30976 Résultats
Classification:
dessins
Quantité:
70 File
dessins
Quantité:
70 File
Numéro de référence:
ARCH274495
Description:
File contains sketches, diagrams, scheme elevations, annotated drawings of master landscaping plan, information counter at exhibit, entrance level plan, exhibition level plan, site plan and Commissioner General's Suite, elevations, sections and details. Also some textual records and floor plans (Windows of the World, Vancouver, B.C. (1990)).
ARCH274495
Description:
File contains sketches, diagrams, scheme elevations, annotated drawings of master landscaping plan, information counter at exhibit, entrance level plan, exhibition level plan, site plan and Commissioner General's Suite, elevations, sections and details. Also some textual records and floor plans (Windows of the World, Vancouver, B.C. (1990)).
Personnes et institutions:
Date:
circa 1947-2002
circa 1947-2002
Titre:
Plans, sketches and elevations
Actions:
ARCH274495
Description:
File contains sketches, diagrams, scheme elevations, annotated drawings of master landscaping plan, information counter at exhibit, entrance level plan, exhibition level plan, site plan and Commissioner General's Suite, elevations, sections and details. Also some textual records and floor plans (Windows of the World, Vancouver, B.C. (1990)).
Plans, sketches and elevations
Actions:
ARCH274495
Description:
File contains sketches, diagrams, scheme elevations, annotated drawings of master landscaping plan, information counter at exhibit, entrance level plan, exhibition level plan, site plan and Commissioner General's Suite, elevations, sections and details. Also some textual records and floor plans (Windows of the World, Vancouver, B.C. (1990)).
Classification:
dessins
Quantité:
70 File
dessins
Quantité:
70 File
Date:
circa 1947-2002
circa 1947-2002
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
Personnes et institutions:
Date:
circa 1977
circa 1977
Titre:
Testimonianze D'Architettura [Testimony of Architecture] (1977)
Actions:
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
Testimonianze D'Architettura [Testimony of Architecture] (1977)
Actions:
AP207.S1.1977.PR02
Description:
The project series documents a series of photographs entitled "Testimonianze D'Architettura" presented at the exhibition "VENEREZIA" in Venice in 1978. The photographs consist of toned and overexposed color prints of the walls of a stone quarry. The photographs are "assembled in succession, as if in a slow pan, to suggest the slow rhythm of observation and lead to the discovery of other worlds [...] arising out of the examination of the strata in a fault." [1] The project series contains eight overexposed photographs of the quarry walls. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-testimony-of-architecture-1978/ (last accessed 12 November 2019)
Niveau de description archivistique:
Project
Project
Date:
circa 1977
circa 1977
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0012:103:014
Description:
Assorted documents in English and French, including photocopies from a publication covering Melvin Charney's proposal for the Canadian pavillion for Expo 1970 in Osaka, Japan, and the exhibition Montréal en projet: dix années d'architecture urbaine. Also includes one complete copy of the July-August edition of Architecture Concept.
DR2012:0012:103:014
Description:
Assorted documents in English and French, including photocopies from a publication covering Melvin Charney's proposal for the Canadian pavillion for Expo 1970 in Osaka, Japan, and the exhibition Montréal en projet: dix années d'architecture urbaine. Also includes one complete copy of the July-August edition of Architecture Concept.
Personnes et institutions:
Date:
1971, 1992
1971, 1992
Titre:
Publication related to Melvin Charney's projects
Actions:
DR2012:0012:103:014
Description:
Assorted documents in English and French, including photocopies from a publication covering Melvin Charney's proposal for the Canadian pavillion for Expo 1970 in Osaka, Japan, and the exhibition Montréal en projet: dix années d'architecture urbaine. Also includes one complete copy of the July-August edition of Architecture Concept.
Publication related to Melvin Charney's projects
Actions:
DR2012:0012:103:014
Description:
Assorted documents in English and French, including photocopies from a publication covering Melvin Charney's proposal for the Canadian pavillion for Expo 1970 in Osaka, Japan, and the exhibition Montréal en projet: dix années d'architecture urbaine. Also includes one complete copy of the July-August edition of Architecture Concept.
