Environnement : manières d’agir pour demain s’attaque à des sujets d’actualité tels que la consommation d’énergie et les ressources naturelles, la question de limiter le contrôle de l’humanité sur l’environnement en raison de son immense capacité technologique, la recherche de ressources renouvelables et les meilleurs moyens pour les utiliser. À travers les travaux de(...)
Salles principales
18 octobre 2006 au 10 juin 2007
Environnement : manières d’agir pour demain
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Description:
Environnement : manières d’agir pour demain s’attaque à des sujets d’actualité tels que la consommation d’énergie et les ressources naturelles, la question de limiter le contrôle de l’humanité sur l’environnement en raison de son immense capacité technologique, la recherche de ressources renouvelables et les meilleurs moyens pour les utiliser. À travers les travaux de(...)
Salles principales
Sous-série
AP156.S5.SS1.D4
Description:
Le dossier documente les photographies prises par Jean Mohr et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab et du Capitol. Le matériel dans ce dossier a été produit entre 1955 et 1963. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jean Mohr and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University and the Capitol. The material in this file was produced between 1955 and 1963. The file contains photographs mounted on board.
between 1955 and 1963
Jean Mohr
Actions:
AP156.S5.SS1.D4
Description:
Le dossier documente les photographies prises par Jean Mohr et sélectionnées pour une exposition au Musée des Beaux-Arts de Besançon, en France, en 1971. Le dossier inclut des photographies de la vie quotidienne à Chandigarh, des résidences privées et gouvernementales, des écoles, de l'Université du Panjab et du Capitol. Le matériel dans ce dossier a été produit entre 1955 et 1963. Le dossier contient des photographies montées sur carton. File documents the photographs taken by Jean Mohr and selected for an exhibition at the Musée des Beaux-Arts at Besançon, in France, in 1971. The file includes photographs of everyday life in Chandigarh, private and governement residences, schools, the Panjab University and the Capitol. The material in this file was produced between 1955 and 1963. The file contains photographs mounted on board.
Dossier 4
between 1955 and 1963
Column Tower / Tower Column
DR2007:0017
Description:
Original sketch for "Lyons Tower" drawing; mixed media on lined paper, 6" x 8". The large final "Lyons Tower" drawing is in the CCA Collections. The realized Lyons Tower project, near Halifax, was published in Larry Richards Works, 1977-1980 (pp. 30-31) and in Domus no. 620, Septembre 1981, p.34. "Lyons Tower" was also exhibited in the 1981 Okanada exhibition in Berlin.
1979-1980
Column Tower / Tower Column
Actions:
DR2007:0017
Description:
Original sketch for "Lyons Tower" drawing; mixed media on lined paper, 6" x 8". The large final "Lyons Tower" drawing is in the CCA Collections. The realized Lyons Tower project, near Halifax, was published in Larry Richards Works, 1977-1980 (pp. 30-31) and in Domus no. 620, Septembre 1981, p.34. "Lyons Tower" was also exhibited in the 1981 Okanada exhibition in Berlin.
documents textuels
Kahn, Louis I.
ARCH104138
Description:
announcement of exhibitions, photocopies of articles, various documentation, photostats, photographs
1931, 1970-1971, 1978
Kahn, Louis I.
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ARCH104138
Description:
announcement of exhibitions, photocopies of articles, various documentation, photostats, photographs
documents textuels
1931, 1970-1971, 1978
Sous-série
Mies Centennial Project
AP032.S3.D2
Description:
Documents concerning the Mies van der Rohe Centennial Project (1983-1986) produced by the I.I.T. College of Architecture. Includes reports and planning, correspondence, notes, interviews, research and essays on Mies including personal papers related to Goldsmith from the 1960's. Also included are papers and brochures for Mies exhibitions at the Museum of Modern Art, New York, and the Art Institute of Chicago, Mies van der Rohe Drawings catalogue (text by Phyllis Lambert), clippings and copies of tribute to Mies issue Inland Architect magazine (1986).
1960-1986
Mies Centennial Project
Actions:
AP032.S3.D2
Description:
Documents concerning the Mies van der Rohe Centennial Project (1983-1986) produced by the I.I.T. College of Architecture. Includes reports and planning, correspondence, notes, interviews, research and essays on Mies including personal papers related to Goldsmith from the 1960's. Also included are papers and brochures for Mies exhibitions at the Museum of Modern Art, New York, and the Art Institute of Chicago, Mies van der Rohe Drawings catalogue (text by Phyllis Lambert), clippings and copies of tribute to Mies issue Inland Architect magazine (1986).
File 2
1960-1986
Projet
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
circa 1985-2015
Integrazioni [Integrations] (1985)
Actions:
AP207.S1.1985.PR01
Description:
The project series documents "Integrazioni" an installation by Pettena for the Expo Arte at the Galleria Megapoli in Bari in 1985. The installation consisted of a framed three dimensional 'picture' in which is placed two benches and a table, and perspective is added in with paint to give the impression of depth. "A picture that, for once, has a depth (so that you can enter it) is in fact a place, the place where names change, the place where natures change, the location of a shift between real and imaginary, a door opening onto a reality that is certainly imagined, but that you can pass through." [1] The project series contains sketches and photographs of the installation, and a leaflet from the Galleria Megapoli on the exhibition and the installations presented. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-integrations-1984/ (last accessed 11 December 2019).
Project
circa 1985-2015
Projet
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
1933-1934
Furniture Designs for Metz & Co, Amsterdam, Netherlands (1933-1934)
Actions:
CI005.S1.1933.PR1
Description:
The director of the Metz & Co interior design firm, Joseph de Leeuw, commissioned furniture designs from several prominent Dutch artists and architects, including Oud, Van der Leck and Rietveld. Oud's four chair designs were featured in the company's exhibition, "Steel Furniture in 1934." The chairs were made of steel frames; the third chair featured angular rear supports with sharp front angles adjoining the front, while in the fourth, the chair front and rear leg supports were crossed. Oud also designed four more chair types in 1934, including the 07 series, which received critical acclaim (Taverne et al. 2001, 375-377). Project series includes drawings of sketch perspectives of chairs, a sketch plan for a house and unidentified details, possibly for Metz & Co, as well as photographs of the chairs.
project
1933-1934
archives
Niveau de description archivistique:
Fonds
Joseph Rykwert fonds
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
1928-2022
Joseph Rykwert fonds
Actions:
AP209
Résumé:
The Joseph Rykwert fonds, 1928-2022, documents Joseph Rykwert’s career as an architectural historian, author and professor. The fonds includes the records for over a dozen monographs written between the mid-1960s and the mid-2010s as well as edited works and articles, and details his teaching and lecturing activities from the 1960s onwards in universities in Europe and the United States. The records highlight Joseph Rykwert’s multidisciplinary approach, which involved archaeology, anthropology and psychoanalysis in his study of the history and theory of architecture and of the urban form. The fonds is composed of textual records, publications and ephemera, and of photographs including multiple albums and a large number of slides; the fonds also documents Joseph Rykwert’s career as an independent designer through drawings realized between the late 1940s and the late 1970s.
archives
Niveau de description archivistique:
Fonds
1928-2022
À travers l'île
À travers Lile suit Xu Tiantian du DnA dans sa découverte des éléments essentiels, des points de pression et des problèmes sur le terrain déstabilisant quest locéan et son écosystème délicat de lîle de Meizhou. Il sagit du premier chapitre dune série de films et dexpositions en trois parties, intitulée Sur le terrain.
salles principales Mot(s)-clé(s):
Meizhou, Xu Tiantian, Irene Chin, Francesco Garutti, À travers l'île, sur le terrain, écologie, Carla Juaçaba, Joshua Frank, ecosystème
7 mai 2024 au 17 novembre 2024
À travers l'île
Actions:
Description:
À travers Lile suit Xu Tiantian du DnA dans sa découverte des éléments essentiels, des points de pression et des problèmes sur le terrain déstabilisant quest locéan et son écosystème délicat de lîle de Meizhou. Il sagit du premier chapitre dune série de films et dexpositions en trois parties, intitulée Sur le terrain.
salles principales Mot(s)-clé(s):
Meizhou, Xu Tiantian, Irene Chin, Francesco Garutti, À travers l'île, sur le terrain, écologie, Carla Juaçaba, Joshua Frank, ecosystème
Projet
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
2003-2006
The Collection building, Miami, United States (2003)
Actions:
AP164.S1.2003.D12
Description:
The project series documents the commission for the new Gallery Building in Miami, Florida, United States. The museum would include the Rosa de la Cruz and Craig Robins’ art collections. The building was designed to include temporary and permanent exhibitions’ showrooms, offices, architectural promenade, esplanade, interior patio with a garden, etc. The gallery was never built. The firm identified this project as number 175. Documenting the project are conceptual, design development and presentation drawings, correspondence, invoices, notes, agreements, proposals, and reference and graphic materials.
Project
2003-2006