2233 Résultats
Classification:
livres
livres
Titre:
Anna Tsitsishvili: Tbilisi
Anna Tsitsishvili: Tbilisi
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$50.00
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy(...)
$50.00
(disponible en magasin)
Résumé:
Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy(...)
Titre:
Anna Tsitsishvili: Tbilisi
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$50.00
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Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy portrayal of the city under the empire, with the aim to convey some specific values through photography that is typical of regimes. However, after the collapse of the Soviet Union, a subtle melancholy has seeped into those photographs. This sentiment reflected the post-imperial events and the Russian occupation, which have left an indelible mark on the entire country, the city, and its inhabitants. A new generation of photographers though has emerged in the past years, with a vision that tries to respond to that sentiment by going beyond the façade and breaking ties with the past. In their images the city looks past the streets, the buildings and the cityscapes. They venture into courtyards, homes, into the private life of people and their sincere details. Anna Tsitsishvili does so too – with her photobook she captivates us primarily with her genuineness. From sumptuous old apartments to lived contemporary rooms, from daily commutes to encounters in the busy streets, a sense of everyday poetry permeates her all-color selection.
Anna Tsitsishvili: Tbilisi
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$50.00
(disponible en magasin)
Résumé:
Anna Tsitsishvili’s Tbilisi delivers us a contemporary outlook on Georgia’s vibrant capital at the crossroads between East and West. Her photobook attests that photography can play a role in putting the city back on the map by creating a new visual narrative that transcends the past to embrace authentic moments. Notably, the Soviet era has provided us with a glossy portrayal of the city under the empire, with the aim to convey some specific values through photography that is typical of regimes. However, after the collapse of the Soviet Union, a subtle melancholy has seeped into those photographs. This sentiment reflected the post-imperial events and the Russian occupation, which have left an indelible mark on the entire country, the city, and its inhabitants. A new generation of photographers though has emerged in the past years, with a vision that tries to respond to that sentiment by going beyond the façade and breaking ties with the past. In their images the city looks past the streets, the buildings and the cityscapes. They venture into courtyards, homes, into the private life of people and their sincere details. Anna Tsitsishvili does so too – with her photobook she captivates us primarily with her genuineness. From sumptuous old apartments to lived contemporary rooms, from daily commutes to encounters in the busy streets, a sense of everyday poetry permeates her all-color selection.
Classification:
livres
livres
Publication:
juin 2024
juin 2024
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
The Dolder Grand
The Dolder Grand
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$199.99
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In 2009, the Dolder Grand celebrates its first birthday following a four-year remodelling by Foster+Partners. To mark the occasion, this publication outlines the history of an iconic institution, steeped in tradition, from its beginnings as a Kurhaus in 1899 to its present-day reincarnation. Photographers from the Zurich studio nave have documented the entire project(...)
$199.99
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In 2009, the Dolder Grand celebrates its first birthday following a four-year remodelling by Foster+Partners. To mark the occasion, this publication outlines the history of an iconic institution, steeped in tradition, from its beginnings as a Kurhaus in 1899 to its present-day reincarnation. Photographers from the Zurich studio nave have documented the entire project(...)
Titre:
The Dolder Grand
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$199.99
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In 2009, the Dolder Grand celebrates its first birthday following a four-year remodelling by Foster+Partners. To mark the occasion, this publication outlines the history of an iconic institution, steeped in tradition, from its beginnings as a Kurhaus in 1899 to its present-day reincarnation. Photographers from the Zurich studio nave have documented the entire project throughout every stage of the refurbishment, charting the scope of the hotel’s metamorphosis. They portray the people who made it all possible and also allow them to speak for themselves. The resulting narrative in pictures and words is not simply a linear documentation, but a rich and complex tapestry in which text and image are interwoven with a lyricism that brings the architecture to life on the pages of the book. Journalist Judith Wyder complements the photographs with anecdotes that give a many-facetted insight into the operational logistics behind the scenes in the day-to-day running of the hotel. In addition, she details the painstaking restoration work, the history of the hotel itself and the names of some of its most famous guests. Dutch novelist Cees Nooteboom has contributed an essay in which he describes the hotel as a microcosm and a home away from home, musing on how guests tend to take possession of the hotels they stay in.
The Dolder Grand
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$199.99
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In 2009, the Dolder Grand celebrates its first birthday following a four-year remodelling by Foster+Partners. To mark the occasion, this publication outlines the history of an iconic institution, steeped in tradition, from its beginnings as a Kurhaus in 1899 to its present-day reincarnation. Photographers from the Zurich studio nave have documented the entire project throughout every stage of the refurbishment, charting the scope of the hotel’s metamorphosis. They portray the people who made it all possible and also allow them to speak for themselves. The resulting narrative in pictures and words is not simply a linear documentation, but a rich and complex tapestry in which text and image are interwoven with a lyricism that brings the architecture to life on the pages of the book. Journalist Judith Wyder complements the photographs with anecdotes that give a many-facetted insight into the operational logistics behind the scenes in the day-to-day running of the hotel. In addition, she details the painstaking restoration work, the history of the hotel itself and the names of some of its most famous guests. Dutch novelist Cees Nooteboom has contributed an essay in which he describes the hotel as a microcosm and a home away from home, musing on how guests tend to take possession of the hotels they stay in.
Classification:
livres
livres
Publication:
juillet 2009
juillet 2009
Sujet:
Architecture, monographies
Architecture, monographies
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livres
livres
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$39.95
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An epic project in both size and purview, Peter Sloterdijk's three-volume, 2,500-page Spheres is the late-twentieth-century bookend to Heidegger's Being and Time. Rejecting the century's predominant philosophical focus on temporality, Sloterdijk, a self-described "student of the air," reinterprets the history of Western metaphysics as an inherently spatial and(...)
$39.95
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Résumé:
An epic project in both size and purview, Peter Sloterdijk's three-volume, 2,500-page Spheres is the late-twentieth-century bookend to Heidegger's Being and Time. Rejecting the century's predominant philosophical focus on temporality, Sloterdijk, a self-described "student of the air," reinterprets the history of Western metaphysics as an inherently spatial and(...)
Titre:
Spheres1 : Bubbles, microspherology
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$39.95
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An epic project in both size and purview, Peter Sloterdijk's three-volume, 2,500-page Spheres is the late-twentieth-century bookend to Heidegger's Being and Time. Rejecting the century's predominant philosophical focus on temporality, Sloterdijk, a self-described "student of the air," reinterprets the history of Western metaphysics as an inherently spatial and immunological project, from the discovery of self (bubble) to the exploration of world (globe) to the poetics of plurality (foam). Exploring macro- and micro-space from the Greek agora to the contemporary urban apartment, Sloterdijk is able to synthesize, with immense erudition, the spatial theories of Aristotle, René Descartes, Gaston Bachelard, Walter Benjamin, and Georges Bataille into a morphology of shared, or multipolar, dwelling - identifying the question of being as one bound up with the aerial technology of architectonics and anthropogenesis. Sloterdijk describes Bubbles, the first volume of Spheres, as a general theory of the structures that allow couplings - or as the book's original intended subtitle put it, an "archeology of the intimate." Bubbles includes a wide array of images, not to illustrate Sloterdijk's discourse, but to offer a spatial and visual "parallel narrative" to his exploration of bubbles. Written over the course of a decade, the Spheres trilogy has waited another decade for its much-anticipated English translation from Semiotext(e). Volumes II, Globes, and III, Foam, will be published in the coming seasons.
Spheres1 : Bubbles, microspherology
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$39.95
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Résumé:
An epic project in both size and purview, Peter Sloterdijk's three-volume, 2,500-page Spheres is the late-twentieth-century bookend to Heidegger's Being and Time. Rejecting the century's predominant philosophical focus on temporality, Sloterdijk, a self-described "student of the air," reinterprets the history of Western metaphysics as an inherently spatial and immunological project, from the discovery of self (bubble) to the exploration of world (globe) to the poetics of plurality (foam). Exploring macro- and micro-space from the Greek agora to the contemporary urban apartment, Sloterdijk is able to synthesize, with immense erudition, the spatial theories of Aristotle, René Descartes, Gaston Bachelard, Walter Benjamin, and Georges Bataille into a morphology of shared, or multipolar, dwelling - identifying the question of being as one bound up with the aerial technology of architectonics and anthropogenesis. Sloterdijk describes Bubbles, the first volume of Spheres, as a general theory of the structures that allow couplings - or as the book's original intended subtitle put it, an "archeology of the intimate." Bubbles includes a wide array of images, not to illustrate Sloterdijk's discourse, but to offer a spatial and visual "parallel narrative" to his exploration of bubbles. Written over the course of a decade, the Spheres trilogy has waited another decade for its much-anticipated English translation from Semiotext(e). Volumes II, Globes, and III, Foam, will be published in the coming seasons.