Classification:
documents textuels
documents textuels
Date:
1971, 1992
1971, 1992
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
Personnes et institutions:
Date:
1949-1974
1949-1974
Titre:
Published and unpublished papers (folder 3 of 4)
Actions:
AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
Published and unpublished papers (folder 3 of 4)
Actions:
AP206.S2.004
Description:
File was originally housed in a binder along with content arranged in AP206.S2.002, AP206.S2.003 and AP206.S2.005. This file includes the following papers: “Village Improvement” “Skeleton of Central Organisation” “Design of Exhibition” "Architectural Education" “Why Multi-Storey Buildings” "Second thoughts on Modern Architecture" "The Big Boss"
Classification:
documents textuels
documents textuels
Date:
1949-1974
1949-1974
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Personnes et institutions:
Date:
1994 - 2004
1994 - 2004
Titre:
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Project records from Neil Denari
Actions:
AP168.S1
Description:
The Project records from Neil Denari series, 1994 – 2004, consists of records produced by Denari for his show “Interrupted Projections” at Gallery MA in Tokyo, Japan. It documents the development and final design for the principal architectural installation built on the third level of the gallery, as well as related materials displayed on the gallery’s fourth floor. The series also contains photographic and video documentation of the exhibit, the show catalogue, and promotional materials. The series includes 4003 digital files (1 GB), 53 slides, 21 transparencies, seven drawings and/or reprographic copies, two VHS video cassettes, one exhibition catalogue, and a small amount of promotional material comprising one large and two small posters, one postcard, and one t-shirt. The majority of records date from 1994-1996. Denari used a combination of physical drawings and digital modelling to draft the design for Interrupted Projections. The series contains one ink drawing and one transfer print with plans and sections of the third floor gallery space, two reprographic copies of drawings with elevations and plans of existing conditions of the third and fourth floors at Gallery MA, and three graphite hand drawings of the installation. Digital files in the series include two original Softimage databases containing full and partial 3D models of the installation, as well as one forward-migrated database containing models compiled from the two original databases. The original models were created in Softimage ’95 on Windows NT and will not open in contemporary versions of Autodesk Softimage. The forward-migrated model database was created by members of Autodesk’s Montreal office for the Archaeology of the Digital exhibition Complexity and Convention and will open in Softimage 2014. Each Softimage model database is made up of several directories that contain information necessary to render all models and their animation into a “scene” (such as textures, lighting, camera movements, etc.). When the Interrupted Projections models were migrated, the information from all directories in both original databases was compiled into the Scenes directory of a single database. These updated scene files (SCN) contain all the elements needed to render the models without the need for additional directories. Each scene file has a corresponding scene TOC file (scene table of content), which can be used to further modify the information in the scene. Scene files in the migrated database contain full and partial models for Interrupted Projections, including one animated scene that follows a camera path through the interior and exterior of the final model. These files document the various stages of design work for the project, as well as Denari’s use of animation features in Softimage to visualize and study the spatial character of his drawings. Project collaborator Duks Koschitz created additional animations of the model that were edited and shown on the fourth floor of the exhibition. A compilation of his work is included on a VHS tape in the archive. The video, which spans one minute 16 seconds, contains four animations that move around the 3D gallery space. Koschitz attempted to reflect the concerns of the project in the movements of the camera, focusing on details such as the fictional company logos or curvatures in the surface of the model. The majority of photographic materials in the series are digital renderings of the model, comprising 38 slides, 14 diapositives, and seven digital images. Photographic materials also include images of the completed show, including seven diapositives that document the built work from various views on the third floor of Gallery MA, as well as the exhibition of materials on the fourth floor. A small number of slides document the exhibit open to the public, and include images of visitors interacting with the Sony Navicam. Most of the diapositive photographs and a small number of slides were taken by Fujitsuka Mitsumasa, a photographer of architecture based in Tokyo. A second VHS tape in the archive provides in-depth documentation of the Interrupted Projections exhibition, containing 45 minutes of raw video footage that explores Gallery MA and surrounding areas of Tokyo. The Interrupted Projections book contains in print the text and images from the installation and website. It was written by Denari and designed by Michiharu Shimoda, a graphic designer and underground trip-hop artist who was also responsible for the design of the fictional logos used in the exhibit. The book acts as an extension of the content of the show, as well as exhibition catalogue, and covers Denari’s other projects represented in the show. The series also contains a small amount of promotional media for Interrupted Projections, including one large and two small posters, a postcard, and a t-shirt.
