43745 Résultats
Classification:
documents textuels
documents textuels
Numéro de référence:
DR2004:0108
Description:
three bound sections of the report, 'Air Structures: A Survey Commissioned by The Ministry of Public Building and Works', including the main report, appendices, and illustrations
DR2004:0108
Description:
three bound sections of the report, 'Air Structures: A Survey Commissioned by The Ministry of Public Building and Works', including the main report, appendices, and illustrations
Personnes et institutions:
Titre:
'Air Structures: A Survey Commissioned by The Ministry of Public Building and Works'
Actions:
DR2004:0108
Description:
three bound sections of the report, 'Air Structures: A Survey Commissioned by The Ministry of Public Building and Works', including the main report, appendices, and illustrations
'Air Structures: A Survey Commissioned by The Ministry of Public Building and Works'
Actions:
DR2004:0108
Description:
three bound sections of the report, 'Air Structures: A Survey Commissioned by The Ministry of Public Building and Works', including the main report, appendices, and illustrations
Classification:
documents textuels
documents textuels
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
DR2006:0066
Description:
perspective view of building exterior, a version of which was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), p. 25 and captioned as 'edge of battery housing block'
DR2006:0066
Description:
perspective view of building exterior, a version of which was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), p. 25 and captioned as 'edge of battery housing block'
Personnes et institutions:
Date:
1965
1965
Titre:
Potteries Thinkbelt: Perspective view for transfer area
Actions:
DR2006:0066
Description:
perspective view of building exterior, a version of which was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), p. 25 and captioned as 'edge of battery housing block'
Potteries Thinkbelt: Perspective view for transfer area
Actions:
DR2006:0066
Description:
perspective view of building exterior, a version of which was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), p. 25 and captioned as 'edge of battery housing block'
Classification:
dessins
dessins
Date:
1965
1965
Personnes et institutions:
Classification:
expositions
expositions
Actions:
Description:
Réalisme et illusion : Photographies des parcs thématiques de Disney par Catherine Wagner présente un essai visuel des quatre parcs thématiques de Disney situés à Anaheim (Californie), à Orlando (Floride), à Tokyo et à Paris. Fascinée par la place prépondérante de l’illusion dans la conception et l’aménagement des parcs, Catherine Wagner désirait ajouter « une couche(...)
Réalisme et illusion : Photographies des parcs thématiques de Disney par Catherine Wagner présente un essai visuel des quatre parcs thématiques de Disney situés à Anaheim (Californie), à Orlando (Floride), à Tokyo et à Paris. Fascinée par la place prépondérante de l’illusion dans la conception et l’aménagement des parcs, Catherine Wagner désirait ajouter « une couche(...)
Localisation:
Salle octogonale
Salle octogonale
Date:
17 juin 1997 au 28 septembre 1997
17 juin 1997 au 28 septembre 1997
Titre:
Réalisme et illusion : photographies des parcs thématiques de Disney par Catherine Wagner
Actions:
Description:
Réalisme et illusion : Photographies des parcs thématiques de Disney par Catherine Wagner présente un essai visuel des quatre parcs thématiques de Disney situés à Anaheim (Californie), à Orlando (Floride), à Tokyo et à Paris. Fascinée par la place prépondérante de l’illusion dans la conception et l’aménagement des parcs, Catherine Wagner désirait ajouter « une couche(...)
Réalisme et illusion : photographies des parcs thématiques de Disney par Catherine Wagner
Actions:
Description:
Réalisme et illusion : Photographies des parcs thématiques de Disney par Catherine Wagner présente un essai visuel des quatre parcs thématiques de Disney situés à Anaheim (Californie), à Orlando (Floride), à Tokyo et à Paris. Fascinée par la place prépondérante de l’illusion dans la conception et l’aménagement des parcs, Catherine Wagner désirait ajouter « une couche(...)
Classification:
expositions
expositions
Date:
17 juin 1997 au
28 septembre 1997
17 juin 1997 au
28 septembre 1997
Localisation:
Salle octogonale
Salle octogonale
Classification:
événements
événements
Titre:
L’enseignement de… Rome
L’enseignement de… Rome
Actions:
Description:
Le cinéaste et photographe Armin Linke fait le point sur les changements sociétaux, la complexité culturelle et la beauté de la Rome contemporaine à travers deux courts métrages et des photographies d’architecture tirées de ses propres archives. Le premier film capture l’envol de 100 000 étourneaux qui se révèle une véritable chorégraphie avec Rome en toile de fond. Linke(...)
