1448 Résultats
Classification:
expositions
expositions
Classification:
expositions
expositions
Date:
septembre 2018 au
mars 2019
septembre 2018 au
mars 2019
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Personnes et institutions:
Date:
2001-2016
2001-2016
Titre:
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Documents d’archives de Preston Scott Cohen pour le projet Eyebeam
Actions:
AP190
Résumé:
The Preston Scott Cohen Eyebeam project records, 2001-2016, consist of 281 digital files that document the architect’s competition entry for the Eyebeam Atelier Museum in New York City, developed in 2001. The archive includes 154 digital models in Rhinoceros, 30 digital models in STL, approximately 90 digital images, one video, and a number of Illustrator, Photoshop, PDF, and Microsoft Word files.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
2001-2016
2001-2016
Personnes et institutions:
Classification:
expositions
expositions
Classification:
expositions
expositions
Date:
janvier 2018 au
septembre 2018
janvier 2018 au
septembre 2018
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Personnes et institutions:
Date:
1997-1998
1997-1998
Titre:
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Terra Cultura – Jyväskylä Music and Arts Centre, international competition entry, Jyväskylä, Finland (1997)
Actions:
AP194.S1.1997.PR02
Description:
Project records document the design process for OCEAN North’s competition entry for the Jyväskylä Music and Arts Centre in 1997. The project was titled Terra Cultura by OCEAN North. The competition was to create a multi-usage space that would include a venue for the symphonic orchestra, a music school, exhibition spaces and the possibility to host a variety of small cultural events in the Finnish city of Jyväskylä. The proposed site is in the center of the town, across the street from the Jyväskylä city church and its park, and nearby buildings designed by Alvar Aalto. OCEAN North’s concept presents a topological surface as an extension of the surrounding urban scape with two masses that would host the formal functions of the building (concert hall, music school, exhibition halls). The two volumes, or raised blocks, are divided along a diagonal elevated space, which is the extension of the ground’s topological surface filled and dubbed “Liquid Flow Space” by the design team. In their interview with Greg Lynn, Johan Bettum and Kivi Sotamaa mentioned that the idea for Jyväskylä was that it was a cloud. To reach this goal, the team used CAD software to trace streams of particles as a modelling approach. The masses of linear elements that were generated were further deconstructed and turned into “peels” and rearranged to create the masses of the building. Physical models were also used to test and further what had emerged from the digital design process, with results being fed back into the digital drawings. During the process, Bettum also brought in the idea of the internalisation of the outside, taking inspiration from the Centre Georges Pompidou. Digital records document the creative process with raster and vector images, CAD drawings and models, and few digital textual records describing the project and the program charts. Drawings and models show site and building plans, perspectives and sections; particles streaming and resulting linear masses; peels and sections identified per color; and renderings of aerials, perspectives and elevation views. OCEAN North seems to have mostly used Microstation for modelling, although there are a few files created with form*Z and 3D Studio. Some of the raster images might have been created with these software as well, showing a given stage of the design process and including renderings. There are also screen captures showing the top, front, left and perspective views of 3D models. Adobe Photoshop and Illustrator were also used to create and modify drawings and diagrams. Program charts were created in Microsoft Excel. Sources: Softspace: from a representation of form to a simulation of space, Edited by Sean Lally and Jessica Young. London, New York: Routledge, 2007. Greg Lynn, ed. Archaeology of the Digital 17: OCEAN North, Jyväskylä Music and Arts Centre, Montréal: Canadian Centre for Architecture, 2017. ePub.
Niveau de description archivistique:
Project
Project
Date:
1997-1998
1997-1998
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Titre:
Castelli House
Castelli House
Numéro de référence:
AP143.S4.D26
Description:
This project series documents an unexecuted project for Castelli House, also known as House El Even Odd, designed for the exhibition "Houses for Sale" displayed at the Leo Castelli Gallery in New York, and later at the James Corcoran Gallery in Los Angeles, United States. Material in this file was produced in 1980. There are few drawings by Eisenman for this house; he is most concerned with publication layouts in twelve of the drawings (DR1994:0140:001-012). An original transformation diagram documents the triple axonometric transformation of the "el" (DR1994:0140:051, published in Archer, 24-25). Two texts by Eisenman concerning House El Even Odd explain his intentions (published in Archer, 18-19). These texts, currently grouped with the material for Fin d'Ou T Hou S (DR1994:0141:250-252), are positive prints of the KC5 negative DR1994:0140:079. Fragments of models for House El Even Odd are also included in this project series; finished versions of the models are part of the CCA can be found in file DR1987:0857 and DR1987:0858. Note that model DR1994:0140:080 is in pieces and could not be measured. File contains conceptual drawings, design development drawings, presentation drawings, models, photographic material, and textual records. Conceptual drawings include plans and axonometrics - many graphite or black felt-tip pen on wove paper and some coloured felt-tip pen on tracing paper; and reprographic copies - one photocopy one wove paper. Design development drawings include plans, sections, and elevations - some graphite and/or black felt-tip pen on yellow trace. Presentation drawings include plans, sections, elevations, perspectives, and axonometrics - many pen and black ink and translucent adhesive coloured film on mylar and some pen and black ink on tracing vellum; reprographic copies - mostly blueline prints on wove paper; and one photomechanical print - on wove paper. Notes include notes and an invoice - one pen and black ink on wove paper and one graphite on ruled paper.
AP143.S4.D26
Description:
This project series documents an unexecuted project for Castelli House, also known as House El Even Odd, designed for the exhibition "Houses for Sale" displayed at the Leo Castelli Gallery in New York, and later at the James Corcoran Gallery in Los Angeles, United States. Material in this file was produced in 1980. There are few drawings by Eisenman for this house; he is most concerned with publication layouts in twelve of the drawings (DR1994:0140:001-012). An original transformation diagram documents the triple axonometric transformation of the "el" (DR1994:0140:051, published in Archer, 24-25). Two texts by Eisenman concerning House El Even Odd explain his intentions (published in Archer, 18-19). These texts, currently grouped with the material for Fin d'Ou T Hou S (DR1994:0141:250-252), are positive prints of the KC5 negative DR1994:0140:079. Fragments of models for House El Even Odd are also included in this project series; finished versions of the models are part of the CCA can be found in file DR1987:0857 and DR1987:0858. Note that model DR1994:0140:080 is in pieces and could not be measured. File contains conceptual drawings, design development drawings, presentation drawings, models, photographic material, and textual records. Conceptual drawings include plans and axonometrics - many graphite or black felt-tip pen on wove paper and some coloured felt-tip pen on tracing paper; and reprographic copies - one photocopy one wove paper. Design development drawings include plans, sections, and elevations - some graphite and/or black felt-tip pen on yellow trace. Presentation drawings include plans, sections, elevations, perspectives, and axonometrics - many pen and black ink and translucent adhesive coloured film on mylar and some pen and black ink on tracing vellum; reprographic copies - mostly blueline prints on wove paper; and one photomechanical print - on wove paper. Notes include notes and an invoice - one pen and black ink on wove paper and one graphite on ruled paper.
Personnes et institutions:
Date:
1980
1980
Titre:
Castelli House
Actions:
AP143.S4.D26
Description:
This project series documents an unexecuted project for Castelli House, also known as House El Even Odd, designed for the exhibition "Houses for Sale" displayed at the Leo Castelli Gallery in New York, and later at the James Corcoran Gallery in Los Angeles, United States. Material in this file was produced in 1980. There are few drawings by Eisenman for this house; he is most concerned with publication layouts in twelve of the drawings (DR1994:0140:001-012). An original transformation diagram documents the triple axonometric transformation of the "el" (DR1994:0140:051, published in Archer, 24-25). Two texts by Eisenman concerning House El Even Odd explain his intentions (published in Archer, 18-19). These texts, currently grouped with the material for Fin d'Ou T Hou S (DR1994:0141:250-252), are positive prints of the KC5 negative DR1994:0140:079. Fragments of models for House El Even Odd are also included in this project series; finished versions of the models are part of the CCA can be found in file DR1987:0857 and DR1987:0858. Note that model DR1994:0140:080 is in pieces and could not be measured. File contains conceptual drawings, design development drawings, presentation drawings, models, photographic material, and textual records. Conceptual drawings include plans and axonometrics - many graphite or black felt-tip pen on wove paper and some coloured felt-tip pen on tracing paper; and reprographic copies - one photocopy one wove paper. Design development drawings include plans, sections, and elevations - some graphite and/or black felt-tip pen on yellow trace. Presentation drawings include plans, sections, elevations, perspectives, and axonometrics - many pen and black ink and translucent adhesive coloured film on mylar and some pen and black ink on tracing vellum; reprographic copies - mostly blueline prints on wove paper; and one photomechanical print - on wove paper. Notes include notes and an invoice - one pen and black ink on wove paper and one graphite on ruled paper.
Castelli House
Actions:
AP143.S4.D26
Description:
This project series documents an unexecuted project for Castelli House, also known as House El Even Odd, designed for the exhibition "Houses for Sale" displayed at the Leo Castelli Gallery in New York, and later at the James Corcoran Gallery in Los Angeles, United States. Material in this file was produced in 1980. There are few drawings by Eisenman for this house; he is most concerned with publication layouts in twelve of the drawings (DR1994:0140:001-012). An original transformation diagram documents the triple axonometric transformation of the "el" (DR1994:0140:051, published in Archer, 24-25). Two texts by Eisenman concerning House El Even Odd explain his intentions (published in Archer, 18-19). These texts, currently grouped with the material for Fin d'Ou T Hou S (DR1994:0141:250-252), are positive prints of the KC5 negative DR1994:0140:079. Fragments of models for House El Even Odd are also included in this project series; finished versions of the models are part of the CCA can be found in file DR1987:0857 and DR1987:0858. Note that model DR1994:0140:080 is in pieces and could not be measured. File contains conceptual drawings, design development drawings, presentation drawings, models, photographic material, and textual records. Conceptual drawings include plans and axonometrics - many graphite or black felt-tip pen on wove paper and some coloured felt-tip pen on tracing paper; and reprographic copies - one photocopy one wove paper. Design development drawings include plans, sections, and elevations - some graphite and/or black felt-tip pen on yellow trace. Presentation drawings include plans, sections, elevations, perspectives, and axonometrics - many pen and black ink and translucent adhesive coloured film on mylar and some pen and black ink on tracing vellum; reprographic copies - mostly blueline prints on wove paper; and one photomechanical print - on wove paper. Notes include notes and an invoice - one pen and black ink on wove paper and one graphite on ruled paper.
Niveau de description archivistique:
File 26
File 26
Date:
1980
1980
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
Personnes et institutions:
Date:
1983-1985
1983-1985
Titre:
Correspondence received from various from newspapers and periodicals
Actions:
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
Correspondence received from various from newspapers and periodicals
Actions:
ARCH255585
Description:
22 publicity files - correspondence from journals: Concrete Quarterly, The Architect's Journal, Prague Quadrennial, Architectural Record, Town and Country; U.S.A. and Europe promotion requests for information; Roy Thompson Hall press kits and publication; Canadian Embassy press conference and press clippings; Teck Mining offices publication; Napp Laboratories publication; press clippings about Erickson; possible exhibition in Cambridge; architectural archives (Alberta, AGO, CCA); inter-office promotion correspondence; Erickson book; interview with Pierluigi Bonvicini.
Classification:
documents textuels
documents textuels
Date:
1983-1985
1983-1985
Personnes et institutions:
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
Personnes et institutions:
Date:
1977, 1994-2009
1977, 1994-2009
Titre:
Press clippings and reference material related to Melvin Charney's projects
Actions:
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
Press clippings and reference material related to Melvin Charney's projects
Actions:
DR2012:0015:022:015
Description:
File containing documents in English (predominant), with Dutch and French, including press clippings and reference materials related to the following projects and/or events: - Royal architectural institute of Canada, honorary fellows induction; - Un dictionnaire; - Aux portes du jardin; - 7th Venice Biennale international architecture exhibition; - Melvin Charney's honorary Doctor of Letters, honoris causa, Faculty of Arts and Faculty of Religious Studies, McGill University; - Canadian tribute to human rights; - Commandeur de l'Ordre des arts et des lettres; - Melvin Charney: oeuvres, 1970-1979; - Exhibition at Nicholas Metivier Gallery, Toronto, 2006; - About memory and archive [Autour de la Mémoire et de l'Archive] exhibition; - Skyscraper, waterfall, brooks - a construction; - Visions of the temple; - Parable series; - CCA garden; - Montréal, plus ou moins?; - Corridart. Original folder inscribed in graphite: MC DOSSIER DE PRESSE + WEB
Classification:
documents textuels
documents textuels
Date:
1977, 1994-2009
1977, 1994-2009
Personnes et institutions:
Classification:
événements
événements
Actions:
Description:
Dans le cadre de lexposition Bâtir des lois, le CCA vous invite à une table-ronde sur les politiques de rénovation et de réhabilitation des bâtiments au Canada. Olaf Grawert, Alina Kolar (bplus.xyz) et Juliette Cook (Ha/f Climate Design) discuteront des enjeux économiques, environnementaux et légaux de la rénovation.
Dans le cadre de lexposition Bâtir des lois, le CCA vous invite à une table-ronde sur les politiques de rénovation et de réhabilitation des bâtiments au Canada. Olaf Grawert, Alina Kolar (bplus.xyz) et Juliette Cook (Ha/f Climate Design) discuteront des enjeux économiques, environnementaux et légaux de la rénovation.
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
rénovation et de réhabilitation des bâtiments au Canada, table-ronde, économiques, environnementaux et légaux de la rénovation, notamment
Maison Shaughnessy Mot(s)-clé(s):
rénovation et de réhabilitation des bâtiments au Canada, table-ronde, économiques, environnementaux et légaux de la rénovation, notamment
Date:
11 décembre 2024, 18h
11 décembre 2024, 18h
Titre:
Démolir ou réparer
Actions:
Description:
Dans le cadre de lexposition Bâtir des lois, le CCA vous invite à une table-ronde sur les politiques de rénovation et de réhabilitation des bâtiments au Canada. Olaf Grawert, Alina Kolar (bplus.xyz) et Juliette Cook (Ha/f Climate Design) discuteront des enjeux économiques, environnementaux et légaux de la rénovation.
Démolir ou réparer
Actions:
Description:
Dans le cadre de lexposition Bâtir des lois, le CCA vous invite à une table-ronde sur les politiques de rénovation et de réhabilitation des bâtiments au Canada. Olaf Grawert, Alina Kolar (bplus.xyz) et Juliette Cook (Ha/f Climate Design) discuteront des enjeux économiques, environnementaux et légaux de la rénovation.
Classification:
événements
événements
Date:
11 décembre 2024
18h
11 décembre 2024
18h
Localisation:
Maison Shaughnessy Mot(s)-clé(s):
rénovation et de réhabilitation des bâtiments au Canada, table-ronde, économiques, environnementaux et légaux de la rénovation, notamment
Maison Shaughnessy Mot(s)-clé(s):
rénovation et de réhabilitation des bâtiments au Canada, table-ronde, économiques, environnementaux et légaux de la rénovation, notamment
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Numéro de référence:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Personnes et institutions:
Date:
1995-2000
1995-2000
Titre:
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Documents d’archives de Johan Bettum pour les projets de OCEAN North
Actions:
AP194
Résumé:
The Johan Bettum OCEAN North projects records, 1995-2000, consist of born-digital files and a physical drawing that document three projects by the OCEAN North collective: Synthetic Landscape (1995-2000), Jyväskylä Music and Arts Centre (competition, 1997), and Tölöö Football Stadium (competition, 1997). The archive also includes a small amount of additional born-digital reference materials on 11 projects from the collective, including the three projects mentioned above.
Classification:
archives
Niveau de description archivistique:
Fonds
archives
Niveau de description archivistique:
Fonds
Date:
1995-2000
1995-2000
Personnes et institutions:
Classification:
expositions
expositions
Titre:
La ville en jeux
La ville en jeux
Actions:
Description:
L’exposition La ville en jeux explore la manière dont on a représenté les villes et villages dans les jouets d’Europe et d’Amérique du Nord. Les 29 villes en jouet de l’exposition, tirées de la collection de jeux et jouets d’architecture du CCA, reflètent l’évolution des valeurs sociales en même temps que différentes façons de concevoir, d’organiser et de planifier le(...)
L’exposition La ville en jeux explore la manière dont on a représenté les villes et villages dans les jouets d’Europe et d’Amérique du Nord. Les 29 villes en jouet de l’exposition, tirées de la collection de jeux et jouets d’architecture du CCA, reflètent l’évolution des valeurs sociales en même temps que différentes façons de concevoir, d’organiser et de planifier le(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
22 octobre 1997 au 31 mai 1998
22 octobre 1997 au 31 mai 1998
Titre:
La ville en jeux
Actions:
Description:
L’exposition La ville en jeux explore la manière dont on a représenté les villes et villages dans les jouets d’Europe et d’Amérique du Nord. Les 29 villes en jouet de l’exposition, tirées de la collection de jeux et jouets d’architecture du CCA, reflètent l’évolution des valeurs sociales en même temps que différentes façons de concevoir, d’organiser et de planifier le(...)
La ville en jeux
Actions:
Description:
L’exposition La ville en jeux explore la manière dont on a représenté les villes et villages dans les jouets d’Europe et d’Amérique du Nord. Les 29 villes en jouet de l’exposition, tirées de la collection de jeux et jouets d’architecture du CCA, reflètent l’évolution des valeurs sociales en même temps que différentes façons de concevoir, d’organiser et de planifier le(...)
Classification:
expositions
expositions
Date:
22 octobre 1997 au
31 mai 1998
22 octobre 1997 au
31 mai 1998
Localisation:
Salle octogonale
Salle octogonale
