56716 Résultats
Classification:
photographies
photographies
Numéro de référence:
ARCH276955
Description:
Group contains presentation slides for various projects. Includes Man in the Community Pavilion, Expo '67, Canadian Pavilion, Expo '70, Madrid Fairgrounds Masterplan, Simon Fraser University, Bradley House, Eppich II House, Keevil House, Grant House, Bagley Wright House, Vancouver Art Gallery, University of California Biological Sciences Building, UBC Library, Ohio State University, Museum of Anthropology and others.
ARCH276955
Description:
Group contains presentation slides for various projects. Includes Man in the Community Pavilion, Expo '67, Canadian Pavilion, Expo '70, Madrid Fairgrounds Masterplan, Simon Fraser University, Bradley House, Eppich II House, Keevil House, Grant House, Bagley Wright House, Vancouver Art Gallery, University of California Biological Sciences Building, UBC Library, Ohio State University, Museum of Anthropology and others.
Personnes et institutions:
Titre:
Presentation slides for various projects
Actions:
ARCH276955
Description:
Group contains presentation slides for various projects. Includes Man in the Community Pavilion, Expo '67, Canadian Pavilion, Expo '70, Madrid Fairgrounds Masterplan, Simon Fraser University, Bradley House, Eppich II House, Keevil House, Grant House, Bagley Wright House, Vancouver Art Gallery, University of California Biological Sciences Building, UBC Library, Ohio State University, Museum of Anthropology and others.
Presentation slides for various projects
Actions:
ARCH276955
Description:
Group contains presentation slides for various projects. Includes Man in the Community Pavilion, Expo '67, Canadian Pavilion, Expo '70, Madrid Fairgrounds Masterplan, Simon Fraser University, Bradley House, Eppich II House, Keevil House, Grant House, Bagley Wright House, Vancouver Art Gallery, University of California Biological Sciences Building, UBC Library, Ohio State University, Museum of Anthropology and others.
Classification:
photographies
photographies
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Personnes et institutions:
Date:
2012-2018
2012-2018
Titre:
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Human Wall (2012)
Actions:
AP207.S1.2012.PR07
Description:
The project series documents "Human Wall", an installation by Pettena presented at the Galleria Federico Luger in Milan, in 2012. The installation consists of a large rectangular surface handmade with clay and covered in imprints of hands and fingers. "A wall that is described as "human," certainly not just because it is made by man, but rather because the latter's intervention find expression in the choice of a natural material and in the sign that he leaves on its surface with his fingers." [1] Other editions of this installation were also presented at the Utah Museum of Contemporary Art in Salt Lake City, in 2012, and the exhibition "Architetture Naturali/Gianni Pettena" at the Kunst Meran/Merano Arte in Meran, in 2017. The project series contains design studies for the texturing of the wall, photographs of the installation, a video of the montage of the installation in Milan in 2011. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-human-wall-2012-1/ (last accessed 27 January 2020)
Niveau de description archivistique:
Project
Project
Date:
2012-2018
2012-2018
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
Personnes et institutions:
Date:
circa 1956-1959
circa 1956-1959
Titre:
J.D. Crashley Residence, Toronto (1956-1965)
Actions:
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
J.D. Crashley Residence, Toronto (1956-1965)
Actions:
AP018.S1.1956.PR01
Description:
This project series documents the design of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1956-1965. The office identified the project number as 5614. This project consisted of the design for a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The construction of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1959.PR03 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through drawings dating from approximately 1956-1959. The majority of these drawings are original design drawings.
Niveau de description archivistique:
Project
Project
Date:
circa 1956-1959
circa 1956-1959
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
Personnes et institutions:
Date:
1962-1963
1962-1963
Titre:
J.D. Crashley Residence, Toronto (1959)
Actions:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
J.D. Crashley Residence, Toronto (1959)
Actions:
AP018.S1.1959.PR03
Description:
This project series documents the construction of the residence of J.D. Crashley at 3 Old George Place in Toronto, Ontario from 1959-1965. The office identified the project number as 5959. This project consisted of the construction of a T-shaped, one storey home for J.D. Crashley, who was a prominent Toronto entrepreneur and president of the Art Gallery of Ontario in the 1970s. Only the garage was visible from the street, with one of the stems of the T extending over into the adjacent ravine, creating two levels to the residence. The exterior of the residence was largely field stone with brick on some walls. The design of this home is recorded under a separate project number, assigned by the office (see project series AP018.S1.1956.PR01 in this fonds). Today, the house enjoys special heritage status in Ontario, although the highly controversial addition of a second floor was recently completed. The project is recorded through original drawings dating from 1962-1963 The majority of these drawings are for construction.
Niveau de description archivistique:
Project
Project
Date:
1962-1963
1962-1963
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP144.S2.D93
Description:
File documents studies for temporary, moveable transportation exchanges. Three site-independent proposals are outlined for sea, land and air transportation: 'Dock Ahoy', a proposal for docks; 'Trucksafe', a truck park; and 'Air Portable', a limited-life airport. "The projects are concerned with finding flexible solutions to problems which occur when conditions change within a transportation network [...] the projects should be a further physical recognition of the value of short term toys." (Cedric Price, textual records). Preliminary design development drawings show plans for parking lot layouts for 'Air Portable'. Charts and graphs include aircraft and boat capacity studies, runway and cargo studies, and value/weight import graphs. Textual records contain correspondence regarding a possible exhibition of this material at the Walker Art Center in 1980. Some material from this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 31. File contains conceptual drawings, design development drawings, and textual records.
AP144.S2.D93
Description:
File documents studies for temporary, moveable transportation exchanges. Three site-independent proposals are outlined for sea, land and air transportation: 'Dock Ahoy', a proposal for docks; 'Trucksafe', a truck park; and 'Air Portable', a limited-life airport. "The projects are concerned with finding flexible solutions to problems which occur when conditions change within a transportation network [...] the projects should be a further physical recognition of the value of short term toys." (Cedric Price, textual records). Preliminary design development drawings show plans for parking lot layouts for 'Air Portable'. Charts and graphs include aircraft and boat capacity studies, runway and cargo studies, and value/weight import graphs. Textual records contain correspondence regarding a possible exhibition of this material at the Walker Art Center in 1980. Some material from this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 31. File contains conceptual drawings, design development drawings, and textual records.
Personnes et institutions:
Date:
1973-1990, predominant 1973-1979
1973-1990, predominant 1973-1979
Titre:
Trucksafe Air Portable Dock Ahoy
Actions:
AP144.S2.D93
Description:
File documents studies for temporary, moveable transportation exchanges. Three site-independent proposals are outlined for sea, land and air transportation: 'Dock Ahoy', a proposal for docks; 'Trucksafe', a truck park; and 'Air Portable', a limited-life airport. "The projects are concerned with finding flexible solutions to problems which occur when conditions change within a transportation network [...] the projects should be a further physical recognition of the value of short term toys." (Cedric Price, textual records). Preliminary design development drawings show plans for parking lot layouts for 'Air Portable'. Charts and graphs include aircraft and boat capacity studies, runway and cargo studies, and value/weight import graphs. Textual records contain correspondence regarding a possible exhibition of this material at the Walker Art Center in 1980. Some material from this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 31. File contains conceptual drawings, design development drawings, and textual records.
Trucksafe Air Portable Dock Ahoy
Actions:
AP144.S2.D93
Description:
File documents studies for temporary, moveable transportation exchanges. Three site-independent proposals are outlined for sea, land and air transportation: 'Dock Ahoy', a proposal for docks; 'Trucksafe', a truck park; and 'Air Portable', a limited-life airport. "The projects are concerned with finding flexible solutions to problems which occur when conditions change within a transportation network [...] the projects should be a further physical recognition of the value of short term toys." (Cedric Price, textual records). Preliminary design development drawings show plans for parking lot layouts for 'Air Portable'. Charts and graphs include aircraft and boat capacity studies, runway and cargo studies, and value/weight import graphs. Textual records contain correspondence regarding a possible exhibition of this material at the Walker Art Center in 1980. Some material from this file was published in 'Cedric Price-Works II' (London: Architectural Press, 1984), 18, 31. File contains conceptual drawings, design development drawings, and textual records.
Niveau de description archivistique:
File 93
File 93
Date:
1973-1990, predominant 1973-1979
1973-1990, predominant 1973-1979
Personnes et institutions:
Niveau de description archivistique:
Série(s)
Série(s)
Titre:
Digital material
Digital material
Numéro de référence:
AP165.S7
Description:
The Digital material series, 1980 – 2000, consists of 3398 digital files (2 GB) that relate to the engineering and invention of Hoberman’s patented transformable design, as well as the functions and activities of his company, Hoberman Associates, Inc. Material includes 1871 AutoCAD Drawing files, 952 AutoLISP files, 589 Microsoft Word Document files, and a number of text files, image files and spreadsheet files. The majority of the records date from the mid to late 1990’s. AutoCAD drawings relate to the design of art installations, toy products, and architectural structures, as well as industrial patents and production drawings that detail the manufacturing and assembly of parts. The series also includes scripts created by Hoberman for customized command within the AutoCAD environment. Company records of Hoberman Associates include correspondence with customers and clients, project descriptions, exhibition proposals, product manufacturing and pricing details, patent documentation, intellectual property information, agreements and legal documents concerning counterfeit toy products.
AP165.S7
Description:
The Digital material series, 1980 – 2000, consists of 3398 digital files (2 GB) that relate to the engineering and invention of Hoberman’s patented transformable design, as well as the functions and activities of his company, Hoberman Associates, Inc. Material includes 1871 AutoCAD Drawing files, 952 AutoLISP files, 589 Microsoft Word Document files, and a number of text files, image files and spreadsheet files. The majority of the records date from the mid to late 1990’s. AutoCAD drawings relate to the design of art installations, toy products, and architectural structures, as well as industrial patents and production drawings that detail the manufacturing and assembly of parts. The series also includes scripts created by Hoberman for customized command within the AutoCAD environment. Company records of Hoberman Associates include correspondence with customers and clients, project descriptions, exhibition proposals, product manufacturing and pricing details, patent documentation, intellectual property information, agreements and legal documents concerning counterfeit toy products.
Personnes et institutions:
Date:
1980 - 2000
1980 - 2000
Titre:
Digital material
Actions:
AP165.S7
Description:
The Digital material series, 1980 – 2000, consists of 3398 digital files (2 GB) that relate to the engineering and invention of Hoberman’s patented transformable design, as well as the functions and activities of his company, Hoberman Associates, Inc. Material includes 1871 AutoCAD Drawing files, 952 AutoLISP files, 589 Microsoft Word Document files, and a number of text files, image files and spreadsheet files. The majority of the records date from the mid to late 1990’s. AutoCAD drawings relate to the design of art installations, toy products, and architectural structures, as well as industrial patents and production drawings that detail the manufacturing and assembly of parts. The series also includes scripts created by Hoberman for customized command within the AutoCAD environment. Company records of Hoberman Associates include correspondence with customers and clients, project descriptions, exhibition proposals, product manufacturing and pricing details, patent documentation, intellectual property information, agreements and legal documents concerning counterfeit toy products.
Digital material
Actions:
AP165.S7
Description:
The Digital material series, 1980 – 2000, consists of 3398 digital files (2 GB) that relate to the engineering and invention of Hoberman’s patented transformable design, as well as the functions and activities of his company, Hoberman Associates, Inc. Material includes 1871 AutoCAD Drawing files, 952 AutoLISP files, 589 Microsoft Word Document files, and a number of text files, image files and spreadsheet files. The majority of the records date from the mid to late 1990’s. AutoCAD drawings relate to the design of art installations, toy products, and architectural structures, as well as industrial patents and production drawings that detail the manufacturing and assembly of parts. The series also includes scripts created by Hoberman for customized command within the AutoCAD environment. Company records of Hoberman Associates include correspondence with customers and clients, project descriptions, exhibition proposals, product manufacturing and pricing details, patent documentation, intellectual property information, agreements and legal documents concerning counterfeit toy products.
Niveau de description archivistique:
Series 7
Series 7
Date:
1980 - 2000
1980 - 2000
Personnes et institutions:
Niveau de description archivistique:
Projet
Projet
Numéro de référence:
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
Personnes et institutions:
Date:
between 1979 and 1984?
between 1979 and 1984?
Titre:
George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979)
Actions:
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979)
Actions:
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
Niveau de description archivistique:
Project
Project
Date:
between 1979 and 1984?
between 1979 and 1984?
Personnes et institutions:
Actions:
Numéro de référence:
ARCH285894
Description:
- Super 8: Venturi, Wurman, Latourelle, NJ Shore, December 1971 (2 total). - VHS: New York Tonight 12/18/02 ; 12/18/03 ; 07/16/03 ; WTC Design Plans Interview John Shimkus; Social History of Art UCLA lecture; CBS; National Geographic WTC Model; WTC Design Discussion; Kyon Park (11 total). - DVD: Azrieli Lecture series; James Frazier Stirling (2 total).
ARCH285894
Description:
- Super 8: Venturi, Wurman, Latourelle, NJ Shore, December 1971 (2 total). - VHS: New York Tonight 12/18/02 ; 12/18/03 ; 07/16/03 ; WTC Design Plans Interview John Shimkus; Social History of Art UCLA lecture; CBS; National Geographic WTC Model; WTC Design Discussion; Kyon Park (11 total). - DVD: Azrieli Lecture series; James Frazier Stirling (2 total).
Date:
2003-07-17
2003-07-17
Titre:
Video recording of New York Tonight featuring discussion of WTC design
Actions:
ARCH285894
Description:
- Super 8: Venturi, Wurman, Latourelle, NJ Shore, December 1971 (2 total). - VHS: New York Tonight 12/18/02 ; 12/18/03 ; 07/16/03 ; WTC Design Plans Interview John Shimkus; Social History of Art UCLA lecture; CBS; National Geographic WTC Model; WTC Design Discussion; Kyon Park (11 total). - DVD: Azrieli Lecture series; James Frazier Stirling (2 total).
Video recording of New York Tonight featuring discussion of WTC design
Actions:
ARCH285894
Description:
- Super 8: Venturi, Wurman, Latourelle, NJ Shore, December 1971 (2 total). - VHS: New York Tonight 12/18/02 ; 12/18/03 ; 07/16/03 ; WTC Design Plans Interview John Shimkus; Social History of Art UCLA lecture; CBS; National Geographic WTC Model; WTC Design Discussion; Kyon Park (11 total). - DVD: Azrieli Lecture series; James Frazier Stirling (2 total).
Date:
2003-07-17
2003-07-17
Classification:
recherche
recherche
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Date:
juin 2017 au août 2017
juin 2017 au août 2017
Titre:
Programme pour les doctorants 2017
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Programme pour les doctorants 2017
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Classification:
recherche
recherche
Date:
juin 2017 au
août 2017
juin 2017 au
août 2017
Classification:
recherche
recherche
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Date:
juin 2017 au août 2017
juin 2017 au août 2017
Titre:
Programme pour les étudiants à la maîtrise : Au sujet de l’Afrique
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Programme pour les étudiants à la maîtrise : Au sujet de l’Afrique
Actions:
Description:
Subventions de recherche Groupe Banque TD dans la collection du CCA : Matthew Allen (Harvard University, Graduate School of Design); Christianna Bonin (Massachusetts Institute of Technology, Department of Architecture); Rui Brochado de Morais e Castro (University of Pennsylvania, PennDesign); Gökhan Kodalak (Cornell University, College of Architecture, Art and Planning);(...)
Classification:
recherche
recherche
Date:
juin 2017 au
août 2017
juin 2017 au
août 2017