Le cinéaste et photographe Armin Linke fait le point sur les changements sociétaux, la complexité culturelle et la beauté de la Rome contemporaine à travers deux courts métrages et des photographies d’architecture tirées de ses propres archives. Le premier film capture l’envol de 100 000 étourneaux qui se révèle une véritable chorégraphie avec Rome en toile de fond. Linke(...)
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Date:
5 mars 2009
5 mars 2009
Titre:
L’enseignement de… Rome
Actions:
Description:
Le cinéaste et photographe Armin Linke fait le point sur les changements sociétaux, la complexité culturelle et la beauté de la Rome contemporaine à travers deux courts métrages et des photographies d’architecture tirées de ses propres archives. Le premier film capture l’envol de 100 000 étourneaux qui se révèle une véritable chorégraphie avec Rome en toile de fond. Linke(...)
L’enseignement de… Rome
Actions:
Description:
Le cinéaste et photographe Armin Linke fait le point sur les changements sociétaux, la complexité culturelle et la beauté de la Rome contemporaine à travers deux courts métrages et des photographies d’architecture tirées de ses propres archives. Le premier film capture l’envol de 100 000 étourneaux qui se révèle une véritable chorégraphie avec Rome en toile de fond. Linke(...)
Classification:
événements
événements
Date:
5 mars 2009
5 mars 2009
Localisation:
Théâtre Paul-Desmarais
Théâtre Paul-Desmarais
Classification:
événements
événements
Actions:
Description:
La chercheure en résidence Katie Lloyd Thomas présente sa recherche: Au Royaume-Uni, lappellation et la sélection des produits de construction — ou «achats» au nom du client — ne sont devenues une partie intégrale du rôle de larchitecte que lors de la vaste expansion de la production de masse dans les années 1930. Ces transformations radicales, largement ignorées(...)
La chercheure en résidence Katie Lloyd Thomas présente sa recherche: Au Royaume-Uni, lappellation et la sélection des produits de construction — ou «achats» au nom du client — ne sont devenues une partie intégrale du rôle de larchitecte que lors de la vaste expansion de la production de masse dans les années 1930. Ces transformations radicales, largement ignorées(...)
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Date:
20 juillet 2017, 18h
20 juillet 2017, 18h
Titre:
Séminaire de chercheur en résidence : Katie Lloyd Thomas
Actions:
Description:
La chercheure en résidence Katie Lloyd Thomas présente sa recherche: Au Royaume-Uni, lappellation et la sélection des produits de construction — ou «achats» au nom du client — ne sont devenues une partie intégrale du rôle de larchitecte que lors de la vaste expansion de la production de masse dans les années 1930. Ces transformations radicales, largement ignorées(...)
Séminaire de chercheur en résidence : Katie Lloyd Thomas
Actions:
Description:
La chercheure en résidence Katie Lloyd Thomas présente sa recherche: Au Royaume-Uni, lappellation et la sélection des produits de construction — ou «achats» au nom du client — ne sont devenues une partie intégrale du rôle de larchitecte que lors de la vaste expansion de la production de masse dans les années 1930. Ces transformations radicales, largement ignorées(...)
Classification:
événements
événements
Date:
20 juillet 2017
18h
20 juillet 2017
18h
Localisation:
Maison Shaughnessy
Maison Shaughnessy
Niveau de description archivistique:
Projet
Projet
Titre:
Parable series
Parable series
Numéro de référence:
AP041.S1.1990.D3
Description:
The project series documents the series of photography based works entitled "The Parable Series" realized in 1990.
AP041.S1.1990.D3
Description:
The project series documents the series of photography based works entitled "The Parable Series" realized in 1990.
Personnes et institutions:
Date:
1990
1990
Titre:
Parable series
Actions:
AP041.S1.1990.D3
Description:
The project series documents the series of photography based works entitled "The Parable Series" realized in 1990.
Parable series
Actions:
AP041.S1.1990.D3
Description:
The project series documents the series of photography based works entitled "The Parable Series" realized in 1990.
Niveau de description archivistique:
Project
Project
Date:
1990
1990
Personnes et institutions:
Classification:
dessins
dessins
Numéro de référence:
AP018.S1.1984.PR03.001
Description:
These are copies of drawings prepared by Ross & Macdonald originally dating from 1913-1918, and one prepared by Public Works of Canada originally dating from 1954.
AP018.S1.1984.PR03.001
Description:
These are copies of drawings prepared by Ross & Macdonald originally dating from 1913-1918, and one prepared by Public Works of Canada originally dating from 1954.
Personnes et institutions:
Date:
circa 1984
circa 1984
Titre:
Plans, sections, elevations, details and structural drawings from earlier addition, Toronto Union Station, Exterior Cleaning of Facades and Colonnades, Toronto
Actions:
AP018.S1.1984.PR03.001
Description:
These are copies of drawings prepared by Ross & Macdonald originally dating from 1913-1918, and one prepared by Public Works of Canada originally dating from 1954.
