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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and(...)
Walter Niedermayr : recollection
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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and other smaller cities and historical sites. His travels spurred the undertaking of a new series examining Iranian architecture in its cultural and historical context. The resulting photographs reveal a wild mingling of east and west as older buildings jostle with colorful billboards, beltways and apartment blocks that look as if they could be located anywhere in the world. As with Niedermayr's famous winter landscapes, the majestic, pale color composition of these photographs transports them far beyond mere documentary, towards a sense of tremendous scale and implied political narrative.
Monographies photo
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Deep Veils is an architecture monograph on veils, thickness, and envelopes in architecture as a counter narrative to transparency, openness, and clarity that underpin orthodox Modern architecture. The book features ten small projects completed in South East Asia between 2007-2012 that explore various architectural ideas under the rubric of “deep veils”. Each project(...)
Deep veils: Eric L'Heureux and Pencil Office
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Deep Veils is an architecture monograph on veils, thickness, and envelopes in architecture as a counter narrative to transparency, openness, and clarity that underpin orthodox Modern architecture. The book features ten small projects completed in South East Asia between 2007-2012 that explore various architectural ideas under the rubric of “deep veils”. Each project responds to questions of envelope, surface, skin, form, atmosphere, perception and topicality. The projects represented within the book define in various ways how deep veils in architecture are manifest utilizing opaque and solid materials to produce forms of translucency, depth, and hazy atmospheres. Traced through the artistic legacies of Gertrud Arndt to Optical Art, the architectural theories of Gottfried Semper, Adolf Loos, and the work of Le Corbusier, Kahn, and Durell Stone, a new direction for architecture, perception, and thickness is put forth.
Architecture, monographies
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
livres
VMX Architects: agenda
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Architectural history often remains silent on the subject of how architecture is born. The VMX Architects Agenda demonstrates that this very aspect can be instructive. Within its pages VMX Architects ask : "What is it that constitutes our firm? Who or what has shaped us, influenced us, has continued to inspire us?" Leafing through ten years of office diaries they identify(...)
VMX Architects: agenda
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Architectural history often remains silent on the subject of how architecture is born. The VMX Architects Agenda demonstrates that this very aspect can be instructive. Within its pages VMX Architects ask : "What is it that constitutes our firm? Who or what has shaped us, influenced us, has continued to inspire us?" Leafing through ten years of office diaries they identify influences from their student years, from architectural discourse, social context and daily practice. Memories, facts, speculations and anecdotes take turns in a narrative that is both unique and generic. It is the personal history of VMX, but also the description of occurrences familiar to every architect. The sum total is a story of well-spent time, lost time, gained time and of ideals over time. The VMX Agenda is the truth, "inasmuch as truth is what we produce".
livres
janvier 2007, Rotterdam
Architecture, monographies
$54.00
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Vast areas of the Netherlands and other states seem to be filling up with a suburban "matter" of low cost housing, low rent offices, warehouses and other low density elements. How are we to cope with this matter that is turning our environments into one "sea of mediocrity", one vast "greyness", an equation of difference and individualism? Is it possible to reconsider this(...)
Architecture, monographies
septembre 2006, Rotterdam
MVRDV : FARMAX - excursions on density
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Vast areas of the Netherlands and other states seem to be filling up with a suburban "matter" of low cost housing, low rent offices, warehouses and other low density elements. How are we to cope with this matter that is turning our environments into one "sea of mediocrity", one vast "greyness", an equation of difference and individualism? Is it possible to reconsider this situation by carrying density to extremes and ruffling the texture with inserts or polarities? This book examines the possibilities of these extremes. It sets out to discover the prospects and limitations, the world of the extreme Floor Area Ratio, FARMAX. FARMAX reads as an architectural narrative composed of studies and designs made by MVRDV and students from Delft University of Technology, the Berlage Institute and the Rotterdam Academy of Architecture and Urban Planning, along with contributions by other authors.
Architecture, monographies
$90.00
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Beirut-born, Paris-based architect Lina Ghotmeh (born 1980) specializes in ultra-contemporary, sustainable public and industrial buildings made from locally sourced natural materials. Her 2023 design for the Hermès leather workshop in Normandy, using the region’s traditional bricks, was the first manufacturing building in France to achieve net-zero carbon emissions.(...)
