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livres
livres
Titre:
Exhibition experiments
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum(...)
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum(...)
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Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum experimentation, novel exhibitionary forms and their implications for knowledge and identity, transformations of architecture and design, narrative and navigation, juxtapositions of art with science and ethnography, the fate of conventional notions of "object" and "representation," and the disorientating yet stimulating consequences of all this for museum-going. This collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries. Contributors tackle a range of examples of experimentalism from many different countries and exhibition spaces, and combine them with cutting-edge museum theory.
Exhibition experiments
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Exhibition Experiments is a an anthology which considers experiments with museological form that challenge our understanding and experience of museums and exhibitions. Exploring examples from around the world, this publication investigates a range of topical issues which chart the frontier of museum studies. These include: the popularity and proliferation of museum experimentation, novel exhibitionary forms and their implications for knowledge and identity, transformations of architecture and design, narrative and navigation, juxtapositions of art with science and ethnography, the fate of conventional notions of "object" and "representation," and the disorientating yet stimulating consequences of all this for museum-going. This collection brings together a mix of art historians, anthropologists, curators, and sociologists to question traditional disciplinary boundaries. Contributors tackle a range of examples of experimentalism from many different countries and exhibition spaces, and combine them with cutting-edge museum theory.
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livres
livres
Publication:
mai 2012
mai 2012
Sujet:
Muséologie
Muséologie
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livres
livres
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines(...)
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines(...)
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Justin Kimball : pieces of string
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines their existence and relationship to their absent owners. "I use the camera's descriptive power and the photographic illusion of truth to create the narrative and inspire feelings about its subject," he writes of these images. "The resulting photographs are my perception of what happened in those spaces: who lived there? What was hidden and what was seen?" Kimball's color photographs explore the minutiae of everyday life and contemplate our brief and humble legacies before they are cleaned up and cast to the wind.
Justin Kimball : pieces of string
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For four years Justin Kimball (born 1961) accompanied his brother Doug, an auctioneer, into the houses of the recently deceased or dispersed. While Doug cleared these spaces of items for potential resale, Justin sought within them the evidence of an individual's life. Photographing "the smallest objects (a note, a box of hair pins, a stain on a pillow)," he reimagines their existence and relationship to their absent owners. "I use the camera's descriptive power and the photographic illusion of truth to create the narrative and inspire feelings about its subject," he writes of these images. "The resulting photographs are my perception of what happened in those spaces: who lived there? What was hidden and what was seen?" Kimball's color photographs explore the minutiae of everyday life and contemplate our brief and humble legacies before they are cleaned up and cast to the wind.
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livres
livres
Publication:
novembre 2012
novembre 2012
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published(...)
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published(...)
Titre:
Hans Ulrich Obrist: the future will be
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published with the Ullens Center for Contemporary Art, this is the first installment of a new series published by Pinacoteca Giovanni and Marella Agnelli. Participants include A Yi, Nadim Abbas, Ai Weiwei, Daniel A. Bell, Cao Fei, Yung Ho Chang, Chen Jiaying, Chen Xiaoyun, Chen Man, Chen Wei, Cheng Ran, Cheng Wenhao, Chi Huisheng, Heman Chong, Chu Yun, Ding Yi, Duan Jianyu, Fang Lu, Gao Lei, Gao Weigang, Ge Lei, Frank Gehry, Gu Dexin and many others.
Hans Ulrich Obrist: the future will be
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Since 2005, Hans Ulrich Obrist has asked artists, architects, scientists, actors and philosophers the world over to fill in the blank for what’s to come. Now, he turns to China to further his ongoing speculative narrative. In this elfin-size, bilingual (English/Chinese) volume, people active in Chinese culture tell Obrist what they think the future will be. Co-published with the Ullens Center for Contemporary Art, this is the first installment of a new series published by Pinacoteca Giovanni and Marella Agnelli. Participants include A Yi, Nadim Abbas, Ai Weiwei, Daniel A. Bell, Cao Fei, Yung Ho Chang, Chen Jiaying, Chen Xiaoyun, Chen Man, Chen Wei, Cheng Ran, Cheng Wenhao, Chi Huisheng, Heman Chong, Chu Yun, Ding Yi, Duan Jianyu, Fang Lu, Gao Lei, Gao Weigang, Ge Lei, Frank Gehry, Gu Dexin and many others.
