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When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? Over the course of the Archaeology of the Digital research program, the CCA has collected the archival records of twenty-five projects realized between the late 1980s and the early 2000s in order to understand this moment as a point of origin(...)
$42.00
(disponible en magasin)
Résumé:
When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? Over the course of the Archaeology of the Digital research program, the CCA has collected the archival records of twenty-five projects realized between the late 1980s and the early 2000s in order to understand this moment as a point of origin(...)
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When is the digital in architecture?
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When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? Over the course of the Archaeology of the Digital research program, the CCA has collected the archival records of twenty-five projects realized between the late 1980s and the early 2000s in order to understand this moment as a point of origin for the digital. But if we take care to identify the digital as a condition that is made possible by the conceptual foundations of digital media and not necessarily by digital media itself, the boundaries of the digital moment—when it began and under what circumstances—become less clear. There are eight million stories of the origins of the digital in architecture, and this book brings together fourteen of them in a chronology of responses to the question of when the digital is in architecture. The arguments address specific changes in ways of thinking about architecture, building, and cities, as well as the shifts in technology that resulted from these changes, marking both a capstone to Archaeology of the Digital and the beginning of an investigation of other beginnings of the digital in architecture. Asking a question like When is the digital in architecture? can produce eight million stories in response, and eight million digressions and redirections that narrow in focus and change geographies, producing a Tristram Shandy of the digital as the CCA continues to build its digital archive and makes it increasingly accessible to researchers. If this novel of digressions is distributed across future research projects and extended with studies of new archival material, so much the better for the reader, in our opinion.
When is the digital in architecture?
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When is the digital in architecture? What are the conditions that led architects to integrate digital tools into their practices? Over the course of the Archaeology of the Digital research program, the CCA has collected the archival records of twenty-five projects realized between the late 1980s and the early 2000s in order to understand this moment as a point of origin for the digital. But if we take care to identify the digital as a condition that is made possible by the conceptual foundations of digital media and not necessarily by digital media itself, the boundaries of the digital moment—when it began and under what circumstances—become less clear. There are eight million stories of the origins of the digital in architecture, and this book brings together fourteen of them in a chronology of responses to the question of when the digital is in architecture. The arguments address specific changes in ways of thinking about architecture, building, and cities, as well as the shifts in technology that resulted from these changes, marking both a capstone to Archaeology of the Digital and the beginning of an investigation of other beginnings of the digital in architecture. Asking a question like When is the digital in architecture? can produce eight million stories in response, and eight million digressions and redirections that narrow in focus and change geographies, producing a Tristram Shandy of the digital as the CCA continues to build its digital archive and makes it increasingly accessible to researchers. If this novel of digressions is distributed across future research projects and extended with studies of new archival material, so much the better for the reader, in our opinion.
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livres
livres
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juin 2017
juin 2017
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Publications du CCA
Publications du CCA
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archives
archives
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Video recording: 1 online resource (5 video files (1 hr., 38 min., 37 sec.)) : sound, color, Transcript: 1 online resource (1 PDF file (9 pages))
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Video recording: 1 online resource (5 video files (1 hr., 38 min., 37 sec.)) : sound, color, Transcript: 1 online resource (1 PDF file (9 pages))
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Shoei Yoh in conversation with Greg Lynn and Fabrizio Gallanti, 2013 September 25.
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Video recording: 1 online resource (5 video files (1 hr., 38 min., 37 sec.)) : sound, color, Transcript: 1 online resource (1 PDF file (9 pages))
Shoei Yoh in conversation with Greg Lynn and Fabrizio Gallanti, 2013 September 25.
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Video recording: 1 online resource (5 video files (1 hr., 38 min., 37 sec.)) : sound, color, Transcript: 1 online resource (1 PDF file (9 pages))
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archives
archives
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$54.95
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In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera(...)
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In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera(...)
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février 2013
février 2013
Titre:
Illusions in motions : media archaeology of the moving panorama and related spectacle
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$54.95
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In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country.
Illusions in motions : media archaeology of the moving panorama and related spectacle
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In Illusions in Motion, Erkki Huhtamo excavates this neglected early manifestation of media culture in the making. The moving panorama was a long painting that unscrolled behind a “window” by means of a mechanical cranking system, accompanied by a lecture, music, and sometimes sound and light effects. Showmen exhibited such panoramas in venues that ranged from opera houses to church halls, creating a market for mediated realities in both city and country.
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livres
livres
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février 2013
février 2013
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livres
livres
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Le Corbusier's Chandigarh revisited : preservation as future modernism / Vikramaditya Prakash.
Le Corbusier's Chandigarh revisited : preservation as future modernism / Vikramaditya Prakash.
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xi, 155 pages : illustrations, maps, plans ; 22 cm
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xi, 155 pages : illustrations, maps, plans ; 22 cm
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Abingdon, Oxon : Routledge, 2024.
Abingdon, Oxon : Routledge, 2024.
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Le Corbusier's Chandigarh revisited : preservation as future modernism / Vikramaditya Prakash.
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xi, 155 pages : illustrations, maps, plans ; 22 cm
Le Corbusier's Chandigarh revisited : preservation as future modernism / Vikramaditya Prakash.
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xi, 155 pages : illustrations, maps, plans ; 22 cm
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livres
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Abingdon, Oxon : Routledge, 2024.
Abingdon, Oxon : Routledge, 2024.
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xvii, 731 pages : illustrations, plans, portrait ; 30 cm.
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xvii, 731 pages : illustrations, plans, portrait ; 30 cm.
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Padova : Padova University Press, [2012], ©2012
Padova : Padova University Press, [2012], ©2012
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L'architettura privata ad Aquileia in età romana : atti del convegno di studio, Padova, 21-22 febbraio 2011 / a cura di Jacopo Bonetto, Monica Salvadori ; con la collaborazione di Alessandra Didonè, Caterina Previato.
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xvii, 731 pages : illustrations, plans, portrait ; 30 cm.
L'architettura privata ad Aquileia in età romana : atti del convegno di studio, Padova, 21-22 febbraio 2011 / a cura di Jacopo Bonetto, Monica Salvadori ; con la collaborazione di Alessandra Didonè, Caterina Previato.
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xvii, 731 pages : illustrations, plans, portrait ; 30 cm.
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Padova : Padova University Press, [2012], ©2012
Padova : Padova University Press, [2012], ©2012
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Deep mapping the media city
Deep mapping the media city
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Going beyond current scholarship on the media city and the smart city, Shannon Mattern argues that our global cities have been mediated and intelligent for millennia. Deep Mapping the Media City advocates for urban media archaeology, a multisensory approach to investigating the material history of networked cities.
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Going beyond current scholarship on the media city and the smart city, Shannon Mattern argues that our global cities have been mediated and intelligent for millennia. Deep Mapping the Media City advocates for urban media archaeology, a multisensory approach to investigating the material history of networked cities.
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Deep mapping the media city
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$13.99
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Going beyond current scholarship on the media city and the smart city, Shannon Mattern argues that our global cities have been mediated and intelligent for millennia. Deep Mapping the Media City advocates for urban media archaeology, a multisensory approach to investigating the material history of networked cities.
Deep mapping the media city
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$13.99
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Going beyond current scholarship on the media city and the smart city, Shannon Mattern argues that our global cities have been mediated and intelligent for millennia. Deep Mapping the Media City advocates for urban media archaeology, a multisensory approach to investigating the material history of networked cities.
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livres
livres
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juin 2015
juin 2015
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Architecture numérique
Architecture numérique
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livres
livres
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$40.50
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing,(...)
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing,(...)
Titre:
Code and clay, data and dirt: five thousand years of urban media
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore. Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
Code and clay, data and dirt: five thousand years of urban media
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Offering new ways of thinking about our cities, Code and Clay, Data and Dirt goes far beyond the standard historical concepts of origins, development, revolutions, and the accomplishments of an elite few. Mattern shows that in their architecture, laws, street layouts, and civic knowledge—and through technologies including the telephone, telegraph, radio, printing, writing, and even the human voice—cities have long negotiated a rich exchange between analog and digital, code and clay, data and dirt, ether and ore. Mattern’s vivid prose takes readers through a historically and geographically broad range of stories, scenes, and locations, synthesizing a new narrative for our urban spaces. Taking media archaeology to the city’s streets, Code and Clay, Data and Dirt reveals new ways to write our urban, media, and cultural histories.
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Théorie de l’urbanisme
Théorie de l’urbanisme
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livres
livres
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Why architects still draw
Why architects still draw
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Why would an architect reach for a pencil when drawing software and AutoCAD are a click away? Use a ruler when 3D-scanners and GPS devices are close at hand? In Why Architects Still Draw, Paolo Belardi offers an elegant and ardent defense of drawing by hand as a way of thinking. Belardi is no Luddite; he doesn't urge architects to give up digital devices for watercolors(...)
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Why would an architect reach for a pencil when drawing software and AutoCAD are a click away? Use a ruler when 3D-scanners and GPS devices are close at hand? In Why Architects Still Draw, Paolo Belardi offers an elegant and ardent defense of drawing by hand as a way of thinking. Belardi is no Luddite; he doesn't urge architects to give up digital devices for watercolors(...)
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Why architects still draw
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Why would an architect reach for a pencil when drawing software and AutoCAD are a click away? Use a ruler when 3D-scanners and GPS devices are close at hand? In Why Architects Still Draw, Paolo Belardi offers an elegant and ardent defense of drawing by hand as a way of thinking. Belardi is no Luddite; he doesn't urge architects to give up digital devices for watercolors and a measuring tape. Rather, he makes a case for drawing as the interface between the idea and the work itself. A drawing, Belardi argues, holds within it the entire final design. It is the paradox of the acorn: a project emerges from a drawing-even from a sketch, rough and inchoate-just as an oak tree emerges from an acorn. Citing examples not just from architecture but also from literature, chemistry, music, archaeology, and art, Belardi shows how drawing is not a passive recording but a moment of invention pregnant with creative possibilities.
Why architects still draw
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$26.95
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Why would an architect reach for a pencil when drawing software and AutoCAD are a click away? Use a ruler when 3D-scanners and GPS devices are close at hand? In Why Architects Still Draw, Paolo Belardi offers an elegant and ardent defense of drawing by hand as a way of thinking. Belardi is no Luddite; he doesn't urge architects to give up digital devices for watercolors and a measuring tape. Rather, he makes a case for drawing as the interface between the idea and the work itself. A drawing, Belardi argues, holds within it the entire final design. It is the paradox of the acorn: a project emerges from a drawing-even from a sketch, rough and inchoate-just as an oak tree emerges from an acorn. Citing examples not just from architecture but also from literature, chemistry, music, archaeology, and art, Belardi shows how drawing is not a passive recording but a moment of invention pregnant with creative possibilities.
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livres
livres
Publication:
mars 2014
mars 2014
Sujet:
Théorie de l’architecture
Théorie de l’architecture