Classification:
livres
livres
Publication:
novembre 2011
novembre 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Prix:
$59.95
(disponible sur commande)
Résumé:
Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection(...)
$59.95
(disponible sur commande)
Résumé:
Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection(...)
Titre:
Ian Wallace : at the intersection of painting and photography
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Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection of his position as social historian, critic and educator, with influences as far reaching as film and literature, the role of the institution, architecture, urban development, gender relations, environmentalism and civil disobedience. Organised in clear, concise sections that mirror the intersecting motifs that are present throughout Wallace’s practice : Minimalism, Narrative, Text Works, The Street, The Museum and The Studio, At the Intersection of Painting and Photography features essays that chart Wallace’s career over the past five decades by Daina Augaitis, Jeff Derksen, Diedrich Diederichsen, Stan Douglas, Jessica Morgan, Christine Poggi, Kathleen Ritter and William Wood. The book also includes a selection of five essays by the artist himself and an annotated chronology by Grant Arnold, providing the perfect introduction to Wallace’s lasting career and marking his influence on contemporary art today. A comprehensive publication exploring the oeuvre of Canadian artist Ian Wallace, At the Intersection of Painting and Photography accompanies a major survey of Wallace's work at the Vancouver Art Gallery, opening in October 2012.
Ian Wallace : at the intersection of painting and photography
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Résumé:
Wallace’s work has played an important role in contemporary art over the past 50 years, from his early experiments with minimalism to his production of serial photographic tableaux and his subsequent juxtapositions of photography with monochrome painting. Consistently demonstrating conceptual rigour and aesthetic innovation, Wallace’s work can be considered a reflection of his position as social historian, critic and educator, with influences as far reaching as film and literature, the role of the institution, architecture, urban development, gender relations, environmentalism and civil disobedience. Organised in clear, concise sections that mirror the intersecting motifs that are present throughout Wallace’s practice : Minimalism, Narrative, Text Works, The Street, The Museum and The Studio, At the Intersection of Painting and Photography features essays that chart Wallace’s career over the past five decades by Daina Augaitis, Jeff Derksen, Diedrich Diederichsen, Stan Douglas, Jessica Morgan, Christine Poggi, Kathleen Ritter and William Wood. The book also includes a selection of five essays by the artist himself and an annotated chronology by Grant Arnold, providing the perfect introduction to Wallace’s lasting career and marking his influence on contemporary art today. A comprehensive publication exploring the oeuvre of Canadian artist Ian Wallace, At the Intersection of Painting and Photography accompanies a major survey of Wallace's work at the Vancouver Art Gallery, opening in October 2012.
Classification:
livres
livres
Publication:
octobre 2012
octobre 2012
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
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$19.95
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Résumé:
This collection boasts four superb animated films about the universe and the evolution of comets and stars: Comet: A description of the general phenomenon of comets, and the radical transformations they undergo as they approach the sun. Superb drawings re-create the intergalactic universe with impact and accuracy. Particular attention is given to Halley's comet, which(...)
$19.95
(disponible sur commande)
Résumé:
This collection boasts four superb animated films about the universe and the evolution of comets and stars: Comet: A description of the general phenomenon of comets, and the radical transformations they undergo as they approach the sun. Superb drawings re-create the intergalactic universe with impact and accuracy. Particular attention is given to Halley's comet, which(...)
Publication:
novembre 2009
novembre 2009
Titre:
The wonders of earth and space 2
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$19.95
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Résumé:
This collection boasts four superb animated films about the universe and the evolution of comets and stars: Comet: A description of the general phenomenon of comets, and the radical transformations they undergo as they approach the sun. Superb drawings re-create the intergalactic universe with impact and accuracy. Particular attention is given to Halley's comet, which reappears every seventy-six years (12 min. 18 sec.); Fields of Space: An exploration of the fourth state of matter, the plasma that fills the infinite void between stars and galaxies. Single atoms in space, or planets as large as the sun, are each seen to have their own magnetic fields, attracting to themselves streams of invisible particles (18 min. 38 sec.); Starlife traces the evolution of a star from its birth in the depths of a black nebula to its final extinction. Animated drawings are amplified by a dense narrative describing the differing evolutionary processes followed by stars of different masses. The film touches on the creation of elements in the core of stars, red giants, bursters, space-time relationships, and black holes (19 min. 58 sec.); and Universe: A picture of the universe as it would appear to a voyager through space. Realistic animation takes you into far regions of space past Moon, Sun, and Milky Way into galaxies yet unfathomed (28 min. 53 sec.).
The wonders of earth and space 2
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$19.95
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Résumé:
This collection boasts four superb animated films about the universe and the evolution of comets and stars: Comet: A description of the general phenomenon of comets, and the radical transformations they undergo as they approach the sun. Superb drawings re-create the intergalactic universe with impact and accuracy. Particular attention is given to Halley's comet, which reappears every seventy-six years (12 min. 18 sec.); Fields of Space: An exploration of the fourth state of matter, the plasma that fills the infinite void between stars and galaxies. Single atoms in space, or planets as large as the sun, are each seen to have their own magnetic fields, attracting to themselves streams of invisible particles (18 min. 38 sec.); Starlife traces the evolution of a star from its birth in the depths of a black nebula to its final extinction. Animated drawings are amplified by a dense narrative describing the differing evolutionary processes followed by stars of different masses. The film touches on the creation of elements in the core of stars, red giants, bursters, space-time relationships, and black holes (19 min. 58 sec.); and Universe: A picture of the universe as it would appear to a voyager through space. Realistic animation takes you into far regions of space past Moon, Sun, and Milky Way into galaxies yet unfathomed (28 min. 53 sec.).
Classification:
livres
livres
Publication:
novembre 2009
novembre 2009
Classification:
livres
livres
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$29.50
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Résumé:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
$29.50
(disponible sur commande)
Résumé:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil(...)
Sujet:
Architecture, monographies
Architecture, monographies
Publication:
janvier 1999, London
janvier 1999, London
Titre:
Visions of ruin : architectural fantasies & designs for garden follies
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$29.50
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Résumé:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
Visions of ruin : architectural fantasies & designs for garden follies
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$29.50
(disponible sur commande)
Résumé:
This exhibition catalogue explores 'the cult of the ruin', a phenomenon of 18th and early 19th century Europe. Mock ruins were built as 'follies' in landscape gardens, while artists imagined how London would appear as a ruined city after the collapse of the British Empire. In Rome, interiors were painted as trompe l'oeil ruins, and in Paris the great chef Antoine Carême served blancmanges in the shape of Roman ruins. John Soane represents the climax of this fascination. In the garden of his Museum at No.13 Lincoln's Inn Fields is the 'Monk's Yard', a mock-ruin assembled from medieval fragments of the Palace of Westminster. At his country house, Pitzhanger Manor in Ealing, he pretended that a mock-classical ruin was a Roman temple he had discovered at the bottom of the garden. He commemorated the completion of his masterpiece, the Bank of England, by exhibiting a series of astonishing views of the structure as if a ruin. He even wrote a narrative, "Crude Hints Towards the History of My House", in which he imagined an archaeologist of future centuries inspecting the fragments of his home. The transcribed text is reprinted in this publication. Architects and artists include Robert Adam, William Chambers, Hubert Robert, Piranesi, Clerrisseau, Richard Wilson, J. M. W. Turner, Gustave Doré and John Martin.
Classification:
livres
livres
Publication:
janvier 1999, London
janvier 1999, London
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Prix:
$34.95
(disponible en magasin)
Résumé:
National historic sites commemorate decisive moments in the making of Canada. But seen through an environmental lens, these sites become artifacts of a bigger story: the occupation and transformation of nature into nation. In an age of pressing discussions about environmental sustainability, there is a growing need to know more about the history of our relationship with(...)
$34.95
(disponible en magasin)
Résumé:
National historic sites commemorate decisive moments in the making of Canada. But seen through an environmental lens, these sites become artifacts of a bigger story: the occupation and transformation of nature into nation. In an age of pressing discussions about environmental sustainability, there is a growing need to know more about the history of our relationship with(...)
Titre:
Nature, place, and story: rethinking historic sites in Canada
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$34.95
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Résumé:
National historic sites commemorate decisive moments in the making of Canada. But seen through an environmental lens, these sites become artifacts of a bigger story: the occupation and transformation of nature into nation. In an age of pressing discussions about environmental sustainability, there is a growing need to know more about the history of our relationship with the natural world and what lessons these places of public history, regional identity, and national narrative can teach us. "Nature, place, and story" provides new interpretations for five of Canada’s largest and most iconic historic sites (two of which are UNESCO World Heritage Sites): L’Anse aux Meadows, Newfoundland; Grand Pré, Nova Scotia; Fort William, Ontario; the Forks of the Red River, Manitoba; and the Bar U Ranch, Alberta. At each location, Claire Campbell rewrites public history as environmental history, revealing the country’s debt to the power and fragility of the natural world, and the relevance of the past to understanding climate change, agricultural sustainability, wilderness protection, urban reclamation, and fossil fuel extraction. From the medieval Atlantic to modern ranchlands, environmental history speaks directly to contemporary questions about the health of Canada’s habitat. Bringing together public and environmental history in an entirely new way, "Nature, place, and story" is a lively and ambitious call for a fresh perspective on natural heritage.
Nature, place, and story: rethinking historic sites in Canada
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Prix:
$34.95
(disponible en magasin)
Résumé:
National historic sites commemorate decisive moments in the making of Canada. But seen through an environmental lens, these sites become artifacts of a bigger story: the occupation and transformation of nature into nation. In an age of pressing discussions about environmental sustainability, there is a growing need to know more about the history of our relationship with the natural world and what lessons these places of public history, regional identity, and national narrative can teach us. "Nature, place, and story" provides new interpretations for five of Canada’s largest and most iconic historic sites (two of which are UNESCO World Heritage Sites): L’Anse aux Meadows, Newfoundland; Grand Pré, Nova Scotia; Fort William, Ontario; the Forks of the Red River, Manitoba; and the Bar U Ranch, Alberta. At each location, Claire Campbell rewrites public history as environmental history, revealing the country’s debt to the power and fragility of the natural world, and the relevance of the past to understanding climate change, agricultural sustainability, wilderness protection, urban reclamation, and fossil fuel extraction. From the medieval Atlantic to modern ranchlands, environmental history speaks directly to contemporary questions about the health of Canada’s habitat. Bringing together public and environmental history in an entirely new way, "Nature, place, and story" is a lively and ambitious call for a fresh perspective on natural heritage.
Classification:
livres
livres
Publication:
août 2017
août 2017
Sujet:
Architecture du Canada
Architecture du Canada
Classification:
livres
livres
Titre:
David Freund: gas stop
David Freund: gas stop
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$162.50
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Résumé:
In the twentieth century, any American driver or passenger would stop at gas stations at least weekly, and not just for gas. Gas stations were also oases offering food and drink, car repairs, directions, maps and, importantly, bathrooms. Yet, beyond their appreciation as roadside novelties, their offerings to American culture, landscape and history have been little(...)
$162.50
(disponible sur commande)
Résumé:
In the twentieth century, any American driver or passenger would stop at gas stations at least weekly, and not just for gas. Gas stations were also oases offering food and drink, car repairs, directions, maps and, importantly, bathrooms. Yet, beyond their appreciation as roadside novelties, their offerings to American culture, landscape and history have been little(...)
Titre:
David Freund: gas stop
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$162.50
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Résumé:
In the twentieth century, any American driver or passenger would stop at gas stations at least weekly, and not just for gas. Gas stations were also oases offering food and drink, car repairs, directions, maps and, importantly, bathrooms. Yet, beyond their appreciation as roadside novelties, their offerings to American culture, landscape and history have been little photographed. From 1978 to 1981, David Freund analyzed the culture, architecture and landscape of gas stations in more than forty states. The photographs show customers and workers in postures and actions peculiar to gassing up, or just hanging out. Architecture and signage, both corporate and vernacular, beckon passing drivers. Regional landscapes hold and surround gas stations, each with its own landscape of designed plantings or scrappy volunteers. Stations were also outposts for American networks other than petroleum, seen in telephone booths, mailboxes and powerlines. These and all that surrounds them spark recognition and recollection, accruing as elements of a nonlinear American narrative. While Freund’s primary concern is for his photographs to engage and surprise, he acknowledges nostalgia and uses it to imbue his subjects with a compelling sense of belonging. Of more than 200,000 gas stations in the United States at the time of this project, today they and their roles are mostly gone, existing now in memory and in this work. Four hardcover books housed in a slipcase
David Freund: gas stop