Classification:
livres
livres
Publication:
juillet 2012
juillet 2012
Sujet:
petits formats
petits formats
Classification:
livres
livres
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In a world of seemingly ever-increasing instability, many urban planning decisions seem to be governed not by vision, but by fear--fear of disaster, of change, of the unknown. What can we learn from this state of affairs? Can such fear be made beneficial? Is it conceivable that 'fear' might even offer a kind of guide in matters of urban planning? Guided by fantasy and(...)
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In a world of seemingly ever-increasing instability, many urban planning decisions seem to be governed not by vision, but by fear--fear of disaster, of change, of the unknown. What can we learn from this state of affairs? Can such fear be made beneficial? Is it conceivable that 'fear' might even offer a kind of guide in matters of urban planning? Guided by fantasy and(...)
Titre:
The why factor : city shock, planning the unexpected
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In a world of seemingly ever-increasing instability, many urban planning decisions seem to be governed not by vision, but by fear--fear of disaster, of change, of the unknown. What can we learn from this state of affairs? Can such fear be made beneficial? Is it conceivable that 'fear' might even offer a kind of guide in matters of urban planning? Guided by fantasy and invention rather than science, City Shock: Planning the Unexpected proposes ten 'what if' scenarios, imagining how each of these scenarios could play out in the Dutch landscape between 2018 and 2047. In a narrative composed of feasible but unlikely headlines, a series of newspaper-style spreads report on fictitious future catastrophic events, exposing possible causes and consequences. City Shock is the sixth book in Winy Maas' Why Factory's Future Cities series.
The why factor : city shock, planning the unexpected
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In a world of seemingly ever-increasing instability, many urban planning decisions seem to be governed not by vision, but by fear--fear of disaster, of change, of the unknown. What can we learn from this state of affairs? Can such fear be made beneficial? Is it conceivable that 'fear' might even offer a kind of guide in matters of urban planning? Guided by fantasy and invention rather than science, City Shock: Planning the Unexpected proposes ten 'what if' scenarios, imagining how each of these scenarios could play out in the Dutch landscape between 2018 and 2047. In a narrative composed of feasible but unlikely headlines, a series of newspaper-style spreads report on fictitious future catastrophic events, exposing possible causes and consequences. City Shock is the sixth book in Winy Maas' Why Factory's Future Cities series.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
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$34.00
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Deep Veils is an architecture monograph on veils, thickness, and envelopes in architecture as a counter narrative to transparency, openness, and clarity that underpin orthodox Modern architecture. The book features ten small projects completed in South East Asia between 2007-2012 that explore various architectural ideas under the rubric of “deep veils”. Each project(...)
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Deep Veils is an architecture monograph on veils, thickness, and envelopes in architecture as a counter narrative to transparency, openness, and clarity that underpin orthodox Modern architecture. The book features ten small projects completed in South East Asia between 2007-2012 that explore various architectural ideas under the rubric of “deep veils”. Each project(...)
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Deep veils: Eric L'Heureux and Pencil Office
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Deep Veils is an architecture monograph on veils, thickness, and envelopes in architecture as a counter narrative to transparency, openness, and clarity that underpin orthodox Modern architecture. The book features ten small projects completed in South East Asia between 2007-2012 that explore various architectural ideas under the rubric of “deep veils”. Each project responds to questions of envelope, surface, skin, form, atmosphere, perception and topicality. The projects represented within the book define in various ways how deep veils in architecture are manifest utilizing opaque and solid materials to produce forms of translucency, depth, and hazy atmospheres. Traced through the artistic legacies of Gertrud Arndt to Optical Art, the architectural theories of Gottfried Semper, Adolf Loos, and the work of Le Corbusier, Kahn, and Durell Stone, a new direction for architecture, perception, and thickness is put forth.
Deep veils: Eric L'Heureux and Pencil Office
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Résumé:
Deep Veils is an architecture monograph on veils, thickness, and envelopes in architecture as a counter narrative to transparency, openness, and clarity that underpin orthodox Modern architecture. The book features ten small projects completed in South East Asia between 2007-2012 that explore various architectural ideas under the rubric of “deep veils”. Each project responds to questions of envelope, surface, skin, form, atmosphere, perception and topicality. The projects represented within the book define in various ways how deep veils in architecture are manifest utilizing opaque and solid materials to produce forms of translucency, depth, and hazy atmospheres. Traced through the artistic legacies of Gertrud Arndt to Optical Art, the architectural theories of Gottfried Semper, Adolf Loos, and the work of Le Corbusier, Kahn, and Durell Stone, a new direction for architecture, perception, and thickness is put forth.