Niveau de description archivistique:
Series
Series
Date:
1994 - 2004
1994 - 2004
Personnes et institutions:
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Numéro de référence:
DR1995:0254:031-031
Description:
includes 2 folders and contains photographs, trade catalogues, promotional material, clippings, brochures, notes, sketches, conceptual drawings, correspondence, report, specification, price list, design report, press release, meeting notes, office memoranda, research notes, manual, design programmes, drawings, diagrams, and correspondence for an exhibition at Walker Art Center (1980)
DR1995:0254:031-031
Description:
includes 2 folders and contains photographs, trade catalogues, promotional material, clippings, brochures, notes, sketches, conceptual drawings, correspondence, report, specification, price list, design report, press release, meeting notes, office memoranda, research notes, manual, design programmes, drawings, diagrams, and correspondence for an exhibition at Walker Art Center (1980)
Personnes et institutions:
Titre:
Photographs, trade catalogues, promotional material, clippings, brochures, notes, sketches
Actions:
DR1995:0254:031-031
Description:
includes 2 folders and contains photographs, trade catalogues, promotional material, clippings, brochures, notes, sketches, conceptual drawings, correspondence, report, specification, price list, design report, press release, meeting notes, office memoranda, research notes, manual, design programmes, drawings, diagrams, and correspondence for an exhibition at Walker Art Center (1980)
Photographs, trade catalogues, promotional material, clippings, brochures, notes, sketches
Actions:
DR1995:0254:031-031
Description:
includes 2 folders and contains photographs, trade catalogues, promotional material, clippings, brochures, notes, sketches, conceptual drawings, correspondence, report, specification, price list, design report, press release, meeting notes, office memoranda, research notes, manual, design programmes, drawings, diagrams, and correspondence for an exhibition at Walker Art Center (1980)
Classification:
dessins, documents textuels, photographies
dessins, documents textuels, photographies
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Titre:
Collection Eero Saarinen
Collection Eero Saarinen
Numéro de référence:
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
Personnes et institutions:
Date:
1956-1964
1956-1964
Titre:
Collection Eero Saarinen
Actions:
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
Collection Eero Saarinen
Actions:
AP159
Résumé:
The Eero Saarinen Collection documents eight built projects undertaken between 1956 and 1964. The IBM Exhibition Pavilion for the New York World's Fair was undertaken in association with Charles Eames. Eero Saarinen died before this project got underway and was carried out by his successor firm, led by Kevin Roche.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1956-1964
1956-1964
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0015:025:035
Description:
File containing documents in English, including correspondence and CVs related to Melvin Charney's application for Canada Council for the Arts Travel Grants for the exhibition of Between observation and intervention: the painted photographs of Melvin Charney, in New York City. Original folder inscribed in graphite: CAN COUNCIL TR GRANT / 10.2007
DR2012:0015:025:035
Description:
File containing documents in English, including correspondence and CVs related to Melvin Charney's application for Canada Council for the Arts Travel Grants for the exhibition of Between observation and intervention: the painted photographs of Melvin Charney, in New York City. Original folder inscribed in graphite: CAN COUNCIL TR GRANT / 10.2007
Personnes et institutions:
Date:
2007-2009
2007-2009
Titre:
Correspondence of Melvin Charney related to grant application
Actions:
DR2012:0015:025:035
Description:
File containing documents in English, including correspondence and CVs related to Melvin Charney's application for Canada Council for the Arts Travel Grants for the exhibition of Between observation and intervention: the painted photographs of Melvin Charney, in New York City. Original folder inscribed in graphite: CAN COUNCIL TR GRANT / 10.2007
Correspondence of Melvin Charney related to grant application
Actions:
DR2012:0015:025:035
Description:
File containing documents in English, including correspondence and CVs related to Melvin Charney's application for Canada Council for the Arts Travel Grants for the exhibition of Between observation and intervention: the painted photographs of Melvin Charney, in New York City. Original folder inscribed in graphite: CAN COUNCIL TR GRANT / 10.2007
Classification:
documents textuels
documents textuels
Date:
2007-2009
2007-2009
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH257618
Description:
Comprends des coupures de presse et correspondance sur les expositions d'aquarelles de Cormier, la liste « Arts Club Exhibition of Water-colour Paintings » par Cormier montée sur carton, incluant une chemise « Étiquettes Aquarelles » avec renseignements sur étiquettes sur la collection d'aquarelles de Cormier. Comprends aussi « L'œuvre scientifique et technique d'Albert Caquot ».