Windows of light: Lina Ghotmeh
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Beirut-born, Paris-based architect Lina Ghotmeh (born 1980) specializes in ultra-contemporary, sustainable public and industrial buildings made from locally sourced natural materials. Her 2023 design for the Hermès leather workshop in Normandy, using the region’s traditional bricks, was the first manufacturing building in France to achieve net-zero carbon emissions. Light, another natural and physical phenomenon, has also been another source of inspiration for Ghotmeh. Her research on this topic, collected in Windows of Light, draws upon examples from centuries of visual culture. Ghotmeh explores the symbols, myths and innovations of light, and outlines how it fundamentally shapes our biological, astronomical and architectural environments. Anchoring the many representations of light is a photographic narrative that reminds us that access to artificial light in many regions of the world remains a privilege rather than a right.
Matériaux et éclairage
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When we think of climate, the stories we tell about the future are often catastrophic: megastorms, crop failures, and heat waves loom over us, sending a signal that the problem is so vast, so complex, that it’s out of our control. That narrative is compelling for some, but leaves others feeling hopeless, helpless, and disillusioned. Even the most ardent champions of(...)
décembre 2025
Climate imagination: Dispatches from hopeful futures
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When we think of climate, the stories we tell about the future are often catastrophic: megastorms, crop failures, and heat waves loom over us, sending a signal that the problem is so vast, so complex, that it’s out of our control. That narrative is compelling for some, but leaves others feeling hopeless, helpless, and disillusioned. Even the most ardent champions of decarbonization sometimes focus more on sounding the alarm than on mapping out what success might look like. Without positive climate futures, visions of climate adaptation and resilience that we can work toward, it’s much harder to motivate broad-based efforts for change in the present. Through short speculative fiction, essays, and visual art, "Climate imagination" seeks to inspire a wave of narratives about what positive climate futures might look like for communities around the world.
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Some of the largest architecture firms have effectively become war corporations. At the same time as designing Olympic parks and world-famous buildings, they have constructed military bases, maintained weaponry, and trained personnel for wars in which hundreds of thousands of people have been killed. In some conflicts, the same firms have been contracted from invasion to(...)
Architecture for warfare: How corporations profit from destruction and rerconstruction
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Some of the largest architecture firms have effectively become war corporations. At the same time as designing Olympic parks and world-famous buildings, they have constructed military bases, maintained weaponry, and trained personnel for wars in which hundreds of thousands of people have been killed. In some conflicts, the same firms have been contracted from invasion to reconstruction, including facilitating military attacks, rebuilding war-damaged infrastructure, and establishing new governments. Architecture for Warfare tells the story of a form of multidisciplinary corporation that employs architects skilled in designing structures alongside former military personnel with experience handling live-fire weapons. It highlights the tensions and contradictions within these architecture-led firms that claim to make the world a better place. The book combines personal narrative with detailed research to reveal unsettling relations between design, planning, and armed conflict.
Théorie de l’architecture
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What if we were no longer allowed to build new structures? Questions like this — and many others — are raised in the exhibition "What If: A Change of Perspective by the German Sustainable Building Council (DGNB)." The DGNB is a non-profit association based in Stuttgart that has been advocating for future-oriented and responsible building for 18 years. With the DGNB(...)
What if: A change of perspective. Deutsche Gesellschaft für Nachhaltiges Bauen DGNB
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What if we were no longer allowed to build new structures? Questions like this — and many others — are raised in the exhibition "What If: A Change of Perspective by the German Sustainable Building Council (DGNB)." The DGNB is a non-profit association based in Stuttgart that has been advocating for future-oriented and responsible building for 18 years. With the DGNB Certification System, it has developed an internationally recognised planning and optimisation tool for assessing sustainable buildings and districts. The exhibition invites visitors to question conventional ways of thinking and to rediscover the essence of sustainable architecture: buildings and districts that offer people a good home, remain affordable, and provide design-driven answers to the climate crisis. A central narrative traces the evolution of sustainable building, accompanied by six thematic sections and the award-winning projects of the German Sustainability Award for Architecture.
Architecture écologique
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The existing art historical narrative on the early career and development of Donald Judd—a landmark figure in the history of postwar art—focuses predominantly on activities and reception in his homeland. As the artist established his formal and conceptual language and received his first critical and institutional recognition in the United States, remarkably little(...)
Donald Judd: The Low Countries, 1966–1971
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The existing art historical narrative on the early career and development of Donald Judd—a landmark figure in the history of postwar art—focuses predominantly on activities and reception in his homeland. As the artist established his formal and conceptual language and received his first critical and institutional recognition in the United States, remarkably little attention has been paid to what has happened on the other side of the Atlantic. Writing from Antwerp, Belgium and working with a rich array of sources from archives in Belgium and The Netherlands, Wouter Davids discloses that during the early years of his European career, Judd could count on significant critical and institutional interest in the European region better known as the Low Countries. The starting point is an interview with Judd for Belgian Radio and Television (BRT) from 1970, published here for the first time.