Classification:
livres
livres
Publication:
août 2014
août 2014
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Karen Kilimnik
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were(...)
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Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
Karen Kilimnik
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This monograph is devoted to the American artist (*1955) who lives and works in Philadelphia. In the 1980s her narrative and jumbled installations were compared by the critics to the “scatter art” of the previous decade, but have become cult for a younger generation of artists and exhibition curators. Her drawings and paintings from the beginning of the 1990s were included in the then current discussions on art and glamour, and on the emergence of women artists whose sensibility was not that of feminist theory. The source of numerous misunderstandings, the diversity of her work has veiled the internal coherence of a practice of which the most recent pieces attest to the continuous links between all these mediums. This book offers the complete panorama of Kilimnik’s production and allows a vision that goes beyond the distinctions between painting, drawing, or installation.
Classification:
livres
livres
Publication:
février 2015
février 2015
Classification:
livres
livres
Prix:
$33.95
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Résumé:
Dans les pratiques paysagères, la question de la réception reste peu étudiée. S'appuyant sur l'analyse de plusieurs réalisations contemporaines, cet ouvrage permet de comprendre comment les paysagistes conçoivent leurs projets en anticipant la manière dont ils seront appréhendés par les futurs usagers. Ces analyses permettent de montrer que si le projet de paysage relève(...)
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Dans les pratiques paysagères, la question de la réception reste peu étudiée. S'appuyant sur l'analyse de plusieurs réalisations contemporaines, cet ouvrage permet de comprendre comment les paysagistes conçoivent leurs projets en anticipant la manière dont ils seront appréhendés par les futurs usagers. Ces analyses permettent de montrer que si le projet de paysage relève(...)
Titre:
Passeurs de paysages: le projet de paysage comme art relationnel
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Dans les pratiques paysagères, la question de la réception reste peu étudiée. S'appuyant sur l'analyse de plusieurs réalisations contemporaines, cet ouvrage permet de comprendre comment les paysagistes conçoivent leurs projets en anticipant la manière dont ils seront appréhendés par les futurs usagers. Ces analyses permettent de montrer que si le projet de paysage relève de processus de conception très variés, il est dans tous les cas un art relationnel où le paysagiste est le passeur d'une relation d'échange entre un sujet et son environnement. En reconstruisant le processus de conception de neuf projets, Sonia Keravel distingue des paysages à lire, fondés sur une construction narrative ; des paysages à vivre, où le visiteur se trouve en état d'immersion et où prime le caractère évolutif du vivant; des paysages à déployer, dans lesquels des dispositifs non conclusifs invitent le visiteur à la créativité.
Passeurs de paysages: le projet de paysage comme art relationnel
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$33.95
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Résumé:
Dans les pratiques paysagères, la question de la réception reste peu étudiée. S'appuyant sur l'analyse de plusieurs réalisations contemporaines, cet ouvrage permet de comprendre comment les paysagistes conçoivent leurs projets en anticipant la manière dont ils seront appréhendés par les futurs usagers. Ces analyses permettent de montrer que si le projet de paysage relève de processus de conception très variés, il est dans tous les cas un art relationnel où le paysagiste est le passeur d'une relation d'échange entre un sujet et son environnement. En reconstruisant le processus de conception de neuf projets, Sonia Keravel distingue des paysages à lire, fondés sur une construction narrative ; des paysages à vivre, où le visiteur se trouve en état d'immersion et où prime le caractère évolutif du vivant; des paysages à déployer, dans lesquels des dispositifs non conclusifs invitent le visiteur à la créativité.
Classification:
livres
livres
Publication:
novembre 2015
novembre 2015
Sujet:
Théorie du paysage
Théorie du paysage
Classification:
livres
livres
Titre:
Sophie Calle: My all
Sophie Calle: My all
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Over the past 30 years, artist Sophie Calle (born 1953) has orchestrated small moments of life as art, each time establishing a game, then setting its rules for herself and for others. Calle's work springs up around "the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a(...)