ARCH257618
Description:
Comprends des coupures de presse et correspondance sur les expositions d'aquarelles de Cormier, la liste « Arts Club Exhibition of Water-colour Paintings » par Cormier montée sur carton, incluant une chemise « Étiquettes Aquarelles » avec renseignements sur étiquettes sur la collection d'aquarelles de Cormier. Comprends aussi « L'œuvre scientifique et technique d'Albert Caquot ».
Personnes et institutions:
Date:
1914, 1918, 1932, 1966
1914, 1918, 1932, 1966
Titre:
Documentation des expositions d'aquarelles d'Ernest Cormier
Actions:
ARCH257618
Description:
Comprends des coupures de presse et correspondance sur les expositions d'aquarelles de Cormier, la liste « Arts Club Exhibition of Water-colour Paintings » par Cormier montée sur carton, incluant une chemise « Étiquettes Aquarelles » avec renseignements sur étiquettes sur la collection d'aquarelles de Cormier. Comprends aussi « L'œuvre scientifique et technique d'Albert Caquot ».
Documentation des expositions d'aquarelles d'Ernest Cormier
Actions:
ARCH257618
Description:
Comprends des coupures de presse et correspondance sur les expositions d'aquarelles de Cormier, la liste « Arts Club Exhibition of Water-colour Paintings » par Cormier montée sur carton, incluant une chemise « Étiquettes Aquarelles » avec renseignements sur étiquettes sur la collection d'aquarelles de Cormier. Comprends aussi « L'œuvre scientifique et technique d'Albert Caquot ».
Classification:
documents textuels
documents textuels
Date:
1914, 1918, 1932, 1966
1914, 1918, 1932, 1966
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH268209
Description:
Documentation concerning CIAM, the International Congress of Modern Architecture (“Congrès internationaux d’architecture moderne”), including textual documents in the hand of José Luis Sert. Documents include articles and illustrations clipped from publications, photographs (reproductions), and notes. Some documents pertain to the exhibition on the city of Amsterdam titled “Ville fonctionnelle.”
ARCH268209
Description:
Documentation concerning CIAM, the International Congress of Modern Architecture (“Congrès internationaux d’architecture moderne”), including textual documents in the hand of José Luis Sert. Documents include articles and illustrations clipped from publications, photographs (reproductions), and notes. Some documents pertain to the exhibition on the city of Amsterdam titled “Ville fonctionnelle.”
Personnes et institutions:
Date:
ca. 1936
ca. 1936
Titre:
Documentation concerning CIAM, the International Congress of Modern Architecture (“Congrès internationaux d’architecture moderne”)
Actions:
ARCH268209
Description:
Documentation concerning CIAM, the International Congress of Modern Architecture (“Congrès internationaux d’architecture moderne”), including textual documents in the hand of José Luis Sert. Documents include articles and illustrations clipped from publications, photographs (reproductions), and notes. Some documents pertain to the exhibition on the city of Amsterdam titled “Ville fonctionnelle.”
Documentation concerning CIAM, the International Congress of Modern Architecture (“Congrès internationaux d’architecture moderne”)
Actions:
ARCH268209
Description:
Documentation concerning CIAM, the International Congress of Modern Architecture (“Congrès internationaux d’architecture moderne”), including textual documents in the hand of José Luis Sert. Documents include articles and illustrations clipped from publications, photographs (reproductions), and notes. Some documents pertain to the exhibition on the city of Amsterdam titled “Ville fonctionnelle.”
Classification:
documents textuels
documents textuels
Date:
ca. 1936
ca. 1936
Personnes et institutions:
