The bedroom
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The winner of France's prestigious Prix Femina Essai (2009), this book explores the many dimensions of the room in which we spend so much of our lives—the bedroom. Eminent cultural historian Michelle Perrot traces the evolution of the bedroom from the time of the ancient Greeks and Romans to today, examining its myriad forms and functions, from royal king's chamber to(...)
The bedroom
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$39.95
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The winner of France's prestigious Prix Femina Essai (2009), this book explores the many dimensions of the room in which we spend so much of our lives—the bedroom. Eminent cultural historian Michelle Perrot traces the evolution of the bedroom from the time of the ancient Greeks and Romans to today, examining its myriad forms and functions, from royal king's chamber to child's sleeping quarters to lovers' trysting place to monk's cell. The history of women, so eager for a room of their own, and that of prisons, where the principal cause of suffering is the lack of privacy, is interwoven with a reflection on secrecy, walls, the night and its mysteries.Drawing from a wide range of sources, including architectural and design treatises, private journals, novels, memoirs, and correspondences, Perrot's book follows the many roads that lead to the bedroom—birth, sex, illness, death—in its endeavor to expose the most intimate, nocturnal side of human history.
Théorie de l’architecture
audio
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2018.
June 21, 2018 : Listening for Southwest Key in San Diego.
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1 online resource.
audio
[Place of publication not identified] : Lateral Addition, 2018.
$52.50
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The Serpentine Architecture Program expands for 2016, with four Summer Houses joining the Serpentine Pavilion. The Pavilion, designed by Bjarke Ingels Group (BIG), is an unzipped wall that is transformed from straight line to three-dimensional space, creating a dramatic structure that by day houses a café and by night becomes a space for the Serpentine’s Park Nights(...)
Architecture contemporaine
mai 2017
Serpentine Pavilion and summer houses 2016. BIG, Kunlé Adeyemi, Yona Friedman, Barkow Leib
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The Serpentine Architecture Program expands for 2016, with four Summer Houses joining the Serpentine Pavilion. The Pavilion, designed by Bjarke Ingels Group (BIG), is an unzipped wall that is transformed from straight line to three-dimensional space, creating a dramatic structure that by day houses a café and by night becomes a space for the Serpentine’s Park Nights performance program. Kunlé Adeyemi’s Summer House is an inverse replica of Queen Caroline’s Temple—a tribute to its robust form, space and material, recomposed into a new sculptural object. Barkow Leibinger were inspired by another, now extinct, 18th-century pavilion also designed by William Kent, which rotated and offered 360-degree views of the Park. Yona Friedman’s Summer House takes the form of a modular structure that can be assembled and disassembled. Asif Khan’s design is inspired by the fact that Queen Caroline’s Temple was positioned in a way that would allow it to catch the sunlight from the Serpentine lake.
Architecture contemporaine
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The subject of light and lighting is more relevant than ever, as evidenced by the UNESCO global celebration of 2015 as the International Year of Light. The exhibition Nightscape 2050 by Lighting Planners Associates (LPA) explores the interactions between people, light, and cities in the year 2050. For LPA the word “nightscape” does not only refer to the evening view, but(...)
Nightscape 2050: a dialogue between cities. light. people in the future
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The subject of light and lighting is more relevant than ever, as evidenced by the UNESCO global celebration of 2015 as the International Year of Light. The exhibition Nightscape 2050 by Lighting Planners Associates (LPA) explores the interactions between people, light, and cities in the year 2050. For LPA the word “nightscape” does not only refer to the evening view, but also includes the individual: “nightscape = humans and cities at night.” The emergence of new light sources such as LEDs, OLEDs, and lasers as well as the evolution of lighting-control technology in the 21st century may dramatically change our living environment. At the same time, numerous natural disasters, manmade disasters, and environmental changes have forced a discussion on how to approach energy consumption including how to power lighting.
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Dump or rich source – the "free materials" discovered on the street, on wasteland and on building site rubbish dumps and recycled by Martin Kaltwasser and Folke Köbberling experience incredible metamorphoses. Pavilions, villages of huts and even whole houses are appearing over night. Since 2002 the artists have been using public space as their field of experiment in(...)
Architecture écologique
mars 2007, Berlin
Ressource stadt/City as a resource : one man's trash is another man's treasure
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Dump or rich source – the "free materials" discovered on the street, on wasteland and on building site rubbish dumps and recycled by Martin Kaltwasser and Folke Köbberling experience incredible metamorphoses. Pavilions, villages of huts and even whole houses are appearing over night. Since 2002 the artists have been using public space as their field of experiment in projects on the use of (free) resources. In installations, exhibitions and most frequently, in actual interventions they question the conditions of urban life determined by privatisation and economisation. Through realised projects the book reveals simple ways of livening up and re-appropriating the " City as a Resource" and thus offers new components in an alternative to conventional urban planning. Köbberling and Kaltwasser propose informal and self-organised structures rather than the usual methods emphasising control, security and as much marketing as possible. Their approach demonstrates that often – with the help of their own clever building logistics – a huge impact may be made with a minimum of financing.
Architecture écologique
Water house
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This exploration of built and yet-to-be-realized aquatic habitats shows how water has become architecture's next frontier. Whether they're floating on top, hovering over, or submerged beneath the water, each of the more than fifty structures examined here demonstrates an innovative use of water resources. Colourfully illustrated with photographs, drawings, and plans, this(...)