Plans, sections, elevations, details and structural drawings from earlier addition, Toronto Union Station, Exterior Cleaning of Facades and Colonnades, Toronto
Actions:
AP018.S1.1984.PR03.001
Description:
These are copies of drawings prepared by Ross & Macdonald originally dating from 1913-1918, and one prepared by Public Works of Canada originally dating from 1954.
Classification:
dessins
dessins
Date:
circa 1984
circa 1984
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Personnes et institutions:
Date:
circa 1974-1975
circa 1974-1975
Titre:
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
São Victor, Porto
Actions:
CD034.S1.1974.PR04
Description:
This project series contains reproductions of photographs, drawings and panels displayed in the exhibit to document the São Victor neighbourhood, in Porto, Portugal. The exhibit text explained that: ... the group of 12 houses built for the São Victor neighbourhood was one of SAAL's most important operations, despite the fact that only a small part of the project was carried out. Maintaining the urban fabric of the 'ilhas' (islands) and their internal community ties, the São Victor design combined the responsiveness inherent in the participatory nature of the project with architectural and technical precision. An important case study, it led Álvaro Siza Vieira, the project architect, being invited to design projects in Berlin and The Hague in the following decade. In many aspects, São Victor represents an ethically and politically-minded architectural practice, with a stress on understanding the link between being responsive to the voice of the people and the permanence of architectural design. (The SAAL Process, Housing in Portugal 1974–76) Álvaro Siza worked for SAAL/North with Adalberto Dias, Domingos Tavares, Eduardo Souto de Moura, Francisco Guedes, Graça Nieto, Manuel Borges, Manuela Sambade, Paula Cabral and the residents' association S. Victor, that was founded on April 14th, 1975. The first phase of the project included 32 dwellings and the second, 20 dwellings. The operation began in November 1974, with a construction date in October 1975. This project series contains reproductions of design development drawings, exhibition panels and photographs. The original material was produced around 1974-1975 and were reproduced in 2015 for the exhibit.
Niveau de description archivistique:
Project
Project
Date:
circa 1974-1975
circa 1974-1975
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Numéro de référence:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Personnes et institutions:
Date:
between 1919 and 1920
between 1919 and 1920
Titre:
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Bruno Taut
Actions:
AP162.S8
Description:
Series documents the contribution of architect Bruno Taut to the correspondence circle of Die gläserne Kette. Bruno Taut participated under the pseudonym Glas. Born in 1880 in Königsberg, Germany, Bruno Taut studied architecture at the Bauwerkschule in Königsberg. After working in architectural firms from 1903 to 1909, he worked in partnership with Franz Hoffman and later with his brother Max Taut. Bruno Taut undertook various architectural projects including housing projects, public commissions, and later projects for universities and schools. In 1918, he founded the Arbeisrat für Kunst, a union of architects, painters, writers and other artists based in Berlin and dedicated to bring architectural and artisit tendencies of the time to a broader public. This union also involved some members of the Die gläserne Kette circle. Between 1920 and 1921, Bruno Taut was editor to the magazine "Frühlich". He taught architecture at the Technische Hochschule at Berlin-Charlottenburg from 1930 to 1932, and undertook a working visit in Russia in 1932 to 1933. After spending time in Japan between 1933 and 1936 due to enforced emigration, he taught at the Academy of Arts in Istanbul. He died in Istanbul in 1938. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) This series comprises part of Bruno Taut's correspondence to the Die gläserne Kette circle, along with related drawings and documents. The series also includes photographic materials of some of his architectural projects.
Niveau de description archivistique:
series
series
Date:
between 1919 and 1920
between 1919 and 1920
Personnes et institutions:
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Numéro de référence:
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Personnes et institutions:
Date:
1963-1967
1963-1967
Titre:
Collection May Cutler sur Expo 67
Actions:
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Collection May Cutler sur Expo 67
Actions:
CD047
Résumé:
The May Cutler collection comprises Expo'67 material assembled by May Cutler for a never-realized publication. The collection contains 862 photographic records, 32 textual records and 1 phonograph record related to Expo 67 (1963-1967). 10 additional photographs on other world's fairs, and 1 phonograph record and 1 textual record on the 1968 exhibition 'Man and His World' are also included. The documents were primarily produced between 1963 and 1967, but also include documents from 1914-1915, 1958 and 1968.
Classification:
archives
Niveau de description archivistique:
Collection
archives
Niveau de description archivistique:
Collection
Date:
1963-1967
1963-1967
Personnes et institutions:
