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1 online resource
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[Place of publication not identified] : Strelka Press, 2014.
[Place of publication not identified] : Strelka Press, 2014.
Titre:
Before and After: : Documenting the Architecture of Disaster.
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1 online resource
Before and After: : Documenting the Architecture of Disaster.
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1 online resource
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[Place of publication not identified] : Strelka Press, 2014.
[Place of publication not identified] : Strelka Press, 2014.
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Link Editions 2016
Link Editions 2016
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Link Editions 2016
Link Editions 2016
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$32.50
(disponible sur commande)
Résumé:
Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of(...)
$32.50
(disponible sur commande)
Résumé:
Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of(...)
Titre:
Who are you? : identification, deception, and surveillance in early modern Europe
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$32.50
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Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of identification practices and identity papers. The documents, seals, stamps, and signatures were — and are — powerful tools that created the double of a person in writ and bore the indelible signs of bureaucratic authenticity. Ultimately, as Groebner lucidly explains, they revealed as much about their makers’ illustory fantasies as they did about their bearers’ actual identity. The bureaucratic desire to register and control the population created, from the sixteenth century onward, an intricate administrative system for tracking individual identities. Most important, the proof of one’s identity was intimately linked and determined by the identification papers the authorities demanded and endlessly supplied. At the same time, these papers and practices gave birth to two uncanny doppelgängers of administrative identity procedures : the spy who craftily forged official documents and passports, and the impostor who dissimulated and mimed any individual he so disired. Through careful research and powerful narrative, Groebner recounts the complicated and bizarre stories of the many ways in which identities were stolen, created, and doubled. Groebner argues that identity papers cannot be interpreted literally as pure and simple documents. They are themselves pieces of history, histories of individuals and individuality, papers that both document and transform their owner’s identity — from Renaissance vagrants and gypsies to the illegal immigrants of today who remain "sans papiers", without papers.
Who are you? : identification, deception, and surveillance in early modern Europe
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$32.50
(disponible sur commande)
Résumé:
Who are you? And how can you prove it? How were individuals described and identified by people who had never seen them before, in the centuries before photography and fingerprinting, in a world without centralized administrations, where names and addresses were constantly changing? In "Who are you?", Valentin Groebner traces the early modern European history of identification practices and identity papers. The documents, seals, stamps, and signatures were — and are — powerful tools that created the double of a person in writ and bore the indelible signs of bureaucratic authenticity. Ultimately, as Groebner lucidly explains, they revealed as much about their makers’ illustory fantasies as they did about their bearers’ actual identity. The bureaucratic desire to register and control the population created, from the sixteenth century onward, an intricate administrative system for tracking individual identities. Most important, the proof of one’s identity was intimately linked and determined by the identification papers the authorities demanded and endlessly supplied. At the same time, these papers and practices gave birth to two uncanny doppelgängers of administrative identity procedures : the spy who craftily forged official documents and passports, and the impostor who dissimulated and mimed any individual he so disired. Through careful research and powerful narrative, Groebner recounts the complicated and bizarre stories of the many ways in which identities were stolen, created, and doubled. Groebner argues that identity papers cannot be interpreted literally as pure and simple documents. They are themselves pieces of history, histories of individuals and individuality, papers that both document and transform their owner’s identity — from Renaissance vagrants and gypsies to the illegal immigrants of today who remain "sans papiers", without papers.
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livres
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mars 2007, New York
mars 2007, New York
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Théorie de l’architecture
Théorie de l’architecture
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audio
audio
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1 online resource.
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[Place of publication not identified] : The Funambulist, 2016.
[Place of publication not identified] : The Funambulist, 2016.
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audio
audio
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[Place of publication not identified] : The Funambulist, 2016.
[Place of publication not identified] : The Funambulist, 2016.
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North Warning System / Donovan Wylie ; book design: Donovan Wylie, Gerhard Steidl, Bernard Fischer.
North Warning System / Donovan Wylie ; book design: Donovan Wylie, Gerhard Steidl, Bernard Fischer.
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38 unnumbered pages : color illustrations; 24 x 30 cm
Description:
38 unnumbered pages : color illustrations; 24 x 30 cm
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Göttingen, Germany : Steidl, 2014., ©2014
Göttingen, Germany : Steidl, 2014., ©2014
Titre:
North Warning System / Donovan Wylie ; book design: Donovan Wylie, Gerhard Steidl, Bernard Fischer.
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Description:
38 unnumbered pages : color illustrations; 24 x 30 cm
North Warning System / Donovan Wylie ; book design: Donovan Wylie, Gerhard Steidl, Bernard Fischer.
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Description:
38 unnumbered pages : color illustrations; 24 x 30 cm
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livres
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Göttingen, Germany : Steidl, 2014., ©2014
Göttingen, Germany : Steidl, 2014., ©2014
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Library Stack 2019
Library Stack 2019
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livres
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Library Stack 2019
Library Stack 2019
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Institute of Network Cultures 2024
Institute of Network Cultures 2024
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livres
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Institute of Network Cultures 2024
Institute of Network Cultures 2024
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$63.95
(disponible sur commande)
Résumé:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
$63.95
(disponible sur commande)
Résumé:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its(...)
Publication:
mars 2002, Karlsruhe, Germany / Cambridge, Massachusett
mars 2002, Karlsruhe, Germany / Cambridge, Massachusett
Titre:
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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$63.95
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Résumé:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
CTRL (space) : rhetorics of surveillance from Bentham to big brother
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Prix:
$63.95
(disponible sur commande)
Résumé:
This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people’s minds. Traditional imaging and tracking systems have given way to infinitely more powerful “dataveillance” technologies, as an evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks at the shifting relationships between design and power, imaging and oppression, from the eighteenth to the twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. The artists whose panoptical preoccupations are featured include, among others, Sophie Calle, Diller + Scofidio, Dan Graham, Pierre Huyghe, Michael Klier, Rem Koolhaas, Bruce Nauman, Yoko Ono, Thomas Ruff, Julia Scher, Andy Warhol, and Peter Weibel. This book, along with the exhibition it accompanies, is the first state-of-the-art survey of panopticism--in digital culture, architecture, television, video, cinema, painting, photography, conceptual art, installation work, robotics, and satellite imaging.
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livres
livres
Publication:
mars 2002, Karlsruhe, Germany / Cambridge, Massachusett
mars 2002, Karlsruhe, Germany / Cambridge, Massachusett
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Description:
377 pages : illustrations ; 23 cm
Description:
377 pages : illustrations ; 23 cm
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Durham : Duke University Press, [2015]
Durham : Duke University Press, [2015]
Titre:
Strip cultures : finding America in Las Vegas / the Project on Vegas: Stacy M. Jameson, Karen Klugman, Jane Kuenz & Susan Willis ; photos by Karen Klugman.
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Description:
377 pages : illustrations ; 23 cm
Strip cultures : finding America in Las Vegas / the Project on Vegas: Stacy M. Jameson, Karen Klugman, Jane Kuenz & Susan Willis ; photos by Karen Klugman.
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Description:
377 pages : illustrations ; 23 cm
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livres
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Durham : Duke University Press, [2015]
Durham : Duke University Press, [2015]
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audio
audio
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1 online resource.
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[Place of publication not identified] : The Funambulist, 2015.
[Place of publication not identified] : The Funambulist, 2015.
Classification:
audio
audio
Publication:
[Place of publication not identified] : The Funambulist, 2015.
[Place of publication not identified] : The Funambulist, 2015.
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