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Prix:
$162.50
(disponible sur commande)
Résumé:
In the twentieth century, any American driver or passenger would stop at gas stations at least weekly, and not just for gas. Gas stations were also oases offering food and drink, car repairs, directions, maps and, importantly, bathrooms. Yet, beyond their appreciation as roadside novelties, their offerings to American culture, landscape and history have been little photographed. From 1978 to 1981, David Freund analyzed the culture, architecture and landscape of gas stations in more than forty states. The photographs show customers and workers in postures and actions peculiar to gassing up, or just hanging out. Architecture and signage, both corporate and vernacular, beckon passing drivers. Regional landscapes hold and surround gas stations, each with its own landscape of designed plantings or scrappy volunteers. Stations were also outposts for American networks other than petroleum, seen in telephone booths, mailboxes and powerlines. These and all that surrounds them spark recognition and recollection, accruing as elements of a nonlinear American narrative. While Freund’s primary concern is for his photographs to engage and surprise, he acknowledges nostalgia and uses it to imbue his subjects with a compelling sense of belonging. Of more than 200,000 gas stations in the United States at the time of this project, today they and their roles are mostly gone, existing now in memory and in this work. Four hardcover books housed in a slipcase
Classification:
livres
livres
Publication:
janvier 2017
janvier 2017
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Chaos and culture: Renzo Piano Building Workshop and the Stavros Niarchos Foundation Cultural center
Chaos and culture: Renzo Piano Building Workshop and the Stavros Niarchos Foundation Cultural center
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$66.00
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In 2006 the Stavros Niarchos Foundation announced its gift of a new cultural center in Athens to house both Greek National Library and the Greek National Opera House within a forty-acre landscaped public park. Two years later, with designers and engineers in place and the project underway, the Greek economy collapsed. In "Chaos and culture", Victoria Newhouse weaves a(...)
$66.00
(disponible sur commande)
Résumé:
In 2006 the Stavros Niarchos Foundation announced its gift of a new cultural center in Athens to house both Greek National Library and the Greek National Opera House within a forty-acre landscaped public park. Two years later, with designers and engineers in place and the project underway, the Greek economy collapsed. In "Chaos and culture", Victoria Newhouse weaves a(...)
Titre:
Chaos and culture: Renzo Piano Building Workshop and the Stavros Niarchos Foundation Cultural center
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$66.00
(disponible sur commande)
Résumé:
In 2006 the Stavros Niarchos Foundation announced its gift of a new cultural center in Athens to house both Greek National Library and the Greek National Opera House within a forty-acre landscaped public park. Two years later, with designers and engineers in place and the project underway, the Greek economy collapsed. In "Chaos and culture", Victoria Newhouse weaves a fascinating narrative of how a philanthropist and an extraordinary design team became convinced that architecture could serve as a beacon of hope amid Greece’s economic crisis and political upheaval. With meticulous methodology of primary research, interviews with designers, and historic context, Newhouse describes the decade-long process leading to the creation of the Stavros Niarchos Foundation Cultural Center (SNFCC), an $800 million dollar project that became the symbol of recovery and survival. The Stavros Niarchos Foundation Cultural Center (SNFCC) cannot but assume unusual cultural significance, standing as it does on a hill in view of the Parthenon (to the north) and Faliro Bay (to the south). Newhouse further situates the project within the modern history of Athens, beginning with Greece’s independence in 1832, and reaches back much earlier to describe two-thousand-year old cemeteries unearthed on the site. Aerial views by the photographer Iwan Baan are among the 200 photographs and drawings documenting the process and context of the SNFCC.
Chaos and culture: Renzo Piano Building Workshop and the Stavros Niarchos Foundation Cultural center
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Prix:
$66.00
(disponible sur commande)
Résumé:
In 2006 the Stavros Niarchos Foundation announced its gift of a new cultural center in Athens to house both Greek National Library and the Greek National Opera House within a forty-acre landscaped public park. Two years later, with designers and engineers in place and the project underway, the Greek economy collapsed. In "Chaos and culture", Victoria Newhouse weaves a fascinating narrative of how a philanthropist and an extraordinary design team became convinced that architecture could serve as a beacon of hope amid Greece’s economic crisis and political upheaval. With meticulous methodology of primary research, interviews with designers, and historic context, Newhouse describes the decade-long process leading to the creation of the Stavros Niarchos Foundation Cultural Center (SNFCC), an $800 million dollar project that became the symbol of recovery and survival. The Stavros Niarchos Foundation Cultural Center (SNFCC) cannot but assume unusual cultural significance, standing as it does on a hill in view of the Parthenon (to the north) and Faliro Bay (to the south). Newhouse further situates the project within the modern history of Athens, beginning with Greece’s independence in 1832, and reaches back much earlier to describe two-thousand-year old cemeteries unearthed on the site. Aerial views by the photographer Iwan Baan are among the 200 photographs and drawings documenting the process and context of the SNFCC.