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Over the past 30 years, artist Sophie Calle (born 1953) has orchestrated small moments of life as art, each time establishing a game, then setting its rules for herself and for others. Calle's work springs up around "the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a(...)
Titre:
Sophie Calle: My all
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Over the past 30 years, artist Sophie Calle (born 1953) has orchestrated small moments of life as art, each time establishing a game, then setting its rules for herself and for others. Calle's work springs up around "the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a relationship to others that is controlled by the artist," as curator and art critic Christine Macel puts it. Calle has carried out and documented these melancholy games in books, photographs, videos, films and performances. This publication finds the artist experimenting with yet another mediums-the postcard set. Taking stock of her entire oeuvre, this set of postcards functions as a beautiful portfolio of Calle's work, as well as a new investigation of it, in an appropriately nomadic format.
Sophie Calle: My all
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$45.00
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Over the past 30 years, artist Sophie Calle (born 1953) has orchestrated small moments of life as art, each time establishing a game, then setting its rules for herself and for others. Calle's work springs up around "the association of an image and a narrative around a game or autobiographical ritual, which strives to summon up the angst of absence while creating a relationship to others that is controlled by the artist," as curator and art critic Christine Macel puts it. Calle has carried out and documented these melancholy games in books, photographs, videos, films and performances. This publication finds the artist experimenting with yet another mediums-the postcard set. Taking stock of her entire oeuvre, this set of postcards functions as a beautiful portfolio of Calle's work, as well as a new investigation of it, in an appropriately nomadic format.
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livres
livres
Publication:
mars 2016
mars 2016
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livres
livres
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$83.00
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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and(...)
$83.00
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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and(...)
Titre:
Walter Niedermayr : recollection
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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and other smaller cities and historical sites. His travels spurred the undertaking of a new series examining Iranian architecture in its cultural and historical context. The resulting photographs reveal a wild mingling of east and west as older buildings jostle with colorful billboards, beltways and apartment blocks that look as if they could be located anywhere in the world. As with Niedermayr's famous winter landscapes, the majestic, pale color composition of these photographs transports them far beyond mere documentary, towards a sense of tremendous scale and implied political narrative.
Walter Niedermayr : recollection
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Walter Niedermayr (born 1952) is among Europe's finest contemporary photographers, a virtuoso in the portrayal of contemporary architecture and Alpine landscapes whose subtle handling of scale, diffuse light effects and desaturated color has been much imitated in recent years. Between 2005 and 2008, Niedermayr traveled in Iran, visiting Tehran, Isfahan, Yazd, Shiraz and other smaller cities and historical sites. His travels spurred the undertaking of a new series examining Iranian architecture in its cultural and historical context. The resulting photographs reveal a wild mingling of east and west as older buildings jostle with colorful billboards, beltways and apartment blocks that look as if they could be located anywhere in the world. As with Niedermayr's famous winter landscapes, the majestic, pale color composition of these photographs transports them far beyond mere documentary, towards a sense of tremendous scale and implied political narrative.
Classification:
livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Detours : a decolonial guide to Hawaiʻi / Hōkūlani K. Aikau and Vernadette Vicuña Gonzalez, editors.
Detours : a decolonial guide to Hawaiʻi / Hōkūlani K. Aikau and Vernadette Vicuña Gonzalez, editors.
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Description:
432 pages : illustrations (some color), maps ; 24 cm
Description:
432 pages : illustrations (some color), maps ; 24 cm
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Publication:
Durham ; London : Duke University Press, 2019., ©2019
Durham ; London : Duke University Press, 2019., ©2019
Titre:
Detours : a decolonial guide to Hawaiʻi / Hōkūlani K. Aikau and Vernadette Vicuña Gonzalez, editors.
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Description:
432 pages : illustrations (some color), maps ; 24 cm
Detours : a decolonial guide to Hawaiʻi / Hōkūlani K. Aikau and Vernadette Vicuña Gonzalez, editors.
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Description:
432 pages : illustrations (some color), maps ; 24 cm
Classification:
livres
livres
Publication:
Durham ; London : Duke University Press, 2019., ©2019
Durham ; London : Duke University Press, 2019., ©2019
Auteur:
Sujet:
