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Entertainment architecture is a highly innovative, creative endeavour, producing ever-more elaborate, architectural spectacles. This issue visits the many facets of STUFISH – its history and design process, audience memory and experience –exploring the story behind and evolution of this particular brand of popular culture and its spatial manifestations, and touching on(...)
AD Stufish: Entertainment architecture
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Entertainment architecture is a highly innovative, creative endeavour, producing ever-more elaborate, architectural spectacles. This issue visits the many facets of STUFISH – its history and design process, audience memory and experience –exploring the story behind and evolution of this particular brand of popular culture and its spatial manifestations, and touching on what the future may hold for it.
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In light of current developments in modelling, and with the aim of reinvigorating debates around the potentiality of the architectural model – its philosophies, technologies and futures – this issue of AD examines how the model has developed to become an immersive worldbuilding machine.
Worldmodelling:Architectural models in the 21st century
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In light of current developments in modelling, and with the aim of reinvigorating debates around the potentiality of the architectural model – its philosophies, technologies and futures – this issue of AD examines how the model has developed to become an immersive worldbuilding machine.
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A+U 613 : Marie-Jose Van Hee
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A+U 613 : Marie-Jose Van Hee
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A+U 614 : Johnston Marklee
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AV Proyectos 108 : Dossier Flores
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GA Houses 178
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GA Houses 178
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AV Mongraphs 239 : Equipo Mazzanti
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AV Mongraphs 240 : Barozzi Veiga
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GA Document 158
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The "New York Review of Architecture" is organizing as a cooperative of working writers, architects, and artists who review architecture in New York. The Review is print only.
NYRA 26 : New York Review of Architecture issue #26
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The "New York Review of Architecture" is organizing as a cooperative of working writers, architects, and artists who review architecture in New York. The Review is print only.
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