanisme ou des jurys de selection de projets architecturaux.
Personnes et institutions:
Date:
1913-1975
1913-1975
Titre:
Associations, comités, et jurys
Actions:
AP001.S3.SS01
Description:
Cette sous-série documente l'implication d'Ernest Cormier dans diverses associations et ordres professionnels entre 1913 et 1975, incluant l'Ordre des Architectes du Québec, l'Association des architectes de la province de Québec et la Royal Architectural Institute of Canada. La sous-séries inclus des rapports, des procès verbaux, de la correspondance, des coupures de presse, des communiqués et des bulletins publiés par les différentes associations, ainsi que des documents relatifs à la participation de Cormier à des commissions d'urbanisme ou des jurys de selection de projets architecturaux.
Associations, comités, et jurys
Actions:
AP001.S3.SS01
Description:
Cette sous-série documente l'implication d'Ernest Cormier dans diverses associations et ordres professionnels entre 1913 et 1975, incluant l'Ordre des Architectes du Québec, l'Association des architectes de la province de Québec et la Royal Architectural Institute of Canada. La sous-séries inclus des rapports, des procès verbaux, de la correspondance, des coupures de presse, des communiqués et des bulletins publiés par les différentes associations, ainsi que des documents relatifs à la participation de Cormier à des commissions d'urbanisme ou des jurys de selection de projets architecturaux.
Niveau de description archivistique:
Sous-série
Sous-série
Date:
1913-1975
1913-1975
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Personnes et institutions:
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
Titre:
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Casa Verde, Pozuelo de Alarcón, Madrid, Spain (1997)
Actions:
AP164.S1.1997.D4
Description:
The project series documents the design of the “Green House” for Mariano Maqueda and Olga Montón, in Pozuelo de Alarcón, in the Community of Madrid, Spain. The firm identified this project as number 103. “The project is located in a typical bit of middle-class suburbia, in which low-density housing, wasteland, amenities and clumps of pine trees intermingle, giving form to the idea of an urban existence that is in contact with nature. [Abalos & Herreros] decided to be extremely direct and to stress this aspiration by using gardening techniques. In fact, the house as a whole can be understood as an example of a giant ars-topiaria, an idea that is not at odds with the fact that it will be lived in by a landscape architect. The sloping topography is taken advantage of to build a house that has continuity with the natural environment, avoiding differentiation between the house and the terrain: the whole house is garden and the whole garden is house. The project is, then, a topological mechanism for arranging and modeling the land so as to increase and to obtain maximum enjoyment from the landscape’s weaker stimuli: the pine trees, the near-by stream, the setting of the sun over the skyline of Madrid from the house’s highest point… Natural views and artificial views: a green machine.” (ARCH270971) Documenting the project are conceptual, design development and working drawings, forms, invoices and contracts.
Niveau de description archivistique:
Project
Project
Date:
1995-1999, predominant 1997-1998
1995-1999, predominant 1997-1998
Personnes et institutions:
Classification:
dessins, documents textuels
dessins, documents textuels
Numéro de référence:
ARCH270947
Description:
Part 1, tome 1: urban planning. It contains the project description and topological and earthmoving plans.
ARCH270947
Description:
Part 1, tome 1: urban planning. It contains the project description and topological and earthmoving plans.
Personnes et institutions:
Date:
June 1998
June 1998
Titre:
Ring binder with textual records and plans from the project Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid, Spain
Actions:
ARCH270947
Description:
Part 1, tome 1: urban planning. It contains the project description and topological and earthmoving plans.
Ring binder with textual records and plans from the project Planta de reciclaje de residuos urbanos de Valdemingómez, Madrid, Spain
Actions:
ARCH270947
Description:
Part 1, tome 1: urban planning. It contains the project description and topological and earthmoving plans.
Classification:
dessins, documents textuels
dessins, documents textuels
Date:
June 1998
June 1998
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP206.S1.1960.PR01.005
Description:
These drawings appear to be from later work done on the theatre for the Department of Urban Planning, Chandigarh Administration.
AP206.S1.1960.PR01.005
Description:
These drawings appear to be from later work done on the theatre for the Department of Urban Planning, Chandigarh Administration.
Personnes et institutions:
Date:
1999-2001
1999-2001
Titre:
Rehearsal space proposal, plans and sections, Tagore Theatre, Chandigarh, India
Actions:
AP206.S1.1960.PR01.005
Description:
These drawings appear to be from later work done on the theatre for the Department of Urban Planning, Chandigarh Administration.
Rehearsal space proposal, plans and sections, Tagore Theatre, Chandigarh, India
Actions:
AP206.S1.1960.PR01.005
Description:
These drawings appear to be from later work done on the theatre for the Department of Urban Planning, Chandigarh Administration.
Classification:
dessins
dessins
Date:
1999-2001
1999-2001
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH254904
Description:
Ùrban design confernece, study and proposal for San Francisco Public Library brochure, clipping and reports
ARCH254904
Description:
Ùrban design confernece, study and proposal for San Francisco Public Library brochure, clipping and reports
Personnes et institutions:
Titre:
Planning San Francisco
Actions:
ARCH254904
Description:
Ùrban design confernece, study and proposal for San Francisco Public Library brochure, clipping and reports
Planning San Francisco
Actions:
ARCH254904
Description:
Ùrban design confernece, study and proposal for San Francisco Public Library brochure, clipping and reports
Classification:
documents textuels
documents textuels
Personnes et institutions:
