Architecte et ingénieur en hydraulique, Luca Danese est actif dans le nord-est de l’Italie durant la première moitié du XVIIe siècle. Sa carrière, bien qu’ancrée dans la géographie particulière du delta du Pô, sera influencée et façonnée par l’hydropolitique plus large du gouvernement papal, occupé à transformer l’infrastructure hydraulique de Rome. C’est aussi l’époque(...)
Salle d'étude Mot(s)-clé(s):
chercheur en résidence 2023, séminaire, recherche, Andrea Bagnato, Luca Danese, Italie, XVIIe siècle, hydropolitique, eau
6 juillet, 18 h
Séminaire de chercheur en résidence : Andrea Bagnato
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Architecte et ingénieur en hydraulique, Luca Danese est actif dans le nord-est de l’Italie durant la première moitié du XVIIe siècle. Sa carrière, bien qu’ancrée dans la géographie particulière du delta du Pô, sera influencée et façonnée par l’hydropolitique plus large du gouvernement papal, occupé à transformer l’infrastructure hydraulique de Rome. C’est aussi l’époque(...)
Salle d'étude Mot(s)-clé(s):
chercheur en résidence 2023, séminaire, recherche, Andrea Bagnato, Luca Danese, Italie, XVIIe siècle, hydropolitique, eau
L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
Salles principales
2 mai 1990 au 21 octobre 1990
Ernest Cormier et l'Université de Montréal
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L’exposition témoigne de l’œuvre maîtresse de Cormier, l’Université de Montréal, construite sur le versant nord-ouest du mont Royal entre 1928 et 1943. Elle permet de situer l’architecte montréalais ainsi que son œuvre dans un courant international de pensée où convergent les influences nord-américaines et européennes. Les documents qu’on y présente proviennent en grande(...)
Salles principales
graphique
ARCH153788
Description:
Various posters advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 (2) Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 (2) Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] (2) Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 (2) O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 (2) Philip Johnson: Processes, September 12 to October 31, 1978 (2) Wallace Harrison: Fifty Years of Architecture, December 13, 1979 to January 13, 1980 (1) On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves] (2)
1977-1982
Various posters advertising IAUS exhibitions
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ARCH153788
Description:
Various posters advertising IAUS exhibitions: Clorindo Testa: Architecture and Personal Mythology; November 9 to 25, 1981 (2) Office for Metropolitan Architecture: Toward a modern (re)construction of the European City - Four Housing Projects; March 12 to May 28, 1982 (2) Princeton's Beaux-Arts and its New Academicism from Labatut to the Program of Geddes - An Exhibition of Original Drawings over Fifty Years; January 27 to February 18 [?] (2) Gwathmey Siegel Architects : Twenty-four Residences; December 15, 1977 to January 15, 1978 (2) O.M. Ungers : An Exhibition of Architecture, May 6 to May 31, 1977 (2) Philip Johnson: Processes, September 12 to October 31, 1978 (2) Wallace Harrison: Fifty Years of Architecture, December 13, 1979 to January 13, 1980 (1) On Style - Two Evenings at the IAUS, December 6 and 8, 1982; [The Portland Building by Michael Graves] (2)
graphique
1977-1982
Projet
AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
2003-2005
Plan de ordenación territorial, Costa del Sol, Spain (2004)
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AP164.S1.2004.D3
Description:
The project series documents the masterplan of territorial organization of the Costa del Sol, in Spain, for the account of the Secretaría General de Ordenación del Territorio y Urbanismo and the Consejeria de obras publicas y transportes of the governement of Andalucia. The firm identified this project as number 181. "Our purpose is to convert the Costa del Sol in an authentic contemporary metacity, to put it on the map of Europe's principal cities and to organize an individual and [the] unstoppable development of each municipality into a wider framework that allows the integration of infrastructures through ecological-technical corridors demanded for a metropolitan scale. It also states the authentic urban value in addition to the local natural one." (ARCH270975) Abalos & Herreros worked with Jose Seguí, Jose Maria Ezquiaga (?) and Salvador Rueda Documenting the project are conceptual, design development and presentation drawings, cartographic, photographic and reference materials, correspondence, notes and presentation documents.
Project
2003-2005
Série(s)
CI007.S1
Description:
The series contains materials related to Mies van der Rohe's work as an architect, consulting architect, interior designer, and furniture designer. It documents various architectural projects in America and in Europe, predominantly in the United States and in Germany, between 1923 and 1958. The material in the series was produced between 1918 and 2000. Included are materials related to some of Mies' major projects as an architect, such as pavillion designs for the Illinois Institute of Technology in Chicago (1936-1958) and the Seagram Building in New York (1949-1958), Mies' work as consulting architect for the Toronto-Dominion Centre in Canada (1962-1985), as well as commissions for private residences, mainly in Germany and in the United States. The series also includes material related to his work for furniture designs. Documenting Mies's projects are photographs, textual documentation including notes, and some drawings, mainly conceptual sketches.
1918-2000
Architectural projects by Mies
CI007.S1
Description:
The series contains materials related to Mies van der Rohe's work as an architect, consulting architect, interior designer, and furniture designer. It documents various architectural projects in America and in Europe, predominantly in the United States and in Germany, between 1923 and 1958. The material in the series was produced between 1918 and 2000. Included are materials related to some of Mies' major projects as an architect, such as pavillion designs for the Illinois Institute of Technology in Chicago (1936-1958) and the Seagram Building in New York (1949-1958), Mies' work as consulting architect for the Toronto-Dominion Centre in Canada (1962-1985), as well as commissions for private residences, mainly in Germany and in the United States. The series also includes material related to his work for furniture designs. Documenting Mies's projects are photographs, textual documentation including notes, and some drawings, mainly conceptual sketches.
series
1918-2000
À partir de jeux et de jouets d’architecture choisis dans la collection du CCA, y compris 33 jouets d’architecture nord-américains et européens datant du début du XIXe siècle jusqu’à 1995, Maisons de rêve, maisons jouets examine les notions de domicile, d’enfance, de jeu, d’apprentissage et de rôle déterminé selon le sexe. Cette exposition montre comment les jouets(...)
Maisons de rêve, maisons jouets
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À partir de jeux et de jouets d’architecture choisis dans la collection du CCA, y compris 33 jouets d’architecture nord-américains et européens datant du début du XIXe siècle jusqu’à 1995, Maisons de rêve, maisons jouets examine les notions de domicile, d’enfance, de jeu, d’apprentissage et de rôle déterminé selon le sexe. Cette exposition montre comment les jouets(...)
Rejoignez-nous ce soir, 9 juin 2011 à 18 h dans la maison Shaughnessy. La chercheure en résidence Elisabeth Essaïan présente ses recherches sur l’urbanisme de la période stalinienne et considère de façon critique la réception, dans les publications en Europe et en Amérique du Nord, de la production des années 1920-50. Cliquez ici pour lévénement Facebook. Consultez(...)
Maison Shaughnessy
9 juin 2011 , 18h
Séminaire de chercheur en résidence : Elisabeth Essaïan
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Description:
Rejoignez-nous ce soir, 9 juin 2011 à 18 h dans la maison Shaughnessy. La chercheure en résidence Elisabeth Essaïan présente ses recherches sur l’urbanisme de la période stalinienne et considère de façon critique la réception, dans les publications en Europe et en Amérique du Nord, de la production des années 1920-50. Cliquez ici pour lévénement Facebook. Consultez(...)
Maison Shaughnessy
Série(s)
Dessins et tableaux
AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
1917-1955
Dessins et tableaux
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AP104.S1
Description:
Series I consists of sketches, drawings and paintings, mostly created by Parizeau. From the period he spent in Europe (1923-1933), there are 11 student drawings in the standard presentation format of the École des Beaux-arts de Paris, a volume of course notes, as well as unidentified drawings, sketchbooks and paintings of primarily buildings and landscapes executed in Paris and during his travels in France. Drawings relating to Parizeau's architectural career in Montreal are represented in a number of independant projects, including a small chapel beside the St. Lawrence River, a pair of two-storey cabin-cottages outside of Montreal, and several residences in the city. The documents are mostly original preliminary studies with some reproductions of working drawings. It should be noted that there are also photographs of exterior details of the Laroque Residence and the Jarry Residence in documents CO2 in Series II. Reproductions of designs for worker housing by French architect Eugène Beaudoin in 1938 perhaps give a clue to Parizeau's relatively early employment of modernist forms. A residence in Baie D'Urfé is unlikely to be connected to Parizeau because its date, ca. 1955, is a decade after his death. Parizeau's concern with furniture and interior design is represented in the Archive with many lively perspective sketches in colour, and elevation and plan studies of several kinds of rooms and types of furniture. Some preliminary drawings for interiors were grouped with the Gillow house in Ville Mont-Royal, and the Walter Downs Residence in Montreal. The artworks by Parizeau consist of paintings and drawings of landscapes, buildings, still lifes and figure studies on loose sheets and in bound sketchbooks. These works are executed in a variety of media, including pencil, coloured pencil, watercolour on paper, and oil paint on masonite panels. Studies of buildings in Brittany and Paris are the subjects in three small sketchbooks, while larger spiral-bound drawing books contain some architectural plans, elevations and details. Most of these artworks and sketches were likely created in Europe before 1933.
Série 1
1917-1955
articles
C’était le futur
archives
Niveau de description archivistique:
Fonds
Aditya Prakash fonds
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
1947-2008
Aditya Prakash fonds
Actions:
AP206
Résumé:
The Aditya Prakash fonds documents the professional practice of modernist Indian architect Aditya Prakash from his studies in London in 1947 to his death in 2008. His seminal work as a junior architect on the Chandigarh Capitol Project in the 1950s is recorded along with documentation from his solo career after 1960, including approximately 82 architectural projects. His professional work as an artist, photographer, writer, academic and theatre enthusiast are also well documented through drawings, photographic materials and textual records.
archives
Niveau de description archivistique:
Fonds
1947-2008