Classification:
livres
livres
Publication:
mai 2017
mai 2017
Sujet:
Architecture, monographies
Architecture, monographies
Classification:
livres
livres
Titre:
Walking between slums and skycrapers: illusions of open space in Hong Kong, Tokyo, and Shanghai
Walking between slums and skycrapers: illusions of open space in Hong Kong, Tokyo, and Shanghai
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Prix:
$24.95
(disponible sur commande)
Résumé:
The book is concerned with the effects of globalization on living space focusing specifically on East Asian metropolises, such as Hong Kong, Tokyo, and Shanghai. Globalization has given rise to accessible catch-phrases such as the 'global village' and 'this is a small world.' In each part of the book the author juxtaposes a 'social' account of the city's urban space as it(...)
$24.95
(disponible sur commande)
Résumé:
The book is concerned with the effects of globalization on living space focusing specifically on East Asian metropolises, such as Hong Kong, Tokyo, and Shanghai. Globalization has given rise to accessible catch-phrases such as the 'global village' and 'this is a small world.' In each part of the book the author juxtaposes a 'social' account of the city's urban space as it(...)
Publication:
avril 2004, Hong Kong
avril 2004, Hong Kong
Titre:
Walking between slums and skycrapers: illusions of open space in Hong Kong, Tokyo, and Shanghai
Actions:
Prix:
$24.95
(disponible sur commande)
Résumé:
The book is concerned with the effects of globalization on living space focusing specifically on East Asian metropolises, such as Hong Kong, Tokyo, and Shanghai. Globalization has given rise to accessible catch-phrases such as the 'global village' and 'this is a small world.' In each part of the book the author juxtaposes a 'social' account of the city's urban space as it has been reshaped by the process of globalization with a 'private' account of the urban landscape as experienced by its walkers. Rather than rest here, the author wishes to show that for many of the inhabitants of the new global city, the 'shrinking world' phenomenon is deeply literal: the 'lived' space of everyday life is shrinking to make room for rezoning, construction of new infrastructure, and space modification - all in the name of urban development. Tsung-yi Michelle Huang received her Ph.D. in Comparative Literature from State University of New York at Stony Brook. Her works on cinema, literature, cultural studies, global cities, and Hong Kong culture have been published in the Quarterly Review of Film and Video, Journal of Narrative Theory, among others. Recently she has been working in a project that defines and examines specific East Asian metropolises as both 'linked' cities and distinctive global centers, mapping the tension within these domains. She is currently an Assistant Professor of English Literature at National Taiwan Normal University.
Walking between slums and skycrapers: illusions of open space in Hong Kong, Tokyo, and Shanghai
Actions:
Prix:
$24.95
(disponible sur commande)
Résumé:
The book is concerned with the effects of globalization on living space focusing specifically on East Asian metropolises, such as Hong Kong, Tokyo, and Shanghai. Globalization has given rise to accessible catch-phrases such as the 'global village' and 'this is a small world.' In each part of the book the author juxtaposes a 'social' account of the city's urban space as it has been reshaped by the process of globalization with a 'private' account of the urban landscape as experienced by its walkers. Rather than rest here, the author wishes to show that for many of the inhabitants of the new global city, the 'shrinking world' phenomenon is deeply literal: the 'lived' space of everyday life is shrinking to make room for rezoning, construction of new infrastructure, and space modification - all in the name of urban development. Tsung-yi Michelle Huang received her Ph.D. in Comparative Literature from State University of New York at Stony Brook. Her works on cinema, literature, cultural studies, global cities, and Hong Kong culture have been published in the Quarterly Review of Film and Video, Journal of Narrative Theory, among others. Recently she has been working in a project that defines and examines specific East Asian metropolises as both 'linked' cities and distinctive global centers, mapping the tension within these domains. She is currently an Assistant Professor of English Literature at National Taiwan Normal University.
Classification:
livres
livres
Publication:
avril 2004, Hong Kong
avril 2004, Hong Kong
