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A critically acclaimed history of Chicago at mid-century, featuring many of the incredible personalities that shaped American culture Before air travel overtook trains, nearly every coast-to-coast journey included a stop in Chicago, and this flow of people and commodities made it the crucible for American culture and innovation. In luminous prose, Chicago native Thomas(...)
The third coast: when Chicago built the American dream
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A critically acclaimed history of Chicago at mid-century, featuring many of the incredible personalities that shaped American culture Before air travel overtook trains, nearly every coast-to-coast journey included a stop in Chicago, and this flow of people and commodities made it the crucible for American culture and innovation. In luminous prose, Chicago native Thomas Dyja re-creates the story of the city in its postwar prime and explains its profound impact on modern America--from Chess Records to "Playboy," McDonald's to the University of Chicago. Populated with an incredible cast of characters, including Mahalia Jackson, Muddy Waters, Howlin' Wolf, Chuck Berry, Sun Ra, Simone de Beauvoir, Nelson Algren, Gwendolyn Brooks, Studs Turkel, and Mayor Richard J. Daley, "The Third Coast" recalls the prominence of the Windy City in all its grandeur.
TTP
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'TTP' is a series of photographs made by Hayahisa Tomiyasu from the window of his former student apartment in the German city of Leipzig. From his south-facing view we see a 'tischtennisplatte' or ping pong table used for a plethora of purposes – including a sun bed, a laundry counter, a kids' climbing frame, an exercise site, a family lunch spot, a refuge from busy(...)
TTP
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'TTP' is a series of photographs made by Hayahisa Tomiyasu from the window of his former student apartment in the German city of Leipzig. From his south-facing view we see a 'tischtennisplatte' or ping pong table used for a plethora of purposes – including a sun bed, a laundry counter, a kids' climbing frame, an exercise site, a family lunch spot, a refuge from busy streets, among various other uses – except from table tennis. Tomiyasu spent five years documenting the humble table and thanks to his sustained curiosity we observe the idiosyncrasies of human behaviour and social habits, as seasons change, scenes mutate and people come and go.
Monographies photo
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Itsuro Yoshiba is one of the world's most talented architects and one of few not to be affected by the authoritarian attitudes that came out of the Japanese construction boom during the last half of the 20th Century. If we look in any of Yoshiba's works it is patently clear that he understands the city as an organism and accordingly his buildings are filled with vitality.(...)
Itsuro Yoshiba : modern architect
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Itsuro Yoshiba is one of the world's most talented architects and one of few not to be affected by the authoritarian attitudes that came out of the Japanese construction boom during the last half of the 20th Century. If we look in any of Yoshiba's works it is patently clear that he understands the city as an organism and accordingly his buildings are filled with vitality. They are flexible, in line with his philosophy that all buildings should allow for future modifications, and they create harmony with the surrounding natural environment. Works include: Ikegamisone Yayoi Museum, University of Osaka Conference Hall, Sun Palace Hirakata, Amagasaki Housing, Kema Housing, and more. Text in English / Korean
Architecture, monographies
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The projects featured in this issue are presented under three themes: “The habitable wall”, “Cities of the dead”, and “Down to earth”. The first considers two new linear projects in Italy – Herzong & de Meuron’s Feltrinelli Porta Volta in Milan and City of Sun by Labics in Rome – both of which interject a modern palisade along the edge of well-defined urban district. The(...)
C3 389 : The habitable wall, cities of the dead, down to earth
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The projects featured in this issue are presented under three themes: “The habitable wall”, “Cities of the dead”, and “Down to earth”. The first considers two new linear projects in Italy – Herzong & de Meuron’s Feltrinelli Porta Volta in Milan and City of Sun by Labics in Rome – both of which interject a modern palisade along the edge of well-defined urban district. The second theme looks at the fascinating challenge of building for the dead through four new projects in Taiwan, Korea, Japan, and the Netherlands. The final section takes rammed earth as its subject, highlighting five architects who show that this ancient material can still be used to produce exciting modern architecture.
Revues
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Many people are not familiar with Kumbh Mela, and yet it is the largest celebration on earth: depending on the positions of Jupiter, the sun and the moon, Hindus travel to certain places along holy rivers, the Ganges for example, to bathe and cleanse themselves of sin. With a 2013 attendance of approximately 34 million, the triennial pilgrimage requires that the(...)
Kumbh Mela: mapping the ephemeral Megacity
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Many people are not familiar with Kumbh Mela, and yet it is the largest celebration on earth: depending on the positions of Jupiter, the sun and the moon, Hindus travel to certain places along holy rivers, the Ganges for example, to bathe and cleanse themselves of sin. With a 2013 attendance of approximately 34 million, the triennial pilgrimage requires that the communities hosting the gatherings create functioning temporary structures to transport, house and feed enormous crowds of people. In 2013, a team from Harvard University monitored the large-scale event from its preparation through to the actual celebration, investigating and documenting the prototypes for flexible urban planning and offering organizers advice on issues around environmental protection. This substantial hardcover presents their comprehensive research findings along with city maps, aerial images and photographs of this most fascinating feat of urban planning.
Théorie de l’architecture
Detail 10 2011 : Toitures
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An increasing number of people want to live in city centres, where space is limited. This causes architecture to grow vertically, creating new worlds on top of old roofs. Examples of this, seen on the Rhine riverbank in Cologne, Copenhagen and Graz, show how charming these new living spaces can look. Eight roofs from around the world are examined in detail, each covered(...)
Detail 10 2011 : Toitures
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An increasing number of people want to live in city centres, where space is limited. This causes architecture to grow vertically, creating new worlds on top of old roofs. Examples of this, seen on the Rhine riverbank in Cologne, Copenhagen and Graz, show how charming these new living spaces can look. Eight roofs from around the world are examined in detail, each covered with different materials: Adam Kahn uses wood shingles for his 'swimming visitors' centre; Diller Scofidio designs a park on top of a restaurant's green roof; Hopkins Architects gives the steel supporting frame of the Olympic cycling stadium a dynamic swing; Zaha Hadid wallows in Glasgow, with curves made of zinc sheeting and Jürgen Mayer H. is under huge umbrellas in the Spanish sun. In the chapter »technology« the complex supporting structure of the polyurethane-laminated, veneer-layered timber construction will be explained in detail.
Revues
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In "Fugitive time", Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb.(...)
Fugitive time: Global aesthetics and the black beyond
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In "Fugitive time", Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release but is instead about sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's "Twilight City" to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression.
Théorie de l’art
Socrates' ancestor
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Socrates' Ancestor is a rich and poetic exploration of architectural beginnings and the dawn of Western philosophy in preclassical Greece. Architecture precedes philosophy, McEwen argues, and it was here, in the archaic Greek polis, that Western architecture became the cradle of Western thought. McEwen's appreciation of the early Greek understanding of the indissolubility(...)
Théorie de l’architecture
octobre 1993, Cambridge London
Socrates' ancestor
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Socrates' Ancestor is a rich and poetic exploration of architectural beginnings and the dawn of Western philosophy in preclassical Greece. Architecture precedes philosophy, McEwen argues, and it was here, in the archaic Greek polis, that Western architecture became the cradle of Western thought. McEwen's appreciation of the early Greek understanding of the indissolubility of craft and community yields new insight into such issues as orthogonal planning and the appearance of the encompassing colonnade - the ptera or "wings" - that made Greek temples Greek. Who was Socrates' ancestor? Socrates claims it was Daedalus, the mythical first architect. Socrates' ancestors were also the first Western philosophers: the pre-Socratic thinkers of archaic Greece where the Greek city-state with its monumental temples first came to light. McEwen brilliantly draws out the connections between Daedalus and the earliest Greek thinkers, between architecture and the advent of speculative thought. She argues that Greek thought and Greek architecture share a common ground in the amazing fabrications of the legendary Daedalus: statues so animated with divine life that they had to be bound in chains, the Labyrinth where Theseus slew the Minotaur, Ariadne's dancing floor in Knossos. Socrates' Ancestor is an exploration as remarkable for its clarity as for its avoidance of reductionism. Drawing as much on the power of myth and metaphor as on philosophical, philological, and historical considerations, McEwen first reaches backward: from Socrates to the earliest written record of Western philosophy in the Anaximander B1 fragment, and its physical expression in Anaximander's built work - a "cosmic model" that consisted of a celestial sphere, a map of the world, and the first Greek sun clock. From daedalean artifacts she draws out the centrality of early Greek craftsmanship and its role in the making of the Greek city-state. The investigation then moves forward to a discussion of the polis and the first great peripteral temples that anchored for the meaning of "city."
Théorie de l’architecture
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For centuries, the cardinals, popes, and rulers of Italy have devoted themselves to creating vast villa gardens that represent their wealth and power, provide a calm refuge from city life, and showcase lavish plantings and rare flowers. Here, in over two hundred photographs — taken during the Edwardian era when these historic gardens were at their peak — twenty-two of(...)
Italian gardens : romantic splendor in the Edwardian age
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For centuries, the cardinals, popes, and rulers of Italy have devoted themselves to creating vast villa gardens that represent their wealth and power, provide a calm refuge from city life, and showcase lavish plantings and rare flowers. Here, in over two hundred photographs — taken during the Edwardian era when these historic gardens were at their peak — twenty-two of central Italy's most ornate and spectacular palace gardens are presented. This publication reveals the vanished magnificence of the aristocracy's landscapes in images from the archives of Britain's Country Life magazine. Classic photographs display patterned grottoes, elaborate terraces, sophisticated fountains, antique statuary, and sun-dappled arbors to provide an important record of these gardens at a nostalgic moment in time, before the two World Wars provoked irrevocable changes in Italy's political and economic climate and many gardens fell into neglect. Discussing the history and design of each garden, author Helena Attlee brings to life the personalities responsible for such extravagant creations as the Alley of a Hundred Fountains at the Villa d'Este in Tivoli, the swirling parterres de broderie of Villa Doria Pamphili in Rome, the broad terraces and majestic staircases of the Vatican Gardens, the frescoed loggia of the Villa Medici in Fiesole, and the border of innumerable citrus trees circling the Isolotto in Florence's famous Boboli Gardens.
Jardins
Charles Rose, architect
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Charles Rose embraces the vast and varied panorama of the American landscape. Sensitive to his sites, the architect recognizes the poetry of every locale and uses his fascination with place as a central character in his designs. Regionalism, a term at times used to underrate architecture that is seen as too parochial or that eschews universal "truths" (most often those of(...)
Charles Rose, architect
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Charles Rose embraces the vast and varied panorama of the American landscape. Sensitive to his sites, the architect recognizes the poetry of every locale and uses his fascination with place as a central character in his designs. Regionalism, a term at times used to underrate architecture that is seen as too parochial or that eschews universal "truths" (most often those of modernism) in favor of a local style, becomes a practice of the highest order in the hands of Rose, one of America's most accomplished young architects. With both the rigor of geometry and a commitment to ecosensitivity, his work is as attuned to the dense urban fabric of New York City as it is to the rural outback of Wyoming. The profile of his award-winning Camp Paint Rock in Hyattville, Wyoming, follows the contours of a nearby canyon; Roses's adaptive reuse of an industrial structure in New York City's Chelsea neighborhood preserves the existing streetscape while creating a seamless flow between inside and out; and the shape of his United States Port of Entry project in Del Rio, Texas, was determined by the scorching Texan sun and features sustainable landscapes. With surprising use of volumes, materials, and geometries, agile movement of spaces, and an active language of planes and lines, Rose creates dynamic, expressive architecture that reminds us that buildings can be both sensitive to their locale and embrace the timeless principles of geometry, material, light, and shadow.
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