Architecture miniature
mai 2005, Munich
Water house
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This exploration of built and yet-to-be-realized aquatic habitats shows how water has become architecture's next frontier. Whether they're floating on top, hovering over, or submerged beneath the water, each of the more than fifty structures examined here demonstrates an innovative use of water resources. Colourfully illustrated with photographs, drawings, and plans, this global and historic sampling includes Shanghai's Bionic Tower, complete with its own lake; Biorock, an artificial reef in the Indian Ocean; an undersea hotel where scuba divers can spend a comfortable night; and Sweden's Ice Hotel, where translucent frozen walls reveal the beauty of the Northern Lights. Each of these projects demonstrates man's ability to live in the water without interfering with nature's rhythms. Together they offer reassuring proof that today's architects are finding workable and appealing solutions to the problems of shrinking resources and growing populations. Each of these projects demonstrates man's ability to live in the water without interfering with nature's rhythms. Together they offer reassuring proof that today's architects are finding workable and appealing solutions to the problems of shrinking resources and growing populations.
Architecture miniature
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''Lost Days, Endless Nights'' tells a history from below—an account of the lives of the forgotten and dispossessed of Los Angeles: the unemployed, the precariously employed, the evicted, the alienated, the unhoused, the anxious, the exhausted. Through an analysis of abandoned archival works, experimental films, and other projects, Andrew Witt offers an expansive account(...)
Lost days, endless nights: Photography and film from Los Angeles
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''Lost Days, Endless Nights'' tells a history from below—an account of the lives of the forgotten and dispossessed of Los Angeles: the unemployed, the precariously employed, the evicted, the alienated, the unhoused, the anxious, the exhausted. Through an analysis of abandoned archival works, experimental films, and other projects, Andrew Witt offers an expansive account of the artists who have lived or worked in Los Angeles, delving into the region's history and geography, highlighting its racial, gender, and class conflicts. Presented as a series of nine case studies, Witt explores how artists as diverse as Agnès Varda, Dana Lixenberg, Allan Sekula, Catherine Opie, John Divola, Gregory Halpern, Paul Sepuya, and Guadalupe Rosales have reimagined and reshaped our understanding of contemporary Los Angeles. The book features portraits of those who struggle and attempt to get by in the city: dock workers, students, bus riders, petty criminals, office workers, immigrants, queer and trans activists. Set against the landscape of economic turmoil and environmental crises that shadowed the 1970s, Witt highlights the urgent need for a historical perspective of cultural retrieval and counternarrative. Extending into the present, ''Lost Days, Endless Nights'' advocates for an approach that actively embraces the works and projects that have been overlooked and evicted from the historical imaginary
Berlin street art
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Street art is a phenomenon which exists across the world's urban centers. What was once regarded as a nuisance at best or vandalism at worst, is now increasingly being recognized as an important art form. This book brings together the finest examples of street art in Berlin, a city bursting with artistic energy and expression. Working primarily at night, street artists(...)
septembre 2005, München, Berlin, London, New York
Berlin street art
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Street art is a phenomenon which exists across the world's urban centers. What was once regarded as a nuisance at best or vandalism at worst, is now increasingly being recognized as an important art form. This book brings together the finest examples of street art in Berlin, a city bursting with artistic energy and expression. Working primarily at night, street artists leave their messages on building facades, mailboxes, advertisements, traffic signs and trash bins. The author has spent many years photographing street art before it is erased by the authorities and he collects here the best work of the city's preeminent street artists.
Perou / Hyde: Tunnel vision
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You can almost hear the ominous hum of the broken strip lighting, the knot of fear in the gut. These unloved spaces are notoriously menacing, graffiti-ridden, inconvenient. Yet through the lens of celebrated British portrait photographer Perou and the accompanying essay by Karl Hyde (of dance music duo Underworld), their architecture is also elevated to something(...)
Perou / Hyde: Tunnel vision
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You can almost hear the ominous hum of the broken strip lighting, the knot of fear in the gut. These unloved spaces are notoriously menacing, graffiti-ridden, inconvenient. Yet through the lens of celebrated British portrait photographer Perou and the accompanying essay by Karl Hyde (of dance music duo Underworld), their architecture is also elevated to something magnificent, at times even ethereal. Shot at night, Perou’s images also express the original utopian vision of the New Town planners of the 1960s and ’70s. The idea for Tunnel Vision was sparked between friends Perou and Hyde when Perou shot the album cover for Hyde’s debut solo album, Edgeland, featuring an underpass at night. Perou has now shot over 200 underpasses across England.
Monographies photo
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship(...)
septembre 2012
World film locations : Reykjavik
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The contributors to this volume trace cinema in Iceland from the 1979 establishment of the Icelandic Film Fund — before which the country’s film industry barely existed — through today. In a series of scene reviews, they show how rapidly the city has changed over the past thirty years. In thematic spotlight articles, they go on to explore such topics as the relationship between Iceland and its capital city; youth culture and night life; the relationship between film and the local music community; cinematic representations of Scandinavian crime; and filmmakers’ response to the 2008 banking crisis. Together, these varied contributions show how films shot in Reykjavík have been shaped both by Iceland’s remoteness from the rest of the world and by Icelandic filmmakers’ sense that the city remains forever on the brink of desolate and harsh wilderness.